Albright College Gingrich Lib Albright College Gingrich Lib Albright College Gingrich Lib

Total Page:16

File Type:pdf, Size:1020Kb

Albright College Gingrich Lib Albright College Gingrich Lib Albright College Gingrich Lib Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College GingrichNOTICE: Library The copyright law of the United States (Title 17, United States Code) governs the making of reproductions of copyrighted material. One specified condition is that the reproduction is not to be than private study, or later uses a reproduction for purposes in excess of Albright College Gingrich Library Albright College Gingrich Library Albrightmay College be liable Gingrich for copyright Library infringement. RESTRICTIONS: This student work may be read, quoted from, cited, and reproduced for purp Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library scholarship, or research. by the author. oses of research. It may not be published in full except by permission Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library “used ” If a user makes a request for, Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library for any purpose other “fair use, Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library ” that user Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Powered by TCPDF (www.tcpdf.org) Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Powered by TCPDF (www.tcpdf.org) Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Powered by TCPDF (www.tcpdf.org) Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library “She refused to be bored chiefly Albright College Gingrich Librarybecause she wasn’t boring”: Albright College Gingrich Library Albright College Gingrich Library Flapper Fashion Between 1922 and 1925 Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Autumn Jai Galka Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Candidate for the degreeAlbright College Gingrich Library Albright College Gingrich Library Bachelor of Arts Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Submitted in partial fulfilment of the requirements for Albright College Gingrich Library College HonorsAlbright College Gingrich Library Albright College Gingrich Library Departmental Distinction in Fashion/Costume Track Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Paula Trimpey, M.F.A. Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Jeffrey Lentz, M.M. Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright John PankCollege Gingrichratz, Ph.D. Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Powered by TCPDF (www.tcpdf.org) Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library 1922 through 1925 Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich LibraryAll the following information regarding Flappers fashionable garments through Flapper dress. I will act as designer, draper and first hand in producing this garment and demonstrate the skills I have acquired, as well as demonstrate the techniques I have learned thr Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Librarywill be utilized in my thesis project to construct a period accurate will be indistinguishable from a garment constructed from the period, apart from wear and aging. The skills learned,ough researching in both construction the 1920s. andThe research,hope is that are therelevant new garment to acquire,Preface constructed as t Albright College Gingrich Library Albright College Gingrich Library hey may be essentialAlbright in College my career Gingrich in Costume Library Design in the future. Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library Powered by TCPDF (www.tcpdf.org) Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library “She refused to be bored chiefly because she wasn’t boring”: Flapper Fashion Between 1922 and 1925 Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library During the 1920’s, for the first time in history, the youths of the world were essential in what was considered fashionable throughout the period. The youthful women Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library going against the grain of society were nicknamed Flappers. It’s unclear where the nickname began, as several etymologies are cited to the origin of this epithet but what is Albright College Gingrich Library Albright College Gingrich Library Albright College Gingrich Library clear is that these women held an ethereal vivacity that differed from others in society ("Announcing Flapper Beauty Contest"). These Flappers took their dissention and Albright agitationCollege Gingrich towards Library society and turnedAlbright it on its College head toGingrich drastically Library alter clothingAlbright and it sCollege Gingrich Library correlation with morals (Tortora). Flappers represented the immense revision of Albright women’sCollege Gingrich demeanor, Library style and statusAlbright that occurred College Gingrichduring the Library 1920’s, which noAlbright other College Gingrich Library decade has seen in recent history ("Flappers - Fashion, Costume, and Culture "). Through this “era of Wonderful Nonsense,” Flappers were both enacting the changes in Albright College Gingrich Library Albright College Gingrich Library Albright
Recommended publications
  • Fine Art, Antiques, Jewellery, Gold & Silver, Porcelain and Quality
    Fine Art, Antiques, Jewellery, Gold & Silver, Porcelain and Quality Collectables Day 1 Thursday 12 April 2012 10:00 Gerrards Auctioneers & Valuers St Georges Road St Annes on Sea Lancashire FY8 2AE Gerrards Auctioneers & Valuers (Fine Art, Antiques, Jewellery, Gold & Silver, Porcelain and Quality Collectables Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 14 A Russian Silver And Cloisonne 9ct Gold Diamond & Iolite Cluster Enamel Salt. Unusual angled Ring, Fully Hallmarked, Ring Size shape. Finely enamelled in two T. tone blue, green red & white and Estimate: £80.00 - £90.00 with silver gilt interior. Moscow 84 Kokoshnik mark. (1908-1917). Maker probably Henrik Blootenkleper. Also French import mark. Estimate: £100.00 - £150.00 Lot: 15 9ct White Gold Diamond Tennis Lot: 2D Bracelet, Set With Three Rows A Russian 14ct Gold Eastern Of Round Cut Diamonds, Fully Shaped Pendant Cross. 56 mark Hallmarked. & Assay Master RK (in cyrillic). Estimate: £350.00 - £400.00 Maker P.B. Circa 1900. 2" in length. 4 grams. Estimate: £80.00 - £120.00 Lot: 16 9ct Gold Opal And Diamond Stud Lot: 8D Earrings. Pear Shaped Opal With Three Elegant Venetian Glass Diamond Chips. Vases Overlaid In Silver With Estimate: £35.00 - £45.00 Scenes Of Gondolas And Floral Designs. Two in taupe colour and a larger one in green. Estimate: £30.00 - £40.00 Lot: 17 Simulated Pearl Necklace, White Lot: 10 Metal Clasp. Platinum Diamond Stud Earrings, Estimate: £25.00 - £30.00 Cushion Shaped Mounts Set With Princess Cut Diamonds, Fully Hallmarked, As New Condition. Estimate: £350.00 - £400.00 Lot: 18 9ct Gold Sapphire Ring, The Lot: 12 Central Oval Sapphire Between Large 18ct Gold Diamond Cross, Diamond Set Shoulders, Ring Mounted With 41 Round Modern Size M, Unmarked Tests 9ct.
    [Show full text]
  • Love Between Women in the Narrative of the Holocaust
    University of South Carolina Scholar Commons Theses and Dissertations 2015 Unacknowledged Victims: Love between Women in the Narrative of the Holocaust. An Analysis of Memoirs, Novels, Film and Public Memorials Isabel Meusen University of South Carolina - Columbia Follow this and additional works at: https://scholarcommons.sc.edu/etd Part of the Comparative Literature Commons Recommended Citation Meusen, I.(2015). Unacknowledged Victims: Love between Women in the Narrative of the Holocaust. An Analysis of Memoirs, Novels, Film and Public Memorials. (Doctoral dissertation). Retrieved from https://scholarcommons.sc.edu/etd/3082 This Open Access Dissertation is brought to you by Scholar Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Unacknowledged Victims: Love between Women in the Narrative of the Holocaust. An Analysis of Memoirs, Novels, Film and Public Memorials by Isabel Meusen Bachelor of Arts Ruhr-Universität Bochum, 2007 Master of Arts Ruhr-Universität Bochum, 2011 Master of Arts University of South Carolina, 2011 Submitted in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Comparative Literature College of Arts and Sciences University of South Carolina 2015 Accepted by: Agnes Mueller, Major Professor Yvonne Ivory, Committee Member Federica Clementi, Committee Member Laura Woliver, Committee Member Lacy Ford, Vice Provost and Dean of Graduate Studies © Copyright by Isabel Meusen, 2015 All Rights reserved. ii Dedication Without Megan M. Howard this dissertation wouldn’t have made it out of the petri dish. Words will never be enough to express how I feel.
    [Show full text]
  • Textiles and Clothing the Macmillan Company
    Historic, Archive Document Do not assume content reflects current scientific knowledge, policies, or practices. LIBRARY OF THE UNITED STATES DEPARTMENT OF AGRICULTURE C/^ss --SOA Book M l X TEXTILES AND CLOTHING THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO TEXTILES AXD CLOTHIXG BY ELLEX BEERS >McGO WAX. B.S. IXSTEUCTOR IX HOUSEHOLD ARTS TEACHERS COLLEGE. COLUMBIA U>aVERSITY AXD CHARLOTTE A. WAITE. M.A. HEAD OF DEPARTMENT OF DOMESTIC ART JULIA RICHMAX HIGH SCHOOL, KEW YORK CITY THE MACMILLAX COMPAXY 1919 All righU, reserved Copyright, 1919, By the MACMILLAN company. Set up and electrotyped. Published February, 1919. J. S. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. ; 155688 PREFACE This book has been written primarily to meet a need arising from the introduction of the study of textiles into the curriculum of the high school. The aim has been, there- fore, to present the subject matter in a form sufficiently simple and interesting to be grasped readily by the high school student, without sacrificing essential facts. It has not seemed desirable to explain in detail the mechanism of the various machines used in modern textile industries, but rather to show the student that the fundamental principles of textile manufacture found in the simple machines of primitive times are unchanged in the highl}^ developed and complicated machinerj^ of to-day. Minor emphasis has been given to certain necessarily technical paragraphs by printing these in type of a smaller size than that used for the body of the text.
    [Show full text]
  • Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
    Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8.
    [Show full text]
  • The Royal Governess: a Novel of Queen Elizabeth II’S Childhood / Wendy Holden
    BERKLEY An imprint of Penguin Random House LLC penguinrandomhouse.com Copyright © 2020 by Wendy Holden Penguin Random House supports copyright. Copyright fuels creativity, encourages diverse voices, promotes free speech, and creates a vibrant culture. Thank you for buying an authorized edition of this book and for complying with copyright laws by not reproducing, scanning, or distributing any part of it in any form without permission. You are supporting writers and allowing Penguin Random House to continue to publish books for every reader. BERKLEY and the BERKLEY & B colophon are registered trademarks of Penguin Random House LLC. Library of Congress Cataloging-in-Publication Data Names: Holden, Wendy, 1965- author. Title: The royal governess: a novel of Queen Elizabeth II’s childhood / Wendy Holden. Description: First edition. | New York: Berkley, 2020. Identifiers: LCCN 2019055515 (print) | LCCN 2019055516 (ebook) | ISBN 9780593101322 (hardcover) | ISBN 9780593101346 (ebook) Subjects: LCSH: Elizabeth II, Queen of Great Britain, 1926—Fiction. | Crawford, Marion, 1909-1988—Fiction. | GSAFD: Biographical fiction. Classification: LCC PR6058.O436 R69 2020 (print) | LCC PR6058.O436 (ebook) | DDC 823/.914—dc23 LC record available at https://lccn.loc.gov/2019055515 LC ebook record available at https://lccn.loc.gov/2019055516 Jacket art: woman embracing child © Mark Owen/Arcangel; Buckingham Palace, The Werner Company of Chicago, 1894 © Print Collector/Heritage/The Image Works This is a work of fiction. Apart from the well-known historical figures and actual people, events, and locales that figure in the narrative, all other characters are products of the author’s imagination and are not to be construed as real. Any resemblance to persons, living or dead, is entirely coincidental.
    [Show full text]
  • Nick Fielding
    Travellers in the Great Steppe FROM THE PAPAL ENVOYS TO THE RUSSIAN REVOLUTION NICK FIELDING “In writing this book I have tried to explain some of the historical events that have affected those living in the Great Steppe – not an easy task, as there is little study of this subject in the English language. And the disputes between the Russians and their neighbours and between the Bashkirs, the Kazakhs, the Turkomans, the Kyrgyz and the Kalmyks – not to mention the Djungars, the Dungans, the Nogai, the Mongols, the Uighurs and countless others – means that this is not a subject for the faint-hearted. Nonetheless, I hope that the writings referred to in this book have been put into the right historical context. The reasons why outsiders travelled to the Great Steppe varied over time and in themselves provide a different kind of history. Some of these travellers, particularly the women, have been forgotten by modern readers. Hopefully this book will stimulate you the reader to track down some of the long- forgotten classics mentioned within. Personally, I do not think the steppe culture described so vividly by travellers in these pages will ever fully disappear. The steppe is truly vast and can swallow whole cities with ease. Landscape has a close relationship with culture – and the former usually dominates the latter. Whatever happens, it will be many years before the Great Steppe finally gives up all its secrets. This book aims to provide just a glimpse of some of them.” From the author’s introduction. TRAVELLERS IN THE GREAT STEPPE For my fair Rosamund TRAVELLERS IN THE GREAT STEPPE From the Papal Envoys to the Russian Revolution NICK FIELDING SIGNAL BOOKS .
    [Show full text]
  • TEXTILES What Every Homemaker Should Know by Marion Weller, Division of Home Economics
    IDqr Jtutnrr.atty nf fltuursnta AGRICULTURAL EXTENSION DIVISION Special Bulletin No. 15 University Farm, St. Paul October 1917 PublisJ.ed hy the University of Minnesota, College of Agriculture, Extension Division, A. D. Wilson, Director, and distributed in furtherance of the purposes of the coOperative agri­ cultural extension work provided for in the Act of Congress of May 8, 1914. TEXTILES What Every Homemaker Should Know By Marion Weller, Division of Home Economics INTRODUCTION The women of this country are realizing that an intelligent expenditure of the family income is necessary to efficient homemaking. An examination of household budgets, compil ed by investigators-the budgets of individuals and families living on the lowest incomes adequate for physical efficiency-reveals the fact that from 15 to 25 per cent of the income is spent for clothing and home furnishings. It is, moreover, a fact that women are increasingly the I direct retail purchasers; 90 per cent of the money spent for home maintenance , in this country is spent by women. The homemaker who is the purchaser of the clothing and household fabrics should, therefore, know how to buy eco­ I I nomically, and it is the purpose of this bulletin to give to her such in formation concerning textile fabrics as may be helpful in planning and buying for the household. " There was a time when the production of textiles or woven fabrics for the home was entirely within the home. Women were the creators of these utili­ ties and ' controlled the quality of the product. They knew when a piece of cloth was all wool and what grade of wool went into it.
    [Show full text]
  • 5 Types of Kokoshnik Tiaras
    5 TYPES OF KOKOSHNIK TIARAS There’s a surprising variety of design possibilities for kokoshnik tiaras. Here are 5 drool-worthy examples and their stories. FILE UNDER: TIARAS WANT ME TO READ THIS POST TO YOU? N A PREVIOUS POST, I TALKED ABOUT I Grand Duchess Hilda of Baden’s stolen tiara. That tiara is a kokoshnik, so I thought I’d explain what that means and show you a few examples. WHAT’S A KOKOSHNIK? THE KOKOSHNIK IS A TRADITIONAL Russian headdress. It’s shaped like a halo, widest above the forehead and a little narrower at the sides. If you’ve seen the golden halos of saints in Russian icons or other Christian art, you get the general idea. Here’s a Russian icon of Our Lady of Kazan from the 19th century: IMAGE B Y ХОМЕЛКА, CC BY- SA 3.0 VIA WIKIMEDIA COMMONS. GIRLINTHETIARA.COM | 5 TYPES OF KOKOSHNIK TIARAS The earliest versions of kokoshniks were covered with fabric and tied on with ribbons at the side. This version is from a painting by Viktor Vasnetsov – he was famous for his romanticized depictions of Russian history and folklore, including a super-famous painting of Ivan the Terrible you’d probably recognize if you saw it. You know the one – Ivan’s throwing creeptastic side-eye, dressed in a fur cap and gold brocade tunic, and holding a staff with a pointy end like he’s about to stab a bitch. IMAGE BY ВАСНЕЦОВ, P UBLIC DOMAIN VIA WIKIMEDIA COMMONS. GIRLINTHETIARA.COM | 5 TYPES OF KOKOSHNIK TIARAS The kokoshnik was part of traditional Russian folk dress, along with the sarafan – a sort of jumper or pinafore with a blouse underneath.
    [Show full text]
  • Folklore Electronic Journal of Folklore Printed Version Vol
    Folklore Electronic Journal of Folklore http://www.folklore.ee/folklore Printed version Vol. 66 2016 Folk Belief and Media Group of the Estonian Literary Museum Estonian Institute of Folklore Folklore Electronic Journal of Folklore Vol. 66 Edited by Mare Kõiva & Andres Kuperjanov Guest editors: Irina Sedakova & Nina Vlaskina Tartu 2016 Editor in chief Mare Kõiva Co-editor Andres Kuperjanov Guest editors Irina Sedakova, Nina Vlaskina Copy editor Tiina Mällo News and reviews Piret Voolaid Design Andres Kuperjanov Layout Diana Kahre Editorial board 2015–2020: Dan Ben-Amos (University of Pennsylvania, USA), Larisa Fialkova (University of Haifa, Israel), Diane Goldstein (Indiana University, USA), Terry Gunnell (University of Iceland), Jawaharlal Handoo (University of Mysore, India), Frank Korom (Boston University, USA), Jurij Fikfak (Institute of Slovenian Ethnology), Ülo Valk (University of Tartu, Estonia), Wolfgang Mieder (University of Vermont, USA), Irina Sedakova (Russian Academy of Sciences). The journal is supported by the Estonian Ministry of Education and Research (IUT 22-5), the European Union through the European Regional Development Fund (Centre of Excellence in Estonian Studies), the state programme project EKKM14-344, and the Estonian Literary Museum. Indexed in EBSCO Publishing Humanities International Complete, Thomson Reuters Arts & Humanities Citation Index, MLA International Bibliography, Ulrich’s Periodicals Directory, Internationale Volkskundliche Bibliographie / International Folklore Bibliography / Bibliographie Internationale
    [Show full text]
  • Moscow and St Petersburg
    Creating a ‘Public’ in St Petersburg, 1703-1761 Paul Keenan School of Slavonic and East European Studies, UCL Ph.D. History 1 UMI Number: U592953 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592953 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract The thesis deals with the creation of a ‘public’ in St Petersburg during the first half of the eighteenth century. The term ‘public’ has generated a considerable historiography dealing with its implications for the field of eighteenth-century studies, which are discussed in the introduction along with the contemporary definitions of the word. In eighteenth-century Russia, the term ‘public’ usually carried the meaning of ‘audience’, typically in reference to the theatre and other spectacles. The definition of this and other similar terms provides an important framework through which to analyse the various elements of this phenomenon. This analysis has centred on the city of St Petersburg in this period for several reasons. Firstly, it was the seat of both the Russian government and the Court around a decade after its foundation and Peter I ensured its rapid population.
    [Show full text]
  • The History of Fashion in France;
    :J**T i-HOl RARE BOOK COLLECTION fM THE LIBRARIES The University of Georgia ~i?<j>tf . - THE HISTORY OF FASHION IN FRANCE. P- „,-.</<'•', I THE HISTORY OF FASHION IN FRANCE; OR, THE DRESS OF WOMEN FROM THE GALLO-ROMAN PERIOD TO THE PRESENT TIME. FROM THE FRENCH OF M. AUGUST] X CH.\LL.\MEI. EY MRS. CASHEL HOEY AND MR. JOHN LILLIE. jgclu |9orh : S C R T J5 V £ K A N LJ V V, L V • ) 1< U 1882. w\&r T2SO CONTENTS. INTRODUCTION. Various definitions of fashion—The grave side of its history—Quotations from the poets—Character of Frenchwomen—The refinement of their tastes and fancies— Paris the temple of fashion—The provinces—Mdlle. Mars' yellow gown—The causes of fashion—A saying of Mme. de Girardin's—A remark of Mrs. Trollope's— The dress of actresses—Earliest theories of fashion—The Gynseceum of Amman— First appearance of the "Journal des Dames et des Modes"—Lamesangere— Other publications—An anecdote concerning dolls—Plan of the History of t"sJ,oriBOK Fashion in France ............ PRINTED BY GILBERT AND RIVINGTON, LIMITED, ST. JOHN©S SQUARE. CHAPTER I. THE GALLIC AND GALLO-ROMAN PERIOD. Gallic period—Woad, or the pastel—Tunics and boulgetes—"Mavors" and "Palla" —Cleanliness of the Gallic women -The froth of beer or "kourou"—The women of Marseilles ; their marriage-portions — Gallo-Roman period — The Roman garment—The'' stola "—Refinement of elegance—Extravagant luxury of women— Artificial aids—A " vestiaire" or wardrobe-room of the period—Shoes—Jewels and ornaments—The amber and crystal ball—Influence of the barbarians CHAPTER II.
    [Show full text]
  • List of Hairstyles
    List of hairstyles This is a non-exhaustive list of hairstyles, excluding facial hairstyles. Name Image Description A style of natural African hair that has been grown out without any straightening or ironing, and combed regularly with specialafro picks. In recent Afro history, the hairstyle was popular through the late 1960s and 1970s in the United States of America. Though today many people prefer to wear weave. A haircut where the hair is longer on one side. In the 1980s and 1990s, Asymmetric asymmetric was a popular staple of Black hip hop fashion, among women and cut men. Backcombing or teasing with hairspray to style hair on top of the head so that Beehive the size and shape is suggestive of a beehive, hence the name. Bangs (or fringe) straight across the high forehead, or cut at a slight U- Bangs shape.[1] Any hairstyle with large volume, though this is generally a description given to hair with a straight texture that is blown out or "teased" into a large size. The Big hair increased volume is often maintained with the use of hairspray or other styling products that offer hold. A long hairstyle for women that is used with rich products and blown dry from Blowout the roots to the ends. Popularized by individuals such asCatherine, Duchess of Cambridge. A classic short hairstyle where it is cut above the shoulders in a blunt cut with Bob cut typically no layers. This style is most common among women. Bouffant A style characterized by smooth hair that is heightened and given extra fullness over teasing in the fringe area.
    [Show full text]