A History of the Two Carnegie Libraries in Vermillion, South Dakota
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The Science of String Instruments
The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D. -
White Awards Over $18 Million in Public Library Per Capita and Equalization Aid Grants
For Immediate Release: August 20, 2021 White Awards Over $18 Million in Public Library Per Capita and Equalization Aid Grants Secretary of State and State Librarian Jesse White has awarded FY21 Illinois Public Library Per Capita and Equalization Aid Grants totaling $18.1 million to 638 public libraries serving almost 12 million patrons. “Public Act 102-0039 allowed my office to award these grants at $1.475 per capita, an increase from the previous rate of $1.25,” White said. “I am extremely proud of the outstanding service Illinois’ public libraries provide to all residents. I truly believe libraries are cornerstones of our communities, and I am pleased to provide this increased funding to help them serve the public.” Some of the valuable services public libraries provide with grant money include the following: • Large print material for aging patrons • Books, magazines, newspapers, CDs and DVDs • Audiobooks and eBooks • Home visit book delivery service • New computers, iPads and printers • Spanish and dual language materials • Expanded access to online resources • Adult programming • Newsletters, postcards and other promotional materials Per Capita Grant funding is authorized under Illinois library law for public libraries, which allows resources for expenses such as materials, personnel, equipment, electronic access, telecommunications and technology. Equalization Aid Grants help qualifying public libraries with a low library tax base ensure a minimum level of funding for library services. Information concerning the grant programs can -
Common and Noteworthy Instruments from 1750S-1800S' Eastern
Common and Noteworthy Instruments from 1750s-1800s’ Eastern USA Emory Jacobs Faculty Sponsor: Dr. Scott Marosek Department of Music During the 1700s and 1800s, residents of the eastern seaboard of North America enjoyed a wide variety of instruments, many of them built for “contrast and variety.”1 Availability, on the other hand, was a different story. While few accounts of the musical scene in that time period exist for more rural settings, records of the area and the events of the period from 1750 through the 1800s paint an interesting picture of how specific social classes and needs determined an instrument’s popularity. At the time, instruments were highly controversial, especially among specific religious groups.2 The religious restrictions on music occurred in relatively isolated sub- cultures in America, whereas notable sources from Germany would spend a novel’s worth of pages praising how perfect the organ was and would carefully list the detail of instruments’ tuning, mechanisms, and origins.3 When comparing these European instrument lists or collections with confirmed colonial instruments, one finds that very few of the elaborate, most prized instruments were exported to North America. Even outside America’s religious institutions, instruments were sometimes considered profane.4 While some instruments and some musical styles escaped such stigma, other instruments and styles had more ominous ties or were considered inelegant; the violin and fiddle offer one illustration.5 The phenomenon suggests that American society’s acceptance of music may have been a sensitive or subtle affair, as the difference between the violin and fiddle is often described as the fiddle being a poorly crafted violin or, in some cases, as a different musical style performed on the violin. -
Carnegie Institute: History, Architecture, Collections
FRICK FINE ARTS LIBRARY The Carnegie Institute: History, Architecture, Collections Library Guide Series, No. 40 “Qui scit ubi scientia sit, ille est proximus habenti.” -- Brunetiere* An Introduction Andrew Carnegie, the founder of The Carnegie Institute, was an American industrialist who worked in the fields of the railroad, oil and became a baron of the iron and steel industries. During his lifetime he donated more than $350 million to a variety of social, educational and cultural causes, the best known of which was his support of the free public library movement. He gave grants for 3,000 library buildings in the English- speaking world between the late 1890s and 1917. The first Carnegie Library opened in 1889 and was built in Braddock, PA near the location of his largest steel mill. The second library opened in Allegheny City during 1890. Carnegie’s most ambitious cultural creation, however, was the Carnegie Institute in Pittsburgh which included a library, natural history museum, art gallery, and concert hall that were designed by Alden and Harlow between 1891-1907. Few people outside of Pittsburgh know that Andrew Carnegie was also involved in the art world of his day, creating the Art Gallery portion of the Carnegie Institute that is now known as the Carnegie Museum of Art and also beginning what has become one of the oldest international art exhibitions in the world – the Carnegie International in 1896. A little more than a century later the Carnegie Museum of Art had grown to include The Andy Warhol Museum of Art and the Heinz Architectural Center. -
Sala Margolín, El Cierre De Un Espacio Emblemático
Revista de la Academia de Música del Palacio de Minería • Otoño de 2012 Número 6 Sala Margolín, el cierre de un espacio emblemático Fotos de la Testimonios, recuerdos, evocaciones Temporada La Cuarta Sinfonía 2012 de Sibelius El arte musical de Arturo Márquez Una semblanza de Dietrich Fischer-Dieskau Entrevista con cuatro músicos de la Orquesta Sinfónica de Minería 1 pág. El cierre de la emblemática Sala Margolín, por Arturo Soní Cassani. Imágenes proporcionadas por Luis Pérez Santoja. Testimonios de Lucrecia Arcos. El arte musical de Arturo Márquez, por Theo Hernández. Entrevista con cuatro músicos de la OSM: Janet Paulus, arpista (principal); Pastor Solís, Segundo Violín (principal), Francisca Ettlin, corno inglés (principal) y Manuel Hernández, contrafagot (principal),por Fernando Fernández. Imágenes de los conciertos de la Temporada 2012 de la Orquesta Sinfónica de Minería, por Lorena Alcaraz. Una semblanza de Dietrich Fischer-Dieskau, por Mario Saavedra. Un soneto de Leopoldo Lugones sobre Juventino Rosas, por Fernando Fernández. Entrevista con François Weigel, piano, y Thomas Bloch, Ondas Martenot, sobre Olivier Messiaen, por Sergio Vela. La Cuarta Sinfonía de Sibelius, por Juan Arturo Brennan. El instrumento invitado, El violonchelo, por Miguel Zenker. De Kurt Weill al narcocorrido, por Jacobo Dayán. Entrevista con Sarita Hernández, bibliotecaria de la OSM. Recomendaciones discográficas por Jorge Terrazas y de Allende. Una estrella en ascenso, por Gilberto Suárez. Calendario del programa La ópera en el tiempo de Sergio Vela en Opus 94.5 de FM. Humor. Violas. Cartón de Ros. Noticias, por Gilberto Suárez Baz. 1 Hace unos cuantos meses se corrió por última vez la reja que daba acceso a Sala Margolín, un oasis cultural en Córdoba 100 (casi esquina con Álvaro Obregón) en la colonia Roma de la Ciudad de México. -
Michigan Libraries
Michigan Time Traveler Michigan Time Traveler An educational supplement produced by Lansing Newspapers In Education, Inc. and the Michigan Historical Center. Read This Summer! Until the 20th century, children under the age of 10 were not allowed to use most libraries. Other than nursery rhymes, there weren’t many books for kids. Today that has changed! Libraries have neat areas for kids with books, activities, even computers! Every summer millions of kids read for fun. By joining a summer reading program at their local library, they get free stuff and win prizes. Jim — “the Spoon Man” KIDS’KIDS’ — Cruise (photo, center) says reading is like exercising, “Whenever you read a book, I call it ‘lifting weights for your brain.’” This year many Michigan libraries are celebrating “Laugh It Up @ History Your Library.” These libraries History have lots of books good for laughing, learning and just loafing this summer. The Spoon aries Man had everybody laughing at Time Lansing’s Libraries the Capital Area District higan Libr s Lansing’s first library was a subscription library. Library Summer Reading Mic This month’ During the 1860s, the Ladies’ Library and Program kickoff. After One of the best ways to be a Literary Association started a library on West the program Traveler is to read a book. Michigan Avenue for its members. It cost $2 to Marcus and me Traveler explores the history of belong, and the library was open only on Lindsey (above left) Ti Saturdays. Then, in 1871, the Lansing Board of joined him to look places filled with books — libraries. -
Bach & Baroque Virtuosity
Byron Schenkman Friends dec Bach & 27 Baroque Virtuosity Rachell Ellen Wong u violin Andrew Gonzalez u violoncello da spalla Byron Schenkman u harpsichord Antonio Vivaldi u 1678 - 1741 Sonata in B-flat Major, RV 47 Largo Allegro Largo Allegro Élisabeth Jacquet de la Guerre u 1665 - 1729 Suite no. 2 in G Minor Prélude Allemande Courante Courante Sarabande Gigue Gigue Menuet Jean Marie Leclair u 1697 - 1764 Ciaccona from the Sonata in G, op. 5, no. 12 Johann Sebastian Bach u 1685 - 1750 Partita in D Minor, BWV 1004 Allemanda Corrente Sarabanda Giga Ciaccona Thomas Balzar u 1630 – 1663 & Davis Mell u 1604 – 1662 Divisions on “John Come Kiss Me Now” Byron Schenkman Friends 8th Season u 3rd Concert u Bach & Baroque Virtuosity www.byronandfriends.org notes on the program By Byron Schenkman Johann Sebastian Bach’s Sonatas and Partitas for As the violin became increasingly fashionable in early unaccompanied violin are large scale works which 18th-century France, French virtuosi such as Jean- transcend the possibilities one would expect from a Marie Leclair brought a distinctly French flavor to the small instrument with just four strings and a bow. In Italian sonata form. Like many of the great French writing these masterworks Bach drew on diverse styles violinists, Leclair was also a dance master and the for inspiration, including music by contemporary ciaccona which concludes his Sonata in G Major, op. Italian violinists and French harpsichordists. 5, no. 12, is a joyful tribute to the dance. While the violin and the harpsichord are well known J. S. Bach’s Partita in D Minor begins with the four instruments of the Baroque era, the violoncello da standard movements of a French suite and concludes spalla (cello of the shoulder) is an unusual Baroque with a ciaccona of monumental proportions. -
2018 Audited Financial Statements
Carnegie Library of Pittsburgh Consolidated Financial Statements Years Ended December 31, 2018 and 2017 with Independent Auditor’s Report Pursuing the profession while promoting the public good© www.md‐cpas.com CARNEGIE LIBRARY OF PITTSBURGH YEARS ENDED DECEMBER 31, 2018 AND 2017 TABLE OF CONTENTS Independent Auditor's Report Consolidated Financial Statements: Consolidated Statements of Financial Position 1 Consolidated Statements of Activities: - Year Ended December 31, 2018 2 - Year Ended December 31, 2017 3 Consolidated Statements of Functional Expenses: - Year Ended December 31, 2018 4 - Year Ended December 31, 2017 5 Consolidated Statements of Cash Flows 6 Notes to Consolidated Financial Statements 7 Independent Auditor’s Report Board of Trustees We have audited the accompanying consolidated financial Carnegie Library of statements of the Carnegie Library of Pittsburgh (Library) and its Pittsburgh affiliate, which comprise the consolidated statements of financial position as of December 31, 2018 and 2017, and the related consolidated statements of activities, functional expenses, and cash flows for the years then ended, and the related notes to the consolidated financial statements. Management’s Responsibility for the Financial Statements Management is responsible for the preparation and fair presentation of these consolidated financial statements in accordance with accounting principles generally accepted in the United States of America; this includes the design, implementation, and maintenance of internal control relevant to the preparation and fair presentation of consolidated financial statements that are free from material misstatement, whether due to fraud or error. Auditor’s Responsibility Our responsibility is to express an opinion on these consolidated financial statements based on our audits. We conducted our audits in accordance with auditing standards generally accepted in the United States of America. -
A Chinese Clarinet Legend Also in This Issue
Vol. 45 • No. 1 December 2017 Tao AChunxiao: Chinese Clarinet Legend Also in this issue... ClarinetFest® 2017 Report The Genesis of Gustav Jenner’s Clarinet Sonata D’ADDARIO GIVES ME THE FREEDOM TO PRODUCE THE SOUND I HEAR IN MY HEAD. — JONATHAN GUNN REINVENTING CRAFTSMANSHIP FOR THE 21ST CENTURY. President’sThe EDITOR Rachel Yoder [email protected] ASSOCIATE EDITOR Jessica Harrie [email protected] EDITORIAL BOARD Dear ICA Members, Mitchell Estrin, Heike Fricke, Jessica Harrie, ope you are enjoying a wonderful new season Caroline Hartig, Rachel Yoder of music making with fulflling activities and MUSIC REVIEWS EDITOR events. Many exciting things are happening in Gregory Barrett – [email protected] our organization. Te ICA believes that if you Hdo good things, good things happen! I want to thank everyone AUDIO REVIEWS EDITOR who has contributed to our Capital Campaign. We especially Chris Nichols – [email protected] wish to thank Alan and Janette Stanek for their amazing gift of $11,250.00 to fund our competitions for the coming GRAPHIC DESIGN ClarinetFest® 2018. Te ICA is grateful for your generosity Karry Tomas Graphic Design and the generosity of all Capital Campaign donors. Please [email protected] visit www.youcaring.com/internationalclarinetassociation to Caroline Hartig make your donation today. We would love to hear your story ADVERTISING COORDINATOR and look forward to our continued campaign which will last Elizabeth Crawford – [email protected] through ClarinetFest® 2018. Also, visit www.clarinet.org/ donor-wall to check out our donor wall with many photos and thank-yous to those who INDEX MANAGER contributed to the ICA for ClarinetFest® 2017. -
CIMCIM-Programme and Abstracs 170214B Da
CIMCIM Annual Congress 2017 and Fourth International Romantic Brass Symposium Presentation, Preservation and Interpretation The Challenges of Musical Instrument Collections in the 21st Century Wednesday to Saturday, 22–25 February 2017 Basel/Bern Programme Organised by CIMCIM, the Bern University of the Arts and the Museum für Musik Basel in collaboration with Schola Cantorum Basiliensis and Klingende Sammlung, Bern, supported by the Swiss National Science Foundation www.hkb-interpretation.ch/cimcim Wednesday, 22 February 2017 Museum für Musik, Im Lohnhof 9, 4051 Basel 08:30–9:30 Registration, Welcome coffee 09:30 Welcome and Introduction. Martin Kirnbauer and Gabriele Rossi Rognoni Panel 1 – Museums and the Contemporary I – Chair: Gabriele Rossi Rognoni 09:45 Conny Sibylla Restle (Berlin): The Presentation of Electronic Musical Instruments in the Musikinstrumenten-Museum Berlin. Challenges, Concepts and Solutions in the Context of the Special Exhibition “Good Vibrations” 10:15 Stewart Carter (Winston-Salem): Musical Instrument Collections in China – A Preliminary Survey 10:30 Pause Panel 2 – Museum and the Contemporary II – Chair: Martin Kirnbauer 11:00 Zahra Habibizad, Sara Kariman (Tehran): The Solutions of the Music Museum of Iran to the Challenge of how to Collect, Present and Conserve the New Generation of Iranian Music 11:30 Hayato Sugimoto (Kyoto): The Beatles’ Gear and “Fast Fashion”. Collecting Inexpensive Guitars as a Symbol of Popular Culture in Modern Society 12:00 Ivar Roger Hansen (Trondheim): From Next to Catastrophe to New Possibilities. The Fire at Ringve Music Museum in August 2015 12:15 Short walk (5’) to Schola Cantorum Basiliensis (SCB), Leonhardsstr. 6 12:30 Lunchtime concert (SCB, Kleiner Saal) Visit to the special exhibition “Auf Takt! Metronome und musikalische Zeit” in the Museum für Musik. -
CABEZÓN (1510-66) Complete Tientos and Variations Glen Wilson, Harpsichord Itunes 572475-76 Bk Cabezon EU Itunes 572475-76 Bk Cabezon EU 17/04/2012 12:01 Page 2
iTunes 572475-76 bk Cabezon EU_iTunes 572475-76 bk Cabezon EU 17/04/2012 12:01 Page 1 Antonio de 2 CDs CABEZÓN (1510-66) Complete Tientos and Variations Glen Wilson, Harpsichord iTunes 572475-76 bk Cabezon EU_iTunes 572475-76 bk Cabezon EU 17/04/2012 12:01 Page 2 CD 1 72:23 CD 2 69:00 Antonio de Cabezón (1510-66) Tientos from the Libro de Cifra Nueva (1557) Tientos (contd.) from Obras de Música Complete Tientos and Variations In the late fifteenth century, as vocal polyphony built foreign journeys. The first was a tour of Philip’s future Siete tientos de Antonio 1 X. primer tono 2:11 steadily towards the revolution wrought by Josquin des dominions, lasting almost three years: starting in Genoa, 1 16. Primer tiento del primer tono 3:08 2 XI. del sexto tono con segunda parte 7:21 Prés, keyboard music lagged behind in a state of nature passing through northern Italy (with a long stay at the 2 26. Segundo tiento 1:16 3 XII. sobre el cum sancto spiritu, dictated by the unnaturalness of its mechanical Spanish duchy of Milan, and a chance for young Andrea 3 29. Tercero tiento 1:30 de beata virgine de Iusquin 3:04 apparatus. Then, when organists started transcribing Gabrieli to hear him in Verona), on to the Tyrol and 4 30. Quarto tiento 4:43 (on Cum sanctu spiritu from the Mass Beata Virgine Josquin’s sweetly interwoven lines, something changed. Germany, ending with a visit to all the major cities of the 5 31. -
2010 Library Building Awards
SUMMER 2010 VOL.16 NO. 3 ola.ONTARIO LIBRARY ASSOCIATION access ALL EYES ON HAITI HOORAY FOR VOLUNTEERS 2010 LIBRARY BUILDING AWARDS 2009 SBB Ad.indd 1 12/15/08 11:53:08 AM Summer 2010 16:3 contents Features 10 2010 Library Building Awards 18 Screencasting at the University of Waterloo: According to the judges, 2010 was a banner year for the Build It, Host It, Test It Library Building Awards. Catch a glimpse of this year’s BY TIMOTHY IRELAND winners. Author Timothy Ireland examines some of the less- researched areas of screencasting, and provides examples 14 Life Equals Literacy ... Literacy Equals Life of how they’ve been recently applied at the University of A REFLECTION BY MARJORIE GIBSON Waterloo. Julian Barnes’s book Nothing to Be Afraid Of opened Marjorie Gibson’s eyes to a whole new idea – an idea about 20 Yes We Can: Tech Support as the Evolution literacy that left her breathless . of Reference BY KAYHAN BONCOGLU Many public libraries have been suffering from a steady 15 Hooray for Volunteers BY CATHERINE HARRIS decline in reference questions over the last decade. Theories as to why are plentiful, but does that mean The question, “How on earth do you get all the work libraries should just stand idly by and do nothing? done?” is rarely as heartfelt as when it’s directed at elementary teacher-librarians. How do they get it done? As teacher-librarian Catherine Harris thankfully explains … 22 Des ressources incontournables with the help of volunteers. PAR ALFONSINA CLEMENTE Voici une sélection de sites concernant l’actualité littéraire et les livres jeunesse, choisis par une bibliothécaire 16 10 Steps for an Enhanced Library Trustee spécialisée.