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ESTELLE PARSONS & NAOMI LIEBLER Monday, April 13
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD IN COLLABORATION WITH THE NATIONAL ARTS CLUB THE ENGLISH-SPEAKING UNION THE LAMBS, NEW YORK CITY ESTELLE PARSONS & NAOMI LIEBLER Monday, April 13 For this special gathering, the GUILD is delighted to join forces with THE LAMBS, a venerable theatrical society whose early leaders founded Actors’ Equity, ASCAP, and the Screen Actors Guild. Hal Holbrook offered Mark Twain Tonight to his fellow Lambs before taking the show public. So it’s hard to imagine a better THE LAMBS setting for ESTELLE PARSONS and NAOMI LIEBLER to present 3 West 51st Street a dramatic exploration of “Shakespeare’s Old Ladies.” A Manhattan member of the American Theatre Hall of Fame and a PROGRAM 7:00 P.M. former head of The Actors Studio, Ms. Parsons has been Members $5 nominated for five Tony Awards and earned an Oscar Non-Members $10 as Blanche Barrow in Bonnie and Clyde (1967). Dr. Liebler, a professor at Montclair State, has given us such critically esteemed studies as Shakespeare’s Festive Tragedy. Following their dialogue, a hit in 2011 at the New York Public Library, they’ll engage in a wide-ranging conversation about its key themes. TERRY ALFORD Tuesday, April 14 To mark the 150th anniversary of what has been called the most dramatic moment in American history, we’re pleased to host a program with TERRY ALFORD. A prominent Civil War historian, he’ll introduce his long-awaited biography of an actor who NATIONAL ARTS CLUB co-starred with his two brothers in a November 1864 15 Gramercy Park South benefit of Julius Caesar, and who restaged a “lofty Manhattan scene” from that tragedy five months later when he PROGRAM 6:00 P.M. -
71St Cover F
SEVENTY-FIRST STREET 71VOLUME 12 ● NUMBER 2 MMC Gallery Named Hewitt Gallery of Art TABLE OF CONTENTS MMC Gallery Named Hewitt Gallery of Art In honor of Marsha A. Hewitt ’67 and husband Carl’s generous donation SEVENTY-FIRST STREET to the College, the MMC Gallery of Art has a new name. Turn the page to learn more about this couple’s deep commitment to MMC . 2 Grant Funds One MMC Student’s Passion for Science VOLUME 12 ● NUMBER 2 Elizabeth Perez ’06 had a unique opportunity to work full-time FALL 2004 on her research in molecular neuroscience this summer 71 thanks to a grant from Bristol-Myers Squibb . 4 Editor: Erin J. Sauer Design: Connelly Design Fundraising Recap . 6 The Tamburro Family’s Legacy 71st Street is published twice a Impact of Annual Fund Donations year by the Office of Institutional Advancement at Marymount Greek Student Attends MMC Thanks to Niarchos Foundation Manhattan College. The title SAT Scores of MMC Freshman on the Rise recognizes the many alumni and faculty who have come to refer Spring Round-Up affectionately to the college The events and happenings that shaped our spring . 8 by its Upper East Side address. Campus Notes Marymount Manhattan College 221 East 71st Street Faculty announcements, notable lectures, theatre events, award winners, New York, NY 10021 and other interesting news from around campus . 14 (212) 517-0450 Class Notes Find out what your fellow alumni are up to . 18 The views and opinions expressed by those in this magazine are Alumni Calendar . 24 independent and do not necessarily represent those of Marymount Manhattan College. -
Hal Holbrook
HAL HOLBROOK Hal Holbrook was born in Cleveland in 1925, but raised mostly in South Weymouth, Massachusetts. His people had settled there in 1635 and were, according to his grandfather, “some kind of criminals from England.” His mother disappeared when he was two, his father followed suit, so young Holbrook and his two sisters were raised by their grandfather. It was only later he found out that his mother had gone into show business. Holbrook, being the only boy, was the “white hope of the family.” Sent away at the age of 7 to one of the finer New England schools, he was beaten regularly by a Dickensian headmaster who, when forced to retire, committed suicide. But when he was 12 he was sent to Culver Military Academy, where he discovered acting as an escape from his disenchantment with authority. While not the model cadet, he believes the discipline he learned at Culver saved his life. In the summer of 1942 he got his first paid professional engagement playing the son in The Man Who Came To Dinner at the Cain Park Theatre in Cleveland at $15.00 per week. That fall, he entered Denison University in Ohio, majoring in Theatre under the tutelage of his lifelong mentor, Edward A. Wright. World War II pulled him out of there and put him into the Army Engineers for three years. The Mark Twain characterization grew out of an honors project at Denison University after the War. Holbrook and his first wife, Ruby, had constructed a two-person show, playing characters from Shakespeare to Twain. -
MISSISSIPPI LEGISLATURE REGULAR SESSION 2007 By: the Entire Membership HOUSE RESOLUTION NO. 58 a RESOLUTION CO
MISSISSIPPI LEGISLATURE REGULAR SESSION 2007 By: The Entire Membership To: Rules HOUSE RESOLUTION NO. 58 1 A RESOLUTION COMMENDING MR. HAL HOLBROOK AND CONGRATULATING 2 HIM UPON ALL HIS ACCOMPLISHMENTS AND CAREER SUCCESSES AS AN ACTOR. 3 WHEREAS, Harold Rowe Holbrook, Jr., whom we have come to know 4 as Hal Holbrook, was born on February 17, 1925, in Cleveland, 5 Ohio, to Harold Rowe Holbrook and Aileen Davenport; and 6 WHEREAS, Hal Holbrook entered Denison University in 1942, 7 left to serve three years in the United States Army as an engineer 8 during World War II, and subsequently graduated from Denison 9 University in 1948, where his participation in an honors program 10 on Mark Twain would launch his long career as a performer; and 11 WHEREAS, Mr. Holbrook, as he told Bill Moyers in an 12 interview, presented his first solo performance as Mark Twain at 13 Lock Haven State Teachers College in Pennsylvania in 1954, as a 14 "desperate alternative to selling hats or running elevators to 15 keep his family alive"; and 16 WHEREAS, later Ed Sullivan saw Holbrook's performance and 17 invited him on the Ed Sullivan Show where Holbrook received his 18 first national exposure as Twain on February 12, 1956; and 19 WHEREAS, eventually more performances and other venues would 20 solidify Mr. Holbrook's "Mark Twain Tonight" as the most enduring 21 one man show in theatrical history and would inspire many more 22 actors and actresses to bring to life characters of history to the 23 world's theater goers; and 24 WHEREAS, Mr. -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Saluting the Classical Tradition in Drama
SALUTING THE CLASSICAL TRADITION IN DRAMA ILLUMINATING PRESENTATIONS BY The Shakespeare Guild IN COLLABORATION WITH The National Arts Club The Corcoran Gallery of Art The English-Speaking Union Woman’s National Democratic Club KATHRYN MEISLE Monday, February 6 KATHRYN MEISLE has just completed an extended run as Deborah in ROUNDABOUT THEATRE’s production of A Touch of the Poet, with Gabriel Byrne in the title part. Last year she delighted that company’s audiences as Marie-Louise in a rendering of The Constant Wife that starred Lynn Redgrave. For her performance in Tartuffe, with Brian Bedford and Henry Goodman, Ms. Meisle won the CALLOWAY AWARD and was nominated for a TONY as Outstanding Featured Actress. Her other Broadway credits include memorable roles in London Assur- NATIONAL ARTS CLUB ance, The Rehearsal, and Racing Demon. Filmgoers will recall Ms. Meisle from You’ve Got Mail, The Shaft, and Rosewood. Home viewers 15 Gramercy Park South Manhattan will recognize her for key parts in Law & Order and Oz. And those who love the classics will cherish her portrayals of such heroines as Program, 7:30 p.m. Celia, Desdemona, Masha, Olivia at ARENA STAGE, the GUTHRIE THEATER, MEMBERS, $25 OTHERS, $30 LINCOLN CENTER, the NEW YORK SHAKESPEARE FESTIVAL, and other settings. E. R. BRAITHWAITE Thursday, February 23 We’re pleased to welcome a magnetic figure who, as a young man from the Third World who’d just completed a doctorate in physics from Cambridge, discovered to his consternation that the color of his skin prevented him from landing a job in his chosen field. -
Emmy Award Winners
CATEGORY 2035 2034 2033 2032 Outstanding Drama Title Title Title Title Lead Actor Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actress—Comedy Name, Title Name, Title Name, Title Name, Title Outstanding Limited Series Title Title Title Title Outstanding TV Movie Name, Title Name, Title Name, Title Name, Title Lead Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Lead Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actor—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title Supp. Actress—L.Ser./Movie Name, Title Name, Title Name, Title Name, Title CATEGORY 2031 2030 2029 2028 Outstanding Drama Title Title Title Title Lead Actor—Drama Name, Title Name, Title Name, Title Name, Title Lead Actress—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actor—Drama Name, Title Name, Title Name, Title Name, Title Supp. Actress—Drama Name, Title Name, Title Name, Title Name, Title Outstanding Comedy Title Title Title Title Lead Actor—Comedy Name, Title Name, Title Name, Title Name, Title Lead Actress—Comedy Name, Title Name, Title Name, Title Name, Title Supp. Actor—Comedy Name, Title Name, Title Name, Title Name, Title Supp. -
Why Sponsor the Nashville Film Festival?
Sponsorship Opportunities WHY SPONSOR THE NASHVILLE FILM FESTIVAL? NASHVILLE FILM FESTIVAL • Quality Reach - highly desirable, affluent, SHATTERED RECORDS educated, change leaders • 49 Years-old • Accessible - rub shoulders with high level • Annual attendance: largest ever at 40,000+ filmmakers, film buyers, agents, actors and • 1,700+ women filmmakers enter NashFilm entertainment movers & shakers competitions annually • First-Class Destination - Nashville is on top • World-class Films: 300+ over 10 days of the headlines • Entrees annually from 125 countries • Exceptional - our exceptional sponsor • Total competition entries: 10,000 environment provides excellent brand • Media Value: Over $520,000 with 12.5 million visibility social media impressions NASHVILLE IS ON FIRE AUDIENCE DEMOGRAPHICS • 1.8 million people live in the Nashville region • 48% are 39, or under which is home to 40,000 businesses • 86% have college degrees • 100 people move to Nashville daily - • 76% earn more than $50,000 Tennessean • 40% earn more than $100,000 • One of 50 best destinations to travel in 2017 • 49% are women - Travel + Leisure • Best Places to Go in 2017 - Frommer’s MEDIA & SOCIAL • One of 22 places to go in 2017 - Men’s Journal • Media value: Over $520,000 with 12.5 million • #4 hottest vacation destination in the world - social media impressions The Daily Beast • Facebook followers - 25,000 • Top 10 place to go in 2017 - AFAR • Twitter followers - 10,800 • One of top 15 cities in America - Travel + • Instagram followers - 4,000 Leisure • Facebook -
C019 039 025 All.Pdf
----~------------------------ - This document is from the collections at the Dole Archives, University of Kansas http://dolearchives.ku.edu REMARKS OF SENATOR BOB DOLE INTERNATIONAL PLATFORM ASSOCIATION MAYFLOWER HOTEL, WASHINGTON, D.c. WEDNESDAY, AUGUST 7, 1985 THANKS VERY MUCH, DAN, FOR THAT GENEROUS INTRODUCTION. LET ME BEGIN BY EXPRESSING MY GRATITUDE FOR THIS AWARD. BEFORE I CAME OVER HERE, I DID A LITTLE RESEARCH INTO THEODORE ROOSEVELT'S CAREER, ESPECIALLY AS A PLATFORM ORATOR. FOR INSTANCE, WHEN HE WAS SHOT IN THE CHEST DURING THE 1912 BULL MOOSE CAMPAIGN, HE INSISTED ON DELIVERING A TWO-HOUR SPEECH BEFORE GOING TO THE HOSPITAL. AFTERWARDS, THE DOCTORS FOUND THAT IT WAS THE FOLDED UP MANUSCRIPT -- ABOUT 80 PAGES LONG -- WHICH SLOWED THE BULLET BEFORE IT COULD DO MORTAL DAMAGE. SO THERE YOU HAVE AT LEAST ONE EXAMPLE OF WHERE LONGWINDEDNESS SAVED SOMEONE'S LIFE. FROM MY OWN EXPERIENCE, IT'S MORE LIKELY TO SHORTEN LIFE. Page 1 of 58 This document is from the collections at the Dole Archives, University of Kansas http://dolearchives.ku.edu - 2 - WHY DO WE REMEMBER ROOSEVELT WITH SO MUCH AFFECTION? CERTAINLY, FEW MEN IN THE HISTORY OF THE REPUBLIC EVER ENJOYED THEIR TIME IN POWER MORE. FEW GAVE OFF A MORE EFFORTLESS IMPRESSION OF COMMAND. FEW CONVEYED WITH SUCH ELOQUENCE THE COMBINATION OF PERSONAL VALUES AND A NATIONAL VISION. IT WAS, AFTER ALL, THEODORE ROOSEVELT WHO INSISTED ON THE PRESIDENCY AS THE GREAT "BULLY PULPIT" OF POPULAR DEMOCRACY. AND FEW MEN, BEFORE OR SINCE, HAVE OCCUPIED THAT PULPIT WITH SUCH GUSTO. AS A REPUBLICAN, I ALSO THINK OF ROOSEVELT AS, IN MANY WAYS, THE FATHER OF MY PARTY IN THE 20TH CENTURY. -
Open Ninth: Conversations Beyond the Courtroom Judges on Film
1 OPEN NINTH: CONVERSATIONS BEYOND THE COURTROOM JUDGES ON FILM: PART 2 EPISODE 36 DECEMBER 5, 2017 HOSTED BY: FREDERICK J. LAUTEN 2 >>Welcome to another episode of “Open Ninth: Conversations Beyond the Courtroom” in the Ninth Judicial Circuit Court of Florida. Now here’s your host, Chief Judge Frederick Lauten. >>CHIEF JUDGE LAUTEN: Well, welcome. We are live, Facebook live and podcasting Phase 2 or Round 2 of Legal Eagles. So Phase 1 was so popularly received, and we’re back for Round 2 with my colleagues and good friend Judge Letty Marques, Judge Bob Egan, and we’re talking about legal movies. And last time there were so many that we just had to call it quits and pick up for Phase 2, so I appreciate that you came back for Round 2, so I’m glad you’re here. You ready to go? >>JUDGE MARQUES: Sure. >>CHIEF JUDGE LAUTEN: Okay, here we go. Watch this high tech. Here’s the deal. We need a box of popcorn, but we’re going to name that movie and then talk a little bit about it. So this is the hint: Who can name that movie from this one slide? >>JUDGE MARQUES: From Runaway Jury? >>CHIEF JUDGE LAUTEN: Did you see the movie? >>JUDGE EGAN: I did; excellent movie. >>CHIEF JUDGE LAUTEN: What’s it about? Do you remember? Anybody remember? >>JUDGE MARQUES: He gets in trouble. Dustin Hoffman gets in trouble at the beginning of the movie with the judge, but I don’t remember why. >>CHIEF JUDGE LAUTEN: I don’t know that I’ve seen this movie. -
Movie Data Analysis.Pdf
FinalProject 25/08/2018, 930 PM COGS108 Final Project Group Members: Yanyi Wang Ziwen Zeng Lingfei Lu Yuhan Wang Yuqing Deng Introduction and Background Movie revenue is one of the most important measure of good and bad movies. Revenue is also the most important and intuitionistic feedback to producers, directors and actors. Therefore it is worth for us to put effort on analyzing what factors correlate to revenue, so that producers, directors and actors know how to get higher revenue on next movie by focusing on most correlated factors. Our project focuses on anaylzing all kinds of factors that correlated to revenue, for example, genres, elements in the movie, popularity, release month, runtime, vote average, vote count on website and cast etc. After analysis, we can clearly know what are the crucial factors to a movie's revenue and our analysis can be used as a guide for people shooting movies who want to earn higher renveue for their next movie. They can focus on those most correlated factors, for example, shooting specific genre and hire some actors who have higher average revenue. Reasrch Question: Various factors blend together to create a high revenue for movie, but what are the most important aspect contribute to higher revenue? What aspects should people put more effort on and what factors should people focus on when they try to higher the revenue of a movie? http://localhost:8888/nbconvert/html/Desktop/MyProjects/Pr_085/FinalProject.ipynb?download=false Page 1 of 62 FinalProject 25/08/2018, 930 PM Hypothesis: We predict that the following factors contribute the most to movie revenue.