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Contents SEAGULL Theatre QUARTERLY
S T Q Contents SEAGULL THeatRE QUARTERLY Issue 17 March 1998 2 EDITORIAL Editor 3 Anjum Katyal ‘UNPEELING THE LAYERS WITHIN YOURSELF ’ Editorial Consultant Neelam Man Singh Chowdhry Samik Bandyopadhyay 22 Project Co-ordinator A GATKA WORKSHOP : A PARTICIPANT ’S REPORT Paramita Banerjee Ramanjit Kaur Design 32 Naveen Kishore THE MYTH BEYOND REALITY : THE THEATRE OF NEELAM MAN SINGH CHOWDHRY Smita Nirula 34 THE NAQQALS : A NOTE 36 ‘THE PERFORMING ARTIST BELONGED TO THE COMMUNITY RATHER THAN THE RELIGION ’ Neelam Man Singh Chowdhry on the Naqqals 45 ‘YOU HAVE TO CHANGE WITH THE CHANGING WORLD ’ The Naqqals of Punjab 58 REVIVING BHADRAK ’S MOGAL TAMSA Sachidananda and Sanatan Mohanty 63 AALKAAP : A POPULAR RURAL PERFORMANCE FORM Arup Biswas Acknowledgements We thank all contributors and interviewees for their photographs. 71 Where not otherwise credited, A DIALOGUE WITH ENGLAND photographs of Neelam Man Singh An interview with Jatinder Verma Chowdhry, The Company and the Naqqals are by Naveen Kishore. 81 THE CHALLENGE OF BINGLISH : ANALYSING Published by Naveen Kishore for MULTICULTURAL PRODUCTIONS The Seagull Foundation for the Arts, Jatinder Verma 26 Circus Avenue, Calcutta 700017 86 MEETING GHOSTS IN ORISSA DOWN GOAN ROADS Printed at Vinayaka Naik Laurens & Co 9 Crooked Lane, Calcutta 700 069 S T Q SEAGULL THeatRE QUARTERLY Dear friend, Four years ago, we started a theatre journal. It was an experiment. Lots of questions. Would a journal in English work? Who would our readers be? What kind of material would they want?Was there enough interesting and diverse work being done in theatre to sustain a journal, to feed it on an ongoing basis with enough material? Who would write for the journal? How would we collect material that suited the indepth attention we wanted to give the subjects we covered? Alongside the questions were some convictions. -
Speech of Sri Buggana Rajendranath Minister for Finance 16Th June
Speech of Sri Buggana Rajendranath Minister for Finance 16th June 2020 Hon’ble Speaker and Members, With your permission, I rise to present the budget for the financial year 2020-21 before this august House. 1. I thank the Hon’ble Speaker, the leader of this house - Sri. Y S Jagan Mohan Reddy Garu Hon’ble Chief Minister of Andhra Pradesh and Hon’ble Members of this House for giving me this privilege to present my second successive budget. 2. The world is facing an unprecedented crisis in form of the COVID-19 pandemic. Life as we know it, has come to a grinding halt across nations. Our Government has been at the fore front of the COVID-19 battle and we are wholeheartedly committed to combating the emerging situation with all our might 1 under the steadfast leadership of Hon’ble Chief Minister Sri. Y S Jagan Mohan Reddy Garu. Before proceeding any further, I would like to take this opportunity to thank all the frontline health workers, Village & Ward Secretariat staff, Panchayat Raj, Municipal Staff, police and all personnel - Government & private, their families, and all those at the forefront of the COVID battle for selflessly discharging their duties in this hour of crisis. 3. In the past few days our Government has permitted relaxation of lockdown measures in a graded manner to ensure that the wheels of economy start rolling again. It is crucial that the Government through its financial action plan for 2020-21, effectively communicates to the citizens of Andhra Pradesh our commitment to fulfilling their aspirations despite the fiscal challenge we are staring at. -
Hindi Theater Is Not Seen in Any Other Theatre
NATYA SHODH SANSTHAN DISCUSSION ON HINDI THEATRE FROM THE COLLECTIONS OF NATYA SHODH SANSTHAN AUDIO LIBRARY THE PRESENT SCENARIO OF HINDI THEATRE IN CALCUTTA ON th 15 May 1983 AT NATYA SHODH SANSTHAN PARTICIPANTS PRATIBHA AGRAWAL, SAMIK BANDYOPADHYAY, SHIV KUMAR JOSHI, SHYAMANAND JALAN, MANAMOHON THAKORE SHEO KUMAR JHUNJHUNWALA, SWRAN CHOWDHURY, TAPAS SEN, BIMAL LATH, GAYANWATI LATH, SURESH DUTT, PRAMOD SHROFF NATYA SHODH SANSTHAN EE 8, SECTOR 2, SALT LAKE, KOLKATA 91 MAIL : [email protected] Phone (033)23217667 1 NATYA SHODH SANSTHAN Pratibha Agrawal We are recording the discussion on “The present scenario of the Hindi Theatre in Calcutta”. The participants include – Kishen Kumar, Shymanand Jalan, Shiv Kumar Joshi, Shiv Kumar Jhunjhunwala, Manamohan Thakore1, Samik Banerjee, Dharani Ghosh, Usha Ganguly2 and Bimal Lath. We welcome all of you on behalf of Natya Shodh Sansthan. For quite some time we, the actors, directors, critics and the members of the audience have been appreciating and at the same time complaining about the plays that are being staged in Calcutta in the languages that are being practiced in Calcutta, be it in Hindi, English, Bangla or any other language. We felt that if we, the practitioners should sit down and talk about the various issues that are bothering us, we may be able to solve some of the problems and several issues may be resolved. Often it so happens that the artists take one side and the critics-audience occupies the other. There is a clear division – one group which creates and the other who criticizes. Many a time this proves to be useful and necessary as well. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Badal Sircar
Badal Sircar Scripting a Movement Shayoni Mitra The ultimate answer [...] is not for a city group to prepare plays for and about the working people. The working people—the factory workers, the peasants, the landless laborers—will have to make and perform their own plays. [...] This process of course, can become widespread only when the socio-economic movement for emancipation of the working class has also spread widely. When that happens the Third Theatre (in the context I have used it) will no longer have a separate function, but will merge with a transformed First Theatre. —Badal Sircar, 23 November 1981 (1982:58) It is impossible to discuss the history of modern Indian theatre and not en- counter the name of Badal Sircar. Yet one seldom hears his current work talked of in the present. How is it that one of the greatest names, associated with an exemplary body of dramatic work, gets so easily lost in a haze of present-day ignorance? While much of his previous work is reverentially can- onized, his present contributions are less well known and seldom acknowl- edged. It was this slippage I set out to examine. I expected to find an ailing man reminiscing of past glories. I was warned that I might find a cynical per- son, an incorrigible skeptic weary of the world. Instead, I encountered an in- domitable spirit walking along his life path looking resolutely ahead. A kind old man who drew me a map to his house and saved tea for me in a thermos. A theatre person extraordinaire recounting his latest workshop in Laos, devis- ing how to return as soon as possible. -
RAJANNA Tibetans Live in India
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. TELENG/2018/76469 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 11 Published From VIJAYAWADA DELHI LUCKNOW FUEL PRICES COAL INDIA CLOCKS DAILY OUTPUT ALWAYS WANTED DHONI TO BAT BHOPAL RAIPUR CHANDIGARH ARE BURNING OF 44% DURING THREE-DAY STRIKE UP THE ORDER: GANGULY BHUBANESWAR RANCHI DEHRADUN HYDERABAD *Late City Vol. 2 Issue 246 VIJAYAWADA, WEDNESDAY JULY 8, 2020; PAGES 12 `3 *Air Surcharge Extra if Applicable RAVI TEJA TO PLAY A ROLE WITH DUAL SHADES { Page 12 } www.dailypioneer.com US SLAMS ‘OPPRESSIVE’ CHINA, THANKS FOREIGN STUDENTS WHOSE CLASSES HEIST AT MAHARASHTRA JEWELLERY INDIA FOR HOSTING DALAI LAMA MOVED ONLINE ‘MUST LEAVE’: USA STORE, THIEVES IN PPE SUITS RICH LEGACY OF he US has thanked India for hosting the Dalai Lama since 1959 as the he United States said Monday it would not allow foreign students to urglars wearing personal protective equipment (PPE) kits broke into Tworld commemorated the 85th birthday of the Tibetan spiritual leader. Tremain in the country if all of their classes are moved online in the fall Ba jewellery shop in Maharashtra's Satara district and walked away The Dalai Lama has been living in India ever since he fled Tibet in 1959 because of the coronavirus crisis. "Nonimmigrant F-1 and M-1 students with 780 grams of gold, police said today. The police, which accessed following a Chinese invasion on Tibet. The Tibetan government-in-exile attending schools operating entirely online may not take a full online the CCTV footage from the jewellery shop for its investigation, said that operates from Dharamsala in Himachal Pradesh. -
THE ANDHRA PRADESH GAZETTE PART–V EXTRAORDINARY PUBLISHED by AUTHORITY No
Registered No. HSE-49/2009-2011. [Price : Rs. 3-75 Paise. THE ANDHRA PRADESH GAZETTE PART–V EXTRAORDINARY PUBLISHED BY AUTHORITY No. 39] HYDERABAD, TUESDAY, MAY 19, 2009. STATUTORY NOTIFICATIONS OF THE ELECTION COMMISSION OF INDIA AND OTHER ELECTION NOTIFICATIONS ––––x–––– NOTIFICATIONS BY GOVERNMENT ––––x–––– GENERAL ADMINISTRATION DEPARTMENT (Elections-F) GENERAL ELECTION TO THE ANDHRA PRADESH LEGISLATIVE ASSEMBLY, 2009- “DUE CONSTITUTION” NOTIFICATION OF ELECTION COMMISSION OF INDIA UNDER SECTION 73 OF THE REPRESENTATION OF THE PEOPLE ACT, 1951. [Memo. No. 2169/Elecs.F/2009-47, General Administration (Elections.F) Department, Dt. 19.05.2009.] [1] G. 106/1. 2 ANDHRA PRADESH GAZETTE EXTRAORDINARY [Part - V Now, therefore, in pursuance of Section 73 of the Representation of the People Act, 1951 (43 of 1951), the Election Commission of India hereby notifies the names of the Members elected for those constituencies, along with their party affiliation, if any, in the schedule to this Notification. By order, SHANGARA RAM Principal Secretary Election Commission of India I.V.SUBBA RAO, Chief Electoral Officer & E.O. Prl.Secretary to Government May19, 2009.] ANDHRA PRADESH GAZETTE EXTRAORDINARY 3 SCHEDULE TO THE NOTIFICATION NO.308/AP-LA/2009, DATED 19TH MAY, 2009 OF ELECTION COMMISSION OF INDIA SL.NO. & NAME OF THE NAME OF THE ELECTED PARTY AFFILIATION (IF ANY) ASSEMBLY CONSTITUENCY MEMBER 1 SIRPUR KAVETI SAMMAIAH TELANGANA RASHTRA SAMITHI 2 CHENNUR (SC) NALLALA ODELU TELANGANA RASHTRA SAMITHI 3 BELLAMPALLI (SC) GUNDA MALLESH COMMUNIST PARTY OF INDIA 4 MANCHERIAL ARAVINDA REDDY GADDAM TELANGANA RASHTRA SAMITHI 5 ASIFABAD (ST) ATHRAM SAKKU INDIAN NATIONAL CONGRESS 6 KHANAPUR (ST) SUMAN RATHOD TELUGU DESAM 7 ADILABAD JOGU RAMANNA TELUGU DESAM 8 BOATH (ST) GODAM NAGESH TELUGU DESAM 9 NIRMAL ALLETI MAHESHWAR REDDY PRAJA RAJYAM PARTY 10 MUDHOLE VENUGOPALA CHARY. -
Govt Withdraws Super-Rich Surcharge
Follow us on: RNI No. APENG/2018/764698 @TheDailyPioneer facebook.com/dailypioneer Established 1864 OPINION 6 VIJAYAWADA 9 SPORTS 12 Published From VIJAYAWADA DELHI LUCKNOW BHOPAL FOR THE SAKE A SCHOOL THAT PRODUCED SINDHU BREAKS RAIPUR CHANDIGARH BHUBANESWAR OF DEMOCRACY LEADERS IN ALL FIELDS TAI CODE RANCHI DEHRADUN HYDERABAD *Late City Vol. 1 Issue 299 VIJAYAWADA, SATURDAY AUGUST 24, 2019; PAGES 12 `3 *Air Surcharge Extra if Applicable AAMIR KHAN'S DAUGHTER IRA TO MAKE DIRECTORIAL DEBUT { Page 10 } www.dailypioneer.com ‘Crashed IAF chopper was Govt withdraws Will decentralise administration: Buggana PATRI VASUDEVAN n Focus on welfare, education and health n No Singapore-type Capital We are not in favour of n VIJAYAWADA 'Amaravati', but, we have a spe- hit by Indian cific formula for the Capital. The State government has missile’ super-rich surcharge clarified that it has no propos- Q: What are your observations NEW DELHI: Five IAF per- al to shift the Capital city of about the misappropriations sonnel were found guilty for PNS n NEW DELHI Amaravati from Velagapudi. in CRDA? the crash of a Mi-17 helicopter FM proposes measures to In an exclusive interview to A: We have noticed that insid- in Budgam in Jammu and Buckling under pressure from The Pioneer, Minister for er trading and zoning have Kashmir as a high-level probe overseas investors, the gov- enhance fund flows for infra, Finance Buggana Rajendranath taken place. Irrespective of concluded that the chopper ernment on Friday rolled back has, however, said that the whether it is officials or politi- went down after being hit by the enhanced surcharge housing projects government is contemplating cians, the government won't a surface-to-air missile on imposed on foreign portfolio to decentralise the adminis- spare anybody found guilty. -
Setting the Stage: a Materialist Semiotic Analysis Of
SETTING THE STAGE: A MATERIALIST SEMIOTIC ANALYSIS OF CONTEMPORARY BENGALI GROUP THEATRE FROM KOLKATA, INDIA by ARNAB BANERJI (Under the Direction of Farley Richmond) ABSTRACT This dissertation studies select performance examples from various group theatre companies in Kolkata, India during a fieldwork conducted in Kolkata between August 2012 and July 2013 using the materialist semiotic performance analysis. Research into Bengali group theatre has overlooked the effect of the conditions of production and reception on meaning making in theatre. Extant research focuses on the history of the group theatre, individuals, groups, and the socially conscious and political nature of this theatre. The unique nature of this theatre culture (or any other theatre culture) can only be understood fully if the conditions within which such theatre is produced and received studied along with the performance event itself. This dissertation is an attempt to fill this lacuna in Bengali group theatre scholarship. Materialist semiotic performance analysis serves as the theoretical framework for this study. The materialist semiotic performance analysis is a theoretical tool that examines the theatre event by locating it within definite material conditions of production and reception like organization, funding, training, availability of spaces and the public discourse on theatre. The data presented in this dissertation was gathered in Kolkata using: auto-ethnography, participant observation, sample survey, and archival research. The conditions of production and reception are each examined and presented in isolation followed by case studies. The case studies bring the elements studied in the preceding section together to demonstrate how they function together in a performance event. The studies represent the vast array of theatre in Kolkata and allow the findings from the second part of the dissertation to be tested across a variety of conditions of production and reception. -
Andha Yug: the Age of Darkness by Dharamvir Bharati (Review)
UvA-DARE (Digital Academic Repository) [Review of: A. Bhalla (2010) Dharamvir Bharati. Andha yug: the age of darkness] Bala, S. DOI 10.1353/atj.2014.0010 Publication date 2014 Document Version Final published version Published in Asian Theatre Journal Link to publication Citation for published version (APA): Bala, S. (2014). [Review of: A. Bhalla (2010) Dharamvir Bharati. Andha yug: the age of darkness]. Asian Theatre Journal, 31(1), 334-336. https://doi.org/10.1353/atj.2014.0010 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:25 Sep 2021 Andha Yug: The Age of Darkness by Dharamvir Bharati (review) Sruti Bala Asian Theatre Journal, Volume 31, Number 1, Spring 2014, pp. 334-336 (Article) Published by University of Hawai'i Press DOI: 10.1353/atj.2014.0010 For additional information about this article http://muse.jhu.edu/journals/atj/summary/v031/31.1.bala.html Access provided by Amsterdam Universiteit (22 Apr 2014 08:11 GMT) 334 Book Reviews directly engaging in the existing scholarly debate over whether or not the two plays embrace feminist causes or ultimately adhere to the patriarchy. -
Girish Karnad 1 Girish Karnad
Girish Karnad 1 Girish Karnad Girish Karnad Born Girish Raghunath Karnad 19 May 1938 Matheran, British India (present-day Maharashtra, India) Occupation Playwright, film director, film actor, poet Nationality Indian Alma mater University of Oxford Genres Fiction Literary movement Navya Notable work(s) Tughalak 1964 Taledanda Girish Raghunath Karnad (born 19 May 1938) is a contemporary writer, playwright, screenwriter, actor and movie director in Kannada language. His rise as a playwright in 1960s, marked the coming of age of Modern Indian playwriting in Kannada, just as Badal Sarkar did in Bengali, Vijay Tendulkar in Marathi, and Mohan Rakesh in Hindi.[1] He is a recipient[2] of the 1998 Jnanpith Award, the highest literary honour conferred in India. For four decades Karnad has been composing plays, often using history and mythology to tackle contemporary issues. He has translated his plays into English and has received acclaim.[3] His plays have been translated into some Indian languages and directed by directors like Ebrahim Alkazi, B. V. Karanth, Alyque Padamsee, Prasanna, Arvind Gaur, Satyadev Dubey, Vijaya Mehta, Shyamanand Jalan and Amal Allana.[3] He is active in the world of Indian cinema working as an actor, director, and screenwriter, in Hindi and Kannada flicks, earning awards along the way. He was conferred Padma Shri and Padma Bhushan by the Government of India and won four Filmfare Awards where three are Filmfare Award for Best Director - Kannada and one Filmfare Best Screenplay Award. Early life and education Girish Karnad was born in Matheran, Maharashtra. His initial schooling was in Marathi. In Sirsi, Karnataka, he was exposed to travelling theatre groups, Natak Mandalis as his parents were deeply interested in their plays.[4] As a youngster, Karnad was an ardent admirer of Yakshagana and the theater in his village.[] He earned his Bachelors of Arts degree in Mathematics and Statistics, from Karnatak Arts College, Dharwad (Karnataka University), in 1958. -
Vijayawada Delhi Lucknow Honesty Still Pays Bhopal Raipur Chandigarh in Line with Asian Peers 250+: Mandhana Bhubaneswar Ranchi Dehradun Hyderabad *Late City Vol
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No.APENG/2018/764698 Established 1864 ANALYSIS 7 MONEY 8 SPORTS 11 Published From STATE OF BUREAUCRACY: SENSEX, NIFTY REBOUND WE NEED TO REGULARLY SCORE VIJAYAWADA DELHI LUCKNOW HONESTY STILL PAYS BHOPAL RAIPUR CHANDIGARH IN LINE WITH ASIAN PEERS 250+: MANDHANA BHUBANESWAR RANCHI DEHRADUN HYDERABAD *LATE CITY VOL. 3 ISSUE 239 VIJAYAWADA, WEDNESDAY, JULY 14, 2021; PAGES 12 `3 *Air Surcharge Extra if Applicable KAJAL TO PLAY A MOTH- ER IN HER NEXT? { Page 12 } www.dailypioneer.com NEET-POSTGRADUATE EXAM TO BE HELD RAHUL GANDHI-PRASHANT KISHOR MEET AFGHANISTAN SAYS MAY SEEK ‘MILITARY PM CONCERNED OVER CROWDS WITHOUT ON SEPTEMBER 11, CONFIRMS CENTRE AHEAD OF LIKELY REJIG IN PUNJAB CONG HELP’ FROM INDIA IF TALIBAN TALKS FAIL MASKS IN HILL STATIONS, MARKETS he NEET postgraduate exam will be held on September 11, Union head of a likely organisational and government reshuffle in Punjab, he government of Afghanistan may, at some future point, seek rime Minister Narendra Modi on Tuesday expressed concern over Health Minister Mansukh Mandaviya announced on Tuesday. In Congress leader Rahul Gandhi on Tuesday met poll strategist India's military assistance if talks with the Taliban fail amid a people crowding at hill stations and markets without wearing Tview of a spike in Covid-19 cases, the NEET-PG, which was APrashant Kishor at his residence. Other party leaders like Priyanka Twithdrawal of US troops from there, the country's Ambassador to Pmasks or observing social distancing norms, as he urged all to scheduled to be held on April 18 was postponed.