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GREEN HILLS 26TH HISTORIC MT OLIVET TOUR Daylight Savings Ends Page Sunday, 6 Nov
TIME CHANGE GREEN HILLS 26TH HISTORIC MT OLIVET TOUR Daylight Savings ends Page Sunday, 6 Nov. 4. Set your clocks back 1 hour. NEWS VOLUME 30 NOVEMBER 1, 2018 NUMBER 44 Planners involve community in Senior Ride Nashville provides invaluable service on Election future 21st Avenue South design Day and beyond FAIRFAX AVE VD BL LIA NO future; what can be done to G MA VD ments or grocery stores, there 5TH AVE S 2 MAGNOLIA BL improve your experience S is one trip that will be very E BARTON AVE V A today; what would encourage T S 1 2 VENT PL important on November 6th, PORTLAND CON AVE you to walk and bike more; CALHOUN AVE PORTLAND AVE what should be the main prior- and that is to polling locations. 26TH AVE S 24TH AVE S ities and what your priorities We are working hard to ensure ESSEX PL entail. that our riders and all of our The Community Visioning volunteer drivers help each BERNARD A VE Workshop took place Monday, other to cast their votes.” while the open design studios Senior Ride Nashville, 20TH AVE S BLAIR BLVD on Tuesday allowed attendees founded in November 2017, has PRIVATE to watch planners at work. grown rapidly to address the BLAIR BLVD Thursday, Nov. 1, a Work-in- need for improved mobility ASHWOOD AVE Progress meeting begins at options for our aging popula- AVE S 25TH 6 p.m. at Martin Professional tion. With now over 95 volun- ASHWOOD AVE Development Center. The week's SUN teer drivers and 150 enrolled SET PL products will be discussed, feed- riders, Senior Ride Nashville back will be gathered and addi- has expanded from their initial W LINDEN A VE LINDEN AVE tional thoughts will be offered. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
Top 60 Best of the Rest REO SPEEDWAGON: Good Troubleted NUGENT: Nugent(Atlantic (Epic EPC 85789) Prod: Cronin/K50898) Prod: Ted Nugent
ALBUM REVIEWS Top 60 Best of the rest REO SPEEDWAGON: Good TroubleTED NUGENT: Nugent(Atlantic (Epic EPC 85789) Prod: Cronin/K50898) Prod: Ted Nugent. Richrath/Beamish/Gratzer First one for Nugent on Atlantic but the Reo Speedwagon specialises inur-style is still the same; a potent mix of gent hard rock, rather than unremittingmacho imagery, desperate, throaty heavy metal. Although the band pro-vocals (from Derek St. Holmes) and jects a very American image (witnessthekindofthrustingbutnot -too - the sleeve pics on this new albumpretentious guitar work which is the which feature a typical band -on -the -trademark oftheDetroit maniac's road theme) it seems to have caughtsound. As always, plenty of attack and the British imagination where othersa good mix in which the music is heard have failed. This perhaps has to dowith the minium of portentous heavy with the way the band strikes a balancerock studio effects. Fonda fitness plus good rock Ted Nugent: same style for Atlantic between good melodic material and a GARY US BONDS: On The Line (EMImoments come when they are not suitably strident instrumental feel - it sold in excess of 200,000 over the past AML 3022) Prod: Bruce Spring-trying to be funny, particularly with aten years. Juju music is the traditional doesn'tletitselffallheadlong into steen/Miami Steve Van Zandt creditable version of 'The Sun Ain'tdance genre of the country's largest American 'soft rock'. This album is upImagine the Springsteen band, but to a good standard for the group and Gonna Shine Anymore' and a medley'tribe the Yoruba and blends modern with a smooth, black vocalist, perfor-linking Dreamin',"Dream Baby' and should see their success continuing. -
Billboard's R Survey for Week Ending 3/28/81 \Umoer of Singles Reviewed Top Sin9le This Week 88 Last C Copyright 1981
63 Billboard's R Survey For Week Ending 3/28/81 \umoer of singles reviewed Top Sin9le this week 88 Last c Copyright 1981. Billboard Publications. Inc. No ppart of this publication may be reproduced week 98 stored in a retrieval system. or transmitted. in any form or by any means. electronic. mechanical photocopying. recording. or otherwise. without the prior written permission of the publisher. producer: Sy Rosenberg; writers: G. Gentry/S. Hall; pub- ducers: Al Stewart, Chris Desmond; writers: R. Lamble, A. lisher: Troll, BMI. Elektra 47122. Yurman; publisher: Lukerative, BMI. RSO 1061. Shot In The Dark, better known as Al DE DE UPCHURCH -You Beat Me To The Punch(3:14); pro- Stewart's backup band and opening act debuts with a hook -laden, ducer: Mick Lloyd; writers: R. White /W. Robinson; publisher: lushly produced midtempo tune that has folk /rock influences. Soul 'v Jobette, ASCAP. Little Giant 028. JOHN LENNON- Watching The Wheels (3:30); producers: FUNKADEUC -The Electric Spanking Of War Babies GARY SMITH -Taking No Chances (3:00); producer: Alamo L John Lennon, Yoko Ono, Jack Douglas; writer: John Lennon; (4:32); producers: George Clinton, Walter Morrison; writers: Smith; writers: P. Hunt /M. Taylor; publisher: Red Rose, publisher: Lenono, BMI. Geffen 49695 (Warner Bros.). Third George Clinton, Barbarella Bishop, Walter Morrison; pub- ASCAP. T 3545. aooa single from "Double Fantasy" is a beautiful, keyboard -based 00 lisher: Malbiz, BMI. Warner [[ Bros. 49667. First release from a ROGER BOWUNG Adult midtempo ballad. Hook is unforgettable and production is -A Little Bit Of Heaven (2:59); producer: new album is more of the funky silliness that is expected of high gloss. -
CB-1978-01-07-OCR-Pa
REVIEWS S I N G L E S REVIEWS FEATURE PICKS B. J. THOMAS (MCA 40854) THE SYLVERS (Capitol 4532) Everybody Loves A Rain Song (2:33) (Screen New Horizon (3:38) (Rosy - ASCAP) (Sylvers, Gems-EMI/Baby Chick Music - BMI) (James, Sylvers) Moman) The title cut from the Sylvers' recent album lives Considering the success Thomas has had with up to its ideals. Their first self -production reveals a rain songs ("Raindrops Keep Fallin'. ."), this one matured group that will also appeal to a slightly by Mark James and Chips Moman should be a older audience. A promising future on the pop and natural. Thomas' voice is perfectly suited to the R&B charts. light pop melody and the chorus which repeats the refrain makes it a catchy pop record. ANNE MURRAY (Capitol 4527) HERMAN'S HERMITS (Roulette 7213) Walk Right Back (2:38) (Warner -Tamerlane - Heart Get Ready For Love(2:55) (Chappell & Co. BMI) (Curtis) - ASCAP) (Bugatti, Musker) This Canadian songstress has widened her . Peter Noone is still living the life of a wealthy potential appeal immeasurably with this single, businessman, but Herman's Hermits are back on from the album "Let's Keep It This Way," the recording scene with this closely harmonized produced by Eagles' arranger Jim Ed Norman. little shuffle. Their ability to handle innocent love The melodic ingredients for a big break into top 40 stories should help them out once again at pop and MOR formats are all here. stations. SINGLES TO WATCH MOTHER'S FINEST (Epic 50483) ERIC GALE (Columbia 10670) BOB JAMES (Tappan Zee/Columbia 10668) Thank You -
Cash Box NY FEATURES Telex; 866123 Coast to Coast 14 Fuji Speedway Serves As the HOLLYWOOD Editorial
ORDERS MOUNT FOR SONY CD ITA PROBES AUDIO, VIDEO ISSUES > MID-PRiCED VIDEOS PROLIFERATING AOE PREVIEW MSiiiSIT: Dynamite in the rack* From the moment he burst onto the record scene with his fantastic LP, “Reality—What A Concept,” Robin Williams has won the hearts and smiles of millions of adoring fans. And now, you can give them what they’ve been waiting for—“Throbbing Python of Love”—an explosive live album that captures all the excitement and quick-witted hilarity of a sell-out Robin Williams performance. Put it in your rack today. Manufaclured and Markeied by PolyGram Records Produced by Phil Galdston. Watch Robin Williams now in concert on HBO. Casablanca Records #811 150-1 M-l © 1983, PolyGram Records, Inc. .. BOX 1983 / COIN MACHINEdSH/ HOME ENTERTAINMENT WEEKLY VOLUME XLIV — NUMBER 42 — March 19, THE^ERNATiONAL MUSIC Off To A Good Start I OISHBCK EDITORML aEOROi ALRERT President and Publisher While it is certainly too early to draw any sweeping con- the revolution in the recording industry that so many have ALAN SUfToST™"”” triggered by the CD could come to Vice President and Editor In Chief clusions, the initial reaction to the Compact Disc (CD) predicted would be MARK ALRERT system has been most encouraging. Already a hit in pass. Vico President and General Manager Japan and parts of Europe, this week’s news that the in- That this is a distinct possibility is reflected in the fact label or group of labels has TirCARMlCLi itial orders for the Sony CD system in the U.S. are more that nearly every major Vice President and General Manager, East Coast than dealers can handle could brighten the outlook of already made a commitment to move into the CD even the most cynical. -
“The Stories Behind the Songs”
“The Stories Behind The Songs” John Henderson The Stories Behind The Songs A compilation of “inside stories” behind classic country hits and the artists associated with them John Debbie & John By John Henderson (Arrangement by Debbie Henderson) A fascinating and entertaining look at the life and recording efforts of some of country music’s most talented singers and songwriters 1 Author’s Note My background in country music started before I even reached grade school. I was four years old when my uncle, Jack Henderson, the program director of 50,000 watt KCUL-AM in Fort Worth/Dallas, came to visit my family in 1959. He brought me around one hundred and fifty 45 RPM records from his station (duplicate copies that they no longer needed) and a small record player that played only 45s (not albums). I played those records day and night, completely wore them out. From that point, I wanted to be a disc jockey. But instead of going for the usual “comedic” approach most DJs took, I tried to be more informative by dropping in tidbits of a song’s background, something that always fascinated me. Originally with my “Classic Country Music Stories” site on Facebook (which is still going strong), and now with this book, I can tell the whole story, something that time restraints on radio wouldn’t allow. I began deejaying as a career at the age of sixteen in 1971, most notably at Nashville’s WENO-AM and WKDA- AM, Lakeland, Florida’s WPCV-FM (past winner of the “Radio Station of the Year” award from the Country Music Association), and Springfield, Missouri’s KTTS AM & FM and KWTO-AM, but with syndication and automation which overwhelmed radio some twenty-five years ago, my final DJ position ended in 1992. -
Michael Martin Murphey Tonight We Ride Mp3, Flac, Wma
Michael Martin Murphey Tonight We Ride mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Tonight We Ride Country: Canada Released: 1986 Style: Country MP3 version RAR size: 1148 mb FLAC version RAR size: 1882 mb WMA version RAR size: 1359 mb Rating: 4.7 Votes: 937 Other Formats: VQF MOD AC3 MMF MP3 MMF VQF Tracklist Hide Credits Tonight We Ride A1 3:44 Songwriter – Jim Ed Norman, Michael Martin Murphey Rollin' Nowhere A2 2:54 Songwriter – Michael Martin Murphey Innocent Hearts A3 4:19 Songwriter – Michael Martin Murphey Close To My Heart A4 3:40 Songwriter – Jim Ed Norman, Michael Martin Murphey Face-To-Face With The Night A5 4:06 Songwriter – Michael Martin Murphey Building Bridges B1 3:10 Songwriter – Chick Rains, Michael Martin MurpheyVocals [Duet] – Pam Tillis Fiddlin' Man B2 Featuring [Fiddle] – Mark O'ConnorSongwriter – Chick Rains, Jim Ed Norman, Michael 4:44 Martin Murphey I'll Break Out Again Tonight B3 3:30 Songwriter – Arthur Leo 'Doodle' Owens, Sanger D. Shafer The One That Got Away B4 3:51 Songwriter – David Hoffner, Michael Beinhorn, Sonny Throckmorton Santa Fe Cantina B5 3:51 Songwriter – Chick Rains, Michael Martin Murphey Ghost Town (Messages From The Ghost Ranch) B6 3:10 Songwriter – Michael Martin Murphey Companies, etc. Manufactured By – WEA Music Of Canada, Ltd. Distributed By – WEA Music Of Canada, Ltd. Phonographic Copyright (p) – Warner Bros. Records Inc. Copyright (c) – Warner Bros. Records Inc. Published By – Timberwolf Music, Inc. Published By – Kahala Songs Published By – Cross Keys Pub. Co., Inc. Published By – Acuff-Rose-Opryland Music Published By – Rightsong Music Published By – Hoffner Haus Music Recorded At – Sound Stage Studios Recorded At – Bullet Recording Mastered At – Sheffield Lab Matrix Mastered At – Masterfonics Credits Backing Vocals – Gary Pigg, J.D. -
Hank Williams Jr
Hank Williams Jr. Lone Wolf mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Lone Wolf Country: US Released: 1990 Style: Country MP3 version RAR size: 1508 mb FLAC version RAR size: 1212 mb WMA version RAR size: 1711 mb Rating: 4.3 Votes: 843 Other Formats: MIDI MP4 MOD DMF MP1 RA VQF Tracklist 1 Good Friends, Good Whiskey, Good Lovin' 3:03 2 U.S.A. Today 3:18 3 Hot To Trot 2:26 4 Big Mamou 4:48 5 I Mean I Love You 2:55 6 Man To Man 2:54 7 Almost Persuaded 3:43 8 Stoned At The Jukebox 2:57 9 Ain't Nobody's Business 2:40 10 Lone Wolf 3:51 Companies, etc. Produced For – Beckett Productions Produced For – JEN Productions, Inc. Record Company – Warner Communications Copyright (c) – Warner Bros. Records Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Manufactured By – WEA Manufacturing Pressed By – Specialty Records Corporation Credits Producer – Barry Beckett, Hank Williams Jr., Jim Ed Norman Barcode and Other Identifiers Barcode: 0 7599-26090-2 9 Matrix / Runout: 1 26090-2 SRC=01 Rights Society: BMI Rights Society: ASCAP Other (SPARS Code): ADD Other versions Category Artist Title (Format) Label Category Country Year Hank Williams Lone Wolf (LP, Warner Bros. 7599-26090-1 7599-26090-1 Europe 1990 Jr. Album) Records Hank Williams, Lone Wolf (CD, D2-77921 Curb Records D2-77921 US 1998 Jr.* Album, RE) Warner Bros. Hank Williams Lone Wolf (Cass, W4 26090 Records, Curb W4 26090 Canada 1990 Jr. Album, Club, Dol) Records Warner Bros. -
WHO's WHO in COUNTRY RECORD PRODUCTION the Following Is a List of Producers Who Have Had at Least One Single in the Top Pop 50 Country Charts So Far This Year
WHO'S WHO IN COUNTRY RECORD PRODUCTION The following is a list of producers who have had at least one single in the Top Pop 50 Country charts so far this year. The producer's name is followed by song titles in "quotes," accompanied by the artist's name and a slash / followed by the name(s) of any co-producer(s). ALABAMA "Born Country"- Alabama-/Josh Leo Larry Michael Lee "Take A Little JIM COTTON "Achy Breaky Heart"-Billy Ray Cyrus-/Joe Scaife "Fall"- Oak Ridge Trip"- Alabama-/Josh Leo Larry Michael Lee Boys-/Joe Scaife Oak Ridge Boys "Could've Been Me"-Billy Ray Cyrus-/Joe RICH ALVES "Till I'm Holding You Again"- Pirates Of The Mississippi-/Jim Scaife Bowen'Too Much"- Pirates Of The Mississippi-/Jim Bowen RODNEY CROWELL "Lovin1 All Nighf'-Rodney Crowell-/John Leventhal JOHN ANDERSON "Straight Tequila Night"-John Anderson-/James Stroud JERRY CRUTCHFIELD "Some Kind Of Trouble"-Tanya Tucker-/"lf Your Heart "When It Comes To You"-John Anderson-/James Stroud"Seminole Wind"-John Ain't Busy Tonighf'-Tanya Tucker-/"Whatcha Gonna Do With A Cowboy"-Chris Anderson-/James Stroud LeDoux-/Allen Reynolds PETE ANDERSON "It Only Hurts When I Cry"-Dwight Yoakam-/"The Heart That JERRY CUPIT "Come And Get Us Mama(We're In Trouble With The Law)"-Jack You Own"-Dwight Yoakam-/"Send A Message To My Heart"-Dwight Yoakam &Robertson-/Ray Pennington "Bootie Bumpin' Dancin' FooP'-Jack Robertson- Patti Loveless-/ /Ray Pennington ROGER BALL "Help, I'm White And I Can't Get Down"- Geezinslaw Brothers-/Ray DANNY DAY "Stick To Your Guns"-Hal Gibson-/ Pennington CHRISTY DINAPOLI "First Time For Everything"- Little Texas-/James Stroud BROWN BANNISTER "If I Could Bottle This Up"-Paul Overstreet-/Paul Over- Doug Grau "You And Forever And Me"-Little Texas-/James Stroud Doug Grau streefBilly Can't Read"-Paul Overstreet-/"Me And My Baby"-Paul Overstreet-TIM DUBOIS "Mama Don't Forget To Pray For Me"-Diamond Rio-/Monty Powell /Paul Overstreet "Working Woman"-Rob CrosbyVScott Hendricks "The Tips Of My Fingers"-Steve BARRY BECKETT "Hotel Whiskey"-Hank Williams, Jr.-/Hank Williams, Jr. -
Country Music
— l CASH BOX APRIL 15, 1995 23 COUNTRY MUSIC News Feature Norman Renews In Nashville Jim Ed Norman, president of Warner/Reprise Nashville, has renewed his contract, putting him at the helm of the company’s Nashville operation for another five years. Norman joined Warner Bros. Records in 1983 as senior vice president, A&R, and in 1984 took over as head of the division. He was named presi- dent of the Nashville division in 1989. During his tenure, the label has enjoyed unprecedented growth with such artists as Randy Travis, Dwight Yoakam, Jim Ed Norman Take 6, Travis Tritt, Little Texas, Faith Hill, David Ball, Jeff Fox- worthy and many others. He was also instru- Trisha Yearwood: mental in the division’s expansion into a number of new musical arenas, including gospel and Thinkin’ About Platinum. ..Again contemporary Christian music with the Warner Alliance label and Western music with Warner By Richard McVey Western. Commenting on the contract renewal, AS HER CURRENT MCA ALBUM Thinkin' Thinkin ’ About You is sure to be the latest and Danny Goldberg, chairman and CEO of About You holds its place atop the Cash Box possibly most prominent feather in Yearwood’s Warner Bros. Records, remarked, “The Country Album chart, Trisha Yearwood has seen cap. Warner Bros, and Reprise Records success story her career blossom into one of country music’s Referring to her 1994 marriage to The Maver- in Nashville has largely been the doing of one hottest and top-selling female acts with her first icks’ bass player, Robert Reynolds, Yearwood says ‘ man—Jim Ed Norman. -
Acdsee Proprint
BULK RATE ALL THE NEWS .. U.S. POSTACE THAT'S FIT PAID Per.it N~. 2419 TO PITCH I.e., Mo. FREE FREE Issue 16 THE EARLY "Bringing the: orchestra to the that inclUded both· Eric: Dolphy t:Leger discovered people/ w9.s thEi"p.rl,J,nal concern and Ornette Coleman. Maestro ic's progres Dina g~ance of Hans Schwieger; Philhannonic ·Schweiger and composer Schuller sive attitude '8 well known: "I conductor beginning in 1948. had met years before in Germany. have discovered dur"xeputation Groundbreaking concerts of all Other ooncerts of pioneering in the field of modem music is kinds were almost commonplace second only to Louisvill.e." What sounds like reptiles, tor during the Connoisseur series of orchestral jazz inoluded the toises, the millepede (a 60- performances of contemporary Sauter-Finegan visit on November The Philharmonic's innovative legged worm), spiders, wasps, music in the late fifties and 15, 1955. They had developed the concerts were often enhanced by tarantulas and a kangaroo rat? early sixties. art of jazz arrangement while Conductor Schwieger's informa working for Benny Goodman, TOmmy Answer: The Kansas City Phil tive and ~requently charming nannonic at the Music Hall on The world premiere of Henry Dorsey, Artie Shaw and Glenn off-the-cuf~ remarks during per February 19, 1955. The occasion cowell's "Antiphony" was pre Miller. A mixed crowd of hepcats formances. ... I do not expect you was "The Living Desert," a sented November 14, 19.59 by di and classicists heard the Phil to enjoy this music." Schwieger clever piece of orchestral imi viding the Kansas City Philhar hannonic's cacophonous exposi once told a Kansas City audience tation, that was immediately monic in two for a live stereo tion and voiced their approval as way of introducing Anton We followed by the first public phonic effect.