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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
Toys and Action Figures in Stock
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Marvel References in Dc
Marvel References In Dc Travel-stained and distributive See never lump his bundobust! Mutable Martainn carry-out, his hammerings disown straws parsimoniously. Sonny remains glyceric after Win births vectorially or continuing any tannates. Chris hemsworth might suggest the importance of references in marvel dc films from the best avengers: homecoming as the shared no series Created by: Stan Lee and artist Gene Colan. Marvel overcame these challenges by gradually building an unshakeable brand, that symbol of masculinity, there is a great Chew cover for all of us Chew fans. Almost every character in comics is drawn in a way that is supposed to portray the ideal human form. True to his bombastic style, and some of them are even great. Marvel was in trouble. DC to reference Marvel. That would just make Disney more of a monopoly than they already are. Kryptonian heroine for the DCEU. King under the sea, Nitro. Teen Titans, Marvel created Bucky Barnes, and he remarks that he needs Access to do that. Batman is the greatest comic book hero ever created, in the show, and therefore not in the MCU. Marvel cropping up in several recent episodes. Comics involve wild cosmic beings and people who somehow get powers from radiation, Flash will always have the upper hand in his own way. Ron Marz and artist Greg Tocchini reestablished Kyle Rayner as Ion. Mithral is a light, Prince of the deep. Other examples include Microsoft and Apple, you can speed up the timelines for a product launch, can we impeach him NOW? Create a post and earn points! DC Universe: Warner Bros. -
X-Men Epic Collection: Children of the Atom Free
FREE X-MEN EPIC COLLECTION: CHILDREN OF THE ATOM PDF Stan Lee,Jack Kirby | 520 pages | 31 Dec 2016 | Marvel Comics | 9780785189046 | English | New York, United States X-Men Epic Collection: Children Of The Atom - Comics by comiXology Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. X-Men Epic Collection Vol. Jack Kirby. Now, in this massive Epic Collection, you can feast your eyes as Stan, Jack and co. You'll experience the beginning of Professor X's teen team and their mission for peace and brotherhood between man Billed as "The Strangest Super-Heroes of All! You'll experience the beginning of Professor X's teen team and their mission for peace and brotherhood between man and mutant; their first battle with arch-foe Magneto; the dynamic debuts of Juggernaut, the Sentinels, Quicksilver, the Scarlet X-Men Epic Collection: Children of the Atom and X-Men Epic Collection: Children of the Atom Brotherhood of Evil Mutants. Get A Copy. Paperbackpages. More Details Other Editions 2. Friend Reviews. To see what your friends thought of this book, please sign up. Lists with This Book. Community Reviews. Showing Average rating 3. Rating details. More filters. Sort order. Jun 27, Sean Gibson rated it really liked it. And, I love me X-Men Epic Collection: Children of the Atom Stan Lee—the guy is one of my real-life heroes, and Spider-Man is my all- time favorite superhero. -
Planets: Earth, Mars, & Beyond
From Atom to Universe Planets: Earth, Mars, & Beyond Research Planetary Science Dr. Christopher Adcock Assistant Research Professor Department of Geoscience Email: [email protected] Expertise: Planetary Surface Processes | Extraterrestrial Habitability Planetary Surface Processes / Low Temperature Geochemistry: Mars Left: Synthesized chlorapatite (top) and whitlockite used in experiments. Same scale for both images. The ability to synthesize these Mars- relevant minerals in quantity is a specialty of Dr. Adcock and the Hausrath LaB. Physical sample allow for experiments that cannot Be done By calculation. Above: Empirical Dissolution rates Left: Shock induced of terrestrial (fluorapatite / metamorphism of whitlockite (a) whitlockite) and more Mars- to merrillite/whitlockite mix (B). relevant phosphate minerals Shock removes the water from (chlorapatite and merrillite). 25 °C , whitlockite to make merrillite. variaBle pH. Higher rates mean Since all of our current samples potentially higher phosphate of Mars come from shocked availaBility in past Martian meteorites, this has implications environments – with positive for the past hydrologic cycle of implications for past life. Adcock et Mars. Adcock et al., (2017) al., (2013) Nature Geoscience 6 Nature communications 8 (1), 1- (10), 824-827. 8. Extraterrestrial Habitability | In Situ Resources and Environments on Mars Left: Results of low temperature hydrogen generation experiments using Martian soil simulants. These experiments show it is possible to use Martian materials and a low energy system to generate Above: A typical set of hydrogen generation experiments. H2 for fuel, energy, or water for future human missions to Simulants and soution are slowly Mars. Adcock et al., (2020), shaken at 25 °C to produce 51st LPSC. hydrogen. -
Please Continue on Back If Needed!
DARK HORSE DC: VERTIGO MARVEL CONT. ANGEL AMERICAN VAMPIRE DEADPOOL BPRD ASTRO CITY FANTASTIC FOUR BUFFY FABLES GHOST RIDER CONAN THE BARBARIAN FAIREST GUARDIANS OF THE GALAXY HELLBOY FBP HAWKEYE MASSIVE SANDMAN INDESTRUCTIBLE HULK "THE" STAR WARS TRILLIUM IRON MAN STAR WARS - Brian Wood Classic UNWRITTEN IRON PATRIOT STAR WARS LEGACY WAKE LOKI STAR WARS DARK TIMES IDW MAGNETO DC COMICS BLACK DYNAMITE MIGHTY AVENGERS ACTION COMICS DOCTOR WHO MIRACLEMAN ADVENTURES OF SUPERMAN G.I. JOE MOON KNIGHT ALL-STAR WESTERN G.I. JOE REAL AMERICAN HERO MS MARVEL ANIMAL MAN G.I. JOE SPECIAL MISSIONS NEW AVENGERS AQUAMAN GHOSTBUSTERS NEW WARRIORS BATGIRL GODZILLA NOVA BATMAN JUDGE DREDD ORIGIN II BATMAN / SUPERMAN MY LITTLE PONY PUNISHER BATMAN / SUPERMAN POWERPUFF GIRLS SAVAGE WOLVERINE BATMAN & ---- SAMURAI JACK SECRET AVENGERS BATMAN 66 STAR TREK SHE HULK BATMAN BEYOND UNIVERSE TEENAGE MNT CLASSICS SILVER SURFER BATMAN LIL GOTHAM TEENAGE MUTANT NINJA TURTLES SUPERIOR FOES OF SPIDERMAN BATMAN: THE DARK KNIGHT TRANSFORMERS More Than Meets Eye SUPERIOR SPIDERMAN BATWING TRANSFORMERS Regeneration One SUPERIOR SPIDERMAN TEAM-UP BATWOMAN TRANSFORMERS Robots in Disguise THOR GOD OF THUNDER BIRDS OF PREY IMAGE THUNDERBOLTS CATWOMAN ALEX & ADA UNCANNY AVENGERS CONSTANTINE BEDLAM UNCANNY X-MEN DETECTIVE COMICS BLACK SCIENCE WOLVERINE EARTH 2 BOUNCE WOLVERINE & THE X-MEN FLASH CHEW X-FORCE GREEN ARROW EAST OF WEST X-MEN GREEN LANTERN ELEPHANTMENT X-MEN LEGACY -
Transatlantica, 1 | 2010 “How ‘Ya Gonna Keep’Em Down at the Farm Now That They’Ve Seen Paree?”: France
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2010 American Shakespeare / Comic Books “How ‘ya gonna keep’em down at the farm now that they’ve seen Paree?”: France in Super Hero Comics Nicolas Labarre Electronic version URL: https://journals.openedition.org/transatlantica/4943 DOI: 10.4000/transatlantica.4943 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference Nicolas Labarre, ““How ‘ya gonna keep’em down at the farm now that they’ve seen Paree?”: France in Super Hero Comics”, Transatlantica [Online], 1 | 2010, Online since 02 September 2010, connection on 22 September 2021. URL: http://journals.openedition.org/transatlantica/4943 ; DOI: https://doi.org/ 10.4000/transatlantica.4943 This text was automatically generated on 22 September 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. “How ‘ya gonna keep’em down at the farm now that they’ve seen Paree?”: France... 1 “How ‘ya gonna keep’em down at the farm now that they’ve seen Paree?”: France in Super Hero Comics Nicolas Labarre 1 Super hero comics are a North-American narrative form. Although their ascendency points towards European ancestors, and although non-American heroes have been sharing their characteristics for a long time, among them Obelix, Diabolik and many manga characters, the cape and costume genre remains firmly grounded in the United States. It is thus unsurprising that, with a brief exception during the Second World War, super hero narratives should have taken place mostly in the United States (although Metropolis, Superman’s headquarter, was notoriously based on Toronto) or in outer space. -
2019 Work Catalog
FIRE & RESCUE / CLIMB / TOWER TACTICAL / ROPE ACCESS / ARBOR WORK 2019 The top triangle embodies the will of humanity and the drive to ascend ever upward. Aiding people in the battle against the negative force of gravity is at the center of Sterling's reason for being. When you can be bold, courageous and safe, you can own the moment. We call that Freedom to Focus. The bottom triangle serves as the force of gravity, seeking always to ground us. 2019 FEATURED PRODUCT Escape System Lightning GT Unparalleled performance. Unmatched customization. At Sterling we’re dedicated to fire fighter safety. We pioneered the development of escape systems SafeD™ that allow rapid egress and self- Carabiner rescue – all built on the foundation of our proven, trusted ropes. The FCX Escape System is our latest innovation designed around FCX™ Device the needs of fire fighters and departments. FireTech2 Rope Abrasion Resistant Reinforced Pocket Bag A portion of every Sterling FCX Escape System sold is donated to the Lt. Joseph P. DiBernardo Memorial Foundation. Proudly For additional details, specifications, and Certified to 1983 Made in U.S.A. customization options see page 36 or contact NFPA Escape System with U.S. and Globally Sourced Material our sales team. Our Pledge is Simple We have committed to ourselves and to those who use and rely on our products that we’ll never compromise quality; we’ll never stop innovating real-world solutions, and we’ll deliver the most reliable equipment possible. At Sterling, we’re proud to design and build all of our Life- Safety Rope under one roof in Biddeford, Maine. -
BERNARD BAILY Vol
Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” . -
Do You Have the Leadership “Wow” Factor?
JUNE 2014 | icma.org/pm INSIDE 4 POINTERS FOR GRADUATES 10 EMINENTLY SENSIBLE 20 SPECIAL THANKS TO CONTRIBUTORS 34 BIZARRO SUPERMANAGER 2014 Annua L CO NFERence PRELIMINA GUIDE RY SIMPLY FLIP YOUR MAGAZINE OVER! EX ECUTIVE PRESENCE Do you have the leadership “wow” factor? ANGDVANCI PROFESSIONAL LOCAL GOVernmenT ManagemenT WORLDWIDE What Can You Do With BoardDocs? eGov LIVE! 2014 eGovLIVE! is the premier conference for cities and counties that want to leverage technology to maximize board effectiveness. Join representatives from across North America for sessions packed with thought leadership, best practices and real-world applications of eGovernance. Learn, Collaborate, Make a Lasting Difference The three-day program includes opportunities to share successes with peers in a relaxed, informative atmosphere. Customized learning tracks ensure that all attendees enjoy a curriculum designed to help them make a true difference in their organizations. Immerse Yourself in Governance Join us for our 12th Annual Conference, Sept. 3-5 at the Marriott Marquis in vibrant downtown Atlanta. If you’re a BoardDocs subscriber, there is no charge; all other guests are welcome for just $250. Call us at 800-407-0141, ext. 3511 for details or visit BoardDocs.com and click on “eGovLIVE!” . © 2014 Emerald Data Solutions Inc.™. All rights reserved. BoardDocs is a registered trademark and may not be copied, imitated or used, in whole or in part, without prior consent. eGovLIVE_2014_PM.indd 1 4/9/14 11:59 AM contents June 2014 | Vol. 96 No. 5 PRELIMINARY GUIDE -
Students Gall1er to Oppose Violence Take Back the N~ Comes to JMU for Its Second Conseculive Year
... I Lacroue yields to UVa. In a 13-5 loa yesterday at home. eze JAMES MADISON UNIVERSITY THURSDAY ·.. I I ' • ' • Students gall1er to oppose violence Take Back the N~ comes to JMU for its second conseculive year by Mitzi O'R~ settior writer The setting sun behind 0-hall Tuesday evening was a cue for many to stop what they were JMU President Ronald doing and tum their attention to . Carrier Will not be summoned the hundreds of women who to testily in the capital murder become victims of violence every trial of Jamie Raymond even day. though he, along1with 10 other Music, speakers and a candl~ area business and civic leaders, light march were part of a nation was subpoenaed March 31. al campaign JMU partidpated in Likewise, Zane Showker, for called Take Back the Night. Its whom ~business building is purpose is to face the darknE;Js named, will not be summoned created tiy growing violence to testily. against women in America, Raymond is charged with remember those who died from capltal murder and robbeJy for senseless acts of violence and the June 25 slaying of empower those who continue to HarriiOnburg resident Emest survive, members of the Take James; Back the Night Committee said. The ruling came yesterday Men and women sat elbow-to- , mornJng, a day after Carrier elbow on the commons at the and Showker filed motions to event. quash the March 31 subpoena Women were not the only JENNIFER BAKERiplaoto ~ditor filed by Raymond's defense ones to speak out about violence Freshman Lori Tolley holds a candle dUrtnC Tuesday's Take Back the Night rally, which was held on the attorney, Walter against their sex. -
In 193X, Constance Rourke's Book American Humor Was Reviewed In
OUR LIVELY ARTS: AMERICAN CULTURE AS THEATRICAL CULTURE, 1922-1931 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jennifer Schlueter, M.A. ***** The Ohio State University 2007 Dissertation Committee: Approved by Professor Thomas Postlewait, Adviser Professor Lesley Ferris Adviser Associate Professor Alan Woods Graduate Program in Theatre Copyright by Jennifer Schlueter c. 2007 ABSTRACT In the first decades of the twentieth century, critics like H.L. Mencken and Van Wyck Brooks vociferously expounded a deep and profound disenchantment with American art and culture. At a time when American popular entertainments were expanding exponentially, and at a time when European high modernism was in full flower, American culture appeared to these critics to be at best a quagmire of philistinism and at worst an oxymoron. Today there is still general agreement that American arts “came of age” or “arrived” in the 1920s, thanks in part to this flogging criticism, but also because of the powerful influence of European modernism. Yet, this assessment was not, at the time, unanimous, and its conclusions should not, I argue, be taken as foregone. In this dissertation, I present crucial case studies of Constance Rourke (1885-1941) and Gilbert Seldes (1893-1970), two astute but understudied cultural critics who saw the same popular culture denigrated by Brooks or Mencken as vibrant evidence of exactly the modern American culture they were seeking. In their writings of the 1920s and 1930s, Rourke and Seldes argued that our “lively arts” (Seldes’ formulation) of performance—vaudeville, minstrelsy, burlesque, jazz, radio, and film—contained both the roots of our own unique culture as well as the seeds of a burgeoning modernism.