Top 60 Best of the Rest REO SPEEDWAGON: Good Troubleted NUGENT: Nugent(Atlantic (Epic EPC 85789) Prod: Cronin/K50898) Prod: Ted Nugent
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Calling All Music Lovers!
Plugged In Issue Six • the official school newspaper of Speedway Senior High School • March 1,1 2011 A pro prospect in our midst? Lost Frogs: Junior hockey star just one of the guys Four Found Greatness comes in many shapes and sizes. At Speedway and other east High, it comes in the form of 5’6”, 135-pound junior, Mason coast cities than By Sandy Bauers The Philadelphia Inquirer Jobst. He is one of the top junior hockey prospects in his age in Indianapolis. (MCT) group. Jobst has talked to In August, conservationists and The 17-year old center has lived and breathed hockey recruiters at many biologists launched a five-month nearly his entire life. It all started on his third birthday, when colleges around the search to try to find 100 “lost” species young Mason received a pair of brand new ice skates. Soon country; Colorado, of amphibians. Some 126 researchers after, he was wearing them around constantly. At age four, Minnesota, Yale, combed five continents in search of Jobst enrolled in his first youth hockey league, where he Maine, and Boston frogs, salamanders and others that had played the game for the first time at Pepsi Coliseum. College. not been seen in a decade or longer Nowadays, Mason is still playing hockey at Pepsi Mason spends a and were feared extinct. Coliseum. Recently, he had the chance to play on United lot of time working The good/bad news: They found States Hockey out. He has U18, four. They also made 11 re-discoveries League’s (USHL) Indiana Jr. -
5713 Theme Ideas
5713 THEME IDEAS & 1573 Bulldogs, no two are the same & counting 2B part of something > U & more 2 can play that game & then... 2 good 2 b 4 gotten ? 2 good 2 forget ! 2 in one + 2 sides, same story * 2 sides to every story “ 20/20 vision # 21 and counting / 21 and older > 21 and playing with a full deck ... 24/7 1 and 2 make 12 25 old, 25 new 1 in a crowd 25 years and still soaring 1+1=2 decades 25 years of magic 10 minutes makes a difference 2010verland 10 reasons why 2013 a week at a time 10 things I Hart 2013 and ticking 10 things we knew 2013 at a time 10 times better 2013 degrees and rising 10 times more 2013 horsepower 10 times the ________ 2013 memories 12 words 2013 pieces 15 seconds of fame 2013 possibilities 17 reasons to be a Warrior 2013 reasons to howl 18 and counting 2013 ways to be a Leopard 18 and older 2 million minutes 100 plus you 20 million thoughts 100 reasons to celebrate 3D 100 years and counting Third time’s a charm 100 years in the making 3 dimensional 100 years of Bulldogs 3 is a crowd 100 years to get it right 3 of a kind 100% Dodger 3 to 1 100% genuine 3’s company 100% natural 30 years of impossible things 101 and only 360° 140 traditions CXL 4 all it’s worth 150 years of tradition 4 all to see (176) days of La Quinta 4 the last time 176 days and counting 4 way stop 180 days, no two are the same 4ming 180 days to leave your mark 40 years of colorful memories 180° The big 4-0 1,000 strong and growing XL (40) 1 Herff Jones 5713 Theme Ideas 404,830 (seconds from start to A close look A little bit more finish) A closer look A little bit of everything (except 5-star A colorful life girls) 5 ways A Comet’s journey A little bit of Sol V (as in five) A common ground A little give and take 5.4.3.2.1. -
GREEN HILLS 26TH HISTORIC MT OLIVET TOUR Daylight Savings Ends Page Sunday, 6 Nov
TIME CHANGE GREEN HILLS 26TH HISTORIC MT OLIVET TOUR Daylight Savings ends Page Sunday, 6 Nov. 4. Set your clocks back 1 hour. NEWS VOLUME 30 NOVEMBER 1, 2018 NUMBER 44 Planners involve community in Senior Ride Nashville provides invaluable service on Election future 21st Avenue South design Day and beyond FAIRFAX AVE VD BL LIA NO future; what can be done to G MA VD ments or grocery stores, there 5TH AVE S 2 MAGNOLIA BL improve your experience S is one trip that will be very E BARTON AVE V A today; what would encourage T S 1 2 VENT PL important on November 6th, PORTLAND CON AVE you to walk and bike more; CALHOUN AVE PORTLAND AVE what should be the main prior- and that is to polling locations. 26TH AVE S 24TH AVE S ities and what your priorities We are working hard to ensure ESSEX PL entail. that our riders and all of our The Community Visioning volunteer drivers help each BERNARD A VE Workshop took place Monday, other to cast their votes.” while the open design studios Senior Ride Nashville, 20TH AVE S BLAIR BLVD on Tuesday allowed attendees founded in November 2017, has PRIVATE to watch planners at work. grown rapidly to address the BLAIR BLVD Thursday, Nov. 1, a Work-in- need for improved mobility ASHWOOD AVE Progress meeting begins at options for our aging popula- AVE S 25TH 6 p.m. at Martin Professional tion. With now over 95 volun- ASHWOOD AVE Development Center. The week's SUN teer drivers and 150 enrolled SET PL products will be discussed, feed- riders, Senior Ride Nashville back will be gathered and addi- has expanded from their initial W LINDEN A VE LINDEN AVE tional thoughts will be offered. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
2015, Issue 2 Powered by Country Aircheck
February 26, 2015, Issue 2 Powered by Country Aircheck Open Says A Me CRB Board Chair Charlie Morgan welcomed, Capitol’s Mickey Guyton sang “The Star-Spangled Banner,” Nashville Mayor Karl Dean urged the crowd to “spend lots of money” and CRS 2016’s new site, Nashville’s Omni Hotel, was previewed. Scholarships were presented to three first-time CRS attendees, as well as a $25,000 endowment to the University of North Texas’ broadcasting program. Attendees weren’t the only ones adjusting to CRS 2015’s later-than-usual start. “Good morning,” said CRS Exec. Dir. Bill Mayne, not long after the 3pm start of Opening Ceremonies Wednesday (2/25). That lighter moment soon gave way to sentiment, as Mayne presented the Group Hug: CRS 2015 Opening Ceremonies guests (l-r) Artist Humanitarian qualifications of Tom Rivers Humanitarian Award honorees Lady Antebellum, Trisha Yearwood, Garth Brooks, keynote recipient and Emmis CEO Jeff Smulyan. “Thank speaker Todd Wagner and CRB/CRS Exec. Dir. Bill Mayne. you, CRS, for all you do for the radio industry and country music,” Smulyan said. “And also thanks to the people at Emmis ... it’s been a morning host Randy Carroll, WMIL/Milwaukee morning wonderful journey. I am deeply humbled.” co-host Karen Dalessandro and former Clear Channel/ Garth Brooks and Trisha Yearwood surprised the crowd Chattanooga, TN GM Sammy George. to reveal the 2015 Country Radio Hall of Fame inductees, who Lady Antebellum were honored with the Artist will be honored at the Omni June 24. “You already said that,” Humanitarian Award. “You guys have led by example,” noted Yearwood told Brooks at one point, coaching him through the Charles Kelley. -
Whiskey Soaked and Hell Bound. Lynyrd Skynyrd and Southern Culture
WHISKEY SOAKED AND HELL BOUND: LYNYRD SKYNYRD AND SOUTHERN CULTURE CECIL K. HUTSON lowa State University (Resumen) Aunque el grupo sureño Lynyrd Skynyrd alcanzó audiencia nacional por su especial modo de hacer rock del sur, en toda su carrera se aprecia una fuerte defensa de los valores tradionales de la cultura sureña. La bandera confederada en todas sus portadas, el orgullo regional, el agrarianismo rural, y la apología al macho sureño, todo ello proyectado en violencia y provocación, convirtieron al grupo en paradigma del conservadurismo del Viejo Sur. Unlike other hard rock groups, the legendary Southern rock and roll band, Lynyrd Skynyrd, did not emerge from the urban ghettos of such cities as London or New York, instead it came out of the rural South. This "rough and tough and plenty mean" Southern band utilized regional cultural traits to become one of the best hard rock bands that the South ever produced. In 1974 Melody Maker, a major rock and roll trades magazine, claimed that Lynyrd Skynyrd's "brand" of Southern rock music had swept across the Southern states. Band members and Southemers, Ronnie Van Zant, Alien Collins, Gary Rossington, Billy Powell, León Wilkeson, Artimus Pyle and Steve Gaines understood the mind-set of the young rural Southemers who listened to their music; thus they were able to speak for a generation of young Southern men. Lynyrd Skynyrd merits study as a major element of Southern popular culture because it had a significant influence on rock 'n' roll. In fact, the band has been labeled as "one of the most -
Billboard's R Survey for Week Ending 3/28/81 \Umoer of Singles Reviewed Top Sin9le This Week 88 Last C Copyright 1981
63 Billboard's R Survey For Week Ending 3/28/81 \umoer of singles reviewed Top Sin9le this week 88 Last c Copyright 1981. Billboard Publications. Inc. No ppart of this publication may be reproduced week 98 stored in a retrieval system. or transmitted. in any form or by any means. electronic. mechanical photocopying. recording. or otherwise. without the prior written permission of the publisher. producer: Sy Rosenberg; writers: G. Gentry/S. Hall; pub- ducers: Al Stewart, Chris Desmond; writers: R. Lamble, A. lisher: Troll, BMI. Elektra 47122. Yurman; publisher: Lukerative, BMI. RSO 1061. Shot In The Dark, better known as Al DE DE UPCHURCH -You Beat Me To The Punch(3:14); pro- Stewart's backup band and opening act debuts with a hook -laden, ducer: Mick Lloyd; writers: R. White /W. Robinson; publisher: lushly produced midtempo tune that has folk /rock influences. Soul 'v Jobette, ASCAP. Little Giant 028. JOHN LENNON- Watching The Wheels (3:30); producers: FUNKADEUC -The Electric Spanking Of War Babies GARY SMITH -Taking No Chances (3:00); producer: Alamo L John Lennon, Yoko Ono, Jack Douglas; writer: John Lennon; (4:32); producers: George Clinton, Walter Morrison; writers: Smith; writers: P. Hunt /M. Taylor; publisher: Red Rose, publisher: Lenono, BMI. Geffen 49695 (Warner Bros.). Third George Clinton, Barbarella Bishop, Walter Morrison; pub- ASCAP. T 3545. aooa single from "Double Fantasy" is a beautiful, keyboard -based 00 lisher: Malbiz, BMI. Warner [[ Bros. 49667. First release from a ROGER BOWUNG Adult midtempo ballad. Hook is unforgettable and production is -A Little Bit Of Heaven (2:59); producer: new album is more of the funky silliness that is expected of high gloss. -
CB-1978-01-07-OCR-Pa
REVIEWS S I N G L E S REVIEWS FEATURE PICKS B. J. THOMAS (MCA 40854) THE SYLVERS (Capitol 4532) Everybody Loves A Rain Song (2:33) (Screen New Horizon (3:38) (Rosy - ASCAP) (Sylvers, Gems-EMI/Baby Chick Music - BMI) (James, Sylvers) Moman) The title cut from the Sylvers' recent album lives Considering the success Thomas has had with up to its ideals. Their first self -production reveals a rain songs ("Raindrops Keep Fallin'. ."), this one matured group that will also appeal to a slightly by Mark James and Chips Moman should be a older audience. A promising future on the pop and natural. Thomas' voice is perfectly suited to the R&B charts. light pop melody and the chorus which repeats the refrain makes it a catchy pop record. ANNE MURRAY (Capitol 4527) HERMAN'S HERMITS (Roulette 7213) Walk Right Back (2:38) (Warner -Tamerlane - Heart Get Ready For Love(2:55) (Chappell & Co. BMI) (Curtis) - ASCAP) (Bugatti, Musker) This Canadian songstress has widened her . Peter Noone is still living the life of a wealthy potential appeal immeasurably with this single, businessman, but Herman's Hermits are back on from the album "Let's Keep It This Way," the recording scene with this closely harmonized produced by Eagles' arranger Jim Ed Norman. little shuffle. Their ability to handle innocent love The melodic ingredients for a big break into top 40 stories should help them out once again at pop and MOR formats are all here. stations. SINGLES TO WATCH MOTHER'S FINEST (Epic 50483) ERIC GALE (Columbia 10670) BOB JAMES (Tappan Zee/Columbia 10668) Thank You -
And a Letter to My Customers ===
--- == ROOTS & RHYTHM - SALE 01/12/2014 - AND A LETTER TO MY CUSTOMERS === --- Dear Friends Happy New Year! We hope you all had a wonderful holiday season. NOTE: Regrettably our holiday season was the slowest we've ever seen and it may mean that we will not be able to continue operating our business for very much longer. I am no longer a young man (not by a long shot!) and don't have the energy to pursue ways in which we may be able to promote the business. I would love to be able to settle down and listen to all the music I have gathered over the years in a relaxed setting and with critical reviewing faculties turned off. I would love to see Roots & Rhythm continue and thrive and even if we make it through the current crisis I would still like to get away from the stress of running a business so I am open to having someone else take over and move the company forward. If you are such a person or know such a person please contact me and we can discuss it. This list consists of a sale which we hope will raise enough money to help us get caught up with our suppliers and our taxes as well as some other pressing expenses. This list features 600 titles in all covering all the genres of music we specialize in and featuring books, DVDs and compact discs. This list includes manufacturer?s overstocks and deletions, our own excess inventory and a lot of titles that have been sitting on our shelves that have never been listed before. -
Cash Box NY FEATURES Telex; 866123 Coast to Coast 14 Fuji Speedway Serves As the HOLLYWOOD Editorial
ORDERS MOUNT FOR SONY CD ITA PROBES AUDIO, VIDEO ISSUES > MID-PRiCED VIDEOS PROLIFERATING AOE PREVIEW MSiiiSIT: Dynamite in the rack* From the moment he burst onto the record scene with his fantastic LP, “Reality—What A Concept,” Robin Williams has won the hearts and smiles of millions of adoring fans. And now, you can give them what they’ve been waiting for—“Throbbing Python of Love”—an explosive live album that captures all the excitement and quick-witted hilarity of a sell-out Robin Williams performance. Put it in your rack today. Manufaclured and Markeied by PolyGram Records Produced by Phil Galdston. Watch Robin Williams now in concert on HBO. Casablanca Records #811 150-1 M-l © 1983, PolyGram Records, Inc. .. BOX 1983 / COIN MACHINEdSH/ HOME ENTERTAINMENT WEEKLY VOLUME XLIV — NUMBER 42 — March 19, THE^ERNATiONAL MUSIC Off To A Good Start I OISHBCK EDITORML aEOROi ALRERT President and Publisher While it is certainly too early to draw any sweeping con- the revolution in the recording industry that so many have ALAN SUfToST™"”” triggered by the CD could come to Vice President and Editor In Chief clusions, the initial reaction to the Compact Disc (CD) predicted would be MARK ALRERT system has been most encouraging. Already a hit in pass. Vico President and General Manager Japan and parts of Europe, this week’s news that the in- That this is a distinct possibility is reflected in the fact label or group of labels has TirCARMlCLi itial orders for the Sony CD system in the U.S. are more that nearly every major Vice President and General Manager, East Coast than dealers can handle could brighten the outlook of already made a commitment to move into the CD even the most cynical. -
Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.