This is a repository copy of The ‘Toilet Circuit’ : Cultural Production, Fandom and Heritage in England’s Small Music Venues. White Rose Research Online URL for this paper: https://eprints.whiterose.ac.uk/142946/ Version: Accepted Version Article: Schofield, Arthur John orcid.org/0000-0001-6903-7395 and Miller, Dan (2017) The ‘Toilet Circuit’ : Cultural Production, Fandom and Heritage in England’s Small Music Venues. Heritage & Society. pp. 137-167. ISSN 2159-032X https://doi.org/10.1080/2159032X.2017.1330936 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing
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[email protected] https://eprints.whiterose.ac.uk/ The ‘Toilet Circuit’: Cultural Production, Fandom and Heritage in England’s Small Music Venues Dan Miller and John Schofield Department of Archaeology, University of York, UK YO17EP ABSTRACT In its broadest sense, the Toilet Circuit comprises smaller and independent music venues in the UK that launched many now famous artists and bands, alongside supporting many that are locally known, igniting or sustaining all-important local music scenes and their cultural production.