Tuition Hike: Nine Percent by John B

Total Page:16

File Type:pdf, Size:1020Kb

Tuition Hike: Nine Percent by John B Dons Upset St. Mary's Lehmann Lashes Out In Interview Meet KRONTs Emerald Yeh See Page 10 See Page 8 See Page 13 1 ) San Francisco Volume 85, Number 12 FOGHORWednesdayN, Febuary 1,198 9 Tuition Hike: Nine Percent By John B. Shanley At the final senate meeting of the fall semester, Fr. Lo Schiavo, president, Dr. Carmen Jordan-Cox, vice president for student development, and Bill Nutting, vice president for business and finance, presented a summary of the plan­ ning and budgeting proposals for the upcoming school year. Among the proposals was an increase in tuition. Nutting reviewed the four forces 15,000crediiho-irs in off-campus affecting tuition; i.e., enrollment programs with graduate and un­ dependency, enrollment decline, dergraduate enrollment remaining increase in costs, and marketing of essentially the same. fees. Also, due to the WASC Thc fiat rate tuition will increase committee's recommendations to 9 percent from $4,175 to $4,551. hire more full-time faculty, the The per unit price will also rise 9 cost of off-campus programs in­ USF is maintaining a 17:1 student-to-teacher ratio and plans to keep that level despite a percent from $305 to $332. creased significantly. $6-7 million shortfall due to a steep decline in off-campus credit hours. Fr. Lo Schiavo commented that Carmen Jordan-Cox has said inevitable raiser in tuition and fees that off-campus programs subsi­ face students. dize undergraduate programs. "The bottom line is we need Student Opposition more money," said Lo Schiavo. The announcement of thc fee Executive Retreat Opens Doors "The School of Education is half increase was met with opposition Five Faculty aucnded the retreat as an under­ of what it was five years ago and from members of ASUSF. professor of nursing; Heinz graduate representative, and Kathy the international student popula­ "Why should students put Representatives Weihrich, professor of business; Hunter, a law student, was the tion has declined. These are thc money into irresponsible hands?" Thomas Gruhn, profcssorof chem- graduate representative. two main factors affecting enroll­ asked Karie Parker, ASUSF presi­ Join Executives isty; Rosita Galang, associate "It was an excellent retreat," ment" dent. "Undergraduates shouldn't professor of education; and said Parker. "It was great to have Tuition Dependency be held responsible for carrying From January 23 to 25, all USF Marvin Brown from the College the faculty involved. I don't be­ "This school is extremely de­ off campus programs. Tuition is executive officers, vice presidents of Professional Studies. lieve it was a token invitation. It pendent on tuition," said Nutting. going up 9 percent while inflation and deans traveled to the Napa "It was a kind of therapy," said sets the stage for thc future." "Eighty-five percentof our budget has only gone up 6 percent" Valley Lodge in Yontville, Cali­ Uldis Kruze, professor of history. Fay Bower, dean of nursing, said comes from tuition and fees. Stan­ "We compared our costs with fornia, for the annual executive "This will certainly help bridge the emphasis ofthe discussion was ford is only 45 percent dependent that of other Jesuit universities," retreat the gap between the faculty and on strategic planning. and Cal is even less than that." said Nutting. "We have the same For the first time, however, each the administration. It was excel­ "We are all intent on meeting "There was a period of declin­ goals and roughly the same rates. of the five colleges was repre­ lent, things were aired in the open. the WASC standards," says ing enrollment" added Nutting. We are by no means the most sented by a faculty member. I am very optimistic for the fu­ Bower. "We all have a pretty good "Fortunately it seems to be flat­ expensive Jesuit university. Right The faculty representatives in­ ture." idea of what has to be done. This tening out." now we are maintaining a 17 to 1 cluded Sr. Mary Egan, assistant Karie Parker, ASUSFpresident, was a very collegial event Every- Business and Finance antici­ student to teacher ratio. Wc do not (Continued on Page 16) pates a decline of approximately want to have to raise that ratio." Swett Named Associate Director Of Koret Center The search will re-open in By Brendan Hickey a masters in Public Administra­ March, and Swett in seeking the Foghorn Staff Writer tion. job full-time, will be one of many Swett still works half-time as candidates. "I'm not a shoo-in for An addition was made to the AS Business Manager. Thc Sen­ this job. It's all up in the air." Koret Health and Recreation ate approved Programming Coor­ Center on January 1 with the hir­ dinator Katie Hanson to fill the "I haven't decided what I really ing of AS Business Manager gap as half-time Business Man­ want to do," said Swett, \ </ ho added Denise Swett as half-time Acting ager at the Senate meeting on that despite her experience in Associate Director of Recreational January 25. recreation, she enjoys working Sports. "It's a big job, trying to get it with ASUSF. Swett works under Chuck open." Swett said. "It is one ofthe Swett is optimistic about thc White, Director of Recreational biggest pools in the city." new facility. "It's going to be Katie Hanson (right), will assume half of Denise Swett's Sports, and handles the basic op­ fabulous. The number one pur­ duties as ASUSF Business Manager. erations of the Center. Swett Swett will be aided by an antici­ pose will be serving the students served two years as San Rafael's pated 150 part-time student em­ big and so complex that you really Koret in December and "fell in of this campus. Its taken three Recreation Supervisor and four ployees. need a specialist to run it," said love with it", S wettof fered to work years and been a lot of headaches years as Monterey's Community Swett was a member of the origi - Swett. part-time until May. She will then for a lot of people but now it's Center Director. She has a degree nal search committee named to The search was initially unsuc­ have to apply for the job or return going lo happen. I am pleased to in Recreation Administration and find a director for Koret. "It's so cessful, though. After she visited to AS as Business Manager. be a part of the group." NrNEW S USF Black Awareness Month CAMPUS BRIEFS Month. Domestic Affairs (FIDA) is co- NEEDED: SINGERS, DANCERS, MUSICIANS, PER­ Lynn Ritzman Managing Editor "The response on campus has sponsoring the African National FORMERS, ETC. Great America's talent search comes to San been extremely supportive," says Congress United Nations Envoy Francisco on Friday, February 3. Call (408) 988-1800 for more Greene. "Everybody has kicked on Feb. 8. details. "I, too, sing America in for this. Not one department Club Latino is co-sponsoring a I am the darker brother..." has said no. Everybody's donat­ dance on Feb. 10. DOMESTIC VIOLENCE - La Casa de las Madres needs vol­ -Langston Hughes ing their time and money." P.F.M. is co-sponsoring a Soul unteers to help battered women help themselves. Training is The Co-Curricular Council, Food Dinner on February 7. provided. Call 777-1808. February is Black Awareness ASUSF's funding body, has gen­ Gleeson Library will be display­ Month. erously funded the majority of ing various works by Afro-Ameri­ LA Y DOWN THE LAW - The Alameda County SherifTs De­ "The goal is to promote Black events. can writers. partment needs deputies. A Civil Service examination will be awareness on campus," says Bob Associated Students Activities "This is one of the best college offered on May 1; deadline for registration is March 1. Appli­ Greene, vice president of the and Programs (ASAP) is sponsor­ sponsored Black Awareness cants must be at least 21. Call (415) 670-5055 for more details. Society of Black Students. ing the Tony Award winning Month schedule of events. I think "It's not like I want to throw this Melba Moore in a concert titled, it will be very successful," said SENIOR GIFT - THE '89 SENIOR GIFT CAMPAIGN IS at people and say, "This is Black.' "Great Inspirations — A One Greene. UNDER WAY. Look for Senior Gift activities toward the pur­ I want to say,'This is American'." Woman Show," in St. Ignatius The schedule of events is avail­ chase of an electronic signboard starting Monday, February 13. This is the first time that SBS Church on Feb. 24 at 8 p.m. able at the ASUSF Office or at UC has sponsored Black Awareness The Forum for International and Center. SURE WE ALL WANT TO FINISH SCHOOL! But are you a little short on cash? The USF Financial Aid Office has spoken! Applications for Financial aid for the 1989/90 aca­ demic year will be accepted in the Financial Aid Office. If UN Envoy To Speak On Apartheid you're looking at the University Tuition Grant, Perkins Loan or As part of a series of events cally set up to keep the whites cials are now looking to the Bush College Work-Study programs, you must submit the Student during Febuary for Black Aware­ (Afrikaaners) in power. administration to pressure the Aid Application for California (SAAC) to the processor no later ness Month, the Society of Black Apartheid classifies the popula­ South African government to bring than March 2. If you're already borrowing bucks from the Students (SBS), ASUSF and tion into four main groups; about an end to apartheid.
Recommended publications
  • USG Approves Budget Hike Reagan Tells Bork 'To Keep Going'
    The Daily Campus Serving the Storrs Community Since 1896 Vol.XCI No. 23 The University of Connecticut Thursday, October 8,1987 Reagan tells Bork 'to keep going' WASHINGTON (AP) — Democratic senators declared President Reagan told Robert opposition: John Breaux of H. Bork yesterday, "I urge you Louisiana, Richard Shelby of to keep going" in the battle for Alabama, Alan Dixon of a seat on the Supreme Court, Illinois, J. James Exon of despite growing opposition to Nebraska, Wyche Fowler of Bork's nomination and Georgia, Lawton Chiles of speculation he might withdraw. Florida and Bob Graham of Through the day, Bork Florida. Thirteen Democratic shuttled between meetings with Southern senators have now Reagan and Republican leaders said they oppose the nominee, on Capitol Hill. He refused to a severe problem for White answer questions. House officials who hoped the "He will not decide anything conservative appeals court today, and said he would be in judge could pick up support in touch," said Tom Korologos, a the South. lobbyist brought in by the Sen. David Karnes, R-Neb., White House to help Bork. announced he would vote for Reagan himself was the nominee. emphatic, however. The Undergraduate Student Government President Kraig St. Pierre (center) gives Meanwhile, one of Bork's .pening remarks to USG members during last night's meeting, at which the president, who has repeatedly strongest supporters on the declared he wants a Senate vote assembly passed a $1,686 budget increase (Rob Palmer photo). Judiciary Committee, Sen. on Bork, told reporters who Charles Grassley, R-Iowt. questioned him briefly at blamed lethargy by Reagan and unrelated ceremonial events, "I White House officials for USG approves budget hike have not changed my position.
    [Show full text]
  • 'Frustrating, Unhappy Atmosphere' Cited As Cause of Recent
    ULb-LBGfi mm KJflBflSCCJII > (Ennnarttrut iatUj (EamjfltB Serving Storrs Since 1896 Vol. LXXXVI No. 47 The University of Connecticut Wednesday, November 10, 1982 Engineering professors: 'Frustrating, unhappy atmosphere' cited as cause of recent resignations from school By Christina Richardson morale in the School of En- UConn, where, he said, an salaries, and the recruitment ment creating a shortage of Staff Writer gineering as the primary rea- engineer is unable to pursue a of younger professors, prom- openings for students wishing son for their resignations. career. He resigned last pted Edward E. Balkovich to to take laboratory classes. He Three UConn Engineering For 11-year professor Ber- summer. resign in 1981. He said the cited a microcomputer lab professors who quit over the nard Carey, it is a frustrating, Questionable decisions morale in the school had course offered last year, for past two years have cited low unhappy atmosphere at concerning resources and declined in the four years he which two studenjs were was a professor here. turned down for each one that John R. White, professor got into the class, because State budget deficit projected since 1973. gave the same there wasn't enough equip- reasons and added that a gap ment to accomodate all the 6 between university and indus- students who applied. at $172 million for <83- 84 try salaries added to his frus- Carey also said there aren't trations at UConn. He quit at enough technicians to assist HARTFORD, (AP)--A business-backed group line as part of any budget balancing effort." the end of this summer.
    [Show full text]
  • Chapter 1: Introduction 1
    TATE STREET, THAT GREAT STREET: CULTURE, COMMUNITY, AND MEMORY IN GREENSBORO, NORTH CAROLINA by Ian Christian Pasquini A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2015 Approved by: ____________________________ Dr. Aaron Shapiro ____________________________ Dr. John Cox ____________________________ Dr. Dan Dupre ii ©2015 Ian Pasquini ALL RIGHTS RESERVED iii ABSTRACT IAN CHRISTIAN PASQUINI. Tate Street, That Great Street: Culture, Community, and Memory in Greensboro, North Carolina (Under the direction of DR. AARON SHAPIRO) Tate Street represents a cultural center in Greensboro, North Carolina. This work outlines the varying social groups, organizations, and institutions that defined Tate Street’s cultural identity between 1960 and 1990. Tate’s venues and spaces acted as backdrops to the cultural shifts on Tate Street. Three venues act as subjects through which to research Tate Street. Through a collection of interviews, art, video, magazines, newspapers, and pictures, this work connects with historical memory to outline Tate’s local and national historical significance. The work connects with a historical documentary made up of interviews as well as primary source materials to engage with Tate’s historical actors. iv DEDICATION Engaging with Tate’s history required the dedication of a small village of interested parties. I would be remiss in not thanking Tate’s community at large – many people have offered both their time and energy to assisting this project and will remain unheralded. This work is a reflection of the strength of Tate’s community which has both inspired and welcomed my inquiries.
    [Show full text]
  • Noise & Capitalism
    Cover by Emma (E), Mattin (M) and Sara (S) Noise & Capitalism Noise & Capitalism the interesting part, it’s an you copy another persons E: I was just thinking - you were saying that you Is it possible to try to make than male identified bodies was given at school, she is done this, quite often I have interesting challenge for drawing, where S starts what we’ve been talking weren’t sure if this would something, to capture some- writing in the book. I had studying Graphic Design. S compartmentalised my work our exchange. Now we are and I do a version, and I about, I mean I’ve talked work in relation to the as- thing in design that trans- been involved in an exhibi- sent me the work that she and friendships because I saying that you would do pass it to M, and then that about it with you and with signment you’ve been given, mits the relations produced tion called ‘Her Noise’ at and Brit Pavelson made, it is feel self-conscious or un- the design when maybe you becomes the cover. M, about the projection of because of the time, and the in making this cover? I am the South London Gallery a book that tells in both the generous perhaps. think that we should do the M: Yes it sounds interesting you as the expert and, just amount of time that you & Capitalism Noise struggling with this process in 2005, which in some way text and layout, what are the I started to project that design.
    [Show full text]
  • Song List by Member
    song artist album label dj year-month-order leaf house animal collective sung tongs 2004-08-02 bebete vaohora jorge ben the definitive collection 2004-08-08 amor brasileiro vinicius cantuaria tucuma 2004-08-09 crayon manitoba up in flames 2004-08-10 transit fennesz venice 2004-08-11 cold irons bound bob dylan time out of mind 2004-08-13 mini, mini, mini jacques dutronc en vogue 2004-08-14 unspoken four tet rounds 2004-08-15 dead homiez ice cube kill at will 2004-08-16 forever's no time at all pete townsend who came first 2004-08-17 mockingbird trailer bride hope is a thing with feathers 2004-08-18 call 1-800 fear lali puna faking the books 2004-08-19 vuelvo al sur gotan project la revancha del tango 2004-08-21 brick house commodores pure funk polygram tv adam 1998-10-09 louis armstrong - the jazz collector mack the knife louis armstrong edition laserlight adam 1998-10-18 harry and maggie swervedriver adam h. 2012-04-02 dust devil school of seven bells escape from desire adam h. 2012-04-13 come on my skeleton plug back on time adam h. 2012-09-05 elephant tame impala elephant adam h. 2012-09-09 day one toro y moi everything in return adam h. 2014-03-01 thank dub bill callahan have fun with god adam h. 2014-03-10 the other side of summer elvis costello spike warner bros. adam s (#2) 2006-01-04 wrong band tori amos under the pink atlantic adam s (#2) 2006-01-12 Baby Lemonade Syd Barrett Barrett Adam S.
    [Show full text]
  • THE STEREOPHONIC CONFIT FESTIVAL Featuring EUGENE CHADBOURNE - JOEL GRIP - EVAN LIPSON TATSUYA NAKATANI - ERNEST PAIK & the SHAKING RAY LEVIS
    the shaking ray levi society presents: THE STEREOPHONIC CONFIT FESTIVAL featuring EUGENE CHADBOURNE - JOEL GRIP - EVAN LIPSON TATSUYA NAKATANI - ERNEST PAIK & THE SHAKING RAY LEVIS Eugene Chadbourne is a rare guitarist/banjo player and off-kilter songwriter, who is equally comfortable with bluegrass, folk, or free jazz. With a career spanning four decades, he has worked with a wide range of artists such as Camper Van Beethoven, John Zorn, Violent Femmes, They Might Be Giants, Jimmy Carl Black, and Sun City Girls. http://www.eugenechadbourne.com/ Joel Grip, from Sweden, is an improvising double bassist who has given performances around the world as both a soloist and a collaborator. He uses his energy to combine diverse people’s talents and organizes festivals, including the annual art-flow festival Hagenfesten. He runs the label Umlaut Records. http://umlautrecords.com/joelgrip Evan Lipson is a bassist and composer with roots predominantly based in modernist classical, punk, jazz, outsider pop, noise, and free improvisation. Following his own occult research and forms of practical synthesis, Lipson's efforts strive towards cultivating the rarefied, esoteric, and iconoclastic world(s) of unconventional music. He plays in several ensembles, including Normal Love, Satanized, Dynamite Club, and Hisswig, and is a recent recipient of a CreateHere ArtsMove grant. Tatsuya Nakatani is a percussionist originally from Osaka, Japan. In the past 10 years he has released nearly 50 recordings on CD, and he has created his own instrumentation and extended techniques. He utilizes a drum set, bowed gongs, cymbals, singing bowls, metal objects, bells, and various sticks and bows to create an intense, organic music that defies genre.
    [Show full text]
  • Eugene Chadbourne
    Ouch ! Records, no borders : Rock, Jazz, World, classical... 500 ex for "digger" collector and passionate people PRÉSENTE Live at Grand Guignol EUGENE CHADBOURNE Sortie le 11 septembre 2020 Distribution : Inouïe distribution Enregistré en public le 16 avril 2010 au Grand Guignol - Lyon Tracklist Direction artistique : Lionel Martin Water Song Dessin : Damien Grange The Johnsons' Graphisme : Florent Decornet The Drift Song of Good Health / Down the Drain The Old Piano Contact presse : Emmanuelle Blanchet — 06 87 43 97 46 — [email protected] Ouch ! Records, no borders : Rock, Jazz, World, classical... 500 ex for "digger" collector and passionate people Présentation Country punk, folk, Chadbourne décrit l'expérience de jouer du banjo comme mystique. Si vous étiez à Lyon à la librairie Grand Guignol cette nuit d'avril 2010, vous savez ce que cela veut dire... Si vous n'y étiez pas écoutez ce live rare exclusivement édité en vinyle ! Doc Chadbourne a collaboré avec entre autres John Zorn, Fred Frith, Derek Bailey, Han Bennink, Lukas Simonis, Carla Bley Band, Paul Lovens, Toshinori Kondo, Kommissar Hjuler und Frau, Camper Van Beethoven, Jello Biafra, Turbonegro, They Might Be Giants, Sun City Girls, the Violent Femmes, Zu and Jimmy Carl Black... et a fait partie du groupe Shockabilly ! Eugene Chadbourne Avec un côté compulsif, Eugene Chadbourne, multi instrumentiste d’avant-garde, a enregistré un flot incessant de disques sur de multiples labels dont les siens (Parachute dans les années 1980, House of Chadula depuis les années 2000). Sa musique pourrait être décrite comme la version la plus étrange de la musique country et folk jamais jouée, avec un jeu de guitare et de banjo à l’énergie folle et unique.
    [Show full text]
  • Weird Bodily Noises: Improvising Race, Gender, and Jazz History,” I Raise Three
    WEIRD BODILY NOISES: IMPROVISING RACE, GENDER, AND JAZZ HISTORY By ©2013 Peter Anson Williams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson, Sherrie Tucker ________________________________ Ketty Wong ________________________________ Nicole Hodges Persley ________________________________ Ryan Dohoney ________________________________ Michelle Heffner Hayes Date Defended: June 19, 2013 The Dissertation Committee for Peter Anson Williams certifies that this is the approved version of the following dissertation: WEIRD BODILY NOISES: IMPROVISING RACE, GENDER, AND JAZZ HISTORY ________________________________ Chairperson, Sherrie Tucker Date approved: July 11, 2013 ii ABSTRACT This dissertation explores avant-garde jazz in Kansas City in the late 20th and early 21st centuries to find out how they both reproduce and complicate narratives of jazz history and norms of race and gender. Working in a city associated with an historical subgenre—“Kansas City Jazz”—and in a style whose histories limit avant-garde activity largely to New York City, these musicians pay respect to that history even while their performances complicate it. As practices of improvisation that use music, dance, costumes, and visual art, their performances highlight the embodied aspects of identity—the ways that bodies move with and against norms of race and gender and through space.
    [Show full text]
  • To Download the Greater Kansas City Music Directory Vol. 1
    GREATER KANSAS CITY MUSIC DIRECTORY 1ST EDITION (FEBRUARY 2015) ! Rush, Styx, Kansas, Shooting Star, Iron Maiden, ---- Cadillac Flambe DBA Big sky KC AREA Riot and more. Bill Crain Group ---- Kris Bruders Monzie Brummett Bill Crain Ashes to Immortality http://www.facebook.com/pages/Cadillac- http://monzieleo.co BANDS http://www.billcrain.com Flambe/274257025472 [email protected] Mike Hannah [email protected] [email protected] Country http://www.reverbnation.com/asheslawren 3 Bricks Shy Jazz Americana A four part harmony string band, we'll play for a ce Bill Crain is a jazz saxophonist and multi- Infectious delta boogie stomp, soulful singing, little over two hours. Available for weddings,your Rick Lally [email protected] woodwind musician on the Kansas City music audience rocking sounds made by husband and garden party, your bar, or venue! You'd call us a http://3BricksShyBand.com Bluegrass scene since 1981. He performs original modern wife, Kris and Havilah Bruders, Mike Payne, and bluegrass band,though we are heavily influenced [email protected] A 6 piece progressive bluegrass band with jazz with his long-time quartoet, the Bill Crain Dave Duly. by classic country. We'll drive anywhere Folk/Acoustic dynamic female vocals, original songwriting and Group and is KC's most prolific studio woodwind ---- regionally for a weekend show, if we aren't 3 Bricks Shy is acoustic trio that plays all original innovative musicianship from acoustic guitar, musician. Bill has been honored as a "Kansas Caprice Classic traveling already! music which includes several genres like folk, fiddle, mandolin, bass and drums.
    [Show full text]
  • Songs in the Key of Z  
    covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin.
    [Show full text]
  • Stefan Firca Dissertation
    Circles and Circuses: Carnivalesque Tropes in the Late 1960s Musical and Cultural Imagination DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of the Ohio State University by Stefan Firca , B.M., M.A. Graduate Program in Music The Ohio State University 2011 Dissertation Committee: Professor Arved Ashby, Advisor Professor Graeme Boone Professor Danielle Fosler-Lussier Copyright by Stefan Firca 2011 Abstract Circus, fairground, carousel, carnival imagery is everywhere during the late 1960s: in cover art, song lyrics, band names and song titles, music criticism, names of music venues, festivals, movies, literature. From circus tents to clowns, from jugglers to magicians, from carousels to parades, an entire carnivalesque lexis seems to be at play in what is generally termed “psychedelia.” The current study attempts to read and offer “thick description” (Geertz) of this vocabulary as part of a larger cultural and countercultural imagination, and integrate musical manifestations of the period (popular psychedelia and avant-garde / experimental music) in a semiotic network of metaphoric representation. If language is nothing more than a chain of metaphors (Lakoff), it is nevertheless true that we often take such metaphors as “rock ’n’ roll circus,” “song-carousel,” “riot of sound” for granted, since they are so widespread and culturally shared that an explanation of their meaning may appear pedantic. But what do these word-images actually mean? What is the range of their connotations? What is the relationship between them? Why are they so frequent in the late 1960s? And how are these tropes translated or suggested musically? One possible answer to the last question involves the broad concept of circularity , emblematic for the psychedelic era: a round melodic motive or harmonic progression, ii a cyclic phrase articulation, a motoric-recurrent riff, a spiraling or whirling waltz in triple time.
    [Show full text]
  • Volume 47 Number 1 Jan Feb March 2021
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Volume 47 Number 1 Jan Feb March 2021 MAY 2018—ISSUE 193 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM september 2018—issue 197 your Free guide to the nyc jaZZ scene nycjaZZrecord.com jUne 2019—issUe 206 yoUr free gUide To THe nyc jaZZ scene nycjaZZrecord.com APRIL 2020—ISSUE 216 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM kris SATOKO davis it was a very FUJII good year SIXTY AND COUNTING DAVE BURRELL in MYRA memoriam tomas DIGITAL WINDWARD Z MELFORD PASSENGER stanko MEDITATION AND ONLY COLLABORATION EDITION PHEEROAN NICKI DOM HASAAN jamie chris rÜdiger cannonball frank joel larry ed MAKOTO MAX HORACEE HAMIET AKLAFF PARROTT SALVADOR IBN ALI baum lightcap carl adderley vignola ross mCkenna blackwell OZONE RAABE ARNOLD BLUIETT EXCLUSIVE CONTENT ON JAZZ & IMPROVISED MUSIC IN NEW YORK CITY COMPETITIVE & EFFECTIVE ADVERTISING ANNUAL SUBSCRIPTIONS AVAILABLE “Simply the hippest journal about jazz in New York that has ever been published” - Joe Lovano “The most comprehensive periodical on the music that I have ever read” - Andrew Cyrille TWITTER: @NYCJAZZRECORD | FACEBOOK/NYCJAZZRECORD | INSTAGRAM .COM/TNYCJR nycjazzrecord.com AVAILABLE FROM Trans-Kalahari Quintet’s THE LONG JOURNEY HOME from Ansonica Records is a cross-continental exploration of jazz, funk, and South African cultural traditions. Saxophonist and composer Matthew Dacso met his bandmates while serving in Botswana as a doctor. Now, he proudly presents this unique musical fusion to audiences around the world. Regardless of where in the world you call “home,” THE LONG JOURNEY HOME offers the unrivaled contentment of arriving there.
    [Show full text]