DOCSLIB.ORG

A Study Guide by Robert Lewis

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
A Study Guide by Robert Lewis © ATOM 2014 A STUDY GUIDE BY ROBERT LEWIS http://www.metromagazine.com.au ISBN: 978-1-74295-490-5 http://www.theeducationshop.com.au OVERVIEW The War That Changed Us (Electric Pictures 2014) is a 4 x 57 minute dramatized documentary that tells the story of Australia’s war effort from 1914-1918 through the focus or filter of six key historical characters: • General Harold ‘Pompey’ Elliott • Sergeant Archie Barwick • Nurse Kit McNaughton • Peace campaigner Vida Goldstein • War supporter Eva Hughes • Radical socialist Tom Barker. The series follows these six characters through their stories as told in their vivid and evocative personal testimonies — revealed in letters, diaries, speeches and newspaper articles written in the heat of the moment as the events of the war unfold at home and on the frontline. This study guide is in four parts, one for Driven by human stories, rather than the detail of military each episode. The introductory activities history, the series offers an opportunity to get close to the and summary activities are repeated each actual experience of war, and to learn how it changed the time, so if students have already seen any lives of those involved. As a result the political becomes episode of The War That Changed Us they personal and the epic everyday. We watch the series pro- can skip these and concentrate on the tagonists struggle with the opposing influences of imperial- questions and activities that are specific ism and independence, militarism and pacifism, Old World for that episode. enmities and New World utopian ideals. The War That Changed Us uses dramatic reconstruction, location filming, expert analysis and colourised black and The places where Australians fought and the nature of war- white archive to tell a gripping tale spanning three conti- fare during World War I, including the Gallipoli campaign. nents over four brutal years. The impact of World War I, with a particular emphasis on It chronicles the rise of the Australian peace and labour Australia (such as the use of propaganda to influence the movements as well as our military role in the Great War: civilian population, the changing role of women, the con- both were theatres of war. In doing so the series honours scription debate). the heroism of those who fought and died on the battle- front and those who lived through a period of bitter, divisive The commemoration of World War I, including debates conflict, personal and political, on the home front. Along the about the nature and significance of the Anzac legend. way we learn how Australians struggled to reconcile what the war meant for them as individuals, communities and as ώ ENGLISH YEAR 10 a nation – how it changed us. Analyse and evaluate how people, cultures, places, events, objects and concepts are represented in texts, including CURRICULUM media texts, through language, structural and/or visual APPLICABILITY choices. Biography. The War That Changed Us is a relevant resource for middle and senior students (Years 9-12) in: ώ MEDIA ARTS YEAR 9 AND 10 2014 © ATOM SCREEN EDUCATION ώ AUSTRALIAN HISTORY YEAR 9 Evaluate how genre and media conventions and technical and symbolic elements are manipulated to make represen- Depth Study: World War 1 tations and meaning. An overview of the causes of World War I and the reasons Evaluate how social, institutional and ethical issues influ- why men enlisted to fight in the war. ence the making and use of media artworks. 2 2 THE SIX CHARACTERS IN THE WAR THAT CHANGED US He is a remarkable character who becomes Australia’s ARCHIE most famous fighting general. Through his constant stream BARWICK 1 of letters to his wife Katie to whom he tells all, we gain a rare insight into a General’s experience of war and the toll that high-command exacts. Foot soldier ARCHIE BARWICK is a tough fair-haired blue-eyed 24-year old Church of England farmer from TOM Campania, a grape-growing region in the Coal River Valley BARKER of southeast Tasmania. Among the first to join up in August 4 1914, he is assigned to the now legendary First Battalion. Archie serves first in Gallipoli and then in the trenches on English born, farm labourer’s son TOM BARKER is a the Western Front. Wounded several times and rising to militant activist and no stranger to trouble. As an organ- the rank of Sergeant, Archie not only survives the War, but iser for the Industrial Workers of the World and editor of leaves us with one of the most detailed, vivid and revealing its newspaper Direct Action, Barker becomes the most written accounts to emerge from it. It’s through his excep- determined and vociferous opponent of what he calls the tional sixteen volume war diary that the series builds an in- ‘capitalist war’. Drawing on his radical speeches delivered timate portrait of the horrors that engulfed young Australian on Sydney’s Domain, his editorials and articles, letters, and soldiers and the awful toll it exacts on their lives. memoirs, Tom Barker’s role in the anti-war movement on the home front and his vehement opposition to conscription KIT comes to life. McNAUGHTON 2 VIDA GOLDSTEIN Army nurse KIT MCNAUGHTON is a Roman Catholic 5 farmer’s daughter from the small town of Little River in southwest Victoria. Bold, cheeky, eagle-eyed, Kit travels on Stylish, articulate and fearless, VIDA GOLDSTEIN is the a heroic journey from Little River to Lemnos near Gallipoli, poster woman of the revolutionary feminist movement. In then on to France, before returning to Australia. Through the decades before the war, she becomes internationally the pages of Kit’s diary, we meet the men and women famous for trailblazing the fight for Australian women’s right whose fates collide: lovers, friends, patients, servicemen to vote. As war sweeps the world, Vida turns her attention and civilians. She is a young woman with a defiant spirit, to pacifism, working tirelessly as the leader of the Women’s filled with a sense of duty and drawn by the call of adven- Political Association and the founder of the Women’s Peace ture. Kit keeps her precious diaries, three small books, with Army. This important and largely untold history is revealed her for four years. They document a voyage of self-discov- through her own words drawn from her editorials and ery, adventure, romance and burgeoning independence; articles in her newspaper Woman Voter, and in speeches as well as her strong sense of identification with both the delivered in public halls and on Melbourne’s Yarra bank. Empire and the ANZAC corps. In her diaries she details her struggle with the nursing hierarchy, the gruelling workload EVA and the bloody horrors of war. 6 HUGHES HAROLD ‘POMPEY’ ELLIOTT EVA HUGHES is from the Australian upper-class and is 3 married to a pastoralist who has mining and business interests. She absolutely defends Australia’s right and, she For 36-year old Boer war veteran HAROLD ‘POMPEY’ believes, ‘obligation’ to be part of the war. She believes ELLIOTT from Northcote in Melbourne, the decision to in King, she believes in country and she in a wife’s duty enlist is rooted in a sense of duty to defend his country to stand by her man. As the President of the Australian and his family. The Melbourne solicitor served as a lieuten- Women’s National League, by far the leading women’s 2014 © ATOM SCREEN EDUCATION ant colonel in the peacetime militia, and is given the same association in Australia, she appeals to a sense of female rank in the Australian Imperial Force commanding the 7th obligation in an extraordinarily powerful and successful Battalion. During the War he rises to the rank of Brigadier pro-war movement. Through her speeches and articles in General. He is charismatic, controversial, volatile, forthright the Australian Women’s National League publication The and extraordinarily brave. His men know he would never Woman, we gain an authentic insight into the mighty forces send any of them anywhere he is not prepared to go him- supporting the war that dominate the home front for most self and he often seen fighting beside them in the frontline. of the War. 3 2 RECORDING YOUR IMAGE MY IMAGE OF THESE ASPECTS IS THE ANZACS AS SOLDIERS AUSTRALIAN NURSES THE NATURE OF THE WAR THE AUSTRALIAN HOME FRONT DURING THE WAR THE ANZAC TRADITION/ LEGEND/ SPIRIT BEFORE WATCHING not have a strong or detailed image in your mind. Just write down what you think. You will be interested to see if your THE FILM ideas have changed after viewing The War That Changed Us. ώ ACTIVITY 1 – RECORDING ώ ACTIVITY 2 – RECORDING YOUR IMAGE OF THE WAR YOUR KNOWLEDGE OF THE WAR What is your image of the war, and particularly these The first activity was to do with images and ideas. This ac- aspects: tivity is to do with facts. What do you know about Australia and the war? Again, do not worry if you do not know much, • The Anzacs as soldiers or think that you need to find out the correct answers • Australian Nurses before you write them down Recording Your Knowledge work- • The nature of the war sheet on page 5. Just record what you think you know, then 2014 © ATOM SCREEN EDUCATION • The Australian home front during the war come back to these answers after watching The War That • The Anzac Tradition/Legend/Spirit — that idea of Changed Us and see if your knowledge has changed and Australian nationalism that emerged from the war and developed. which we commemorate on Anzac Day After you have watched The War That Changed Us look at Record your ideas in the Recording Your Image table above.
Load more

Recommended publications
  • 100 YEAR COMMEMORATION of the GALLIPOLI CAMPAIGN Go To
    HOME / FRONT 100 YEAR COMMEMORATION OF THE GALLIPOLI CAMPAIGN Go to www.penrithregionalgallery.org to download a copy of this Digital Catalogue HOME / FRONT INTRODUCTION The 100 year anniversary of the 25 April 1915 landing As the basis for her drawings, the artist researched and commencement of battle at ANZAC Cove, Gallipoli, and chose historical photographs from the collection of presents a very special opportunity for Australians to reflect the Australian War Memorial. Additional research saw upon conflict, sacrifice and service across the intervening O’Donnell travel to Turkey in March of 2014 to meet with years. historians, visit war museums ,ANZAC battle sites and to survey the terrain and imagine herself and others upon the As a public gallery, concerned to present exhibitions peninsula’s rocky landscape of hell in1915. Imagining what relevant to its community, Penrith Regional Gallery & happened to Australian countrymen and women so far from The Lewers Bequest was keen to make a meaningful home, fighting Turkish soldiers in defence of their homeland contribution to this anniversary. Albeit, so much had been as a consequence of old world geopolitical arrangements, said and written of the Campaign, of its failures, of the old was a difficult and melancholic task. men who led from a safe distance, and of the bravery of the young who fought, the question hovered - “What was left to As the artist walked the scarred earth she found scattered say?” relics of war - pieces of spent shrapnel, fragments of barbed wire, bone protruding from the earth, trenches, now After much consideration we have chosen to devote our worn and gentle furrows, the rusting, hulking, detritus of the Main Gallery Autumn exhibition to an examination of the world’s first modern war.
    [Show full text]
  • A Study Guide by Robert Lewis
    © ATOM 2014 A STUDY GUIDE BY ROBERT LEWIS http://www.metromagazine.com.au ISBN: 978-1-74295-490-5 http://www.theeducationshop.com.au OVERVIEW The War That Changed Us (Electric Pictures 2014) is a 4 x 57 minute dramatized documentary that tells the story of Australia’s war effort from 1914-1918 through the focus or filter of six key historical characters: • General Harold ‘Pompey’ Elliott • Sergeant Archie Barwick • Nurse Kit McNaughton • Peace campaigner Vida Goldstein • War supporter Eva Hughes • Radical socialist Tom Barker. The series follows these six characters through their stories as told in their vivid and evocative personal testimonies — revealed in letters, diaries, speeches and newspaper articles written in the heat of the moment as the events of the war unfold at home and on the frontline. This study guide is in four parts, one for Driven by human stories, rather than the detail of military each episode. The introductory activities history, the series offers an opportunity to get close to the and summary activities are repeated each actual experience of war, and to learn how it changed the time, so if students have already seen any lives of those involved. As a result the political becomes episode of The War That Changed Us they personal and the epic everyday. We watch the series pro- can skip these and concentrate on the tagonists struggle with the opposing influences of imperial- questions and activities that are specific ism and independence, militarism and pacifism, Old World for that episode. enmities and New World utopian ideals. The War That Changed Us uses dramatic reconstruction, location filming, expert analysis and colourised black and The places where Australians fought and the nature of war- white archive to tell a gripping tale spanning three conti- fare during World War I, including the Gallipoli campaign.
    [Show full text]
  • In Two Armies: the Experiences of Two Salvationists in the First AIF 1914-1918
    Avondale College ResearchOnline@Avondale Arts Papers and Journal Articles School of Humanities and Creative Arts 8-2019 In Two Armies: The Experiences of Two Salvationists in the First AIF 1914-1918 Daniel Reynaud Avondale College of Higher Education, [email protected] Follow this and additional works at: https://research.avondale.edu.au/arts_papers Part of the Arts and Humanities Commons Recommended Citation Reynaud, D. (2019). In two armies: The experiences of two salvationists in the first AIF 1914-1918. The Australasian Journal of Salvation Army History, 4(2), 27-40. This Article is brought to you for free and open access by the School of Humanities and Creative Arts at ResearchOnline@Avondale. It has been accepted for inclusion in Arts Papers and Journal Articles by an authorized administrator of ResearchOnline@Avondale. For more information, please contact [email protected]. IN TWO ARMIES: THE EXPERIENCES OF TWO SALVATIONISTS IN THE FIRST AIF 1914-1918 Daniel Reynaud Commissioner William McKenzie’s work as a chaplain in the Australian Imperial Force (AIF) is fairly well known in Salvationist circles, his work achieving legendary status both during and after the Great War.1 Lesser known is the contribution of his fellow Salvationist, Chaplain Benjamin Orames, who gave distinguished service for much of the war. The work of The Salvation Army in supporting the war effort in various wars, through its huts and canteens bearing the iconic Red Shield logo, has also been recognized.2 However, Salvationists not only served in the support services during World War One but also as enlisted men in the AIF itself.
    [Show full text]
  • 2015 the CENTENARY ISSUE Marking the 100Th Anniversary of the Gallipoli Landings
    TheThe GallipolianGallipolian The Journal of the Gallipoli Association No. 137 - SPRING 2015 THE CENTENARY ISSUE Marking the 100th Anniversary of The Gallipoli Landings The River Clyde at V Beach, 25 April, 1915 by Charles Dixon - reproduced by kind permission of The Princess of Wales’s Royal Regiment (Queen’s and Royal Hampshires) SPRING2015 12/3/15 09:39 Page ii THE GALLIPOLIAN The Journal of the Gallipoli Association founded by Major E H W Banner in 1969 on the Campaign of 1915 The Gallipoli Association Registered Charity No. 1155609 Mailbox 630, Wey House, 15 Church Street, Weybridge KT13 8NA WEBSITE http://www.gallipoli-assocation.org PATRON HRH The Duke of Edinburgh KG KT PAST PRESIDENTS The Lord Granville of Eye Vice-Admiral E W Longley-Cook CB CBE DSO Lt. General Sir Reginald Savory KCMG KCIE DSO MC Brigadier B B Rackham CBE MC Lt Colonel M E Hancock MC TRUSTEES Chairman: Captain C T F Fagan DL Secretary: James C Watson Smith, Chelsea Lodge, Coopers Hill Lane, Englefield Green, Surrey TW20 0JX. Tel: 01784 479148. E-mail: [email protected] Treasurer: Mrs Vicki Genrich, , 78 Foxbourne Road, London SW17 8EW E-mail: treasurer @gallipoli-association.org Membership Secretary & General Enquiries: Mr Keith Edmonds 4 Duck End, Godmanchester, Huntingdon PE29 2LW Tel: 01480.450665 E-mail: [email protected] Editor: Foster Summerson, 23 Tavnaghan Lane, Cushendall, Ballymena BT44 0SY Tel: 028.217.72996. E-mail: [email protected] Webmaster & Historian: Stephen Chambers E-mail: [email protected] Major Hugh Jenner, Brigadier J R H Stopford ———————————————————— Other appointments: Historian Panel: Enquiries should be directed to: [email protected] Gallipoli 100 Sub-Committee: Lt.
    [Show full text]
  • Life Interrupted: Personal Diaries from World War I SPONSORED BY
    Life Interrupted: Personal Diaries from World War I SPONSORED BY SUPPORTED BY Foreword State Library of NSW Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 www.sl.nsw.gov.au Curator: Elise Edmonds Project manager: Amy Simpson Exhibition designer: Elin Thomas Graphic designer: Dominic Hon Editor: Helen Cumming Preservation project leader: Agata Rostek-Robak Photographic work: Digitisation & Imaging Services, State Library of NSW In Life Interrupted, Curator Paper: BJ Ball ecostar silk %100 recycled 130 gsm (text) Life Interrupted: Elise Edmonds reveals the captivating BJ Ball ecostar gloss %100 recycled 300 gsm (cover) personal experiences — often harrowing, This paper is carbon neutral and 100% recycled from post COMMEMORATING WWI Personal Diaries consumer waste. 1914 – 1918 sometimes wry — of the servicemen and Print run: 7000 from World War I women, stretcher-bearers, POWs, in their P&D 4153-7/2014 own words. As the First World War drew to its end, the A century after the start of the war, ISBN 0 7313 7220 4 then Public Library of NSW began collecting we look back on that global conflict which © State Library of New South Wales, July 2014 the personal accounts of those who enlisted so profoundly affected and shaped Australia — farmers, doctors, nurses, journalists and and its people. The diaries are at the heart The State Library of New South Wales is a statutory authority of, artists — to document the war as they had and principally funded by, the NSW State Government. of our contribution to that recollection. experienced it. The majority have been completely This extraordinary collection – including digitised, transcribed and are available on some 1100 volumes of diaries written by our newly launched World War I website around 550 servicemen and women — is <www.ww1.sl.nsw.gov.au>.
    [Show full text]
  • London and the First World War
    London and the First World War 20-21 March 2015 Institute of Historical Research, University of London Imperial War Museums http://www.history.ac.uk/podcasts 25 year old farmer, Archie Barwick served in the 1st Battalion at Gallipoli and after, in 1916, he was stationed in France, along with most of the Australian Imperial Force (AIF). In May 1916 he was looking forward to leave; I am looking forward to my trip to the "Old Country" he wrote. Of course Archie had never visited England before, he was from a farming family in Tasmania, yet like most of the Australians serving in the war, he was merely a few generations ‘Australian’. The Australian population of 1914 not only comprised people of British descent, but nearly one in five of them had been born in the United Kingdom. To many Australians in the early part of the twentieth century, Britain was seen as home, the mother country, even if the majority had not themselves visited. As Andrews observes in his book, The Anzac Illusion; ‘Australians corresponded with their relatives in the old country, read British material in their newspapers, periodicals and books, learnt of the goings on in London and the British countryside, built houses on modified British lines and used British-style furniture, while the ladies aped British fashions. To both sexes, the highlight of a lifetime was the trip home to England.’ For some men then, volunteering to serve in the AIF meant there was the opportunity to visit the mother country. Unlike British soldiers, Australians (like other colonial troops) couldn’t return home on leave.
    [Show full text]
  • FREE First Chapter Sample from Get Reading! Courtesy of Harpercollins the WWI DIARY of ARCHIE BARWICK
    FREE first chapter sample from Get Reading! www.getreading.com.au Courtesy of HarperCollins THE WWI DIARY OF ARCHIE BARWICK GreatSpirits_Finals.indd 1 10/07/13 1:32 PM “If this book gives anyone as much pleasure reading it as I have had writing it, well it will be time well spent on my part.” GreatSpirits_Finals.indd 2 10/07/13 1:32 PM THE WWI DIARY OF ARCHIE BARWICK GreatSpirits_Finals.indd 3 10/07/13 1:32 PM HarperCollinsPublishers First published in Australia in 2013 by HarperCollinsPublishers Australia Pty Limited ABN 36 009 913 517 harpercollins.com.au Copyright © State Library of New South Wales 2013 The right of Archie Barwick to be identi!ed as the author of this work has been asserted under the Copyright Amendment (Moral Rights) Act 2000. This work is copyright. Apart from any use as permitted under the Copyright Act 1968, no part may be reproduced, copied, scanned, stored in a retrieval system, recorded, or transmitted, in any form or by any means, without the prior written permission of the publisher. HarperCollinsPublishers Level 13, 201 Elizabeth Street, Sydney NSW 2000, Australia 31 View Road, Glen!eld, Auckland 0627, New Zealand A 53, Sector 57, Noida, UP, India 77–85 Fulham Palace Road, London W6 8JB, United Kingdom 2 Bloor Street East, 20th #oor, Toronto, Ontario M4W 1A8, Canada 10 East 53rd Street, New York NY 10022, USA National Library of Australia Cataloguing-in-Publication data: Barwick, Archie, author. In great spirits : the WWI diary of Archie Barwick / Archie Barwick. ISBN: 978 0 7322 9718 3 (hardback) ISBN: 978 1 7430 9981 0 (ebook) Barwick, Archie—Diaries.
    [Show full text]
  • Download Complete
    Institute for Defence Studies and Analyses No.1, Development Enclave, Rao Tula Ram Marg Delhi Cantonment, New Delhi-110010 Journal of Defence Studies Publication details, including instructions for authors and subscription information: http://www.idsa.in/journalofdefencestudies Indians, Anzacs and Gallipoli, 1915 Peter Stanley To cite this article: Peter Stanley (2014): Indians, Anzacs and Gallipoli, 1915, Journal of Defence Studies, Vol. 8, No. 3, July–September 2014, pp. 21–30 URL http://idsa.in/jds/8_3_2014_IndiansAnzacsandGallipoli1915.html Please Scroll down for Article Full terms and conditions of use: http://www.idsa.in/termsofuse This article may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re- distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. Views expressed are those of the author(s) and do not necessarily reflect the views of the IDSA or of the Government of India. Indians, Anzacs and Gallipoli, 1915 Peter Stanley* As one of the world’s most populous nations, India today has one of its largest armies, which stands ready to defend the nation. A century ago, India’s army was similarly large but was used to defend the British empire as well as Britain’s Indian possessions. In 1914, the Indian Army (a force of about 200,000 men) provided a vast reservoir of trained military manpower, one immediately used by Britain as it entered the Great War. In the war’s earliest weeks, from August 1914, the Indian Army was mobilised for service, and within months the first Indian troops saw service against imperial Germany, in East Africa, but also on the Western Front in France and Belgium.
    [Show full text]
  • Paper Presented at the Annual Popular Culture Association of Australia and New Zealand, Biography and Life Writing Stream, Hobart, June 2014
    Paper presented at the annual Popular Culture Association of Australia and New Zealand, Biography and Life Writing stream, Hobart, June 2014 ‘I hope all at home will find something of interest in it for them, for that is the reason why I wrote it’ Abstract: They were teachers, farmers, clerks and architects. Some were still at school. They came from cities, regional towns and the bush. From August 1914 Australian men and women sailed away to war with just a few months of training. Some would not return home; those who did were changed forever. Some kept diaries, perhaps for the first time in their lives. They knew what they were witnessing was important life changing. Many wrote of their experiences to an audience back home. Others wrote simply to try and makes sense of their surroundings. At the end of the war, the Mitchell Library in Sydney began to purchase these diaries for the collection. What had been personal became public. Originally acquired as artefacts of Australian military service, these collections are now interrogated by a range of researchers seeking the personal voice and experiences of Australian men and women who went to the Great War. Elise Edmonds State Library of New South Wales The Mitchell Library began acquiring war diaries just after the Armistice was declared in November 1918. The Principal Librarian, William Ifould placed advertisements in newspapers throughout Australia, New Zealand and in the United Kingdom encouraging soldiers to sell their diary collections to the Mitchell Library. These advertisements assured diarists that their collections would be important historical resources for students and researchers in future generations.
    [Show full text]
  • A Study Guide by Robert Lewis
    © ATOM 2014 A STUDY GUIDE BY ROBERT LEWIS http://www.metromagazine.com.au ISBN: 978-1-74295-489-9 http://www.theeducationshop.com.au OVERVIEW The War That Changed Us (Electric Pictures 2014) is a 4 x 57 minute dramatized documentary that tells the story of This study guide is in four parts, one for Australia’s war effort from 1914-1918 through the focus or each episode. The introductory activities filter of six key historical characters: and summary activities are repeated each time, so if students have already seen any • General Harold ‘Pompey’ Elliott episode of The War That Changed Us they • Sergeant Archie Barwick can skip these and concentrate on the • Nurse Kit McNaughton questions and activities that are specific • Peace campaigner Vida Goldstein for that episode. • War supporter Eva Hughes • Radical socialist Tom Barker. The War That Changed Us uses dramatic reconstruction, The series follows these six characters through their stories location filming, expert analysis and colourised black and as told in their vivid and evocative personal testimonies white archive to tell a gripping tale spanning three conti- — revealed in letters, diaries, speeches and newspaper nents over four brutal years. articles written in the heat of the moment as the events of the war unfold at home and on the frontline. It chronicles the rise of the Australian peace and labour movements as well as our military role in the Great War: Driven by human stories, rather than the detail of military both were theatres of war. In doing so the series honours SCREEN EDUCATION © ATOM 2014 © ATOM SCREEN EDUCATION history, the series offers an opportunity to get close to the the heroism of those who fought and died on the battle- actual experience of war, and to learn how it changed the front and those who lived through a period of bitter, divisive lives of those involved.
    [Show full text]
  • Our Daily Bread: the Field Bakery & the Anzac Legend
    Our Daily Bread: The Field Bakery & the Anzac Legend T his thesis is presented for the Degree of Doctor of Philosophy Murdoch University 2004 Pamela M. Etcell BA (Hons) Murdoch University DECLARATION I declare that this thesis is my own account of my research and as its main content work which has not previously been submitted for a degree at any tertiary education institution. …….………………………. Pamela M. Etcell ABSTRACT The First World War and the Australian Imperial Force have generated thousands of books and articles. Many studies adhere to the emphasis of C.E.W. Bean, and recount the history of the infantry or a particular infantry battalion. Others examine both the short term and long-lasting effects of the war on the Australian psyche. Some historians have acknowledged that a particular group of non-fighting combatants has been neglected, but generally, this group has been employed in dangerous and difficult pursuits. Very few historians have studied the roles of non-fighting combatants whose contribution is considered as lacklustre, such as the Australian Field Bakeries. When I began my research, I could not understand why the Australian Field Bakeries did not play any part in the historiography of World War One. An examination of the Anzac legend revealed an emphasis on the characteristics of the Anzac, especially masculinity and heroism. I argue that the bakers’ employment might be considered as being situated within the woman’s sphere and therefore unmasculine, whilst that same employment did not offer the chance for acts of heroism. Because of an emphasis on the exciting exploits of the infantry within Anzac historiography, the Australian Field Bakeries and their role as support troops have been ignored and omitted.
    [Show full text]
  • 'Diamonds of the Dustheap'
    ‘Diamonds of the Dustheap’ DIARIES FROM THE FIRST WORLD WAR » PETER COCHRANE If I stopped and took thought it would never be written at all; and the advantage of the method is that it sweeps up accidentally several stray matters which I should exclude if I hesitated but which are the diamonds of the dustheap. { Virginia Woolf, 20 January 19191 } The comparison may be unlikely, but Virginia form means that the rendering of some events Woolf’s insight into her diary keeping is a will be spasmodic and episodic but, as Robert pointer to what defines almost all the soldiers’ Latham has pointed out, ‘this is the way in which diaries that I have examined in the remarkable many events — even processes — happen’.3 collection held by the Mitchell Library in the The soldier’s diary is a narrative unfolding in a State Library of New South Wales.2 They are not tremulous present, a still fluid context with all carefully planned, they are raw and unpolished, its uncertainties, whether in Egypt, Gallipoli, they are a more-or-less spontaneous record or Palestine or on the Western Front. narrative of the day or the week, and they are We do not know how many Australian rich with ‘diamonds’. Their pre-eminent quality is soldiers took a diary to the Great War, nor an unpretentious authenticity and immediacy, a how many took to keeping a diary once there. realism matched by no other literary form in the Certainly not a majority, for most of the records of wartime experience. 330,000 soldiers who went abroad preferred Being authentic in this way, the diaries have to write letters or postcards, if they wrote at no panoramic grasp or God’s-eye view, nor are all.
    [Show full text]