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MATILDE DI SHABRAN (Original Rome Version) Angelini • Blanch • Yarovaya Mastrototaro • Zong • Franco Seguel • Beuque • Henao

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MATILDE DI SHABRAN (Original Rome Version) Angelini • Blanch • Yarovaya Mastrototaro • Zong • Franco Seguel • Beuque • Henao ROSSINI MATILDE DI SHABRAN (original Rome version) Angelini • Blanch • Yarovaya Mastrototaro • Zong • Franco Seguel • Beuque • Henao Górecki Chamber Choir Passionart Orchestra José Miguel Pérez-Sierra WORLD PREMIERE RECORDING Sinfonia ( Qual ti sembro? 1:40 1 Moderato – Allegro brillante 9:30 (Matilde, Aliprando) Gioachino ) Ah! di veder già parmi 3:22 Act I (Aliprando, Matilde) ROSSINI Recitativo (1792–1868) No. 1. Introduzione ¡ Sì, vezzosa Matilde 3:06 2 Zitti, zitti; nessun qui v’è 4:10 (Aliprando, Matilde, Ginardo) (Coro, Egoldo, Ginardo) No. 6. Quintetto Matilde di Shabran 3 Chi vi guida a queste mura? 6:06 ™ Questa è la dea? Che aria! 4:23 (Ginardo, Coro, Egoldo) (Contessa, Matilde, Aliprando, Ginardo) ossia Bellezza, e cuor di ferro 4 Se viene il Cerbero fioccano i guai 3:13 £ Che strepito è mai questo? 3:34 Melodramma giocoso (opera semiseria) in two acts (original Rome version, 1821) (Ginardo, Coro) (Corradino, Contessa, Matilde, Libretto by Jacopo Ferretti (1784–1852) Recitativo Aliprando, Ginardo) First performance: 24 February 1821 at the Teatro Apollo, Rome, Italy 5 Vanno via come il vento 0:51 ¢ Dallo stupore oppresso 6:13 (Ginardo) (Corradino, Aliprando, Ginardo, No. 2. Cavatina Matilde, Contessa) Corradino ................................................................................................ Michele Angelini, Tenor 6 Intanto Erminia fra le ombrose piante 4:46 ∞ Signor, men vado o resto? 1:13 Matilde di Shabran ................................................................................ Sara Blanch, Soprano (Isidoro) (Contessa, Corradino, Matilde, 7 Ma questo castellano 2:26 Ginardo, Aliprando) Raimondo Lopez ...................................................................................................Shi Zong, Bass (Isidoro) § Ch’io fugga ha già timore 5:58 Edoardo Lopez ........................................................................... Victoria Yarovaya, Contralto Recitativo (Matilde, Corradino, Aliprando, Aliprando .......................................................................................Emmanuel Franco, Baritone 8 Chi siete? Che volete? 1:00 Ginardo, Contessa) (Ginardo, Isidoro) Recitativo Isidoro ..........................................................................................Giulio Mastrototaro, Baritone No. 3. Quartetto ¶ Alla Contessa d’Arco un tal oltraggio! 1:32 Contessa d’Arco ..................................................................Lamia Beuque, Mezzo-soprano 9 Alma rea! Perché t’involi? 6:07 (Contessa, Matilde, Ginardo) Ginardo .....................................................................................Ricardo Seguel, Bass-baritone (Corradino, Isidoro, Ginardo, Aliprando) No. 6bis. Coro d’Armigeri 0 Bella è l’ira in mezzo al campo 3:08 • Che ne dite? 3:28 .................................................................... Egoldo / Rodrigo Julian Henao Gonzalez, Tenor (Aliprando, Isidoro, Corradino, Ginardo) (Coro) ! Dottor, guarda che ceffo 1:08 Recitativo Górecki Chamber Choir (Corradino, Isidoro, Ginardo, Aliprando) ª Presto, Aliprando 3:46 @ Di te no, non mi fido 3:48 (Marcin Wróbel, Chorus Master • Mateusz Prendota, Artistic Director) (Corradino, Aliprando, Isidoro, Ginardo, Matilde) (Corradino, Isidoro, Ginardo, Aliprando) No. 7. Finale primo Passionart Orchestra (Janusz Wierzgacz, Director) Recitativo º Ah! Capisco: non parlate 8:36 # Prence, Matilde, giovanetta figlia 1:19 (Matilde, Corradino, Isidoro, Ginardo) José Miguel Pérez-Sierra (Aliprando, Corradino, Ginardo) ⁄ Piacere egual gli dei non ponno immaginar 2:21 Gianluca Ascheri, Music Assistant and Fortepiano No. 4. Recitativo e cavatina (Corradino, Matilde, Isidoro, Ginardo) $ Eccomi, e ognor lo stesso 2:09 ¤ Qual fragor? 1:12 Recorded: 16, 18 and 27 July 2019 at the Trinkhalle Bad Wildbad, Germany during the XXXI ROSSINI IN WILDBAD Festival (Edoardo, Corradino) (Corradino, Aliprando, Matilde) (Jochen Schönleber, Artistic Director) % Piange il mio ciglio, è vero 3:25 ‹ Smarrito, dubbioso, al suono di guerra 1:47 A co-production with DeutschlandRadio Kultur (Edoardo) (Edoardo, Rodrigo, Coro) Producer: Małgorzata Albińska-Frank · Engineer: Norbert Vossen · Editor: Stefan Lang ^ D’un tenero padre pensando al dolore 3:51 › New edition from contemporary sources by Florian Bauer for ROSSINI IN WILDBAD. Performed at the ROSSINI IN Altezza, guardate… 1:28 WILDBAD Festival under the title Corradino, cuor di ferro ossia Matilde di Shabran. Edition: penso-pr (Edoardo) (Ginardo, Aliprando, Isidoro, Contessa, The Italian libretto and notes in Italian may be accessed at www.naxos.com/libretti/660492.htm Recitativo Corradino, Edoardo, Matilde) & Signor, del bosco per la via s’avanza 0:45 fi Oh come mai quell’anima 2:37 (Ginardo, Corradino) (Matilde, Edoardo, Contessa, Corradino, No. 5. Duetto Aliprando, Isidoro, Ginardo) * Di capricci, di smorfiette 4:41 fl Vanne, pugna: trionfante ritorna 0:47 (Matilde, Aliprando) (Matilde, Corradino, Contessa, Edoardo) ‡ Come allor, che dall’erte pendici 3:34 j Fra quattro armigeri immantinente 4:13 Gioachino Rossini (1792–1868) (Corradino, Matilde, Edoardo, Aliprando, (Corradino, Matilde, Isidoro, Ginardo, Contessa, Ginardo, Rodrigo, Isidoro) Aliprando, Contessa) Matilde di Shabran, ossia Bellezza, e cuor di ferro (1821) Recitativo Rossini and the Roman Poets to accounts left by Sterbini, Ferretti and Geltrude Righetti k Act II Forse tardi parlasti 1:51 Giorgi (creator of the roles of Rosina and Cenerentola), (Edoardo, Matilde) The encounter between Rossini and Rome was rich enough we know why, in the case of Il barbiere, Rossini did not No. 8. Introduzione No. 12. Duetto on both a human and a musical level to constitute one of end up working with the designated librettist, Ferretti: the ° Settecento ottanta mila quattrocento ventitré* 2:38 l No; Matilde: non morrai* 4:34 the most significant chapters in the composer’s remarkable (Isidoro, Coro) (Edoardo, Matilde) composer thought it more appropriate to avail himself No. 9. Scena e cavatina m Vanne, o caro: a te m’affido* 2:19 life story, and its artistic results were significant enough of the services of a young poet who was clearly talented · Sarai contenta alfine 1:39 (Matilde, Edoardo) to put in perspective the rather clichéd view, prevalent in and, most importantly, more biddable than an established (Raimondo) n Sfoga pur, mia sorte irata 0:43 a certain strand of historiography, that early 19th-century writer and librettist such as Ferretti. And Sterbini has to be ‚ Ah! perché, perché la morte 4:37 (Matilde, Edoardo) Rome was a sleepy, culturally-backward provincial city. given credit for doing a good job of interpreting Rossini’s (Raimondo, Edoardo) o Ah! se m’ama il caro bene 3:40 The return of Pius VII to Rome in 1814 at the end of the demands, providing him with a libretto that is a masterpiece a Ah! Se ancora un’altra volta 4:00 (Matilde, Edoardo) Napoleonic Wars had put a definitive end to the period of of balance and free-flowing poetry, and which does not (Raimondo) Recitativo French rule over the Papal States – too brief to leave any have any of the occasional eccentricities of concept or plot Recitativo p Pietà, mi parli invano 1:09 meaningful traces – and despite the efforts of the Cardinal to be found in the librettos Ferretti wrote for the composer b Ah! Se questo è un bel sogno 0:31 (Corradino, Contessa, Edoardo, Ginardo) Secretary of State Ercole Consalvi, a skilled diplomat and in 1817 and 1821. (Raimondo, Corradino, Edoardo) No. 13. Recitativo e aria highly cultivated man, Rome had returned to an ancien Jacopo Ferretti (1784–1852), born into Rome’s No. 10. Recitativo e terzetto q Matilde non è rea! 1:50 régime atmosphere tempered, if only partially, by the innate bourgeoisie, combined a solid classical education with a c Padre…* 0:39 (Corradino, Isidoro, Contessa) energy of its cultural scene. Rossini in fact found it to be the wide knowledge of foreign languages and literature, as his (Edoardo, Raimondo, Corradino) r Anima mia, Matilde 3:34 ideal place in which to pursue his revitalisation of the buffo huge library demonstrates. A member of several of the city’s d Deh! serena il mesto ciglio* 4:54 (Corradino, Aliprando, Ginardo, Edoardo) genre, a process he had begun with L’Italiana in Algeri and leading intellectual academies (the Accademia degli Arcadi, (Edoardo, Raimondo, Corradino) s Qual sarà mai la gioia 3:27 continued with Il Turco in Italia. In particular, he found two Accademia Filarmonica, Accademia di Santa Cecilia and e All’armi, all’armi, o barbaro* 2:20 (Corradino, Aliprando, Ginardo, Edoardo) excellent librettists, Cesare Sterbini and Jacopo Ferretti, Accademia Tiberina), he published his first collection of (Edoardo, Raimondo, Corradino) Recitativo talented writers with the same sharp, satirical wit as the poems when he was barely 20, later devoting himself to Recitativo t Nel mezzo del cammin 2:35 poet Giuseppe Gioacchino Belli (so closely associated writing for the opera house, to which his agile, sparkling f Edoardo fuggì 4:02 (Isidoro, Corradino, Raimondo, Aliprando, with the Rome of the day) and which Rossini too, must to style was so well suited. Erudite and versatile, Ferretti (Contessa, Matilde, Isidoro, Ginardo, Corradino, Ginardo, Edoardo, Matilde) a large extent have shared. The city offered the composer worked in the theatrical world not only as a dramatist, but Aliprando, Rodrigo) No. 14. Scena e rondò finale a familiar, friendly and above all stimulating atmosphere, also as a journalist, critic, translator and populariser of No. 11. Sestetto
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