The Fashion Forward Afternoon Tea £35

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THE FASHION FORWARD AFTERNOON TEA Inspired by Alexander McQueen ALEXANDER MCQUEEN Alexander McQueen was born in London in 1969. At the age of 16, McQueen was offered an apprenticeship at the Savile Row tailors Anderson and Shephard. Upon completing his Masters degree in Fashion Design at Central Saint Martin’s, McQueen met his muse, patron and life long friend Isabella Blow who famously bought his entire MA collection in 1992. Alexander McQueen shows are known for their emotional power and raw energy, as well as the romantic but determinedly contemporary nature of the collections. Integral to the McQueen culture is the juxtaposition between contrasting elements: fragility and strength, tradition and modernity, fluidity and severity. Our chefs have been inspired to create our Fashion Forward Afternoon Tea in celebration of the Alexander McQueen: Savage Beauty exhibition at the Victoria & Albert Museum - just around the corner from the hotel. We hope you enjoy our nod to this well known and respected British designer. If you would like to purchase tickets to the exhibition please contact our Concierge. THE FASHION FORWARD AFTERNOON TEA £35 Selection of finger sandwiches and savouries including Dorset crab and artichoke cocktail, a foie gras cornet with mango and gold quails eggs with celery salt and mustard cress. Home-made buttermilk scones with Devonshire clotted cream and jam. The Fashion Forward selection Buttermilk pannacotta with raspberry, a marzipan sable, raspberry & red pepper macaroon, cherry Genoese skull clutch and a red velvet and rose water butterfly cake. Red velvet and rose water butterfly cake inspired by Philip Treacy for Alexander McQueen AW 2008 - Cherry Genoese inspired by The Alexander McQueen Skull Clutch SS 2015 - Buttermilk pannacotta with raspberry insprired by Alexander McQueen Ready to Wear Gown AW 2008. .

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ROSITA MISSONI MARCH 2015 MARCH 116 ISSUE SPRING FASHION SPRING $15 USD 7 2527401533 7 10 03 > > IDEAS in DESIGN Ideas in Design in Ideas
ISSUE 116 SPRING FASHION $15 USD 10> MARCH 2015 03> 7 2527401533 7 ROSITA MISSONI ROSITA IDEAS IN DESIGN Ideas in Design in Ideas STUDIO VISIT My parents are from Ghana in West Africa. Getting to the States was Virgil Abloh an achievement, so my dad wanted me to be an engineer. But I was much more into hip-hop and street culture. At the end of that engi- The multidisciplinary talent and Kanye West creative director speaks neering degree, I took an art-history class. I learned about the Italian with us about hip-hop, Modernism, Martha Stewart, and the Internet Renaissance and started thinking about creativity as a profession. I got from his Milan design studio. a master’s in architecture and was particularly influenced by Modernism and the International Style, but I applied my skill set to other projects. INTERVIEW BY SHIRINE SAAD I was more drawn to cultural projects and graphic design because I found that the architectural process took too long and involved too many PHOTOS BY DELFINO SISTO LEGNANI people. Rather than the design of buildings, I found myself interested in what happens inside of them—in culture. You’re wearing a Sterling Ruby for Raf Simons shirt. What happens when art and fashion come together? Then you started working with Kanye West as his creative director. There’s a synergy that happens when you cross-pollinate. When you use We’re both from Chicago, so we naturally started working together. an artist’s work in a deeper conceptual context, something greater than It takes doers to push the culture forward, so I resonate with anyone fashion or art comes out.
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Alexander Mcqueen: El Horror Y La Belleza
en el Metropolitan Museum of Art de Nueva York en 2011. (Fotografía: Charles Eshelman / FilmMagic) (Fotografía: en 2011. York en el Metropolitan Museum of Art de Nueva Savage BeautySavage Una pieza de la exposición Alexander McQueen: el horror y la belleza Héctor Antonio Sánchez 54 | casa del tiempo A mediados de febrero de 2010, durante la entrega de los Brit Awards, Lady Gaga presentó un homenaje al diseñador Alexander McQueen, cuya muerte fuera divul- gada en medios apenas una semana antes. La cantante, sentada al piano, vestía una singular máscara con motivos florales que se extendía hacia la parte superior de su cabeza, hasta una monumental peluca à la Marie-Antoinette: a sus espaldas se erguía una estatua que la emulaba, una figura femenina con una falda en forma de piano- la y los icónicos armadillo shoes de McQueen que la misma cantante popularizara en videos musicales. La extravagante interpretación recordaba por igual algunos momentos de Elton John y David Bowie, quienes hace tanto tiempo exploraron las posibles y fructífe- ras alianzas entre la moda, la música y el espectáculo, y recordaba particularmente —aunque con menor fortuna, como en una reelaboración minimalista y reduc- tiva— cierta edición de los MTV Video Music Awards donde, acompañada de su corte de bailarines, Madonna presentó “Vogue” ataviada en un exuberante vestido propio de la moda de Versalles. No vanamente asociados al camaleón, Madonna y Bowie han abrazado como pocos las posibilidades de la imagen: el vínculo entre la moda y la música popular ha creado —sobre todo en nuestros días— una plétora de banalidad, tontería y aun vulgaridad, pero en sus mejores momentos ha logrado visiones que colindan con el arte.
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Christian Dior Exhibition in the UK
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Alexander Mcqueen
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