The BG News January 20, 1989
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USG Elects Jorgensen, Dimcevski As Senators Creates New Concerns (P
VOLUME 112 • ISSUE 11 BARUCH COLLEGE’S INDEPENDENT STUDENT NEWSPAPER DECEMBER 4, 2017 OPINIONS 5 Water contamination USG elects Jorgensen, Dimcevski as senators creates new concerns (p. 5) Chemical companies that prioritize prof- its over people are introducing toxicity into public water supplies. Cor- porations like those that in- troduced lead into Flint, Michigan, need to be tightly regulated to prevent more dangerous incidents. BUSINESS 7 FCC chairman plans to revoke net neutrality (p. 7) FCC Chairman Ajit Pai has an- nounced his aim to revoke net neutrality NICOLE PUNG | THE TICKER regulations. If these rules are Jorgensen, left, and Dimcevski, right, join the table at the end of the Fall semester, and will continue to stay on as senators until the end of the Spring semester. repealed, the internet could BY BIANCA MONTEIRO be throttled by NEWS ASSISTANT internet service providers. Baruch College’s Undergraduate Student Government offi cially elected two new representative senators — Alexander Dimcevski and Emma Jor- gensen — on Nov. 21 during its senate meeting. A total of 14 students ran for the positions. Jorgensen was also confi rmed as chair of appeals, a position ARTS & STYLE 10 she took over after serving as interim chair for two weeks. Th e vacancy opened when former Treasurer Ehtasham Bhatti resigned and former Chair of DC superheroes unite in Appeals Suzanna Egan took his place on Nov. 9. Th e second vacancy followed the resignation of former Representative Sen. Josue Mendez. Th e two Justice League (p. 11) senators offi cially began serving on the table in the following senate meeting on Nov. -
Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
Jim Henson's Fantastic World
Jim Henson’s Fantastic World A Teacher’s Guide James A. Michener Art Museum Education Department Produced in conjunction with Jim Henson’s Fantastic World, an exhibition organized by The Jim Henson Legacy and the Smithsonian Institution Traveling Exhibition Service. The exhibition was made possible by The Biography Channel with additional support from The Jane Henson Foundation and Cheryl Henson. Jim Henson’s Fantastic World Teacher’s Guide James A. Michener Art Museum Education Department, 2009 1 Table of Contents Introduction to Teachers ............................................................................................... 3 Jim Henson: A Biography ............................................................................................... 4 Text Panels from Exhibition ........................................................................................... 7 Key Characters and Project Descriptions ........................................................................ 15 Pre Visit Activities:.......................................................................................................... 32 Elementary Middle High School Museum Activities: ........................................................................................................ 37 Elementary Middle/High School Post Visit Activities: ....................................................................................................... 68 Elementary Middle/High School Jim Henson: A Chronology ............................................................................................ -
New Screen Order: How Video Games Are Changing Cinema Interiority
www.thecine-files.com FEATURED SCHOLARSHIP New Screen Order: How Video Games Are Changing Cinema Interiority David Sedman and Randy Clark “Final Fantasy is nothing more than an extravagant video game in which characters fix things, fly things, gather things and shoot things . .(A)fter a while, you want to play it, not just watch it.” -- Robert Wilonsky, film critic1 When Tron was released in 1982, it was quickly recognized as the first significant interface between a motion picture and a video game. In Tron, the main character, Kevin Flynn, is transported from a realistic setting to a video game setting. Once Flynn becomes a part of the video game interface, the audience’s frame of reference becomes the gamespace. While most critics focused on the visual aspects of Tron—Variety for example, calls it “loaded with visual delights but fall(ing) way short of the mark in story and viewer involvement”—the direct translation of the video game characteristics to the movie theater screen would prove to be the more significant trend in the defining of space in American popular film.2 The spatial relationships of the characters in Tron, the camera’s point of view, and the actor’s relationship to the environment are key elements that define the film’s interiority. In the 28 years between the original Tron and its sequel, Tron: Legacy, a very profound transformation came to the movie industry as films created with character- generated imagery (CGI) and having game-like sequences became commonplace.This article discusses how the influences of gaming have transformed character motivations and production processes within cinema. -
Brothers in Berets the Evolution of Air Force Special Tactics, 1953-2003
Brothers in Berets The Evolution of Air Force Special Tactics, 1953-2003 Forrest L. Marion, PhD Air Force History and Museums Program In Conjunction With Air Force Special Operations Command Air University Press Curtis E. LeMay Center for Doctrine Development and Education Maxwell Air Force Base, Alabama Project Editors Library of Congress Cataloging-in-Publication Data Belinda Bazinet and Dr. Ernest Allan Rockwell Names: Marion, Forrest L., author. | Air University (U.S.). Press, publisher. | Curtis E. LeMay Center for Copy Editor Doctrine Development and Education, issuing body. Tammi Dacus Title: Brothers in berets : the evolution of Air Force Cover Art and Book Design Special Tactics, 1953-2003 / Forrest L. Marion Daniel Armstrong Description: First edition. | Maxwell Air Force Base, Alabama : Air University Press, Curtis E. LeMay Cen- Composition and Prepress Production Michele D. Harrell ter for Doctrine Development and Education, [2018]. | At head of title: Air University, Curtis E. LeMay Center Print Preparation and Distribution for Doctrine Development and Education. | Includes Diane Clark bibliographical references and index. Identifiers: LCCN 2017059577| ISBN 9781585662784 | ISBN 158566278X Subjects: LCSH: United States. Air Force—Combat controllers—History. | United States. Air Force— Commando troops—History. | Special forces (Military science)—United States—History. | United States. Air Force Special Operations Command. Classification: LCC UG633 .M3144 2018 | DDC AIR UNIVERSITY PRESS 358.4131—dc23 | SUDOC D 301.26/6:T 11 -
Copyrighted Material
INDEX action theory, 23–26, 82, 84–85 Banks, Darryl, 240 Acton, Lord, 187, 189 Barkman, Adam, 187 Adams, Neal, 106, 122–25, 129–34 Batman, 21, 82, 84, 89–90, 98, 114, advanced technology, 264, 272–74 125, 155, 183, 229, 232 aesthetic admiration, 69–79 Baumeister, Roy, 28, 29 Aga’po, 40 Berg, Terry, 175–85 agent-centered prerogative, 112 Berkeley, George, 32n5 Alpha Lanterns, 64–65, 78–79, biological ontology, 203–11 152, 168 Black Canary, 98, 107, 116, 119 Amnee Pree, 141 Blackest Night, 7, 14, 46, 47, 48–49, Anaximander, 213n15 74, 76, 223, 271 Animal Man, 170–71 Blackest Night prophecy, 45, 59, Anti-Monitor, 17, 262 222–23 Arisia, 1, 47, 100, 140, 151–52 Black Hand, 272 Aristotle Black Lantern Corps, 46, 223 biological ontology, 205, 206, 210 Blue Lantern Corps, 7, 10–11, censorship debate with Plato, 123, 17, 30, 273 126, 128–29, 134 Bolovaxians, 140 emotions, 11–15, 17–18 Bolphunga the Unrelenting, 202 just society,COPYRIGHTED 185 Boodikka, MATERIAL 171 monism rejection, 204 Book of Oa, 8, 15, 38, 42–43, 45, 59, Pythagorean table, 39 152, 215, 218–21, 222 artistic creation, problem of, 245–47 brain, 22–23 atonement, 99–100 Brightest Day, 76, 271 Atrocitus, 8, 9–10, 13, 14 Brother’s Keeper, 175–85 autonomy, 27, 137–44 Buridan, Jean, 213n18 avarice, 7, 10, 30 Bzzd, 215, 216 283 bbindex.inddindex.indd 228383 33/14/11/14/11 88:41:59:41:59 AAMM 284 INDEX categorical imperative, 26–27 Dawkins, Richard, 210 catharsis, 123, 129 Day of Judgment, 84, 97, 98 causal determinism, 227 DC Comics, 2, 123, 125, 187 censorship, 124–29 Dearden, Mia, -
Batman Superman Wonder Woman: Trinity Pdf, Epub, Ebook
BATMAN SUPERMAN WONDER WOMAN: TRINITY PDF, EPUB, EBOOK Matt Wagner | 208 pages | 01 Jul 2005 | DC Comics | 9781401201876 | English | New York, NY, United States Batman Superman Wonder Woman: Trinity PDF Book Not bad for someone from the Caribbean, eh? It switches between Batman, Superman, Wonder Woman and a narrator, often on the same page, often when more than one of those characters is in that panel. Enlarge cover. In the Batcave, Batman explains to Superman that the total of missiles are half a dozen, meaning there is four left. He also doesn't know how to write a convincing female character. When it is revealed that Bizarro did it, someone who wears something similar to Superman's costume, Diana feels embarrassed that they thought it was Superman. He later sends a letter to his employer, Nightwing , saying that the person who was committing the crimes must be Edward Nigma, but, as he is innocent, he has no idea of what to make out of it. The people of the planet are all about to kill themselves, when Batman, Wonder Woman, and Superman arrive. Soon, the two heroes get attacked, but Diana is already fast enough to be deflecting the bullets. Something tells me it's stolen. Meanwhile, the Friends Alfred's group hear a story from the Pilgrims as to how Atmahn, the Night Judge the god-like form of Batman within the Egg once rescued a child whose family had been killed, empowering him to fight back criminals, giving him the name of Rabat of the Golden Wing. Because Wagner's oft-basic writing wasn't entirely up to the task of bringing about much further characterization in the time available to him, many of these efforts just led to scenes that felt dragged on, or ended up killing some of the narrative momentum. -
Justice League: Battle for Metropolis Is the Latest in Superhero Fun
THEMED ENTERTAINMENT Copyright Lighting&Sound America October 2015 http://www.lightingandsoundamerica.com/LSA.html Battling Over Metropolis Justice League: Battle for Metropolis is the latest in superhero fun By: Judith Rubin and Martin Palicki 114 • October 2015 • Lighting&Sound America Opposite: Cyborg. Above, front row: Ron Johnson, of Six Flags; John Wood, of Sally Corp.; Steve Martindale, of Six Flags; and Donna Gentry and Rich Hill, of Sally Corp. Middle row: Rick Rhodes, Mike Sossamon, Sam Rhodes, Les Hudson, all of Six Flags. You can iden- tify the back row yourself. ony Hansen, product and project specialist/lighting Trained as a theatrical lighting designer, Hansen began designer at Orlando, Florida-based Techni-Lux, Inc., has a at Universal as a tech on Halloween Horror Nights, then love affair with the super-small LED fixtures of Gantom moved into ride maintenance and development, working Lighting & Controls. He discovered the company’s on The Amazing Adventures of Spider-Man and other high- Tproducts five years ago and relies on them extensively for end experiences integrating 3-D projection, curved lighting such theme park attractions as the new dark ride, screens, ride vehicles, motion simulation, and interactivity Justice League: Battle for Metropolis 4D. The ride, which with physical props and scenery. opened May 23 and June 5, respectively, in two US The Justice League ride at Six Flags also met a goal of locations (Six Flags Over Texas and Six Flags St. Louis), Sally Corporation and its CEO John Wood: to scale this marks the first time Hansen met his personal and profes- type of leading-edge attraction within reach of smaller, sional goal to light an entire dark ride with LEDs. -
A Player's Guide Part 1 – Clarifications Part 2
A Player’s Guide Effective: 1/17/2013 Any game elements indicated with the † symbol may only be used with the Golden Age format. Any game elements indicated with the ‡ symbol may only be used with the Star Trek: Tactics game. Items labeled with a are available exclusively through Print-and-Play. Any page references refer to the HeroClix 2012 Core Rulebook. Part 1 – Clarifications Section 1: Rulebook 3 Section 2: Powers 7 Section 3: Abilities 9 Section 4: Characters and Special Powers 11 Section 5: Special Characters 29 Section 6: Team Abilities 31 Section 7: Additional Team Abilities 33 Section 8: Battlefield Conditions 35 Section 9: Feats 37 Section 10: Objects 43 Section 11: Maps 45 Section 12: Resources 49 Part 2 – Current Wordings Section 13: Powers 51 Section 14: Abilities 55 Section 15: Characters and Special Powers 57 Section 16: Special Characters 163 Section 17: Team Abilities 165 Section 18: Additional Team Abilities 169 Section 19: Battlefield Conditions 175 Section 20: Feats 179 Section 21: Objects 191 Section 22: Maps 197 Section 23: Resources 201 How To Use This Document This document is divided into two parts. The first part details every clarification that has been made in HeroClix for all game elements. These 50 pages are the minimal requirements for being up to date on all HeroClix rulings. Part two is a reference guide for players and judges who often need to know the latest text of any given game element. Any modification listed in part two is also listed in part one; however, in part two the modifications will be shown as fully completed elements of game text. -
2012 Annual Conference — Contents
Association for Asian Studies Annual Conference March 15–18, 2012 Sheraton Centre Toronto Hotel Toronto, Canada Association for Asian Studies 825 Victors Way, Suite 310 Ann Arbor, MI 48108 USA T 735-665-2490 / F 734-665-3801 www.asian-studies.org Annual Conference Program, Vol. 63. The Annual Conference Program is published annually by the Association for Asian Studies, 825 Victors Way, Suite 310, Ann Arbor, MI 48108, USA. It is printed in February and distributed to all conference attendees. On the Cover Village meeting during the mass movement to adjust land distribution Ten Mile Inn, Hebei Province This picture was taken by David Crook in March 1948 in the village of Ten Mile Inn, which was located in the Jin-Ji-Lu-Yu base area 275 miles southwest of Beijing. During a long village stay in 1947-1948, David and Isabel Crook observed the campaign to adjust an earlier round of land distribution. This photograph was taken at a village meeting conducted by a work team in Ten Mile Inn's temple courtyard. Isabel Crook writes, “The work team made a special point of getting the women to be active in the movement and pressed them to attend. The ones that came were mainly the young wives with their babies. They were not asked to sit separately but this was what tradition called for. Cottage weaving was one of the main cottage industries that supplemented income from farming. Young and middle-aged housewives wound the yarn and set up the frames to load the looms.” Gail Hershatter University of California, Santa Cruz AAS President Photograph by -
Capitalism and Schizophrenia in Gotham City
Capitalism and Schizophrenia in Gotham City – The Fragile Masculinities of Christopher Nolan’s The Dark Knight Trilogy by Annette Schimmelpfennig, University of Cologne, Germany Abstract My article examines the various presentations of masculinity in Christopher Nolan’s The Dark Knight Trilogy and their dependency on gadgets and theatricality. The success of a man’s performance of his masculinity is measured in how convincing he is as either hero or villain and in his exertion of power. I argue thereby that the men appearing in the three installments are stereotypes that cater to a heteronormative world view and constantly need to reassure their sexuality and gender affiliation to persist within the society of Gotham. By contrasting the films’ protagonist Bruce Wayne and his superhero alter ego Batman with the villains, I conclude that the masculinities are fragile because they strongly depend on money, physical strength and control over other, physically and financially weaker people, otherwise they are not of value for the predominant heterocentric, capitalist community. I thus want to stress that the city (and through it the films themselves) requires an immaculate masculinity that is as good as unattainable and promotes obsolete role models. Furthermore, I will point out the subordinate role of femininity in the films which again emphasize the films’ focus on the desire for a hypermasculine saviour. 1 When Batman Begins was released in 2005, critics praised Nolan’s adaptation for its gritty realism and departure from Joel Schumacher’s campy vision of the superhero who was originally created by Bob Kane in 1939 1 . With villains who are more terrorists than troublemakers and a direct connection between capitalism and crusade, it is striking how Nolan’s hero may be progressive concerning comic book verisimilitude but languishing with regard to its presentation of masculinity and femininity. -
VIDEOS Title Creator Summary Format Call Number in This Cirtically-Acclaimed, Stop Motion Annimated Feature
VIDEOS Title Creator Summary Format Call Number In this cirtically-acclaimed, stop motion annimated feature. Dave Peck, an unemployed 28-year-old with no goals or aspirations, finds an ad for a book promising the meaning of life for only $9.99 Rosenthal, Tatia (1971 - ) DVD PN1997.2 .N55 DVD 2010 $9.99. Wishing to share his discovery, his path crosses with those of his unusual neighbors, who in their own bizarre ways, are all on their own search for hope and redemption. 11 Alive at Five Interviews with 11 Alive at Five VHS 1991 CPA PRES 11 ALIV Kerry McCarthy and Peter Hart 11 Alive Neighborhood 11 Alive Neighborhood Weather, Weather, November 12, 1996, 11 Alive November 12, 1996, Center for VHS 1996/1997 CPA PRES NEIG Center for Puppetry Arts Puppetry Arts 11 Alive News Story on Power of 11 Alive News Story on Power 11 Alive Wonder and Pinocchio, on September VHS 1995/1996 CPA PRES 11 POW of Wonder and Pinocchio 29, 1995. Czechoslovak-American 12 Sandals 99 VHS 12 SAND 99 Marionette Theatre 1980 Wayland and Madame WAYL MADA INTE DICK DVD Interview by Dick Maurice MAUR Footage from the 1992 Southeast 1992 Southeast Regional Regional Festival held in Charleston, VHS 1992 SE REGI FEST Festival South Carolina from July 30-August 1, 1992. Footage from the 1992 Southeast 1992 Southeast Regional Regional Festival held in Charleston, VHS 1992 SE REGI FEST 1 Festival Tape 1 South Carolina from July 30-August 1, 1992. Footage from the 1992 Southeast 1992 Southeast Regional Regional Festival held in Charleston, VHS 1992 SE REGI FEST 2 Festival Tape 2 South Carolina from July 30-August 1, 1992.