Jörg Widmann
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2019 Preview Notes • Week Two • Persons Auditorium
2019 Preview Notes • Week Two • Persons Auditorium Saturday, July 20 at 8:00pm Flute Quartet in D Major, K. 285 (1777-78) Wolfgang Amadeus Mozart Born January 27, 1756 • Died December 5, 1791 Duration: approx. 15 minutes Last Marlboro performance: 2011 When Mozart was just a few years younger than the junior participants in this group, he travelled throughout Europe with his mother in search of employment. While in Mannheim on his way to Paris, he met a Dutch merchant named Willem van Britten Dejong who happened to be an amateur flute player. Dejong, who had made his fortune in India, was happy to commission three concertos and three quartets for his instrument. Mozart, who needed the funds, was happy to accept. However, he only completed the quartets and two concertos (one a transcription of a previously-composed oboe concerto) by the time he left Mannheim. What he did write, though, charmingly showcases the flute. In this quartet, that instrument takes the lead throughout a buoyant Allegro beginning, a delicate Adagio accompanied by sparkling plucking from the strings, and a boisterous but well-balanced Rondo conclusion. Participants: Giorgio Consolati, flute; Hiroko Yajima, violin; Jordan Bak, viola; Alexander Hersh, cello Octet (2004) Jörg Widmann Born June 19, 1973 • In residence 2008, 2019 Duration: approx. 30 minutes Marlboro Premiere Though Widmann’s Octet features frequent microtones, he admits that the piece is “almost throughout, a tonal piece,” which was “risky to write in 2004.” The instrumentation suggests a clear connection to Schubert’s genre-making octet, and the piece’s central third movement, which is titled Lied ohne Worte, is a plangent nod to the composer who wrote so many Lieder over the course of his short life. -
Daniel Sepec Viool Tabea Zimmermann Altviool Jean-Guihen Queyras Cello
Daniel Sepec viool Tabea Zimmermann altviool Jean-Guihen Queyras cello vr 6 mrt 2020 / Grote podia / Blauwe zaal 20 uur / pauze ca. 20.45 uur / einde ca. 21.55 uur inleiding Klaas Coulembier / 19.15 uur / Blauwe foyer 2019-2020 Beethoven integrale Isabelle Faust viool Alexander Melnikov piano do 28 nov 2019 Isabelle Faust viool Jean-Guihen Queyras cello Alexander Melnikov piano do 9 jan 2020 Novus String Quartet vr 24 jan 2020 Daniel Sepec viool Tabea Zimmermann altviool Jean-Guihen Queyras cello vr 6 mrt 2020 Alexander Melnikov piano Teunis van der Zwart hoorn Marcel Ponseele hobo Lorenzo Coppola klarinet Javier Zafra fagot za 7 mrt 2020 Quatuor Van Kuijk do 19 mrt 2020 Calidore String Quartet wo 27 mei 2020 teksten programmaboekje Klaas coördinatie programmaboekje deSingel Daniel Sepec viool Coulembier D/2020/5.497/027 Tabea Zimmermann altviool Jean-Guihen Queyras cello Ludwig van Beethoven (1770-1827) Strijktrio in Es, opus 3 42’ Allegro con brio Andante Menuetto: Allegretto Adagio Menuetto: Moderato Finale: Allegro pauze Strijktrio in D, opus 9 nr 2 25’ Allegretto Andante quasi Allegretto Menuetto: Allegro Rondo: Allegro Strijktrio in c, opus 9 nr 3 25’ Allegro con spirito Adagio con espressione Scherzo: Allegro molto e vivace Finale: Presto Gelieve uw GSM uit te schakelen Concertvleugels Met bijzondere dank aan Ortwin Moreau voor het stemmen en het onderhoud van de De inleidingen kan u achteraf beluisteren via concertvleugels van deSingel desingel.be Moreau Pianoservice / Kapucinessenstraat 32 / 2000 Selecteer hiervoor voorstelling / concert / Antwerpen / +32 (0)486 83 63 98 tentoonstelling van uw keuze. moreau-pianoservice.be Muziek voor drie solisten Ludwig van Beethoven drukte zijn stempel op vele muzika- le genres. -
The Chamber Music Society of Lincoln Center
Concerts from the Library of Congress 2013-2014 THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER Thursday, April 10, 2014 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building THE DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC Endowed by the late composer and pianist Dina Koston (1929-2009) and her husband, prominent Washington psychiatrist Roger L. Shapiro (1927-2002), the DINA KOSTON AND ROGER SHAPIRO FUND FOR NEW MUSIC supports commissions and performances of contemporary music. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. Presented in association with: The Chamber Music Society’s touring program is made possible in part by the Lila Acheson and DeWitt Wallace Endowment Fund. Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Thursday, April 10, 2014 — 8 pm THE DINA KOSTON AND ROGER SHAPIRO fUND fOR nEW mUSIC THE CHAMBER MUSIC SOCIETY oF LINCOLN CENTER • Gilles Vonsattel, piano Nicolas Dautricourt, violin Nicolas Altstaedt, cello Amphion String Quartet Katie Hyun, violin David Southorn, violin Wei-Yang Andy Lin, viola Mihai Marica, cello Tara Helen O'Connor, flute Romie de Guise-Langlois, clarinet Jörg Widmann, clarinet Ian David Rosenbaum, percussion 1 Program PIERRE JALBERT (B. -
MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), Piano
MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL FRIDAY, JANUARY 18, 2019 | 7:30 PM NEIDORFF-KARPATI HALL MSM WIND ENSEMBLE Eugene Migliaro Corporon, Conductor Joseph Mohan (DMA ’21), piano PROGRAM JOHN WILLIAMS For New York (b. 1932) (Trans. for band by Paul Lavender) FRANK TICHELI Acadiana (b. 1958) At the Dancehall Meditations on a Cajun Ballad To Lafayette IGOR ST R AVINSKY Concerto for Piano and Wind Instruments (1882–1971) Lento; Allegro Largo Allegro Joseph Mohan (DMA ’21), piano Intermission VITTORIO Symphony No. 3 for Band GIANNINI Allegro energico (1903–1966) Adagio Allegretto Allegro con brio CENTENNIAL NOTE Vittorio Giannini (1903–1966) was an Italian-American composer calls upon the band’s martial associations, with an who joined the Manhattan School of Music faculty in 1944, where he exuberant march somewhat reminiscent of similar taught theory and composition until 1965. Among his students were efforts by Sir William Walton. Along with the sunny John Corigliano, Nicolas Flagello, Ludmila Ulehla, Adolphus Hailstork, disposition and apparent straightforwardness of works Ursula Mamlok, Fredrick Kaufman, David Amram, and John Lewis. like the Second and Third Symphonies, the immediacy MSM founder Janet Daniels Schenck wrote in her memoir, Adventure and durability of their appeal is the result of considerable in Music (1960), that Giannini’s “great ability both as a composer and as subtlety in motivic and harmonic relationships and even a teacher cannot be overestimated. In addition to this, his remarkable in voice leading. personality has made him beloved by all.” In addition to his Symphony No. -
Download the Concert Programme (PDF)
London Symphony Orchestra Living Music Sunday 5 February 2017 7pm Barbican Hall LSO ARTIST PORTRAIT: JANINE JANSEN Sibelius The Oceanides Bernstein Serenade INTERVAL Nielsen Symphony No 4 London’s Symphony Orchestra (‘The Inextinguishable’) Sir Antonio Pappano conductor Janine Jansen violin Concert finishes approx 8.55pm Filmed and broadcast live by Mezzo 2 Welcome 5 February 2017 Welcome Living Music Kathryn McDowell In Brief Welcome to tonight’s LSO concert at the Barbican, LSO 2017/18 SEASON NOW ON SALE which marks the start of this season’s Artist Portrait series, focusing on violin soloist Janine Jansen. The LSO’s inaugural season with Sir Simon Rattle as Music Director is now on sale. Beginning with a ten- The LSO has performed with Janine Jansen regularly day celebration to welcome him in September, the for many years all over the world, and she is a season features concerts to mark 100 years since favourite with our audiences and with the musicians the birth of Bernstein and 100 years since the death of the Orchestra. Across three concerts we will of Debussy, world premieres from British composers, hear her perform a wide range of repertoire, from the beginning of a Shostakovich symphonies cycle, Bernstein’s Serenade tonight to Brahms’ Violin and a performance of Stockhausen’s Gruppen in the Concerto in March, and finally the Berg Violin Concerto Turbine Hall at Tate Modern. in April, showing the many different sides of her celebrated artistry. alwaysmoving.lso.co.uk This evening’s programme is conducted by another good friend of the LSO, Sir Antonio Pappano. -
Daniel Saidenberg Faculty Recital Series
Daniel Saidenberg Faculty Recital Series Misha Amory, Viola Thomas Sauer, Piano Hsin-Yun Huang, Viola Photo by Claudio Papapietro Support Scholarships The Juilliard Scholarship Fund provides vital support to any student with need and helps make a Juilliard education possible for many deserving young actors, dancers, and musicians. With 90 percent of our students eligible for financial assistance, every scholarship gift represents important progress toward Juilliard’s goal of securing the resources required to meet the needs of our dedicated artists. Gifts in any amount are gratefully welcomed! Visit juilliard.edu/support or call Tori Brand at (212) 799-5000, ext. 692, to learn more. The Juilliard School presents Misha Amory, Viola Thomas Sauer, Piano Hsin-Yun Huang, Viola Part of the Daniel Saidenberg Faculty Recital Series Friday, October 18, 2019, 7:30pm Paul Hall ZOLTÁN KODÁLY Adagio (1905) (1882-1967) FRANK BRIDGE Pensiero (1908) (1879-1941) PAUL HINDEMITH “Thema con Variationen” from Sonata, (1895-1963) Op.31, No. 4 (1922) ARTHUR BLISS “Furiant” from Viola Sonata (1934) (1891-1975) BRUCE ADOLPHE Dreamsong (1989) (b.1955) GEORGE BENJAMIN Viola, Viola (1998) (b.1960) Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by the Bay Foundation and the Josephine Bay Paul and C. Michael Paul Foundation in memory of Josephine Bay Paul. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and the use of recording equipment are not permitted in this auditorium. 1 ELLIOTT CARTER Elegy (1943) (1908-2012) IGOR STRAVINSKY Elegy (1944) (1882-1971) GYÖRGY KURTÁG Jelek (1965) (b.1926) Agitato Giusto Lento Vivo Adagio Risoluto DMITRI SHOSTAKOVICH “Adagio” from Viola Sonata (1975) (1906-75) Performance time: approximately 1 hour and 30 minutes, including an intermission The Viola in the 20th Century By Misha Amory The 20th century was transformative for the viola as a solo instrument. -
The Inspiration Behind Compositions for Clarinetist Frederick Thurston
THE INSPIRATION BEHIND COMPOSITIONS FOR CLARINETIST FREDERICK THURSTON Aileen Marie Razey, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 201 8 APPROVED: Kimberly Cole Luevano, Major Professor Warren Henry, Committee Member John Scott, Committee Member John Holt, Chair of the Division of Instrumental Studies Benjamin Brand, Director of Graduate Studies in the College of Music John Richmond, Dean of the College of Music Victor Prybutok, Dean of the Toulouse Graduate School Razey, Aileen Marie. The Inspiration behind Compositions for Clarinetist Frederick Thurston. Doctor of Musical Arts (Performance), August 2018, 86 pp., references, 51 titles. Frederick Thurston was a prominent British clarinet performer and teacher in the first half of the 20th century. Due to the brevity of his life and the impact of two world wars, Thurston’s legacy is often overlooked among clarinetists in the United States. Thurston’s playing inspired 19 composers to write 22 solo and chamber works for him, none of which he personally commissioned. The purpose of this document is to provide a comprehensive biography of Thurston’s career as clarinet performer and teacher with a complete bibliography of compositions written for him. With biographical knowledge and access to the few extant recordings of Thurston’s playing, clarinetists may gain a fuller understanding of Thurston’s ideal clarinet sound and musical ideas. These resources are necessary in order to recognize the qualities about his playing that inspired composers to write for him and to perform these works with the composers’ inspiration in mind. Despite the vast list of works written for and dedicated to Thurston, clarinet players in the United States are not familiar with many of these works, and available resources do not include a complete listing. -
Dear Music Lover, Welcome to the 23Rd Year of Music at the National
Dear Music Lover, Welcome to the 23rd year of music at the National Museum of Women in the Arts. We are delighted to have been able to reschedule two of the concerts cancelled last season due to COVID-19 and to have added a third. This season, concerts will begin in the spring of 2021. Our concern for audience and artist safety led us to delay the season with the hope that it will be safer to congregate in person at that time. However we anticipate at this time that the concerts will be virtual. If things do change, we will certainly notify you. Our season kicks off on March 31 with the acclaimed McDermott Trio, featuring Anne-Marie, Kerry, and Maureen McDermott, with master violist Paul Neubauer. The McDermott Trio has been recognized as one of the most exciting trios of their generation and Neubauer has been called "a master musician" by the New York Times due to his exceptional musicality and effortless playing. On May 12, we welcome the talented Stefania Dovhan, who has performed at many opera houses including the Royal Opera House, the New York City Opera, and the Baltimore Lyric Opera. We will close out the season on June 2 with the amazing violinist Jennifer Koh, who is known for her intense, commanding performances delivered with dazzling virtuosity and technical assurance. Since 1998, we have presented more than sixty-nine free concerts featuring emerging and established women musicians who have brought to life the halls of this great museum with their artistry and talent. Thank you for your continued support of the Shenson Chamber Music Concert Series. -
The Blake Collection in Memory of Nancy M
The Blake Collection In Memory of Nancy M. Blake BELLINI’S NORMA featuring CECILIA BARTOLI This tragic opera is set in Roman-occupied, first-century Gaul, features a title character, who although a Druid priestess, is in many ways a modern woman. Norma has secretly taken the Roman proconsul Pollione as her lover and had two children with him. Political and personal crises arise when the locals turn against the occupiers and Pollione turns to a new paramour. Norma “is a role with emotions ranging from haughty and demanding, to desperately passionate, to vengeful and defiant. And the singer must convey all of this while confronting some of the most vocally challenging music ever composed. And if that weren't intimidating enough for any singer, Norma and its composer have become almost synonymous with the specific and notoriously torturous style of opera known as bel canto — literally, ‘beautiful singing’” (“Love Among the Druids: Bellini's Norma,” NPR World of Opera, May 16, 2008). And Bartoli, one of the greatest living opera divas, is up to the challenges the role brings. (New York Public Radio’s WQXR’s “OperaVore” declared that “Bartoli is Fierce and Mercurial in Bellini's Norma,” Marion Lignana Rosenberg, June 09, 2013.) If you’re already a fan of this opera, you’ve no doubt heard a recording spotlighting the great soprano Maria Callas (and we have such a recording, too), but as the notes with the Bartoli recording point out, “The role of Norma was written for Giuditta Pasta, who sang what today’s listeners would consider to be mezzo-soprano roles,” making Bartoli more appropriate than Callas as Norma. -
The Mariinsky Ballet & Orchestra
Thursday, October 1, 2015, 8pm Friday, October 2, 2015, 8pm Saturday, October 3, 2015, 2pm & 8pm Sunday, October 4, 2015, 3pm Zellerbach Hall The Mariinsky Ballet & Orchestra Gavriel Heine, Conductor The Company Diana Vishneva, Nadezhda Batoeva, Anastasia Matvienko, Sofia Gumerova, Ekaterina Chebykina, Kristina Shapran, Elena Bazhenova Vladimir Shklyarov, Konstantin Zverev, Yury Smekalov, Filipp Stepin, Islom Baimuradov, Andrey Yakovlev, Soslan Kulaev, Dmitry Pukhachov Alexandra Somova, Ekaterina Ivannikova, Tamara Gimadieva, Sofia Ivanova-Soblikova, Irina Prokofieva, Anastasia Zaklinskaya, Yuliana Chereshkevich, Lubov Kozharskaya, Yulia Kobzar, Viktoria Brileva, Alisa Krasovskaya, Marina Teterina, Darina Zarubskaya, Olga Gromova, Margarita Frolova, Anna Tolmacheva, Anastasiya Sogrina, Yana Yaschenko, Maria Lebedeva, Alisa Petrenko, Elizaveta Antonova, Alisa Boyarko, Daria Ustyuzhanina, Alexandra Dementieva, Olga Belik, Anastasia Petushkova, Anastasia Mikheikina, Olga Minina, Ksenia Tagunova, Yana Tikhonova, Elena Androsova, Svetlana Ivanova, Ksenia Dubrovina, Ksenia Ostreikovskaya, Diana Smirnova, Renata Shakirova, Alisa Rusina, Ekaterina Krasyuk, Svetlana Russkikh, Irina Tolchilschikova Alexey Popov, Maxim Petrov, Roman Belyakov, Vasily Tkachenko, Andrey Soloviev, Konstantin Ivkin, Alexander Beloborodov, Viktor Litvinenko, Andrey Arseniev, Alexey Atamanov, Nail Enikeev, Vitaly Amelishko, Nikita Lyaschenko, Daniil Lopatin, Yaroslav Baibordin, Evgeny Konovalov, Dmitry Sharapov, Vadim Belyaev, Oleg Demchenko, Alexey Kuzmin, Anatoly Marchenko, -
Program Notes Quartet No
Ariel Quartet Gershon Gerchikov, violin Alexandra Kazovsky, violin Jan Grüning, viola Amit Even-Tov, cello with Ilya Shterenberg, clarinet Quartet No. 8 in C minor, Op. 110 Dmitri Shostakovich (1906-75) Largo Allegro molto Allegretto Largo Largo Clarinet Quintet in A major, K. 581 Wolfgang Amadeus Mozart (1756-91) Allegro Larghetto Menuetto Allegretto con variazioni Clarinet Quintet in B-Flat Major, Op. 34 Carl Maria von Weber (1786-1826) Rondo: Allegro giojoso - INTERMISSION - Quartet in D minor, D. 810, “Death and the Maiden” Franz Schubert (1797-1828) Allegro Andante con moto Scherzo. Allegro molto Presto Ariel Quartet is represented by MKI Artists; One Lawson Lane, Suite 320, Burlington, VT 05401. Recordings: Avie Records www.arielquartet.com www.sacms.org Program Notes Quartet No. 8 in C minor, Op. 110 Dmitri Shostakovich By 1960 the ‘Thaw’ following Stalin’s death had improved the outward circumstances of Shostakovich’s life, and he was honored at home and allowed to travel abroad to perform and receive additional honors. The price was a requirement that he perform many duties for the official music establishment. In April 1960, at the personal invitation of Soviet leader Nikita Khrushchev, Shostakovich was elected head of the Russian Composers’ Union. He was also pressured to join the Communist Party, a step he had avoided during all his earlier years of torment. he did this without telling his family and friends, and when it became public the intense shame of his capitulation led to a nervous breakdown in June 1960. “I’ve been a whore, I am and always will be a whore,” he told his old friend Isaak Glikman with tears streaming down his face. -
Letter to Educators 19
18 Letter to Educators 19 On behalf of the Harrisburg Symphony Orchestra and the HSO Education Department, welcome to our first Young Person’s Concert of the 2018/19 season! We are excited that you will be joining us as Maestro Malina and the HSO guide you through some incredible symphonic music. Access to the arts and an understanding of the rich cultural history of classical music are essential to a 21st century education. This curriculum guide will help you prepare your students to better understand various aspects of classical music and the experience of a symphony concert. Inside, you will find biographical information, orchestral stage plots, listening guides, and activities which will engage students in fun and meaningful ways. While this information does not suggest your exact experience at the upcoming YPC, it will provide a foundation from which Maestro Malina and the HSO can take you deeper into the repertoire. As always, we aim to enhance your understanding of classical music and your ability to communicate that information to your students. Please let us know how we’re doing! If you have any questions about the YPC or the HSO’s education programs, please call, email or check our website for more details. As an audience member and an educator, you are the most important part of our musical and educational community. Thank you for sharing the HSO with your students! We look forward to welcoming you to the Forum on Friday, November 16! Sincerely, Mark Hunsberger Director of Education (717) 612-4965 [email protected] 1 Table of Contents 3 Program 4 Composer Information 5 A Guide to the Guide 6 Orchestra Seating Chart 7 Beethoven: Symphony No.