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Gabbedy, John Phillip (Jack) (1906–1991)
G GABBEDY, JOHN PHILLIP (JACK) and 1945), East Fremantle; aboard the cruiser (1906–1991), banker and government adviser, HMAS Adelaide in Australian waters (1943); was born on 19 September 1906 at Menzies, and at shore establishments in Queensland, Western Australia, eldest of seven children of New Guinea, and New South Wales (1943– Victorian-born parents John Ernest Gabbedy, 45). On 7 December 1945 he was demobilised engine driver, and his wife Marcella, née at Leeuwin. Sherlock. In 1912 the family moved to In 1945 the development-focused Fremantle where Jack attended Christian Agricultural Bank was reconstituted as Brothers’ College. He joined the State a State-owned trading bank, the Rural and Department of Lands and Surveys in 1922 and Industries (R&I) Bank of Western Australia. was assigned to work on the newly established Gabbedy had been identified as one of its group settlement scheme, championed by ‘up-and-comers’ (Spillman 1989, 130) and Premier (Sir) James Mitchell [q.v.10] with the in December 1945 was despatched to open aim of attracting British migrants to develop a branch at Carnamah in the Mid-West region, new farms that would boost domestic food where he again threw himself into community production. Intelligent and well-organised, life. He later managed branches at Narembeen Gabbedy attracted the notice of William (Bill) (1947) and Manjimup (1948–53) and, in Vickery, a key figure in the administration 1953, was promoted to officer-in-charge of the of the scheme. By the age of twenty-one, securities department at the Perth head office. he was responsible for the scheme’s stock Five months later the sudden death of the records, a task involving frequent visits to the only R&I commissioner with rural experience south-west of the State. -
GSQ Programme Notes Final
GOLDNER STRING QUARTET Photo: Keith Saunders from left: CONCOURSE Irina Morozova, viola CONCERT HALL Julian Smiles, 'cello CHATSWOOD Dimity Hall, violin Dene Olding, violin Friday 5 April 2019 PROGRAMME HAYDN String quartet in F major, Op 50 no 5, Hob III/48, The Dream BEETHOVEN String quartet no 11 in F minor, Op 95, Quartett[o] serioso INTERVAL SCHUBERT String quartet no 14 in D minor, D 810, Death and the Maiden PROGRAMME NOTES HAYDN - String Quartet in F major, Opus 50, no minuet with all instruments playing in unison. The 5 Hob III/48 The Dream trio creates a sense of order, gracefully bringing the movement back to its dignified opening. Allegro moderato / Poco adagio / Tempo di Menuetto: Allegretto/ Finale: Vivace The final movement is strongly rhythmic. It builds with a vibrant energy that propels the work to a Haydn was the first great master of the string sparkling conclusion. quartet form. He composed his Opus 50 set of six string quartets in 1787 when he was 57 years old, C. B. some three years before he had the opportunity BEETHOVEN - String quartet no 11 in F minor, after the death of Prince Nicholas Esterhazy to Op. 95 travel to London for the first time. The Op 50 quartets are thought to have been Haydn's Allegro con brio / Allegretto, ma non troppo / Allegro response to the set of string quartets Mozart had assai vivace, ma serioso / Larghetto espressivo – completed two years earlier and dedicated to Allegretto agitato – Allegro Haydn. The Op 50 works were dedicated to King Beethoven wrote String Quartet No 11 in 1810. -
Australian Series Presented by Singapore Airlines
SEASON 2018 AUSTRALIAN SERIES PRESENTED BY SINGAPORE AIRLINES The CSO is assisted by the Commonwealth Government through the Australia Council, its arts funding and advisory body Black Seeds 2017, by Carol McGregor, possum skins, cotton, ochre, ash and resin, Redland Art Gallery Collection, acquired in 2017 with Redland Art gallery Acquisition Fund. REIMAGININGS SO FINE: CONTEMPORARY WOMEN ARTISTS MAKE AUSTRALIAN HISTORY Thursday 30 August, 2018 Gordon Darling Hall, NPG, 6.30–7.30pm Presented by Singapore Airlines Julian Smiles Cello CSO 2018 Artist-in-Focus Bernadette Harvey Piano --- MIRIAM HYDE Sonata in B minor for viola and piano arranged for cello and piano (1937) ELLA MACENS Oh, Sister for cello and piano (2016–17) World Premiere DON BANKS Sequence for solo cello (1967) LEANNE BEAR Art Nouveau (new commission 2018) World Premiere CARL VINE Strutt Sonata for cello and piano (2017) JULIAN SMILES — CELLO Julian Smiles has been a central figure in cello performance and teaching in Australia for over 25 years. He began his professional career when he was appointed principal cellist with the Australian Chamber Orchestra at the age of 19 and rapidly gained prominence as a chamber musician in performances for Musica Viva, Kathryn Selby and Friends and at the Huntington Estate Music Festival. In 1991 he was invited to join the Australia Ensemble@UNSW, and in 1995 formed the Goldner String Quartet with colleagues Dene Olding, Dimity Hall and Irina Morozova. With these two groups he has performed to critical acclaim at major venues and festivals throughout the world, made over 30 CDs on leading labels, and premiered many works by Australian and international composers. -
OOTS Program Final Print JM .Pdf
1 Compositional Note: Acknowledgement of Country Project Leader’s Introduction Out of the Shadows: rediscovering Jewish music and theatre would like to It’s a real privilege to introduce the international festival Out of the Shadows: pay respect to the elders and traditional owners of the land on which we rediscovering Jewish music and theatre, taking place in Sydney from August perform our works: the Gadigal people of the Eora Nation. As we share our 5th to 13th 2017. own knowledge, teaching, performance, learning and research practices may This is the fourth of five major festivals spanning the globe. Performing to we also pay respect to the knowledge embedded forever within the Aboriginal nearly 10,000 people in total, these have taken place in Madison, US, Leeds/ Custodianship of Country. York, UK, and Prague, Pilsen and Terezín, Czech Republic. The concluding festival will take place in Cape Town, South Africa in September 2017. Dean’s Welcome These festivals fall under the auspices of the UK Arts & Humanities Research On behalf of the Sydney Conservatorium of Music, the University of Sydney, it Council project Performing the Jewish Archive (www.ptja.leeds.ac.uk), a is my pleasure to welcome you to Out of the Shadows: rediscovering Jewish collaboration between the Universities of Leeds, York, Wisconsin-Madison and music and theatre, a festival organised by Performing the Jewish Archive Sydney, alongside 25 partner organisations around the world. (a British AHRC research project). Our project team seeks out and recovers artefacts from the vast hidden Dr Joseph Toltz, together with overseas project colleagues, has assembled accumulation of Jewish music and theatre that was forgotten or thought lost a festival of fascinating works created by Jewish refugee artists, involving because of the Holocaust, whether directly or indirectly. -
The Role of Jan Sedivka in the Development of Australian
THE ROLE OF JAN SEDIVKA IN THE DEVELOPMENT OF AUSTRALIAN CONTEMPORARY STRING MUSIC BY ELINOR FRANCES MORRISBY B.Mus., Prague Conservatorium, 1973 M.Mus., Prague Conservatorium, 1975 Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Tasmania, Hobart August, 2009 DECLARATION OF ORIGINALITY This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information that is duly acknowledged in the thesis, and to the best of my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. This thesis may be made available for loan or limited copying in accordance with the Copyright Act 1968. iii~~~' Elinor Morrisby 111 ABSTRACT Since the settlement of Australia, the creation, publishing and performance of its string music has faced the vicissitudes of an emerging society geographically removed from mainstream musical history and influences. This thesis aims to establish the significance of Jan Sedivka on contemporary Australian string music. From his exposure to contemporary music in France, Sedivka performed and conducted twentieth century music in England for twenty-one years. Subsequently, he accepted a position at the Queensland Conservatorium, and from 1966, he taught and performed in Tasmania. There he established a Piano Trio that introduced contemporary music to the public, and was director of the String Summer Schools from 1971 to 1988 where students were exposed to contemporary European and Australian music. -
AFCM.COM.AU OFFICIAL PARTNER EVENT a COVID SAFE AFCM in 2021 WELCOME to OUR 30TH at AFCM, the Health and Safety of Our Patrons and Artists Is the Highest Priority
TOWNSVILLE 23 JULY TO 1 AUGUST 2021 ARTISTIC DIRECTOR, KATHRYN STOTT AFCM.COM.AU OFFICIAL PARTNER EVENT A COVID SAFE AFCM IN 2021 WELCOME TO OUR 30TH At AFCM, the health and safety of our patrons and artists is the highest priority. We will be taking extra precautions to ensure that the 2021 Festival is delivered in a COVID Safe way, in full accordance with all CELEBRATION! relevant government directives. Please be assured that whatever mechanisms are required for registration, vaccination and testing will be applied at the highest level. Hello Music Lovers! Goodness, what a rollercoaster we have all This year we are embracing the opportunity to provide more performance opportunities for Australian been through with such unimaginable KATHRYN STOTT artists, and hope that 2022 will permit us to welcome back international artists to our Festival. The 2021 times on a global scale. When I visited ARTISTIC DIRECTOR program is based on Kathy’s original vision for 2020 - Carnival - originally devised as a celebration of our 30th anniversary. We will continue to arrange exclusive performances by international artists to be Australia to launch the Festival last presented to AFCM supporters digitally in the lead up to the Festival. February, never in my wildest dreams could I anticipate what was to follow. AFCM is required to adopt the protocols in place at each of our venues. Under current Queensland Government Stage 6 restrictions, patrons must wear masks to enter and exit the Civic Theatre and are not allowed to congregate in the Foyer. As a result, we decided to eliminate intervals from the program in 2021 to avoid frustration.