Gabbedy, John Phillip (Jack) (1906–1991)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
SA Police Gazette 1946
This sampler file contains various sample pages from the product. Sample pages will often include: the title page, an index, and other pages of interest. This sample is fully searchable (read Search Tips) but is not FASTFIND enabled. To view more samplers click here www.gould.com.au www.archivecdbooks.com.au · The widest range of Australian, English, · Over 1600 rare Australian and New Zealand Irish, Scottish and European resources books on fully searchable CD-ROM · 11000 products to help with your research · Over 3000 worldwide · A complete range of Genealogy software · Including: Government and Police 5000 data CDs from numerous countries gazettes, Electoral Rolls, Post Office and Specialist Directories, War records, Regional Subscribe to our weekly email newsletter histories etc. FOLLOW US ON TWITTER AND FACEBOOK www.unlockthepast.com.au · Promoting History, Genealogy and Heritage in Australia and New Zealand · A major events resource · regional and major roadshows, seminars, conferences, expos · A major go-to site for resources www.familyphotobook.com.au · free information and content, www.worldvitalrecords.com.au newsletters and blogs, speaker · Free software download to create biographies, topic details · 50 million Australasian records professional looking personal photo books, · Includes a team of expert speakers, writers, · 1 billion records world wide calendars and more organisations and commercial partners · low subscriptions · FREE content daily and some permanently The resolution of this sampler has been reduced from the original on CD to keep the file smaller for download. South Australian Police Gazette 1946 Ref. AU5103-1946 ISBN: 978 1 921494 85 7 This book was kindly loaned to Archive CD Books Australia by the South Australia Police Historical Society www.sapolicehistory.org Navigating this CD To view the contents of this CD use the bookmarks and Adobe Reader’s forward and back buttons to browse through the pages. -
GSQ Programme Notes Final
GOLDNER STRING QUARTET Photo: Keith Saunders from left: CONCOURSE Irina Morozova, viola CONCERT HALL Julian Smiles, 'cello CHATSWOOD Dimity Hall, violin Dene Olding, violin Friday 5 April 2019 PROGRAMME HAYDN String quartet in F major, Op 50 no 5, Hob III/48, The Dream BEETHOVEN String quartet no 11 in F minor, Op 95, Quartett[o] serioso INTERVAL SCHUBERT String quartet no 14 in D minor, D 810, Death and the Maiden PROGRAMME NOTES HAYDN - String Quartet in F major, Opus 50, no minuet with all instruments playing in unison. The 5 Hob III/48 The Dream trio creates a sense of order, gracefully bringing the movement back to its dignified opening. Allegro moderato / Poco adagio / Tempo di Menuetto: Allegretto/ Finale: Vivace The final movement is strongly rhythmic. It builds with a vibrant energy that propels the work to a Haydn was the first great master of the string sparkling conclusion. quartet form. He composed his Opus 50 set of six string quartets in 1787 when he was 57 years old, C. B. some three years before he had the opportunity BEETHOVEN - String quartet no 11 in F minor, after the death of Prince Nicholas Esterhazy to Op. 95 travel to London for the first time. The Op 50 quartets are thought to have been Haydn's Allegro con brio / Allegretto, ma non troppo / Allegro response to the set of string quartets Mozart had assai vivace, ma serioso / Larghetto espressivo – completed two years earlier and dedicated to Allegretto agitato – Allegro Haydn. The Op 50 works were dedicated to King Beethoven wrote String Quartet No 11 in 1810. -
No Substitute for Kindness
No Substitute for Kindness THE STORY OF MAY AND STANLEY SMITH No Substitute for Kindness THE STORY OF MAY AND STANLEY SMITH © 2017 The May and Stanley Smith Charitable Trust. All rights reserved. Contents ISBN 978-0-9965590-1-0 Written and produced by Personal History Productions LLC Foreword vii Acknowledgments ix Introduction xi Helping companies, organizations, and individuals record their histories ONE Stanley Smith’s Beginnings 1 NINE Trading in Postwar Hong Kong 109 as a legacy for families, employees, customers, beneficiaries, and the public. TWO School Days 11 T EN From Merchants to Miners 123 707.539.5559 THREE The Wandering Years 27 ELEVEN A New Approach to Human Resources 139 www.personalhistoryproductions.com FOUR Sydney to Singapore 39 TWELVE A Pair of Shrewd and Well-Connected Entrepreneurs 145 FI VE Secret Agent in Singapore 49 THIRTEEN Home in Singapore 151 SIX Decamping to Chungking 57 FOURTEEN Cold War to Cold Feet: Leaving Singapore 161 SEVEN A Privileged Girl in Troubled Times 75 FIFTEEN The End of a Good Run 173 EIGHT The Final War Years 93 SIXTEEN Life Without Stanley 189 Epilogue 199 Endnotes 203 Selected Bibliography 223 Image Credits 229 Index 231 v Foreword elling the story of Stanley and May Smith is like two men who became his friends late in life. The first putting together an old jigsaw puzzle, one whose is a batch of handwritten letters sent over the course of Tpieces have been tossed high in the sky and scat- his last 11 years to the headmaster of the private gram- tered far and wide around the globe, with some key bits mar school he attended in Australia. -
Australian Series Presented by Singapore Airlines
SEASON 2018 AUSTRALIAN SERIES PRESENTED BY SINGAPORE AIRLINES The CSO is assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body Black Seeds 2017, by Carol McGregor, possum skins, cotton, ochre, ash and resin, Redland Art Gallery Collection, acquired in 2017 with Redland Art gallery Acquisition Fund. REIMAGININGS SO FINE: CONTEMPORARY WOMEN ARTISTS MAKE AUSTRALIAN HISTORY Thursday 30 August, 2018 Gordon Darling Hall, NPG, 6.30–7.30pm Presented by Singapore Airlines Julian Smiles Cello CSO 2018 Artist-in-Focus Bernadette Harvey Piano --- MIRIAM HYDE Sonata in B minor for viola and piano arranged for cello and piano (1937) ELLA MACENS Oh, Sister for cello and piano (2016–17) World Premiere DON BANKS Sequence for solo cello (1967) LEANNE BEAR Art Nouveau (new commission 2018) World Premiere CARL VINE Strutt Sonata for cello and piano (2017) JULIAN SMILES — CELLO Julian Smiles has been a central figure in cello performance and teaching in Australia for over 25 years. He began his professional career when he was appointed principal cellist with the Australian Chamber Orchestra at the age of 19 and rapidly gained prominence as a chamber musician in performances for Musica Viva, Kathryn Selby and Friends and at the Huntington Estate Music Festival. In 1991 he was invited to join the Australia Ensemble@UNSW, and in 1995 formed the Goldner String Quartet with colleagues Dene Olding, Dimity Hall and Irina Morozova. With these two groups he has performed to critical acclaim at major venues and festivals throughout the world, made over 30 CDs on leading labels, and premiered many works by Australian and international composers. -
OOTS Program Final Print JM .Pdf
1 Compositional Note: Acknowledgement of Country Project Leader’s Introduction Out of the Shadows: rediscovering Jewish music and theatre would like to It’s a real privilege to introduce the international festival Out of the Shadows: pay respect to the elders and traditional owners of the land on which we rediscovering Jewish music and theatre, taking place in Sydney from August perform our works: the Gadigal people of the Eora Nation. As we share our 5th to 13th 2017. own knowledge, teaching, performance, learning and research practices may This is the fourth of five major festivals spanning the globe. Performing to we also pay respect to the knowledge embedded forever within the Aboriginal nearly 10,000 people in total, these have taken place in Madison, US, Leeds/ Custodianship of Country. York, UK, and Prague, Pilsen and Terezín, Czech Republic. The concluding festival will take place in Cape Town, South Africa in September 2017. Dean’s Welcome These festivals fall under the auspices of the UK Arts & Humanities Research On behalf of the Sydney Conservatorium of Music, the University of Sydney, it Council project Performing the Jewish Archive (www.ptja.leeds.ac.uk), a is my pleasure to welcome you to Out of the Shadows: rediscovering Jewish collaboration between the Universities of Leeds, York, Wisconsin-Madison and music and theatre, a festival organised by Performing the Jewish Archive Sydney, alongside 25 partner organisations around the world. (a British AHRC research project). Our project team seeks out and recovers artefacts from the vast hidden Dr Joseph Toltz, together with overseas project colleagues, has assembled accumulation of Jewish music and theatre that was forgotten or thought lost a festival of fascinating works created by Jewish refugee artists, involving because of the Holocaust, whether directly or indirectly. -
Inspired Giving 2015 Donor Honour Roll
Inspired Giving 2015 Donor honour roll In recognition of our supporters Thank you to all our donors The University of Sydney’s honour roll recognises the alumni, friends, organisations, foundations, individuals and estates who gave their generous support during 2015. We would also like to acknowledge the many anonymous donors who contributed to our success. We are profoundly grateful for your confidence in us and your belief in our work. The University of Sydney Donor honour roll 2015 2 Individuals $10,000,000+ Ivan Kennedy Phillip Titterton Hilda Kerkyasharian David Tribe Barry Lambert Stepan Kerkyasharian Bernhard Van Joy Lambert $10,000 AO Denhooven Chau Chak Wing - $99,999 Stephen Killelea AM Mary Weal Len Ainsworth David Kirk MBE Ted Weissel Huy An Juliet Kirkpatrick Gerald Westheimer $1,000,000 James Beattie William Kirkpatrick AM - $9,999,999 Jamie Bonic OAM John Whitehouse John Boultbee AM Warren Halloran AM Larry Kornhauser James Wiley Margaret Bowering Belinda Hutchinson AM Chung Lee Caroline Wilkinson Alec Brennan AM Roger Massy-Greene Lily Lee Sharyn Yelland David Burns Colin Sullivan AO Zhong Li Neil Burns Yow Beng Lim Alexander Charles Littrell $1000 - $9,999 Cambitoglou AO $100,000 Helen Maneas Gail Abrahams Alan Cameron AO Peter Maneas - $999,999 Kimberly Cartwright Rodney Adler Robert Marich Michael Ahrens Helen Breekveldt John Chalmers AC Patricia Mason Gloria Campey Evelyn Chan David Allen Graham Matheson Nicola Allen Ronald Campey Svetlana Cherepanoff Delia Mazzina Marcia Chalmers Robert Christie Timothy Allen Kevin -
The Role of Jan Sedivka in the Development of Australian
THE ROLE OF JAN SEDIVKA IN THE DEVELOPMENT OF AUSTRALIAN CONTEMPORARY STRING MUSIC BY ELINOR FRANCES MORRISBY B.Mus., Prague Conservatorium, 1973 M.Mus., Prague Conservatorium, 1975 Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Tasmania, Hobart August, 2009 DECLARATION OF ORIGINALITY This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information that is duly acknowledged in the thesis, and to the best of my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. This thesis may be made available for loan or limited copying in accordance with the Copyright Act 1968. iii~~~' Elinor Morrisby 111 ABSTRACT Since the settlement of Australia, the creation, publishing and performance of its string music has faced the vicissitudes of an emerging society geographically removed from mainstream musical history and influences. This thesis aims to establish the significance of Jan Sedivka on contemporary Australian string music. From his exposure to contemporary music in France, Sedivka performed and conducted twentieth century music in England for twenty-one years. Subsequently, he accepted a position at the Queensland Conservatorium, and from 1966, he taught and performed in Tasmania. There he established a Piano Trio that introduced contemporary music to the public, and was director of the String Summer Schools from 1971 to 1988 where students were exposed to contemporary European and Australian music. -
Actewagl Llewellyn Three
SEASON 2018 ACTEWAGL LLEWELLYN THREE The CSO is assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body New Combination “Bean” Lorry No.341 commissioned 31st December 1925. 117 YEARS OF POWERING PROGRESS TOGETHER Since 1901, Shell has invested in large projects which have contributed to the prosperity of the Australian economy. We value our partnerships with communities, governments and industry. And celebrate our longstanding partnership with the Canberra Symphony Orchestra. shell.com.au Photograph courtesy of The University of Melbourne Archives 2008.0045.0601 SHA3112_CSO_245x172.indd 1 19/01/2018 11:11 AM ACTEWAGL LLEWELLYN THREE Wednesday 18 July Thursday 19 July, 2018 Estimated Durations: Llewellyn Hall, ANU, 7.30pm BRAHMS 10 minutes, Pre-concert talk 6.45pm BEETHOVEN 33 minutes, 20 minute interval, Nicholas Milton AM Conductor ELGAR 29 minutes Artistic patronage ActewAGL Dimity Hall Violin Julian Smiles Cello Julian Smiles is 2018 CSO Artist-in-Focus Piers Lane AO Piano BRAHMS Academic Festival Overture, Op.80 Allegro moderato Adagio New Combination “Bean” Lorry No.341 commissioned 31st December 1925. Allegro moderato BEETHOVEN Concerto in C for piano, violin and cello, Op.56 Allegro Largo – 117 YEARS OF POWERING Rondo alla Polacca INTERVAL PROGRESS TOGETHER ELGAR Variations on an Original Theme, Op.36 Enigma Since 1901, Shell has invested in large projects which have contributed to the prosperity of the Australian economy. We value our partnerships with communities, governments and industry. And celebrate our longstanding partnership with the Canberra Symphony Orchestra. We acknowledge and celebrate the First Australians on whose traditional lands we meet, and pay our 18031 respect to the elders of the Ngunnawal people past and present. -
State Library of Western Australia
PROGRAMME. VISIT TO AUSTRALIA of Their Royal Highnesses The Duke and Duchess of York. 1927. Visit to Australia of Their Royal Highnesses The Duke and Duchess of York, 1927. GENERAL ITINERARY . l Place. Date of Time of Date of T ime of Arrival. Arrival. D eparture. O eparturl" . ----- NEW SOUTH WALES- Sydney - - - March 26 11 a.m . March 31 9.35 a.m. Parramatta - - - March 31 10.5 a.m. March 31 10.15 a.m. Penrith - - - March 31 10.45 a.m. March 31 10.55 a.m. Katoomba •- - - March 31 12.50 p.m. March 31 2.15 p.m. Blackheath - - - March 31 3.15 P:m. March 31 p.m. Jenolan - - - March 31 6p.m. April 1 10 a.m. Mount Victoria - - April 1 12.45 p.m. April 1 1.45 p.m. Sydney - - - Apr il I 4.45 p.m . April 2 10.30 a.m. Cam den - - - Apr il 2 12 noon April 3 3.30 p.m. Sydney - - - April April 3 ' 5.30 p.m. 4 9.48 a.m. Newcastle - - - April 4 1.1 5 p.m. Apr il 4 3.30 p.m. East Maitland - - Apr il 4 4p.m. Apr il 4 p.m. West Maitland .. - April 4 4.5 p.m. April 4 5 p.m . Singleton - - - April 4 5.55 p.m. Apr il 4 6.5 p.m. QUEENSLAND- Wa llan-Garra - - April 5 9.35 a.m. April 5 10 a.m . Stanthorpe - - - April 5 10.58 a.m. April 5 11.8 a.m . Warwick - - - April 5 12.41 p.m. -
AFCM.COM.AU OFFICIAL PARTNER EVENT a COVID SAFE AFCM in 2021 WELCOME to OUR 30TH at AFCM, the Health and Safety of Our Patrons and Artists Is the Highest Priority
TOWNSVILLE 23 JULY TO 1 AUGUST 2021 ARTISTIC DIRECTOR, KATHRYN STOTT AFCM.COM.AU OFFICIAL PARTNER EVENT A COVID SAFE AFCM IN 2021 WELCOME TO OUR 30TH At AFCM, the health and safety of our patrons and artists is the highest priority. We will be taking extra precautions to ensure that the 2021 Festival is delivered in a COVID Safe way, in full accordance with all CELEBRATION! relevant government directives. Please be assured that whatever mechanisms are required for registration, vaccination and testing will be applied at the highest level. Hello Music Lovers! Goodness, what a rollercoaster we have all This year we are embracing the opportunity to provide more performance opportunities for Australian been through with such unimaginable KATHRYN STOTT artists, and hope that 2022 will permit us to welcome back international artists to our Festival. The 2021 times on a global scale. When I visited ARTISTIC DIRECTOR program is based on Kathy’s original vision for 2020 - Carnival - originally devised as a celebration of our 30th anniversary. We will continue to arrange exclusive performances by international artists to be Australia to launch the Festival last presented to AFCM supporters digitally in the lead up to the Festival. February, never in my wildest dreams could I anticipate what was to follow. AFCM is required to adopt the protocols in place at each of our venues. Under current Queensland Government Stage 6 restrictions, patrons must wear masks to enter and exit the Civic Theatre and are not allowed to congregate in the Foyer. As a result, we decided to eliminate intervals from the program in 2021 to avoid frustration.