DOCSLIB.ORG

United States Department of Energy Electricity

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
United States Department of Energy Electricity UNITED STATES DEPARTMENT OF ENERGY ELECTRICITY ADVISORY COMMITTEE MEETING Arlington, Virginia Tuesday, June 30, 2015 2 1 PARTICIPANTS: 2 STEPHANIE AYERS IMCOR 3 RAKESH BATRA 4 Department of Energy 5 DENIS BERGERON Maine Public Utilities Commission 6 ANJAN BOSE 7 Washington State University 8 MERWIN BROWN California Institute for Energy & Environment 9 MARILYN BROWN 10 Georgia Institute of Technology 11 CARLOS COE Millennium Energy 12 LELAND COPLIANI 13 Lewis-Burke 14 RICHARD COWART Regulatory Assistance Project 15 ROBERT CURRY 16 CurryEnergy 17 KEN DONOHOO Oncor Electric Delivery Company 18 JAMES GALLAGHER 19 New York State Smart Grid Consort 20 CLARK GELLINGS Electric Power Research Institute (EPRI) 21 HONORABLE PATRICIA HOFFMAN 22 Department of Energy 23 3 1 PARTICIPANTS (CONT'D): 2 JULIET HOMER Pacific Northwest National Laboratory 3 PATRICK HUGHES 4 National Electrical Manufacturers Association 5 EDWARD KRAPELS Anbaric Holding LLC 6 MARK LAUBY 7 North American Electric Reliability Corporation 8 KEVIN LYNN Department of Energy 9 MAUREEN MALLOY 10 ICF International 11 ELI MASSEY Department of Energy 12 DAVID MEYER 13 Department of Energy 14 GRANGER MORGAN Carnegie Mellon, Engineering & Public Policy 15 TIMOTHY MOUNT 16 Cornell University 17 DOUG OBEY Inside EPA 18 JOSEPH PALADINO 19 Department of Energy 20 NANCY PFUND DBL Investors 21 JAMES PEDERSON 22 Federal Energy Regulatory Commission 23 4 1 PARTICIPANTS (CONT'D): 2 SONNY POPOWSKY EAC Vice Chair 3 WANDA REDER 4 S&C Electric Company; IEEE 5 PAUL ROBERTI Rhode Island Public Utilities Commission 6 MATT ROSENBAUM 7 Department of Energy 8 HEATHER SANDERS California Independent System Operator 9 PAM SILBERSTEIN 10 National Rural Electric Cooperative Association 11 RAMTEEN SIOSHANSI Ohio State University 12 JULIE SMITH 13 Department of Energy 14 SAMIR SUCCAR ICF International 15 ROY THILLY 16 Independent 17 DAVID TILL Tennessee Valley Authority 18 DAVID TREICHLER 19 Oncor Electric Delivery LLC 20 GORDON VAN WELIE Independent System Operator of New England 21 5 1 PARTICIPANTS (CONT'D): 2 ANDREA WAGNER ICF International 3 REBECCA WAGNER 4 Nevada Public Utilities Commission 5 CARL ZICHELLA Natural Resources Defense Council 6 7 * * * * * 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 6 1 P R O C E E D I N G S 2 (8:01 a.m.) 3 CHAIRMAN COWART: Good morning everyone. 4 As we always state at the beginning of these 5 sessions I will remind people that a transcript is 6 being prepared so your remarks are being recorded 7 for posterity and if there's no other business 8 before the committee we can turn this over to 9 Wanda Reder the Microgrids panel. Thanks Wanda. 10 MS. REDER: All right between now 8:30 11 and 10:00 we'll have the opportunity to hear from 12 four guests on our Microgrid panel this morning 13 and this anticipation for coming up for a work 14 product in 2016 on where we need to take 15 Microgrids and understand what the recommendations 16 are to remove barriers et cetera. The focus of 17 this panel is really on financing, the commercial 18 aspects but I thought before diving into that is 19 probably worth it to get grounded a bit on what is 20 Microgrid just to make sure we'll all on the same 21 page before we move into that space. Microgrid is 22 a localized grouping of distributed electricity 7 1 sources, loads and storage mechanisms that can 2 either operate in conjunction with the central 3 grid or can isolate and operate independently as 4 an island. I think that part is really, really 5 key. Sometimes we get kind of confused in the 6 discussion but that island aspect is really, 7 really important. There are a lot of different 8 types of Microgrids; an individual sports stadium 9 for example can be a Microgrid. It can get a 10 larger and include multiple consumers at a 11 particular geographic area that's always 12 electrically bounded like a military base, a 13 university that type of thing and those tend to be 14 more community oriented where they're taking on 15 the owness themselves for various reasons which 16 I'll talk about. The other respect is utility 17 Microgrids. So the utility might decide I might 18 want to get into the Microgrid space, provide some 19 supplier resources on the consumer side, manage 20 that control activity and so right now the jury is 21 still out on which direction the Microgrids are 22 going to go, how the markets are going to evolve. 8 1 Having these three approaches in mind is probably 2 useful as we get into the conversation on how the 3 market advances. Typically three major buckets of 4 why Microgrids start evolving. Once is looking at 5 the resourcing in energy security aspects so the 6 extent that consumers need more reliability in the 7 grid, there's more increased dependency on it. 8 That can be a driver to provide local power during 9 outages, increase the reliability, serve really 10 critically loads, address cyber security aspects 11 and just be more independent relative to being 12 energy aspect. Another driver is efficiency and 13 optimization which is inscribed on the next slide 14 and here talking about peak reduction, offsetting 15 energy, often solar is a part of this as are many 16 other local generation sources to the extent that 17 you're generating locally there's less losses 18 because you don't have to go through the delivery 19 aspect into the extent that markets are evolving 20 there's an opportunity to provide ancillary 21 services back to the grid. Often times some 22 interaction with combine storage to get that 9 1 increased sufficiency and optimization. I think 2 one of things that's important to think about 3 which is described on the next slide is that 4 storage often is coupled with these Microgrids. 5 This talks a bit about how solar prices have come 6 down over time and actually crossed on a per kilo 7 watt hour with diesel so we are seeing solar as 8 one of the sources that are often incorporated in 9 the Microgrid space and with that often time 10 batteries can then smooth the intermittency and 11 manage the reverse power flow aspect, keep voltage 12 within limits, control ramp rate, that type of 13 thing. So these technologies are converging and 14 actually part of the scope typically. And of 15 course the last slide here in terms of drivers is 16 the green integration aspect so just being able to 17 manage the variability that comes out of renewable 18 and making sure that easily integrates back into 19 the grid. So three big chunks of why folks are 20 moving forward but again as described on the next 21 slide is how are these things getting paid for and 22 that's really what we want these folks to talk 10 1 about is the commercial aspects. What are the 2 barriers to kind of move Microgrids forward? In 3 many respects the technology is there, I think we 4 are learning but it often times is more of a 5 market aspect than it is a technology aspect so 6 that's what we're here to learn more about. So 7 the objective of the panel is to discuss 8 quantifying intangibles such as the resiliency and 9 the reliability aspects. What types of market 10 designs are really most demeanable to facilitate 11 Microgrids and create an environment that's 12 receptive to them to the extent that there are 13 barriers or challenges and what we can do to 14 overcome and understand them so ultimately we can 15 have higher deployments and then lastly what is 16 the utilities role in this face? To the extent 17 that there's consumer community type Microgrids 18 that want to interconnect, how do you facilitate 19 that change and the flip is also true to the 20 extent that utilities want to become more involved 21 in this area; what's required in order to allow 22 them to do that and strategically what the 11 1 advantages are. So that is really the background 2 of why we are having this discussion today with 3 our four esteemed panelists. We will have 4 comments in order of James Gallagher will start, 5 Ed Krapels, Nancy and then David Treichler and 6 then after that we'll open it up with some 7 questions. But before they get started I'll just 8 provide some introductory comments for each of 9 them and then we'll have some slides and go into 10 discussion. Jim Gallagher will be our first 11 speaker. He is currently the executive director 12 of the New York State Grid Consortium. Jim was 13 named executive director of the organization in 14 April 2013, has many years of experience in energy 15 policy and industry as well. He oversees the 16 consortium and as members as they work towards a 17 broad statewide implementation of a safe, secure 18 and reliable smart grid to modernize New York's 19 energy infrastructure. He has a lot of experience 20 beyond that; he was involved in strategic planning 21 at the New York ISO, director of energy policy for 22 the city of New York. He was the director of the 12 1 office of electricity environment for the New York 2 public service commission and prior to that was 3 even involved in TVA so he has a broad range of 4 experience.
Load more

Recommended publications
  • Transcript Was Exported on Jun 15., 2020 View Latest Versiun Here
    27-CR-20-12951 Filed in District Court State of Minnesota - 7/7/2020 11:00 AM This transcript was exported on Jun 15., 2020 View latest versiun here.- Speaker 1: [silence] Speaker 1: Before they drive off, he’s parked right here, Its a fake bill from the Gentlemen, sorry. ' Kueng: - The driver in there? - LanerThe blue Benz? . I Speaker 1: Which one? Speaker3 : That blue one over there. Kueng Which one? Lane: yup-yup Just head back In. They're moving around a lot. Let me see your hands. George Floyd: Hey, man. I'm sorry! Lane: Stay in the car, let me see your other hand. George Floyd: l'm sorry, I'm sorry! Lane: Let me see your other hand! George Floyd: Please, Mr. Officer. Lane: Both hands. George Floyd: ldidn‘t do nothing. Lane: Put your fucking hands up right now! Let me see yOur other hand. Shawanda Hill: let him see your other hand George Floyd: All right. What l do though? What we do Mr Ofcer? Lane: Put your hand up there. Put your fucking hand up there! Jesus Christ, keep your fucking hands on the wheel. George Floyd: igot shot. [crosstalk 00:02:00]. EXHIB'T Lane: § 0‘3}?st Axon_Body_3_Video_2020-05-25_2008 (Completed 06/10/20) Transcript by Rev.com Page l of 25 27-CR-20-12951 Filed in District Court State of Minnesota 7/7/2020 11:00 AM This Lmnscript was exported on Jun IS. 3020 - view latest version here. Keep your fucking hands on the wheel. George Floyd: Yes, sir.
    [Show full text]
  • Banks Spellbound by Innovation? Lessons Learnt from Digitalisation
    Andreas Dombret: Banks spellbound by innovation? Lessons learnt from digitalisation Introductory address by Dr Andreas Dombret, Member of the Executive Board of the Deutsche Bundesbank, at the Baden-Baden Entrepreneur Talks, Baden Baden, 22 March 2017. * * * 1. Introduction Ladies and gentlemen Mr Holle John Cryan I’m sure you’re all just as curious about today as I am. We will, after all, be talking about nothing less than innovation in the financial industry – a subject which, by its very definition, cannot be boring. Innovation basically boils down to the introduction of something new. But is that all there is to it? Edward de Bono,1 thinking about progress in the world of transport, once described a key element of innovation with the following words. "Removing the faults in a stage-coach may produce a perfect stage-coach, but it is unlikely to produce the first motor car." Whenever we talk about innovation, it’s not, then, a question of perfecting habitual modes of thought and action but about harnessing inspiration and thinking laterally. I trust our varied programme today will serve to stimulate the latter. I would like to kick off today’s event by posing three questions that have greatly occupied me recently in my capacity as a banking supervisor. 1. Why have innovations in the financial industry become a hot topic now, of all times? 2. What do we mean, exactly, when we talk about innovation in banking business? 3. Can banks even be innovative? 2. Innovation: why now, of all times? Let’s start with the first question: innovations in the financial industry – why now, of all times? I would like to begin by saying that this question is not an inappropriate one.
    [Show full text]
  • World Bank Document
    101647 Remarks to the Bohemiae Foundation Opinion Leaders' Forum Public Disclosure Authorized by James D. Wolfensohn President The World Bank Group Cernin Palace [Ministry of Foreign Affairs], Prague, Czech Republic, May 31, 2000 Mr. Wolfensohn, the floor is yours. Thank you very much for coming, and we are all looking forward to your inspiring comments. Thank you very much. MR. WOLFENSOHN: Well, Mr. Minister, Mr. Mayor, Your Excellencies, ladies and gentlemen, let me say what a pleasure it is to have this opportunity Public Disclosure Authorized to talk to you on the eve of our Annual Meetings some few months from now, and to say how delighted I was this morning to have a chance to visit the physical location of the meetings and to have a chance to meet also with some of the distinguished leaders of your country. There is absolutely no doubt that the facilities are world-class, that the arrangements are world-class, and I want to congratulate and thank all those who have made the arrangements. It is very clear to me that this will be a successfully organized meeting, and I am particularly grateful for the effort that has gone in. I also want to thank Ivana Stefkova for her kindness in organizing this meeting and giving me a chance to speak to you, even though I am not a Public Disclosure Authorized Czech Secretary of State. I regret that, unlike Madeleine Albright, I cannot speak in Czech, but I hope that I can convey to you some of the feelings that I have as I talk about the subject which covers the priorities of the World Bank in the 21st century.
    [Show full text]
  • Everybody's Talkin': Let Me Talk As You Want
    Everybody’s Talkin’: Let Me Talk as You Want Linsen Song1∗ Wayne Wu2;3 Chen Qian2 Ran He1 Chen Change Loy3 1NLPR, CASIA 2SenseTime Research 3Nanyang Technological University [email protected] fwuwenyan, [email protected] [email protected] [email protected] Figure 1: Audio-based video editing. Speech audio of an arbitrary speaker, extracted from any video, can be used to drive any videos featuring a random speaker. Abstract tained, therefore preserving the context of the original video footage. Finally, we introduce a novel video rendering net- We present a method to edit a target portrait footage by work and a dynamic programming method to construct a taking a sequence of audio as input to synthesize a photo- temporally coherent and photo-realistic video. Extensive realistic video. This method is unique because it is highly experiments demonstrate the superiority of our method over dynamic. It does not assume a person-specific rendering existing approaches. Our method is end-to-end learnable network yet capable of translating arbitrary source audio and robust to voice variations in the source audio. Some into arbitrary video output. Instead of learning a highly het- results are shown in Fig.1. Video results are shown on our arXiv:2001.05201v1 [cs.CV] 15 Jan 2020 erogeneous and nonlinear mapping from audio to the video project page1. directly, we first factorize each target video frame into or- thogonal parameter spaces, i.e., expression, geometry, and pose, via monocular 3D face reconstruction. Next, a re- 1. Introduction current network is introduced to translate source audio into expression parameters that are primarily related to the au- I’m going where the sun keeps shining.
    [Show full text]
  • Featured Writer... Fafara Concludes, "These Five Souls Make This Band What It Is
    3rd Quarter • 2012 They'll lay on their laurels and stick to what they've done on the next album. We're not look- ing at what anyone around us is doing. Since we're not paying attention to any of that, we were able to find unique music within ourselves. We tried to break some boundaries and stretch the genre open. We keep redefining ourselves." The musical prowess of the band members is becoming more evident beyond the metal world, as Spreitzer and Kendrick released signature ESP guitars. Boecklin has also been prominently featured in all drum magazines, namely Modern Drummer and DRUM!, as his kit work continues to turn heads. Featured Writer... Fafara concludes, "These five souls make this band what it is. It lies in the salt and pepper from everyone. What's most important is our fans get delivered the kind of music, stage show and energy that they're expecting from us. Because DevilDriver are preparing to release the of all the time and personal sacrifice, we are a band's sixth album, which is an exorcism of Beast. The pleasure is that we're all together as animalistic, primal hooks, thunderous percus- friends still. Nothing can stop DevilDriver." sion and propulsive thrashing. While many This Beast is alive and won't ever die. You have bands in the modern era are already wither- been warned… ing away by their second album and have shriveled up and died by their third, Devil- Look for DevilDriver's new album in 2013 on Driver have proven to mutate, growing stron- Napalm Records.
    [Show full text]
  • Earth Wind & Fire Let Me Talk Mp3, Flac
    Earth Wind & Fire Let Me Talk mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Let Me Talk Country: Europe Released: 1980 Style: Disco MP3 version RAR size: 1551 mb FLAC version RAR size: 1628 mb WMA version RAR size: 1799 mb Rating: 4.8 Votes: 508 Other Formats: AAC ASF MMF AHX MP2 VQF VOC Tracklist A Let Me Talk 6:40 B Let Me Talk (Instrumental) 4:26 Companies, etc. Phonographic Copyright (p) – CBS Inc. Copyright (c) – CBS Inc. Published By – Saggifire Music Published By – Verdangel Music Published By – Cherubim Music Published By – Sir & Trini Music Published By – Steelchest Music Credits Lyrics By – Maurice White, Philip Bailey Music By – Al McKay, Larry Dunn, Maurice White, Ralph Johnson, Verdine White Producer – Maurice White Notes the actual time: A) Let Me Talk (6:49) B) Let Me Talk (Instrumental) (4:52) Made in Holland Category sleeve:12.8982 Category label:CBS 12.8982 Barcode and Other Identifiers Rights Society: BIEM/STEMRA Label Code: LC 0149 Other versions Category Artist Title (Format) Label Category Country Year Earth, Wind & Let Me Talk (7", ARC , 1-11366 1-11366 US 1980 Fire Single) Columbia Earth, Wind & Let Me Talk (7", 07SP 510 CBS/Sony 07SP 510 Japan 1980 Fire Single) Earth, Wind & Let Me Talk (7", BA 222730 CBS BA 222730 Australia 1980 Fire Single, Promo) CBS 8982, S Earth, Wind & CBS 8982, S Let Me Talk (7", Bro) CBS, CBS UK 1980 CBS 8982 Fire CBS 8982 Earth, Wind & Let Me Talk (12", ARC , AS 853 AS 853 US 1980 Fire Promo) Columbia Related Music albums to Let Me Talk by Earth Wind & Fire Earth, Wind & Fire - Fantasy Earth, Wind & Fire - Last Days And Time Earth, Wind & Fire With The Emotions - Boogie Wonderland Earth, Wind & Fire - In Concert Earth, Wind & Fire - Gratitude Earth, Wind & Fire - Open Our Eyes Earth, Wind & Fire - Jupiter Earth, Wind & Fire - Millennium.
    [Show full text]
  • Letters to Mr. Carter Jasmin S
    Student Publications Student Scholarship Fall 2015 Letters to Mr. Carter Jasmin S. Eddy Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/student_scholarship Part of the Fiction Commons, and the Music Education Commons Share feedback about the accessibility of this item. Eddy, Jasmin S., "Letters to Mr. Carter" (2015). Student Publications. 480. https://cupola.gettysburg.edu/student_scholarship/480 This is the author's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/student_scholarship/ 480 This open access student research paper is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Letters to Mr. Carter Abstract This final project synthesized discussion and learning from four different books: "To Teach: The ourJ ney in Comics" by W. Ayers and R. Alexander-Tanner, "Musician and Teacher: An Orientation to Music Education" by P. S. Campbell, "Teaching as a Subversive Activity" by N. Postman and C. Weingartner, and "Pedagogy of the Oppressed" by P. Freire. Through a series of letters to a teacher, Mr. Carter, the letter writers demonstrate the important ideas presented in each of the books. Keywords Music Education, social change, teaching, students Disciplines Fiction | Music Education Comments Written for MUS CLAS 149: Social Foundations of Music Education. This student research paper is available at The uC pola: Scholarship at Gettysburg College: https://cupola.gettysburg.edu/ student_scholarship/480 Jasmin Eddy Dr.
    [Show full text]
  • “Let Me Talk My Shit”: Exploring Raciocultural Trauma Through Embodied Arts
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses July 2021 “LET ME TALK MY SHIT”: EXPLORING RACIOCULTURAL TRAUMA THROUGH EMBODIED ARTS Andrew Brian Torres University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Art Education Commons, Language and Literacy Education Commons, and the Social Justice Commons Recommended Citation Torres, Andrew Brian, "“LET ME TALK MY SHIT”: EXPLORING RACIOCULTURAL TRAUMA THROUGH EMBODIED ARTS" (2021). Doctoral Dissertations. 2228. https://doi.org/10.7275/22469822.0 https://scholarworks.umass.edu/dissertations_2/2228 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. “LET ME TALK MY SHIT”: EXPLORING RACIOCULTURAL TRAUMA THROUGH EMBODIED ARTS A Dissertation Presented by ANDREW B. TORRES Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2021 College of Education Social Justice Education © Copyright by Andrew B. Torres 2021 All Rights Reserved “Let me talk my shit”: Exploring Raciocultural Trauma through Embodied Arts A Dissertation Presented By ANDREW B. TORRES Approved as to style and content by: _________________________ Jamila Lyiscott, Chair _________________________ Keisha Green, Member _________________________ Laura Valdiviezo, Member ______________________________ Jennifer Randall Associate Dean of Academic Affairs College of Education DEDICATION This dissertation is dedicated to my Guela Carmen and Guela Maria; to the island of Boriken and her people around the world; to my community.
    [Show full text]
  • THE KNIGHTS of SALISBURY by Tim Caron 87 Beacon St #1 Boston
    THE KNIGHTS OF SALISBURY By Tim Caron 87 Beacon St #1 Boston, MA 02108 978-886-8677 [email protected] 1 CHARACTERS: VINCENT CARTIER - male, 30s, white SELMA CARTIER - female, 30s, middle eastern MIKE JOHNSON - male, 17, white JAKE FLAHERTY - male, 17, white JOE KATZ - male, 18, any ethnicity DANNY CAESERTA - 18, any ethnicity CHRISTINA PHILLIPS - female, 17, any ethnicity BEN FLAHERTY - male, 40s, white SUSAN JOHNSON - female, 40s, white BILL JOHNSON - male, 40s, white MICK BRANDON - male, 60s, any ethnicity DEVON BROOKS - male, 30s/40s, any ethnicity GREG PORTO - male, early 50s, any ethnicity JIM STIMPSON - male, 30s/40s, any ethnicity JESSICA COMSTOCK - female, 17, any ethnicity BARGOERS 1 and 2 - male or female, 50s/60s, any ethnicity V.O. BROADCASTER FOR RED SOX GAME - male, 20s-70s, any ethnicity POTENTIAL DOUBLED CHARACTERS: Bill Johnson/Mick Brandon/Jim Stimpson/Bargoer 1 Devon Brooks/Greg Porto/Bargoer 2 Songs: 1. “Time In Transit” - Selma & Vincent 2. “In My Own Hands” - Mike & Jake 3. “Persuasion” - Mike, Vincent & Jake 4. “Come On (Decide)” - Danny, Jake, Joe, Mike, Vincent & Selma 5. “Two (On Graham Ave) - Mike 6. “Benny Talks” - Ben, Bargoer 1, Bargoer 2 & Jake 7. “House of the Rising Sun” - Jake, Mike & Joe 8. “Bradon Bound” - Vincent & Selma 9. “Genuine Connection” - Mike 10. “Fight the Fight” - Christina & Mike 11. “Graniteland” - Jake 12. “This Moment Here and Now” - Mike & Christina 13. “Genuine Connection” (Reprise)- Mike 14. “Old Back Bay” - Jessica & Jake 15. “That Sucker’s Ours” - Vincent 16. “Detente On the Dancefloor” - Jake 17. “Bigger Fish to Fry” - Mike 18. “Relationship Anxiety” - Mike 19.
    [Show full text]
  • Earth, Wind & Fire Boogie Wonderland
    Earth, Wind & Fire Boogie Wonderland (The Very Best Of Earth Wind & Fire) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Boogie Wonderland (The Very Best Of Earth Wind & Fire) Country: UK Released: 1996 Style: Disco MP3 version RAR size: 1507 mb FLAC version RAR size: 1183 mb WMA version RAR size: 1900 mb Rating: 4.3 Votes: 132 Other Formats: MP1 AU XM VOX RA MMF AUD Tracklist 1 Boogie Wonderland 4:53 2 Let's Groove 5:40 3 September 3:36 4 Fantasy 3:47 5 Got To Get You Into My Life 4:05 6 Saturday Nite 4:06 7 In The Stone 3:32 8 Mighty Mighty 3:06 9 I've Had Enough 3:52 10 Love's Holiday 4:27 11 Star 4:26 12 Reasons 4:59 13 Getaway 3:48 14 System Of Survival 4:09 15 Spread Your Love 3:53 16 Let Me Talk 3:57 17 After The Love Has Gone 4:34 18 Let Your Feelings Show 5:19 Companies, etc. Phonographic Copyright (p) – Telstar Records Plc Copyright (c) – Telstar Records Plc Made By – Disctronics Group, United Kingdom Notes CD released with a 4-page booklet in a standard jewel case. Barcode and Other Identifiers Barcode (Printed): 5 014469 528796 > Barcode (Scanned): 5014469528796 Mould SID Code: IFPI 8794 Matrix / Runout (Mirrored): MET 3 DISCTRONICS MET 3 S TCD 2631 02 Related Music albums to Boogie Wonderland (The Very Best Of Earth Wind & Fire) by Earth, Wind & Fire Earth, Wind & Fire - Boogie Wonderland / September Earth, Wind & Fire - The Essential Earth, Wind & Fire Earth, Wind & Fire with Emotions, The - Boogie Wonderland Earth, Wind & Fire - Star Box Various - Disco Mix Club - August 1983 - Tape 1 Earth, Wind & Fire - Earth, Wind & Fire Earth, Wind & Fire - The Best Of Earth Wind & Fire Vol.
    [Show full text]
  • REL 101 Lecture 1 1 Hi. My Name Is John Strong and Welcome To
    REL 101 Lecture 1 1 Hi. My name is John Strong and welcome to Literature and World of the Hebrew Bible. This is session one. I want to first of all thank you for signing up for this course. I hope it’s an interesting course. I think it will be. I’m looking forward to this semester. I know that working through television is sort of an odd way — at least it is for me — to teach a course, but I think it’ll be an interesting semester. I think working through the television and through videos is going to give us some opportunities that maybe an actual classroom actually wouldn’t and so hopefully we’ll make it a profitable and worthwhile experience for you the student. Let me tell you a little bit about myself. Again, my name is John Strong. I have a Ph.D. in Old Testament studies from a school out in Richmond, Virginia — Union Seminary. I’ve been here at the university since 1992 teaching in the Department of Religious Studies and that’s been a very rewarding experience. I grew up here in Springfield. I actually grew up just a couple of blocks from the campus here and went to Greenwood High School. Went to all the Bears games as a kid and grew up with some of the old basketball stars, Curtis Peary and Burt Bancroft and some of those folks, and they were my childhood heroes. I’ve been a Bears fan all my life and so I like to go to the games and still follow them pretty closely.
    [Show full text]
  • EARTH, WIND & FIRE -‐ Bio XRIJF JUNE 20-‐28, 2014 During the 1970S
    EARTH, WIND & FIRE - Bio During the 1970s, a new brand of pop music was born - one that was steeped in African and African- American styles - particularly jazz and R&B but appealed to a broader cross-section of the listening public. As founder and leader of the band Earth, Wind & Fire, Maurice White not only embraced but also helped bring about this evolution of pop, which bridged the gap that has often separated the musical tastes of black and white America. It certainly was successful, as EWF combined high-caliber musicianship, wide-ranging musical genre eclecticism, and '70s multicultural spiritualism. "I wanted to do something that hadn't been done before," Maurice explains. "Although we were basically jazz musicians, we played soul, funk, gospel, blues, jazz, rock and dance music...which somehow ended up becoming pop. We were coming out of a decade of experimentation, mind expansion and cosmic awareness. I wanted our music to convey messages of universal love and harmony without force- feeding listeners' spiritual content." Maurice was born December 19, 1941, in Memphis, TN. He was immersed in a rich musical culture that spanned the boundaries between jazz, gospel, R&B, blues and early rock. All of these styles played a role in the development of Maurice's musical identity. At age six, he began singing in his church's gospel choir but soon his interest turned to percussion. He began working gigs as a drummer while still in high school. His first professional performance was with Booker T. Jones, who eventually achieved stardom as Booker T and the MGs.
    [Show full text]