Masking Protection Solutions Masking Protection Solutions
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Edition 2017
YEAR-END EDITION 2017 HHHHH # OVERALL LABEL TOP 40 LABEL RHYTHM LABEL REPUBLIC RECORDS HHHHH 2017 2016 2015 2014 GLOBAL HEADQUARTERS REPUBLIC RECORDS 1755 BROADWAY, NEW YORK CITY 10019 REPUBLIC #1 FOR 4TH STRAIGHT YEAR Atlantic (#7 to #2), Interscope (#5 to #3), Capitol Doubles Share Republic continues its #1 run as the overall label leader in Mediabase chart share for a fourth consecutive year. The 2017 chart year is based on the time period from November 13, 2016 through November 11, 2017. In a very unique year, superstar artists began to collaborate with each other thus sharing chart spins and label share for individual songs. As a result, it brought some of 2017’s most notable hits including: • “Stay” by Zedd & Alessia Cara (Def Jam-Interscope) • “It Ain’t Me” by Kygo x Selena Gomez (Ultra/RCA-Interscope) • “Unforgettable” by French Montana f/Swae Lee (Eardrum/BB/Interscope-Epic) • “I Don’t Wanna Live Forever” by ZAYN & Taylor Swift (UStudios/BMR/RCA-Republic) • “Bad Things” by MGK x Camila Cabello (Bad Boy/Epic-Interscope) • “Let Me Love You” by DJ Snake f/Justin Bieber (Def Jam-Interscope) • “I’m The One” by DJ Khaled f/Justin Bieber, Quavo, Chance The Rapper & Lil Wayne (WTB/Def Jam-Epic) All of these songs were major hits and many crossed multiple formats in 2017. Of the 10 Mediabase formats that comprise overall rankings, Republic garnered the #1 spot at two formats: Top 40 and Rhythmic, was #2 at Hot AC, and #4 at AC. Republic had a total overall chart share of 15.6%, a 23.0% Top 40 chart share, and an 18.3% Rhythmic chart share. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Automatic Compensation for Camera Settings for Images Taken Under Different Illuminants
Automatic Compensation for Camera Settings for Images Taken under Different Illuminants Cheng Lu and Mark S. Drew; School of Computing Science, Simon Fraser University, Vancouver, British Columbia, Canada V5A 1S6 fclu,[email protected] Abstract image − no-flash image ), to infer the contribution of the flash The combination of two images shot for the same scene but light to the scene. But to make this computation meaningful, the under different illumination has been used in wide applications images must be in the same camera settings. These include: ex- ranging from estimating scene illumination, to enhancing pho- posure time, ISO, aperture, and white balance. Since different tographs shot in dark environments, to shadow removal. An ex- lighting conditions usually cause changes of camera settings, an ample is the use of a pair of images shot with and without a flash. effective registering method to compensate for the difference, for However, for consumer-grade digital cameras, due to the differ- the image pair, is necessary. Unfortunately, this problem has never ent illumination conditions the two images usually have different been investigated carefully. This is partly because the difference camera settings when they are taken, such as exposure time and between the two images is a composite of the difference of cam- white balance. Thus adjusting (registering) the two images be- era settings and of the light arriving at the camera, and they are comes a necessary step prior to combining the two images. Un- difficult to separate. fortunately, how to register these two images has not been inves- In this paper, we present a method which uses a masking tigated fully. -
A Masking Technic for Photographic Reproduction of Roentgenograms
A MASKING TECHNIC FOR PHOTOGRAPHIC REPRODUCTION OF ROENTGENOGRAMS Preliminary Report T. WARREN STRAUSS Department of Photography and ARTHUR S. TUCKER, M.D. Department of Radiology OENTGENOGRAPHS detail that ordinarily cannot be reproduced by R- conventional photographic methods may at times be preserved by means of a masking technic. The method described here is not entirely original, but is a modification of several previously described technics aimed at development of a simple yet effective process. The basic problem with which radiologists and medical photographers are faced is the difference in contrast between roentgen film, which is viewed in transmitted light, and photographic paper, which is viewed in reflected light. The brightness range of a roentgenogram may run from 1 to 1000 or more; whereas, that of a photographic print may run from less than 1 to 50.1 To offset this wide difference in contrast ranges, it has been common practice in making prints of roentgenograms to use a dodging or blocking procedure that decreases the exposure of the less dense areas of the roentgenogram. Dodging usually is accomplished by passing the hand or other opaque object between the source of light and the printing easel. Dodging is a type of masking pro- cedure; in photographic terminology a mask is a device for screening light to secure visualization of details of contrast that otherwise would be lost in the process of reproduction. We currently are using a positive film mask. Exposure is made simultaneously through both a negative film and a positive film (mask) of the roentgenogram. This preserves details that otherwise would be beyond the range of contrast of the paper. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Board Game Accessibility for Persons with Visual Impairment by Frederico
Board Game Accessibility for Persons with Visual Impairment by Frederico Da Rocha Tomé Filho A Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Science in Computer Science The Faculty of Science University of Ontario Institute of Technology Supervisors: Dr. Pejman Mirza-Babaei Dr. Bill Kapralos Oshawa, Ontario, Canada December 2018 Copyright © Frederico da Rocha Tomé Filho, 2018 THESIS EXAMINATION INFORMATION Submitted by: Frederico da Rocha Tomé Filho Master of Science in Computer Science Thesis title: Board Game Accessibility for Persons with Visual Impairment An oral defense of this thesis took place on December 5, 2018 in front of the following examining committee: Examining Committee: Chair of Examining Committee Dr. Karthik Sankaranarayanan Research Supervisor Dr. Pejman Mirza-Babaei Research Co-supervisor Dr. Bill Kapralos Examining Committee Member Dr. Alvaro Uribe-Quevedo External Examiner Dr. Loutfouz Zaman The above committee determined that the thesis is acceptable in form and content and that a satisfactory knowledge of the field covered by the thesis was demonstrated by the candidate during an oral examination. A signed copy of the Certificate of Approval is available from the School of Graduate and Postdoctoral Studies. Abstract Despite the huge popularity and benefits of traditional board games, they present serious accessibility issues to players, particularly those with visual impairments, due to the heavy use of visuals to communi- cate gameplay information. Limited research investigating -
Film Carriers, Proofs & Plates
FILM CARRIERS, PROOFS & PLATES There are many products manufactured specifically to assist the film assembly technician and to check the quality and accuracy of the technician’s work. These in- clude film carrier materials, masking materials and proofing materials. In addition, a wide-range of printing plates are available to meet various requirements. FILM CARRIERS AND MASKING MATERIALS The choice of a film carrier material, commonly called a flat, by a film assem- bly technician is based upon two major considerations. First, the technician must consider if the plates that are to be used for the job are positive- or negative-acting. Many lithographic plates (especially those used in Europe), screen-printing plates and gravure plates are positive-acting. The emulsion on a positive acting plate creates an image identical to the film from which it is exposed – a negative image from a negative or a positive image from a positive. In most cases, positive-acting plates will be exposed from positive films (the only exception would be reverse images that are, in fact, negative images). Exposed areas of positive-acting plates become non-image areas while unexposed areas become image areas. The positive films must be mounted to a transparent material so that all non-printing areas of the plates are exposed. The choice in this case is clear polyester. Most lithographic work in the United States uses negative-acting plates. Exposed areas of negative-acting plates become image areas while non-exposed areas become non-image areas. Negatives must be masked with a material that will not allow actinic light (the chemically-active light that exposes an emulsion) to reach the plate so that all non-printing areas of the plate are not exposed. -
Saving Your Health, One Mask at a Time
Sign in Join now Photo by Macau Photo Agency on Unsplash Saving Your Health, One Mask at a Time Peter Tippett MD PhD Follow CEO careMESH; Chairman DataM… 1,942 309 0 We all hear the same things: wash your hands, don't touch your face, stay at home, stay 6 feet away from others. Viruses live on boxes and plastic and doorknobs and... EVERYWHERE. How does the average person decide what measures to follow unless they truly understand how these things work or have a clear set of “rules” they can abide by? I am an Internal Medicine-certified, Emergency Room MD with a PhD in Biochemistry. I Sign in Join now have also spent much of my professional life in the high-tech world helping people understand how risk, infection, and the growth of infection behaves. So I thought it might be helpful to folks in my network to explain how personal protection from a virus like SARS-CoV-2 (the formal name of the virus that causes COVID-19) actually works, how any given measure individually lowers risk, how various countermeasures work together, and most importantly, to give you some simple guidelines for day-to- day living in this new COVID world. Bottom Line on Masks & Gloves: Wear a mask when you are in “exposure” zones (mainly places with other people). Treat your home, car, and yard as safe places (no mask or gloves). Be on high alert on what you are doing with your hands when you are in “danger zones.” This is when you must not touch your face. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles -
18. Handling and Preservation of Color Slide Collections
625 The Permanence and Care of Color Photographs Chapter 18 18. Handling and Preservation of Color Slide Collections Selection of Films, Slide Mounts, Slide Pages, and Individual Slide Sleeves Introduction Although color slides can be made from color negative cates are essential to protect an original slide if an image is originals, the great majority of 35mm slides are one-of-a- likely to receive extensive projection or handling. kind transparencies produced by reversal processing of the original chromogenic camera film. The Fujichrome or Choice of Color Film Is Kodachrome slide that you put in your projector is in most the Most Important Consideration cases the same piece of film that was exposed in your camera. When stored in a typical air-conditioned office environ- When an original color slide becomes faded, physically ment (i.e., 75°F [24°C], 50–60% RH), the dark fading stabil- damaged, or even lost, there is no camera negative from ity of slides made on current Kodachrome, Fujichrome, which a new slide can be made. In this respect, original Ektachrome, and the “improved” Agfachrome RS and CT color slides are like the daguerreotypes of a bygone era films introduced in 1988–89 is sufficiently good that most and the Polaroid instant color prints of today: none have photographers and commercial users will feel no immedi- usable negatives. ate need to refrigerate such slides. Most photographers More than one billion color slides are taken each year in are reasonably satisfied if a color transparency lasts their the United States alone. Many important collections have lifetime — or at least their working careers — without hundreds of thousands of 35mm color slides. -
Surface Preparation and Masking (Ref02e)
Surface Preparation andMasking Textbook (REF02e) Version:4.2 ©2002-2014Inter-IndustryConferenceOnAutoCollisionRepair REF02e-STMAN1-E Thispageisintentionallyleftblank. Textbook SurfacePreparationandMasking(REF02e) Contents Module1-FinishIdentification...............................................................................................7 FinishesAndRefinishMaterials............................................................................................ 7 DevelopingARefinishingPlan........................................................................................... 13 ModuleWrapUp............................................................................................................... 18 Module2-FinishProtectionAndRemoval........................................................................... 21 MaskingOrRemovingParts................................................................................................21 FinishRemoval................................................................................................................... 30 ModuleWrapUp............................................................................................................... 33 Module3-SprayGunTechnique.......................................................................................... 37 SprayGunSetup.................................................................................................................37 SprayGunApplicationTechniques.....................................................................................39