KS4 Book Recommendations

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KS4 Book Recommendations Young Adult Books The Art of Being Normal – Lisa Williamson The Book Thief – Marcus Zusak Mary’s Monster – Lita Judge The Sun is Also a Star – Nicola Yoon A Witch Alone – Ruth Warburton Moonrise – Sarah Crossan Scat – Carl Hiasson Where Monsters Lie – Polly Ho Yen Water Born – Rachel Ward Numbers – Rachel Ward Contagion – Teri Terry Satellite – Nick Lake 7 Days – Eve Ainsworth Piecing Me Together – Renee Watson If You Find Me – Emily Murdoch Simon vs the Homosapien Agenda – Becky Albertalli Saint Death – Marcus Sedgwick The Gender Game – Bella Forrest Pure – Julianna Baggott Indigo Donut – Patrice Lawrence At the Sign of the Sugared Plum – Mary Hooper Scythe – Neal Shusterman The Hate U Give – Angie Thomas How I Live Now – Meg Rosoff Reunion – Fred Uhlman KS4 Book Recommendations Adult Books The Poisonwood Bible – Barbara Kingsolver Small Island – Andrea Levy The English Patient – Michael Ondaatje Return of the Soldier – Rebecca West Never Let Me Go – Kazuo Ishiguro The Life of Pi – Yann Martel Bel Canto - Ann Patchett Room – Emma Donaghue The White Tiger – Aravind Adiga White Teeth – Zadie Smith Vernon God Little – D. B. C. Pierre Paddy Clark Ha Ha Ha – Roddy Doyle Things Fall Apart – Chinua Achebe A Thousand Splendid Suns/The Kite Runner/And the Mountains Echoed - Khaled Hosseini The Shock of the Fall – Nathan Filer The Tenderness of Wolves – Stef Penney The Help – Kathryn Stockett A Mercy – Toni Morrison Oranges are Not the Only Fruit – Jeanette Winterston A Short History of Tractors in Ukrainian – Marina Lewycka Case Histories – Kate Atkinson Brick Lane – Monica Ali The Colour – Rose Tremain The Lovely Bones – Alice Sebold Chocolat – Joanne Harris The Secret Life of Bees – Sue Monk Kidd The Luminaries – Eleanor Catton Schindler’s List – Thomas Keneally We Need New Names – NoViolet Bulawayo The Hound of the Baskervilles / The Sign of Four – Sir Arthur Conan Doyle Submarine – Joe Dunthorne Lord of the Flies – William Golding The Woman In Black – Susan Hill High Fidelity / How to be Good / Fever Pitch – Nick Hornby The House of Silk / Moriarty – Anthony Horowitz Mr Pip – Lloyd Jones Pigeon English – Stephen Kelman To Kill a Mockingbird – Harper Lee All the Light We Cannot See – Anthony Doerr The Night Circus - Erin Morgenstern After the Quake (short stories) - Haruki Murakami The Vanishing Act of Esme Lennox - Maggie O'Farrell The Bell Jar – Sylvia Plath The Catcher in the Rye – J D Salinger The Bookseller of Kabul - Asne Seierstad Touching the Void - Joe Simpson The Shadow of the Wind - Carlos Ruiz Zafon Brideshead Revisited – Evelyn Waugh Cold Comfort Farm – Stella Gibbons .

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Faculty and Staff Best Books of 2014
Faculty and Staff Best Books of 2014 The “rules” of the game were to answer the following question: What was the best book you read in 2014? It could be a new book, an old book, a re-read, or anything that fits the bill. Not all contributors explained their selections, but for those who did, their reasons for choosing the book are included here. Some contributed several of their favorites since choosing just one is too difficult. Books chosen by multiple faculty or staff members have been bolded. Many books are available through the Durham Tech Library, either on our shelves or through interlibrary loan. Just ask a library staff member for help requesting a book that we don’t currently have on the shelves. How can I find this book through Book Title/Author the Durham Tech library? Describe your book or what made it your best read… Request this title through OCLC Siege 13 / Tamas Dobozy interlibrary loan A re-read. Mind control, surveillance, oligarchy, and diminishing 1984 / George Orwell PR 6029 .R8 N5 1961 freedoms….need I say more? I listened to the book CD on my way back and forth to work, then A Beautiful Mind / Sylvia Nasar QA 29 .N25 N37 1998 watched the movie. (The movie wasn’t as good as the book) A Grown-Up Kind of Pretty / Joshilyn Jackson PS 3610 .A3525 G76 2012 A Stolen Life / Jaycee Dugard HV 6574 .U6 D84 2011 A super heavy read... This is an important novel about the immigrant experience in the U.S.
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Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays.
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English Language and Literature (ENGL) 1 English Language and Literature (ENGL)
English Language and Literature (ENGL) 1 English Language and Literature (ENGL) * ENGL 005b / AFAM 013b, Counterarchives: Black Historical Fictions Elleza Kelley While historical records have long been the source from which we draw our picture of the past, it is with literature and art that we attempt to speculatively work out that which falls between the cracks of conventional archival documentation, that which cannot be contained by historical record—emotion, gesture, the sensory, the sonic, the inner life, the aerlife, the neglected and erased. This course examines how contemporary black writers have imagined and attempted to represent black life from the late 17th to the early 20th centuries, asking what fiction can tell us about history. Reading these works as alternative archives, or “counterarchives,” which index the excess and fugitive material of black histories in the Americas, we probe the uses, limits, and revelations of historical fictions, from the experimental and realist novel, to works of poetry and drama. Drawing on the work of various interdisciplinary scholars, we use these historical fictions to explore and enter into urgent and ongoing conversations around black life & death, African-American history & memory, black aesthetics, and the problem of “The Archive.” Enrollment limited to first-year students. Preregistration required; see under First-Year Seminar Program. HU * ENGL 006a / AFAM 017a, Black Nature: African American Nature Writing Jonathan Howard What stories do we tell about nature? How are the stories we are able to tell about nature informed by race? And how do these stories shape our understanding of what it means to be human? In contrast to a largely white tradition of nature writing that assumes a superior position outside of Nature, this course undertakes a broad survey of African American nature writing.
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Golden Man Booker Prize Shortlist Celebrating Five Decades of the Finest Fiction
Press release Under embargo until 6.30pm, Saturday 26 May 2018 Golden Man Booker Prize shortlist Celebrating five decades of the finest fiction www.themanbookerprize.com| #ManBooker50 The shortlist for the Golden Man Booker Prize was announced today (Saturday 26 May) during a reception at the Hay Festival. This special one-off award for Man Booker Prize’s 50th anniversary celebrations will crown the best work of fiction from the last five decades of the prize. All 51 previous winners were considered by a panel of five specially appointed judges, each of whom was asked to read the winning novels from one decade of the prize’s history. We can now reveal that that the ‘Golden Five’ – the books thought to have best stood the test of time – are: In a Free State by V. S. Naipaul; Moon Tiger by Penelope Lively; The English Patient by Michael Ondaatje; Wolf Hall by Hilary Mantel; and Lincoln in the Bardo by George Saunders. Judge Year Title Author Country Publisher of win Robert 1971 In a Free V. S. Naipaul UK Picador McCrum State Lemn Sissay 1987 Moon Penelope Lively UK Penguin Tiger Kamila 1992 The Michael Canada Bloomsbury Shamsie English Ondaatje Patient Simon Mayo 2009 Wolf Hall Hilary Mantel UK Fourth Estate Hollie 2017 Lincoln George USA Bloomsbury McNish in the Saunders Bardo Key dates 26 May to 25 June Readers are now invited to have their say on which book is their favourite from this shortlist. The month-long public vote on the Man Booker Prize website will close on 25 June.
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Learning from the Greats
Learning from the Greats Learning from the Greats Lessons on Writing, from the Great Writers Billy O’Callaghan First published in 2014 by Cork City Libraries 57-61 Grand Parade Cork, Ireland © Billy O’Callaghan Copyright of the excerpts included in this publication is reserved to the writers concerned, or their estates. Applications for permissions should be addressed to the relevant publishers. ISBN 978-0-9549847-9-3 Design and typesetting by Stephen Leach, Cork City Libraries Typeset in The Mix 3 Foreword The urge to write seems as strong as ever. So is the urge to read good writing, and for very good reasons. Last year we welcomed the renowned Slovenian writer Drago JaJancarnčar to the City Library. According toJ aJancnčaar,r literature is “at home wherever the fragile, vulnerable, finite human being is, enmeshed in misunderstandings with others, with the world, and with itself. And through this prism of multiple but individual human lives, it tells of human uncertainty, fear and courage, nobility and betrayal, joy and sorrow”. Learning from the greats: lessons on writing, from the great writers started life as a talk given by Billy O’Callaghan to a creative writing class organized by Cork City Libraries staff under The Constant Reader banner. With this book we hope to provide insights for people in creative writing classes and groups, who want to improve their writing skills. But this book is not only for aspiring writers: Billy O’Callaghan’s insights will be a joy for the general reader interested in learning what makes great writing great.
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Mary's Top 10 Books Read in 2015
Winter 2016 Newsletter ~ The Bookloft ~ Your hometown source for books and more ~ Enterprise, Oregon Mary's Top 10 Books Read in 2015 The Bookloft turns 40 this year and as so often happens at that age, a makeover THE MEMORY OF OLD JACK by Wendell Berry In the course of a day in 1952, an old man reflects on his life as a farmer in was due. A makeover of the website, that a small town in Kentucky. Eloquent, deeply reflective and beautifully is. I'm very pleased with the new look written. and I should have more flexibility about THE LUMINARIES by Eleanor Catton posting book reviews and general book Set in the 1800s and written in the style of a novel of that time, this book commentary. As if I need any looks at life in the early gold-mining days of New Zealand. THE BURIED GIANT by Kazuo Ishiguro encouragement to do that! Browsing, In the dark days just after King Arthur's reign, two people set off on a ordering, communicating with us will all journey that becomes an inquiry into whether or not all memories are good be so much more fun with our zippy new or whether some should be left to fade into forgetfulness. website. THE BONE CLOCKS by David Mitchell A brilliant big novel by the author of the Cloud Atlas and like that novel, it is written in a most unusual and creative way. Please check us out at STATION ELEVEN by Emily St John Mandel www.bookloftoregon.com. It's the post pandemic future and 99% of the population is gone.
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Global Reads
European The Lost Man Oregon Public Library South American by Jane Harper Book Recommendations Non-Fiction M HARPER Jane Fiction Bella Tuscany, the Created by staff Bel Canto Sweet Life in Italy Set in Australia, by an by Ann Patchett by Frances Mayes Australian author. F PATCHETT Ann 945.5 MAY Oceanic Set in Peru, by an American author. Oceanic Fiction Non-Fiction GLOBAL The Luminaries The Happy Isles of South American by Eleanor Catton Oceania, Paddling F CATTON Eleanor the Pacific Non-Fiction by Paul Theroux READS Patagonian Road, a Set in New Zealand, by a Year Alone through New Zealand author. 919.504 THE Latin America The White Darkness by Kate McCahill The Tattoo Artist 918.04 MCC by Jill Ciment by David Grann F CIMENT Jill 919.89 GRA The Unconquered, Set in the South Pacific, South American in Search of the by a Canadian author. Amazon's Last Fiction Uncontacted Elizabeth Costello The Gods of Tango Tribes by J. M. Coetzee by Carolina DeRobertis by Scott Wallace F COETZEE J.M. F DeROBERTIS Carolina 981 WAL Set in Australia, by a Set in Brazil, by a Law of the Jungle, Uruguayan-American author. South African-born author. the Hunt for The Lady, the Chef, Colombian guerrillas, The Bone People American Hostages, by Keri Hulme and the Courtesan F HULME Keri by Marisol and Buried Treasure F MARISOL BOOKS THAT TAKE by John Otis Set around New Zealand, 986.106 OTI by a New Zealand author. Set in Venezuela, by a Venezuelan author. YOU TO ANOTHER Breath by Tim Winton F WINTON Tim Set in Australia, by an oregonpubliclibrary.org Australian author.
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What I Read from 2002 to 2020
Tracy Chevalier – Books I’ve read since 2002 2020 January The Unfinished Palazzo: Life, Love and Art In Venice Judith Mackrell Once Upon a River Diane Setterfield What It Is: Race, Family, and One Thinking Black Man’s Blues Clifford Thompson February Pachinko Min Jin Lee Long Bright River Liz Moore Girl, Woman, Other Bernardine Evaristo March Djinn Patrol on the Purple Line Deepa Anappara Brixton Hill Lottie Moggach Adults Emma Jane Unsworth Weather Jenni Offill April I Capture the Castle Dodie Smith (reread) The Wheelwright's Daughter Eleanor Porter Red at the Bone Jacqueline Woodson Redhead by the Side of the Road Anne Tyler Girl with Green Eyes Edna O’Brien May The Great Godden Meg Rosoff The Seduction Joanna Briscoe Lost Children Archive Valeria Luiselli June 1234: The Beatles in Time Craig Brown The Golden Rule Amanda Craig An American Marriage Tayari Jones The Courage to Care Christie Watson Writers & Lovers Lily King July Queenie Candice Carty-Williams The Confessions of Frannie Langton Sara Collins Girl A Abigail Dean Cassandra at the Wedding Dorothy Baker* Rodham Curtis Sittenfeld August Silence Is a Sense Layla AlAmmar Patch Work Claire Wilcox Corrigedora Gayl Jones The Enchanted April Elizabeth von Arnim Mexican Gothic Silvia Moreno-Garcia Some Kids I Taught and What They Taught Me Kate Clanchy* September Small Pleasures Clare Chambers The Girl with the Louding Voice Abi Dare How Much of These Hills Is Gold C Pam Zhang Love After Love Ingrid Persaud October The Emperor's Babe Bernardine Evaristo Clean: A Story of Addiction Michele
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How the Booker Prize Won the Prize 206
How the Booker Prize Won the Prize 206 DOI: 10.2478/abcsj-2019-0023 American, British and Canadian Studies, Volume 33, December 2019 How the Booker Prize Won the Prize MERRITT MOSELEY University of North Carolina at Asheville, USA Abstract This article shows that the Booker Prize for fiction, which is neither the oldest nor the richest award given for novels in English, is nevertheless widely conceded to be the pre-eminent recognition. Sometimes it is called the "most significant"; sometimes the "most famous"; ultimately these two qualities are inseparable. I canvass some of the explanations for the Booker's position as top prize and argue that the most important reasons are Publicity, Flexibility, and Product Placement. The Booker has managed its public image skillfully; among the devices that assure its continued celebrity is the acceptance, almost the courting, of scandal. Flexibility is partly a function of the practice of naming five new judges each year, but the Booker has also been responsive to challenges, including the recognition that it paid too little attention to female authors. The decision to admit American books into the competition was a sign of flexibility, as it was a guarantee of scandal. And the Booker has followed a path of "product placement" that positions it accurately between demands for high art and for "readability," as examination of several periods in its history demonstrate. Keywords : Booker Prize; scandal; shortlist; popular novel; literary novel; Martyn Goff; American; Orange Prize; publicity; product placement Anthony Thwaite, writing in 1986, declared that The Booker Prize “is internationally recognized as the world’s top fiction prize.” An English author who was a Booker judge at the time, he may be suspected of some partisan overreach.
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The Luminaries: a D—Ned Fine Tale, but of What?
DOI: http://dx.doi.org/10.5007/2175-8026.2017v70n1p123 THE LUMINARIES: A D—NED FINE TALE, BUT OF WHAT? John Scheckter* Long Island University Brooklyn, US Abstract he Luminaries (2013), Eleanor Catton’s novel of nineteenth-century New Zealand, has won wide international acclaim, including the Man Booker Prize. Yet many readers ind the work exasperating to read—a “nightmare,” to use a term Catton herself suggests. In large measure, this response emerges from Catton’s use of heavy structuring devices, particularly astrology and mathematics, that pertain to the time period of her iction. hese frameworks tend to make totalizing claims, oten through causal or linear progression, and to support modernist and realistic protocols of reading. As this essay demonstrates, Catton undercuts those claims, and frustrates such readings, by emphasizing multiple paths of comprehension and multiple voices of narration. he Luminaries embraces its multiple structural mechanisms, but is not dominated by any of them. Keywords: New Zealand; Historical Fiction; Australasia/Southern Hemisphere heory; Commodity Circulation; Postmodern Structure he characteristics that make he Luminaries (2013) upon, nineteenth-century structures of understanding such a good book are the same things that frustrate or that almost succeed at totalizing vision, but fall just annoy many readers. Certainly, the accolades came short of certainty. hat is, he Luminaries succeeds quickly. he Luminaries, Eleanor Catton’s second novel, through its manipulation of paradox, its calculated and brought her the Man Booker Prize at age twenty-eight. It incremental failure. he novel is framed by a heavy won the Governor General’s Literary Award for Fiction armature of astrology that suggests visible intrusion in Canada, where she was born, and it brought her wide and thorough predetermination, but actually encloses acclaim in New Zealand, where she lives, including free-loating demonstrations of randomness and an honorary doctorate from Victoria University of confusion that the structure cannot resolve.
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AP Literature and Composition 2020 Summer Reading Assignment
Dr. Doyle AP Literature and Composition AP Literature and Composition 2020 Summer Reading Assignment DIRECTIONS #1 Readings You will read TWO books of your choice from the lists below, a classic title and a modern title. One of your choices must be selected from the first list of classics that contains some of the most frequently referenced books on the AP Literature exam between 1970-2011. Your second choice must be a modern novel of literary merit. List 2 contains the winners of the Booker Prize and the Pulitzer Prize from the last 20 years. CHOOSE ONE TITLE FROM EACH LIST. You can either borrow books from your local library, download e-books to a device, or purchase your own hard copies to annotate in directly. How to select a book that you will enjoy from the lists below: Do not select a book at random. Although all of these titles are meritorious and significant reads, some of them you will obviously enjoy more than others based on your distinct literary tastes. If you don’t like war stories, don’t pick a war story. You can base your selection on authors that you are familiar with, on researching some of the titles that sound interesting to you, and on recommendations from friends/family that may have read these books before. #2 Dialectical Journal You will complete THREE dialectical journal entries for each book you read (that means SIX entries total: 3 for the classic title + 3 for the modern title = 6 journal entries total). A dialectical journal is a written conversation with yourself about a piece of literature that encourages the habit of reflective questioning.
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A List in Pdf Format
Heartbeat of the Bitterroot - Janice Mineer (6 Books) Missoula Public Library The Heartsong of Charging Elk - James Welch BOOK CHAT BAGS The Help - Kathryn Stockett Kits include 10 book copies, discussion Hotel on Corner of Bitter & Sweet - Jamie Ford questions, author information, book reviews, and more! Housekeeping - Marilynne Robinson FICTION If Not For This - Pete Fromm I’ll Be Seeing You - Suzanne Hayes & Loretta Nyhan The Alchemist - Paulo Coelho Interpreter of Maladies - Jhumpa Lahiri Americanah - Chimamanda Ngozi Adichie Jesus Out to Sea - James Lee Burke The Art of Fielding - Chad Harbach The Last Crossing - Guy Vanderhaeghe The Art of Racing in the Rain - Garth Stein The Last Good Kiss - James Crumley Atonement - Ian McEwan The Last Queen - C.W. Gortner Beautiful Ruins - Jess Walter Life of Pi - Yann Martel Bend in the River - Susan Gibbs The Light Between Oceans - M.L. Stedman Blind Your Ponies - Stanley Gordon West Looking Backward - Edward Bellamy Blood and Chocolate - Annette Curtis Klaus A Lost Lady - Willa Cather The Bluest Eye - Toni Morrison Love in the Time of Cholera—Gabriel Garcia Marquez The Book Thief - Markus Zusak Love Medicine - Louise Erdrich (2016 Big Read) Brief, Wondrous Life of Oscar Wao -Junot Diaz Loving Frank - Nancy Horan Caleb’s Crossing - Geraldine Brooks The Luminaries - Eleanor Catton Caramelo - Sandra Cisneros Major Pettigrew’s Last Stand - Helen Simonson Case Histories - Kate Atkinson A Man Called Ove - Fredrik Backman The Cat’s Table - Michael Ondaatje Manhattan Beach - Jennifer Egan City of Thieves - David Benioff The Maytrees - Annie Dillard Cloudstreet - Tim Winton The Memory Keeper’s Daughter - Kim Edwards Corelli’s Mandolin - De Bernieres, Louis Middlesex - Jeffrey Eugenides Cry, The Beloved Country - Alan Paton Minaret - Leila Aboulela The Curious Incident of the Dog in the Night-Time - Mark The Ministry of Utmost Happiness - Arundati Roy Haddon The Moonflower Vine - Jetta Carleton Cutting for Stone - Abraham Verghese The Night Circus - Erin Morgenstern Disgrace - J.M.
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