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Art and Art of Design Учебное Пособие Для Студентов 2-Го Курса Факультета Прикладных Искусств
Министерство образования Российской Федерации Амурский государственный университет Филологический факультет С. И. Милишкевич ART AND ART OF DESIGN Учебное пособие для студентов 2-го курса факультета прикладных искусств. Благовещенск 2002 1 Печатается по решению редакционно-издательского совета филологического факультета Амурского государственного университета Милишкевич С.И. Art and Art of Design. Учебное пособие. Амурский гос. Ун-т, Благовещенск: 2002. Пособие предназначено для практических занятий по английскому языку студентов неязыковых факультетов, изучающих дизайн. Учебные материалы и публицистические статьи подобраны на основе аутентичных источников и освещают последние достижения в области дизайна. Рецензенты: С.В.Андросова, ст. преподаватель кафедры ин. Языков №1 АмГУ; Е.Б.Лебедева, доцент кафедры фнглийской филологии БГПУ, канд. Филологических наук. 2 ART GALLERIES I. Learn the vocabulary: 1) be famous for -быть известным, славиться 2) hordes of pigeons -стаи голубей 3) purchase of -покупка 4) representative -представитель 5) admission -допущение, вход 6) to maintain -поддерживать 7) bequest -дар, наследство 8) celebrity -известность, знаменитость 9) merchant -торговец 10) reign -правление, царствование I. Read and translate the text .Retell the text (use the conversational phrases) LONDON ART GALLERIES On the north side, of Trafalgar Square, famous for its monument to Admiral Nelson ("Nelson's Column"), its fountains and its hordes of pigeons, there stands a long, low building in classic style. This is the National Gallery, which contains Britain's best-known collection of pictures. The collection was begun in 1824, with the purchase of thirty-eight pictures that included Hogarth's satirical "Marriage a la Mode" series, and Titian's "Venus and Adonis". The National Gallery is rich in paintings by Italian masters, such as Raphael, Correggio, and Veronese, and it contains pictures representative of all European schools of art such as works by Rembrandt, Rubens, Van Dyck, Murillo, El Greco, and nineteenth century French masters. -
Cathedral Newsletter April 2017 the Glorious Resurrection of Christ
RUSSIAN ORTHODOX CHURCH DIOCESE OF SOUROZH CATHEDRAL OF THE DORMITION OF THE MOTHER OF GOD 67 ENNISMORE GARDENS, LONDON SW7 1NH Cathedral Newsletter April 2017 The Glorious Resurrection of Christ. Pascha 3/16 April Paschal Troparion Christ is risen from the dead, trampling down death by death, and to those in the tomb He has given life. Paschal Kontakion Though Thou didst descend into the tomb, O Thou Who art immortal, yet didst Thou destroy the power of hell, and Thou hast risen as victor, O Christ our God, and didst greet the myrrh-bearing women, saying: “Rejoice!”. Thou didst give peace to Thine apostles, O Thou Who grantest to the fallen resurrection. April 2017 List of contents In this issue: HOW I BECAME ORTHODOX Teenage rebellion... Paschal Message Philosophic exploration... by Archbishop Elisey Orthodoxy!.......................................19 of Sourozh.......................................3 HOLY PLACES IN LONDON DIOCESAN NEWS............................4 The Church of CATHEDRAL NEWS........................5 St Bartholomew the Great “Are you starving? in Smithfield..................................22 I will pray for you...”....................6 “To trust God in prayer and in LEGACY OF METROPOLITAN life”. Interview with Kira Clegg. ANTHONY OF SOUROZH Part 2.........................................................26 Thomas Sunday.............................8 CATHEDRAL NEWSLETTER BRITISH AND IRISH SAINTS 30 YEARS AGO St Cuthbert, Bishop of Pushkin at Luton Hoo...................29 Lindisfarne, Wonderworker .....9 Learning Russian.........................30 -
Dutch and Flemish Art in Russia
Dutch & Flemish art in Russia Dutch and Flemish art in Russia CODART & Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie) Amsterdam Editors: LIA GORTER, Foundation for Cultural Inventory GARY SCHWARTZ, CODART BERNARD VERMET, Foundation for Cultural Inventory Editorial organization: MARIJCKE VAN DONGEN-MATHLENER, Foundation for Cultural Inventory WIETSKE DONKERSLOOT, CODART English-language editing: JENNIFER KILIAN KATHY KIST This publication proceeds from the CODART TWEE congress in Amsterdam, 14-16 March 1999, organized by CODART, the international council for curators of Dutch and Flemish art, in cooperation with the Foundation for Cultural Inventory (Stichting Cultuur Inventarisatie). The contents of this volume are available for quotation for appropriate purposes, with acknowledgment of author and source. © 2005 CODART & Foundation for Cultural Inventory Contents 7 Introduction EGBERT HAVERKAMP-BEGEMANN 10 Late 19th-century private collections in Moscow and their fate between 1918 and 1924 MARINA SENENKO 42 Prince Paul Viazemsky and his Gothic Hall XENIA EGOROVA 56 Dutch and Flemish old master drawings in the Hermitage: a brief history of the collection ALEXEI LARIONOV 82 The perception of Rembrandt and his work in Russia IRINA SOKOLOVA 112 Dutch and Flemish paintings in Russian provincial museums: history and highlights VADIM SADKOV 120 Russian collections of Dutch and Flemish art in art history in the west RUDI EKKART 128 Epilogue 129 Bibliography of Russian collection catalogues of Dutch and Flemish art MARIJCKE VAN DONGEN-MATHLENER & BERNARD VERMET Introduction EGBERT HAVERKAMP-BEGEMANN CODART brings together museum curators from different institutions with different experiences and different interests. The organisation aims to foster discussions and an exchange of information and ideas, so that professional colleagues have an opportunity to learn from each other, an opportunity they often lack. -
The Unique Cultural & Innnovative Twelfty 1820
Chekhov reading The Seagull to the Moscow Art Theatre Group, Stanislavski, Olga Knipper THE UNIQUE CULTURAL & INNNOVATIVE TWELFTY 1820-1939, by JACQUES CORY 2 TABLE OF CONTENTS No. of Page INSPIRATION 5 INTRODUCTION 6 THE METHODOLOGY OF THE BOOK 8 CULTURE IN EUROPEAN LANGUAGES IN THE “CENTURY”/TWELFTY 1820-1939 14 LITERATURE 16 NOBEL PRIZES IN LITERATURE 16 CORY'S LIST OF BEST AUTHORS IN 1820-1939, WITH COMMENTS AND LISTS OF BOOKS 37 CORY'S LIST OF BEST AUTHORS IN TWELFTY 1820-1939 39 THE 3 MOST SIGNIFICANT LITERATURES – FRENCH, ENGLISH, GERMAN 39 THE 3 MORE SIGNIFICANT LITERATURES – SPANISH, RUSSIAN, ITALIAN 46 THE 10 SIGNIFICANT LITERATURES – PORTUGUESE, BRAZILIAN, DUTCH, CZECH, GREEK, POLISH, SWEDISH, NORWEGIAN, DANISH, FINNISH 50 12 OTHER EUROPEAN LITERATURES – ROMANIAN, TURKISH, HUNGARIAN, SERBIAN, CROATIAN, UKRAINIAN (20 EACH), AND IRISH GAELIC, BULGARIAN, ALBANIAN, ARMENIAN, GEORGIAN, LITHUANIAN (10 EACH) 56 TOTAL OF NOS. OF AUTHORS IN EUROPEAN LANGUAGES BY CLUSTERS 59 JEWISH LANGUAGES LITERATURES 60 LITERATURES IN NON-EUROPEAN LANGUAGES 74 CORY'S LIST OF THE BEST BOOKS IN LITERATURE IN 1860-1899 78 3 SURVEY ON THE MOST/MORE/SIGNIFICANT LITERATURE/ART/MUSIC IN THE ROMANTICISM/REALISM/MODERNISM ERAS 113 ROMANTICISM IN LITERATURE, ART AND MUSIC 113 Analysis of the Results of the Romantic Era 125 REALISM IN LITERATURE, ART AND MUSIC 128 Analysis of the Results of the Realism/Naturalism Era 150 MODERNISM IN LITERATURE, ART AND MUSIC 153 Analysis of the Results of the Modernism Era 168 Analysis of the Results of the Total Period of 1820-1939 -
Durham Research Online
Durham Research Online Deposited in DRO: 09 February 2017 Version of attached le: Accepted Version Peer-review status of attached le: Not peer-reviewed Citation for published item: Ivleva, Victoria and Murphy, Amanda (2016) 'Editorial.', Clothing cultures., 3 (3). pp. 165-169. Further information on publisher's website: https://doi.org/10.1386/cc.3.3.1652 Publisher's copyright statement: Additional information: Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 | Fax : +44 (0)191 334 2971 https://dro.dur.ac.uk EDITORIAL VICTORIA IVLEVA AND AMANDA MURPHY Durham University Colby College Welcome to the special issue of Clothing Cultures, which focuses on Imperial Russian dress culture from the reign of Peter the Great (1682-1725) to the October Revolution of 1917. It is our intention to explore dress as a cultural and social phenomenon within the imperial historical framework, and show how the production and circulation of material artefacts in cultural and artistic texts resulted in the construction of meaning. -
World Literature
world literature Peter Harrington london This catalogue celebrates the international conversation that is literature, and the creativity that can spark when writers and texts cross national, linguistic, and cultural borders. For his lifelong commitment to literary internationalism, Jorge Luis Borges is a key figure here. One of the star items is Borges’s own annotated copy of Dante (20). Another is a man- uscript of the only poem he composed in the English language (17). We also have a scarce signed set of his Biblioteca de Babel series (21), which brought the great short stories of world literature to a South American audience. Many other items connect notable authors across place and time: Dylan Thomas’s school- boy copy of Omar Khayyám (item 179), T. S. Eliot’s Rimbaud (61), and E. M. Forster’s Chek- hov (41), for example. Among international presentations, Umberto Eco’s Name of the Rose to García Márquez is a show-stopper (58), as is García Márquez inscribing One Hundred Years of Solitude to his English publisher (67). A compelling example of international readership is found in a first American edition of Moby Dick being read by a poet in Hawaii who correspond- We are exhibiting at these fairs: ed with Melville (127). Classical literature is fundamental to our global network of inspiration, and where else to begin but with the editio princeps of Homer, printed in Florence in 1488 (83)? We also have, list- 7–9 June 2019 ed under its translator’s name, a scarce inscribed copy of T. E. Lawrence’s beautifully-printed firsts london English version (109). -
The University of Chicago Kazimir Malevich And
THE UNIVERSITY OF CHICAGO KAZIMIR MALEVICH AND RUSSIAN MODERNISM A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ART HISTORY BY DANIEL KALMAN PHILLIPS CHICAGO, ILLINOIS JUNE 2017 Copyright © 2017 by Daniel Kalman Phillips All rights reserved. TABLE OF CONTENTS LIST OF FIGURES ............................................................................................. iv ACKNOWLEDGEMENTS .............................................................................. viii ABSTRACT ............................................................................................................x INTRODUCTION MALEVICH, ART, AND HISTORY .......................................................................1 CHAPTER ONE MODERNISMS BEFORE SUPREMATISM........................................................18 CHAPTER TWO AN ARTIST OF THE NINETEENTH CENTURY ...............................................71 CHAPTER THREE SUPREMATISM IN 1915 ...................................................................................120 CHAPTER FOUR CODA: SUPREMATISMS AFTER SUPREMATISM .......................................177 WORKS CITED................................................................................................. 211 iii LIST OF FIGURES1 0.1 Kazimir Malevich, Black Square, 1915. 0.2 Kazimir Malevich, [Airplane Flying], 1915. 0.3 John Baldessari, Violent Space Series: Two Stares Making a Point but Blocked by a Plane (for Malevich), 1976. 0.4 Yves Klein, -
Refining Russia : Advice Literature, Polite Culture, and Gender from Catherine to Yeltsin
d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh REFINING RUSSIA d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh REFINING RUSSIA Advice Literature, Polite Culture, and Gender from Catherine to Yeltsin CATRIONA KELLY 1 d:/1kelly/pre.3d ± 15/5/1 ± 14:28 ± disk/sh 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Buenos Aires Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kolkata Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris SaÄo Paulo Shanghai Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Catriona Kelly 2001 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2001 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights -
Н Го on the Sovereigns' Road Р. 4 for the Benefit of Turkey Р. 34 Once
Ноябрь 2018 / Выпуск 9/28 Выпуск / 2018 Ноябрь Русский Меценат / Russian Maecenas Russian / Меценат Русский November 2018 SOCIAL PARTNERSHIP MAGAZINE Issue 9/28 Ноябрь 2018 Выпуск 9/28 With With Russian Russian With pages pages English pages On the Sovereigns’ For the Benefit Once there was Road р. 4 of Turkey р. 34 a gardener... р. 42 На дороге Сберегая Жил-был Государевой стр. 4 свой народ стр. 14 садовник... стр. 42 November 2018 / Issue 9/28 Issue / 2018 November В центральном выставочном зале «Манеж» Санкт-Петербурга был реали- Вера Мартынов. Музыку к спектаклю-выставке написал композитор The Manege Central Exhibition Hall has staged a museum-theatrical project Vladimir Rannev. Alisa Freindlich was the voice of the project. The result зован музейно-театральный проект «Хранить вечно», посвященный сто- Владимир Раннев. Голосом проекта стала Алиса Фрейндлих. entitled Keep Forever to celebrate an anniversary: it is a hundred years since was an innovative biography of the suburban museums told in the language летию превращения бывших пригородных императорских резиденций в Так родилась инновационная биография пригородных музеев, расска- the former suburban imperial residences at Gatchina, Pavlovsk, Peterhof of contemporary theatre, with an organic blend of sound, light and multimedia. Гатчине, Павловске, Петергофе и Царском Селе в общедоступные музеи. занная языком современного театра, органично сочетающим свет, звук, and Tsarskoye Selo were opened to the public. The scenery represented historic views from various periods: the audience -
ALTAI SPECIAL on the Trail of Silk Route: Pilgrimage to Sumeru, Altai K
ISSN 0971-9318 HIMALAYAN AND CENTRAL ASIAN STUDIES (JOURNAL OF HIMALAYAN RESEARCH AND CULTURAL FOUNDATION) NGO in Special Consultative Status with ECOSOC, United Nations Vol. 18 Nos. 3-4 July-December 2014 ALTAI SPECIAL On the Trail of Silk Route: Pilgrimage to Sumeru, Altai K. Warikoo Eurasian Philosophy of Culture: The Principles of Formation M. Yu. Shishin Altai as a Centre of Eurasian Cooperation A.V. Ivanov, I.V. Fotieva and A.V. Kremneva Altai – A Source of Spiritual Ecology as a Norm of Eurasian Civilization D.I.Mamyev Modeling the Concept “Altai” O.A. Staroseletz and N.N. Simonova The Phenomenon Altai in the System of World Culture E.I. Balakina and E.E. Balakina Altai as One of the Poles of Energy of the Geo-Cultural Phenomenon “Altai-Himalayas” I.A. Zhernosenko Altaian and Central Asian Beliefs about Sumeru Alfred Poznyakov Cross Border Tourism in Altai Mountain Region A.N. Dunets HIMALAYAN AND CENTRAL ASIAN STUDIES Editor : K. WARIKOO Guest Associate Editor : I.A. ZHERNOSENKO © Himalayan Research and Cultural Foundation, New Delhi. * All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted by any means, electrical, mechanical or otherwise without first seeking the written permission of the publisher or due acknowledgement. * The views expressed in this Journal are those of the authors and do not necessarily represent the opinions or policies of the Himalayan Research and Cultural Foundation. SUBSCRIPTION IN INDIA Single Copy (Individual) : Rs. 500.00 Annual (Individual) -
Music of Mikhail Glinka Music of Mikhail Glinka
PH07008_Booklet_Glinka 23.08.2006 16:57 Uhr Seite 1 Edition Günter Profil Hänssler Music of Mikhail Glinka &. &. &. The Czar’s Guitars John Schneiderman & Oleg Timofeyev Russian seven-string guitars PH07008_Booklet_Glinka 23.08.2006 16:57 Uhr Seite 2 Mikhail Glinka Musik von Michail Glinka (1804-1857) Michail Iwanowitsch Glinka (1804-1857) nimmt eine im Stil des 19. Jahrhunderts, Sonderstellung in der russischen Musikgeschichte arrangiert für zwei Gitarren ein. Mit seinen Liedern, Orchesterwerken und insbe- sondere seinen Opern hat Glinka Werke geschaffen, John Schneiderman (siebensaitige die als Inbegriff russischer Musik gelten und in ihrer russische Gitarre und Quartgitarre) Bedeutung vergleichbar sind mit der Bedeutung der Werke Shakespeares oder Goethes für deren natio- Oleg Timofejew (siebensaitige nale Literaturen. Der vielleicht ergiebigste Vergleich russische Gitarre und Quartgitarre) ließe sich zu seinem Zeitgenossen Alexander Puschkin ziehen. Für Erwachsene und Schulkinder gleicher- 1. Polonaise aus Ein Leben für den Zaren maßen ist Puschkin mehr als eine solitär herausra- arr. von V. Morkow gende Größe der russischen Dichtung. Er IST gewis- 2. Warum weinst du, junge Schönheit? sermaßen die russische Dichtung, denn er prägte arr. von anon. mit seinen Werken die Entwicklung eines originär DEUTSCH 3. Kamarinskaja arr. von Morkow russischen dichterischen Ausdrucks wie kein anderer. 4. Ludmillas Kavatine* arr. von K. Petrow 5. Ludmillas Arie aus Ruslan und Ludmilla Wer sich allerdings in diesem Sinne auf Glinka als arr. von Morkow »den Vater der russischen Nationalmusik« bezieht, 6. Fantasie über Ein Leben für den Zaren sollte die komplexe Landschaft der russischen Musik arr. von Morkow um 1800 nicht außer Acht lassen. Wie fast alle 7. -
Romanticism.Pdf
Romanticism 1 Romanticism Caspar David Friedrich, Wanderer Above the Sea of Fog, 1818 Eugène Delacroix, Death of Sardanapalus, 1827, taking its Orientalist subject from a play by Lord Byron Romanticism 2 Philipp Otto Runge, The Morning, 1808 Romanticism (also the Romantic era or the Romantic period) was an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the approximate period from 1800 to 1850. Partly a reaction to the Industrial Revolution,[1] it was also a revolt against aristocratic social and political norms of the Age of Enlightenment and a reaction against the scientific rationalization of nature.[] It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography,[2] education[3] and the natural sciences.[4] Its effect on politics was considerable and complex; while for much of the peak Romantic period it was associated with liberalism and radicalism, in the long term its effect on the growth of nationalism was probably more significant. The movement validated strong emotion as an authentic source of aesthetic experience, placing new emphasis on such emotions as apprehension, horror and terror, and awe—especially that which is experienced in confronting the sublimity of untamed nature and its picturesque qualities, both new aesthetic categories. It elevated folk art and ancient custom to something noble, made spontaneity a desirable characteristic (as in the musical impromptu), and argued for a "natural" epistemology of human activities as conditioned by nature in the form of language and customary usage.