DOCSLIB.ORG

Exhibitions: a Look Ahead

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Exhibitions: a Look Ahead Volume 32 • Number 2 • Winter 2009 CONNECTICUT MAINE MASSACHUSETTS NEW HAMPSHIRE RHODE ISLAND NEWS VERMONT EXHIBITIONS: A LOOK AHEAD Museums create exhibits to educate THE AUDIENCE-FOCUSED EXHIBIT but also to spark the imagination and By Ann Y. Smith, Project Director, Mattatuck Museum curiosity of their visitors. Exhibits are a primary way in which we commu- n May 2008, the Mattatuck Museum Arts and History Center in nicate with our audiences and share Waterbury, Connecticut, opened a new 5,200 square foot exhibit our collections and the central story about the history of the region. The exhibit was unusual in several of our institutions. As Harold and respects. It was an ambitious project, with a $2 million budget and a five-year workplan. Moreover, the Mattatuck, convinced of its role Susan Skramstad said in A Hand- I as a community museum, was committed to a high level of audience book for Museum Trustees, to be input at every stage of the exhibit’s development. successful, an exhibition must be A New History for New Audiences both “insightful and inspirational.” The new exhibit replaced a highly admired history exhibit installed in 1986. Some won- To help you achieve this goal, in this dered whether it was necessary to undertake an expensive and time-consuming revision. However, the museum’s world has changed in twenty years. Today’s audiences have issue of NEMA News, we take a little leisure time and they expect compelling and media-savvy experiences when they’re look at a new approach to organizing looking for education and entertainment. They have fewer connections with their local communities than their parents had, and are looking for experiences that are easy to find exhibits, field-wide trends in exhibit and directly related to their own interests. design as well as the latest online Fortunately, the rise of new media over the last twenty years and the decreasing cost tools in design and fabrication. This of these technologies could assist the Mattatuck’s efforts to reach these new audiences. issue also describes NEMA’s re- New technologies make it possible to provide visitors with deep and self-directed access to collections and information, and to do so in a lively way. sponse to the economic recession that In addition, the museum’s director, Marie Galbraith, had led a series of community- is affecting our members and keeps based history projects over the last 15 years that yielded new collections about the lives you informed of our efforts to influ- of current residents. Centered around oral history projects in the city’s neighborhoods, ethnic communities and area businesses, these projects produced an audio archive of ence support for museums in the new 1,500 first hand accounts of local experiences and thousands of related images and arti- Administration. facts. Each project led to popular temporary exhibits in the museum and in community settings and on-line. The new collections were also the basis of publications, theater presentations, and teacher training institutes. These stories were the voices of our recent past. We wanted the new exhibit to bring the full collection to our larger audiences, to align the museum with this recent history. continued on page 4 NEMA NEWS / WINTER 2009 • 1 From the President WELCOME to the quarterly newsletter publication of his is my first opportunity to write a “From the President” message. I am pleased the New England Mu seum Association. NEMA News is and honored to have been elected at the 2008 conference in Warwick. Confer- a key communication and resource-sharing vehicle for ence attendance was a bit lower than it has been in recent years, but that comes the six-state membership. The goal of NEMA News is to T as no surprise given the financial difficulties that we all face. Those people who call for, re spond to, and disseminate current information did attend—more than 750 in all—had good things to say about the conference. I about regional and na tional issues and activities relevant heard from people who were energized by Curt Columbus’ keynote address. Others to the museum profession. NEMA mem bership is open to museums, their staff and volunteers, stu dents, consultants, enjoyed the variety of topics and the new and different session formats. Some of you vendors, and others who support the region’s museums. suggested that future sessions might offer even more new and different topics, and some hope that future conferences will have more advanced sessions for those who We welcome your comments and suggestions. have been in the field for a while. This feedback will be helpful to people who will be New England Museum Association planning next year’s conference. 22 Mill Street, Suite 409 I’d like to take a minute to thank everyone who worked to make the conference a Arlington, MA 02476 success: the planning committee, the session speakers, the volunteers who helped out during the conference, the local hosts, and of course the NEMA staff. Most of all, Phone: 781-641-0013 thanks to everyone who attended the conference. The best sessions in the world are Fax: 781-641-0053 wasted if they are given in an empty room or to a room full of people who remain si- Website: www.nemanet.org lent when the speaker asks for questions or comments. That was certainly not a prob- NEMA Emails: lem at this conference. Our members exhibited their enthusiasm and their willingness NEMA News: [email protected] to share information in the lively discussions that took place in the sessions and in the NEMA Jobs: [email protected] informal conversations in the exhibit hall, at the evening events, and around the hotel Exhibit Listings: [email protected] bar and lobby. Thanks to all for coming and sharing your ideas and enthusiasm. Membership/General: [email protected] This is an exciting time for NEMA. The staff, board and a task force of members and others interested in the museum field are working on a new strategic plan for the or- EXECUTIVE COMMITTEE ganization. You’ll learn more about that in the coming months. The plan will empha- Gail Nessell Colglazier size identifying and addressing member needs, improving the ways that NEMA uses American Independence Museum technology, and advocating for museums in the larger community. There are already President advocacy efforts underway at the national level, thanks to the coalition headed by Joshua Basseches AASLH, with participation from AAM, ASTC, AZA, AAMD and the various regional Peabody Essex Museum First Vice President groups, including NEMA. The goal of the coalition is to increase federal funding for museums. Susan Funk Mystic Seaport Even as NEMA is moving forward and has a sound financial footing, I realize that I Vice President am taking office at a difficult time for museums. All of us in the field are concerned, Anne von Stuelpnagel wondering if schools will find money for field trips, if corporate sponsors will sup- Bruce Museum port exhibits and programs, if donations will come in to the annual fund, if we can Vice President keep the doors open, and if visitors will continue to come through our doors. Even as Scott Stevens I paused in the writing of these notes, I received an e-mail describing major staff cuts Museums of Old York at a large and respected New England museum. I am afraid that we will be hearing Treasurer similar news from other museums in the coming months. Pieter Roos Newport Restoration Foundation I am an optimist by nature; my glass is always half full rather than half empty. Howev- Secretary er, even I admit that it is hard to be positive about the financial troubles we are facing. With that in mind, here a few suggestions that may help in small ways. NEMA STAFF Go back and re-read (or read for the first time if, like me, you are way behind in your Katheryn P. Viens professional reading) the Fall 2008 issue of NEMA News. It is full of helpful articles on Executive Director dealing with financial difficulities. Sign up for a PAG workshop. You get a full day’s BJ Larson worth of information for as little as $35. Save some money through NEMA’s Group Deputy Director Discount Program with W.B. Mason. Join one of our internet discussion lists and ask a Jane Coughlin question. Get ideas on how other museums handle various matters by using NEMA’s Operations Manager & Membership Coordinator Museum Policy Loan Service. Most of all, talk to your colleagues. Pick up the phone, Heather A. Riggs send an e-mail, get together for lunch. One of the most valuable things that NEMA Publications Manager & Corporate Member Services does is provide a community of peers, friends who are always willing to answer a question, offer an opinion, suggest a new approach, or simply provide a sympathetic ear, all at no cost. In difficult times, that can be priceless. Gail Nessell Colglazier President 2 • NEMA NEWS / WINTER 2009 CONTENTS / WINTER 2009 THE RECESSION IN NEW ENGLAND MUSEUMS By Kate Viens, NEMA Executive Director 1 The Audience-Focused Exhibit by Ann Y. Smith Museums nationwide speak of colle- As a result, NEMA is actively collect- giality, best practices, and sustainability. ing case studies that describe the ways 2 From the President When I think of New England muse- in which museums are tackling difficult ums and historical societies, the words issues related to the recession, along with 3 The Recession in New England “friendship,” “practicality” and “endur- the names of colleagues who are available Museums ance” come to mind.
Load more

Recommended publications
  • Leyendecker Museum Guide
    OFFICIAL GUIDE TO THE LEYENDECKER MUSEUM Published for the Leyendecker Museum by the New York Museum Press Consortium Thirtieth Edition, Fall 1926 TABLE OF CONTENTS President’s Welcome 1 The Leyendecker Museum: Past and Present 4 The Temple of Amon Ra: My Amazing Archaeological Discovery 8 The Ancient Egypt Exhibit 13 The Gods of Egypt 21 Medieval Armor: Our Most Misunderstood Apparel 27 The Leyendecker Life Masks: A Face Right Out of History 31 Old Masters Gallery: The Ignatz Leyendecker Collection 33 The Leyendecker Labs: The Fine Art of Preservation and Preparation 39 Dinosaurs: Our Big Extinct Brothers 43 Whither The Leyendecker? 49 Credits 54 Bibliography 56 <Page 1> PRESIDENT’S WELCOME When you cross the threshold of the Leyendecker Museum, you leave the hustle and bustle of New York City behind as you make a giant leap back in time. Within these walls, you will find a unique mixture of exhibits which will demonstrate the diversity of our planet’s living past. Ranging from the crude power of prehistoric life forms to the subtle intricacies of Medieval armor, and from the art of ancient Egypt to the art of the Renaissance, our exhibits represent the continuing pageant of life’s development in our small corner of the universe. As you make your journey of discovery through the halls of the Museum, consider that you are only seeing a small portion of the Museum’s considerable collection. Over time, as the Museum expands, we will be able to create more exhibits covering a wider range of subjects. But the items stored in the private sections of the Museum are not forgotten.
    [Show full text]
  • THE American Museum Journal
    T ///^7; >jVvvscu/n o/ 1869 THE LIBRARY THE American Museum Journal VOLUME VII, 1907 NEW YORK: PUBLISHED BY THE AMERICAN MUSEUM OF NATURAL HISTORY 1907 Committee of Publication EDMUND OTIS HOVF.Y, Ediior. FRANK M. ( IIAPMAN ] LOUIS P. GHATACAP \ .l<lris-on/ linanl WILLIAM K. GREGOIlvJ THE AMERICAN MUSEUM OF NATURAL HISTORY. 77th Street and Central Park West, New York. OFFICERS AND COMMITTEES PRESIDEXT MORRIS K. JESUP FIRST VICE-PRESIDENT SECOND VICE-PRESIDENT J. PIERPONT MORGAN HENRY F. OSBORN TREASURER SECRETARY CHARLES LANIER J. HAMPDEN ROBB ASSISTANT SECRETARY AND DIRECTOR ASSISTANT TREASURER HERMON C. BUMPUS GEORGE H. SHERWOOD BOARD OF TRUSTEES Class of 1907 D. O. :\IILLS ALBERT S. BICKMORE ARCHIBALD ROGERS CORNELIUS C. CUYLER ADRIAN ISELIN, Jr. Class of 1908 H. o. have:\ieyer Frederick e. hyde A. I). JUHJJAIU) GEORCiE S. BOWDOIN (TEVELANl) H. DOIXJE Class of 1909 MORRIS K. JESUP J. PIERPONT MORGAN JOSEPH H. CHOATE GEORGE G. HAVEN HENRY F. OSBORN Class of 1910 J. HAMPDEN ROBB PERCY R. PYNE ARTHUR CURTISS JAMES Class of 1911 CHARLES LANIER WILLIAISI ROCKEFELLER ANSON W. HARD GUSTAV E. KISSEL SETH LOW Scientific Staff DIRECTOR Hermon C. Bumpus, Ph.D., Sc. D. DEPARTMENT OF PUBLIC INSTRUCTION Prof. Albert S. Bickmore, B. S., Ph.D., LL.D., Curator Emeritus George H. Shehwood, A.B., A.M., Curator DEPARTMENT OF GEOLOGY AND INVERTEBRATE PALEONTOLOGY Prof. R. P. Whitfield, A.M., Curator Edmund Otis Hovey, A.B., Ph.D., Associate Curator DEPARTMENT OF MAMMALOGY AND ORNITHOLOGY Prof. J. A. Allen, Ph.D., Curator Frank M. Chapman, Associate Curator DEPARTMENT OF VERTEBRATE PALAEONTOLOGY Prof.
    [Show full text]
  • Download the Entire 2015-2016 Annual Report In
    THE ORIENTAL INSTITUTE 2015–2016 ANNUAL REPORT © 2016 by The University of Chicago. All rights reserved. Published 2016. Printed in the United States of America. The Oriental Institute, Chicago ISBN: 978-1-61491-035-0 Editor: Gil J. Stein Production facilitated by Emily Smith, Editorial Assistant, Publications Office Cover and overleaf illustration: Eastern stairway relief and columns of the Apadana at Persepolis. Herzfeld Expedition, 1933 (D. 13302) The pages that divide the sections of this year’s report feature images from the special exhibit “Persepolis: Images of an Empire,” on view in the Marshall and Doris Holleb Family Gallery for Special Exhibits, October 11, 2015, through September 3, 2017. See Ernst E. Herzfeld and Erich F. Schmidt, directors of the Oriental Institute’s archaeological expedition to Persepolis, on page 10. Printed by King Printing Company, Inc., Lowell, Massachusetts, USA CONTENTS CONTENTS INTRODUCTION INTRODUCTION. Gil J. Stein ........................................................ 5 IN MEMORIAM . 7 RESEARCH PROJECT REPORTS ÇADıR HÖYÜK . Gregory McMahon ............................................................ 13 CENTER FOR ANciENT MıDDLE EASTERN LANDSCAPES (CAMEL) . Emily Hammer ........................ 18 ChicAGO DEMOTic DicTıONARY (CDD) . Janet H. Johnson .......................................... 28 ChicAGO HıTTıTE AND ELECTRONic HıTTıTE DicTıONARY (CHD AND eCHD) . Theo van den Hout ........... 33 DENDARA . Gregory Marouard................................................................ 35 EASTERN
    [Show full text]
  • C:\Documents and Settings\Owner\Desktop
    The Twilight Zone Checklist SEASON ONE (1959-60) Episode Aired Stars U Where Is Everybody? 10/2/59 Earl Holliman, James Gregory One for the Angels 10/9/59 Ed Wynn, Murray Hamilton Mr. Denton on Doomsday 10/16/59 Dan Duryea, Martin Landau The 16-Millimeter Shrine 10/23/59 Ida Lupino, Martin Balsam Walking Distance 10/30/59 Gig Young, Frank Overton Escape Clause 11/06/59 David Wayne, Thomas Gomez The Lonely 11/13/59 Jack Warden, Jean Marsh Time Enough at Last 11/20/59 Burgess Meredith, Jacqueline DeWitt Perchance to Dream 11/27/59 Richard Conte, Suzanne Lloyd Judgment Night 12/04/59 Nehemiah Persoff, Ben Wright, Patrick Macnee And When The Sky Was Opened 12/11/59 Rod Taylor, Charles Aidman, Jim Hutton What You Need 12/25/59 Steve Cochran, Ernest Truex, Arlene Martel The Four of Us Are Dying 01/01/60 Harry Townes, Ross Martin Third from the Sun 01/08/60 Fritz Weaver, Joe Maross I Shot An Arrow Into the Air 01/16/60 Dewey Martin, Edward Binns The Hitch-Hiker 01/22/60 Inger Stevens, Leonard Strong The Fever 01/29/60 Everett Sloane, Vivi Janiss The Last Flight 02/05/60 Kenneth Haigh, Simon Scott The Purple Testament 02/12/60 William Reynolds, Dick York Elegy 02/19/60 Cecil Kellaway, Jeff Morrow, Kevin Hagen Mirror Image 02/26/60 Vera Miles, Martin Milner The Monsters Are Due on Maple St 03/04/60 Claude Atkins, Barry Atwater, Jack Weston A World of Difference 03/11/60 Howard Duff, Eileen Ryan, David White Long Live Walter Jameson 03/18/60 Kevin McCarthy, Estelle Winwood People Are Alike All Over 03/25/60 Roddy McDowall, Susan Oliver The Twilight Zone Checklist SEASON ONE - continued Episode Aired Stars UUU Execution 04/01/60 Albert Salmi, Russell Johnson The Big Tall Wish 04/08/60 Ivan Dixon, Steven Perry A Nice Place to Visit 04/15/60 Larry Blyden, Sebastien Cabot Nightmare as a Child 04/29/60 Janice Rule, Terry Burnham A Stop at Willoughby 05/06/60 James Daly, Howard Smith The Chaser 05/13/60 George Grizzard, John McIntire A Passage for Trumpet 05/20/60 Jack Klugman, Mary Webster Mr.
    [Show full text]
  • On Waxworks Considered As One of the Hyperreal Arts: Exhibiting Jack the Ripper and His Victims
    humanities Article On Waxworks Considered as One of the Hyperreal Arts: Exhibiting Jack the Ripper and His Victims Lucyna Krawczyk-Zywko˙ Institute of English Studies, University of Warsaw, 00-681 Warsaw, Poland; [email protected] Received: 30 April 2018; Accepted: 24 May 2018; Published: 30 May 2018 Abstract: The article discusses one of the tropes present in the representations of the Whitechapel killer: the waxworks of either the killer or his victims. These images were shaped by contemporary attitudes: from sensationalism in 1888, through the developing myth and business of ‘Jack the Ripper,’ to the beginnings of attention being paid to his victims. Examined are tableaus created from 1888 to current times, both physical and fictional twenty- and twenty-first-century texts encompassing various media, all of which may be located within the Baudrillardian realm of simulation. What they demonstrate is that the mythical killer keeps overshadowing his victims, who in this part of the Ripper mythos remain to a certain extent as dehumanised and voiceless as when they were actually killed. Keywords: Jack the Ripper; representation; simulacrum; victims; waxworks Waxworks was one of the manifestations of the nineteenth-century fascination with the nascent cult and culture of celebrities, a culture that in the twentieth century incorporated serial killers as well (Schmid 2006). In the nineteenth century, visiting exhibitions of wax figures which included infamous criminals was a means of substituting for the ‘lost pleasure’ of public hangings (Pamela Pilbeam qtd. in Worsley [2013] 2014, p. 58). The association of representations of villains with this medium became so close that its dictionary definition includes the following usage as an example: “no waxworks is complete without its chamber of horrors” (Waxwork n.dat.).
    [Show full text]
  • Ssteinews Published Monthly by Field Museum of Natural History, Chicago
    Field sSteiNews Published Monthly by Field Museum of Natural History, Chicago Vol. 9 JANUARY, 1938 No. 1 NEW EXHIBIT SHOWS PREHISTORIC BIRDS RESTORED AS THEY APPEARED IN LIFE By Rudyerd Boulton the requirements of "missing links" per- feet long, resembling a gigantic loon, was Curator of Birds fectly. They are halfway between reptiles flightless but more perfectly adapted for Present-day birds show in great detail and birds, but by reason of possessing life in the water than any other known bird, the adaptations and specializations that feathers (the only definitive character that probably even more so than a penguin. have produced the 27,000-odd distinct kinds separates birds from all other living crea- Diatryma and Phororhacos were large, that are Ijnown now to inhabit the earth. tures) they are called birds. flightless, predatory, crane-like birds that The relationships of the various living groups Archaeornis had well developed teeth, lived, respectively, in Wyoming during the could not be well determined without the free moving undifferentiated fingers at the Eocene period (50,000,000 years ago) and evidence afforded by fossilized skeletons of bend of the wing, and a long jointed lizard- in Argentina during the Miocene (about birds long extinct. For this reason fossil like tail with a pair of stiff feathers arising 10,000,000 or 12,000,000 years ago). Dia- birds present a field that is most tantalizing from each caudal vertebra. It had well tryma was a formidable creature about to the ornithologist. seven feet tall and While perfectly pre- more powerfully built served and complete than an ostrich.
    [Show full text]
  • Season4article.Pdf
    N.B.: IT IS RECOMMENDED THAT THE READER USE TWO-PAGE VIEW IN ACROBAT READER OR BROWSER. VIEW/PAGE DISPLAY/TWO-PAGE VIEW (BOOK FORMAT) and ENABLE SCROLLING “EVENING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” (minus ‘The’)” A Study in Three Parts by Andrew Ramage © 2019 The Twilight Zone Museum. All rights reserved. Author permissions are required to reprint all or part of this work. www.twilightzonemuseum.com * www.facebook.com/twilightzonemuseum Preface At this late date, little has not been said about The Twilight Zone. It’s often imitated, appropriated, used – but never remotely matched. From its quiet and decisively non-ostentatious beginnings, it steadily grew into its status as an icon and televisional gemstone…and not only changed the way we looked at the world but became an integral part of it. But this isn’t to say that the talk of it has been evenly distributed. Certain elements, and full episodes, of the Rod Serling TV show get much more attention than others. Various characters, plot elements, even plot devices are well-known to many. But I dare say that there’s a good amount of the series that remains unknown to the masses. In particular, there has been very much less talk, and even lesser scholarly treatment, of the second half of the series. This “study” is two decades in the making. It started from a simple episode guide, which still exists. Out of it came this work. The timing is right. In 2019, the series turns sixty years old.
    [Show full text]
  • The Ship's Lamp Fall 2016
    NONPROFIT ORGANIZATION U.S. POSTAGE PAID South Haven, MI Permit No. 24 260 Dyckman Avenue The Ship’s Lamp South Haven, MI 49090 A Michigan Maritime Museum Publication Fall 2016 Current Resident Or: VOLUME XXXIII No. II In This Issue: • Our 2016 Season • Annual Appeal for the MMM • Volunteer Appreciation • Upcoming Events New Exhibit Coming April 2017! After the Japanese attack on Pearl Harbor in December 1941, the United States found itself suddenly plunged into what would become a second world war. In response, the nation undertook the greatest industrial, social, and military mobilization the world has ever witnessed, and Lake Michigan played a critical role in its call to duty. Palatial Great Lakes passenger steamers became aircraft carriers We rounded off our 2016 working off Chicago to train desperately needed on-water education programs Navy and Marine pilots. Shipbuilders began turning with over 80 students out essential submarines, minesweepers, sub chasers, from Quincy Elementary in and tugs for the Army and Navy. Sailors transported Zeeland this September. What iron ore, stone, and coal for use in the steel industry. a way to end our season! Civilians replaced Coast Guard personnel called to military duty. And, commercial fishermen provided necessary food for the troops. This exhibit highlights Michigan Maritime Museum this vast mobilization for war embraced by the Lake 260 Dyckman avenue Michigan region. south Haven, michigan 49090 a non-profit 501(c)(3) Michigan Maritime Museum A message from the Executive Director 2016-2017 Annual Appeal Thank you…. two very simple words we are taught at a very young age.
    [Show full text]
  • 2009 Annual Report New England Electric Railway Historical
    New England Electric Railway Historical Society Seashore Trolley Museum 2009 Annual Report The National Collection of American Streetcars New England Electric Railway Historical Society Founded in 1939 by Theodore F. Santarelli de Brasch About the Society The New England Electric Railway Historical Society is a nonprofit educational organization which owns and operates the Seashore Trolley Museum in Kennebunkport, Maine and the National Streetcar Museum at Lowell. The Seashore Trolley Museum is the oldest and largest in the world dedicated to the preservation and operation of urban and interurban transit vehicles from the United States and abroad. It has a large volunteer membership and small full-time staff devoted to preserving and restoring the collection, conducting educational programs, and interpreting and exhibiting the collection for the public. Donations are tax deductible under chapter 501(c)3 of the Internal Revenue Service code. Front Cover Upper: Atlantic Shore Line locomotive 100 carries a full load of guests and donors on one of its inaugural trips out the main line. Completion of the locomotive’s restoration plus the accompanying educational and exhibit programs was noteworthy in 2009. PM Lower: Wheeling (WV) Curved-side car 639 was also completed and dedicated in 2009. This restoration project, underwritten by member donors, stretched over an incredible period of 35 years, and is one of the most thorough rebuild- ings of a preserved streetcar ever undertaken. The car is now the only operational example of the classic “rubber stamp” model produced by the Cincinnati Car Company as a light weight, inexpensive to operate car purchased by dozens of predominately Midwest properties.
    [Show full text]
  • Smithsonian Institution (SI) Meeting Minutes, National Air and Space Museum Board, 2006-2016
    Description of document: Smithsonian Institution (SI) Meeting minutes, National Air and Space Museum Board, 2006-2016 Requested date: 14-April-2016 Release date: 06-April-2021 Posted date: 23-August-2021 Source of document: Records Request Assistant General Counsel Smithsonian Institution Office of General Counsel MRC 012 P.O. Box 37012 Washington, DC 20013-7012 Fax: 202-357-4310 Preferred during COVID-19 pandemic: [email protected] The governmentattic.org web site (“the site”) is a First Amendment free speech web site and is noncommercial and free to the public. The site and materials made available on the site, such as this file, are for reference only. The governmentattic.org web site and its principals have made every effort to make this information as complete and as accurate as possible, however, there may be mistakes and omissions, both typographical and in content. The governmentattic.org web site and its principals shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information provided on the governmentattic.org web site or in this file. The public records published on the site were obtained from government agencies using proper legal channels. Each document is identified as to the source. Any concerns about the contents of the site should be directed to the agency originating the document in question. GovernmentAttic.org is not responsible for the contents of documents published on the website. Q Smithsonian Institution Office of General Counsel VIA ELECTRONIC MAIL April 6, 2021 RE: Your Request for Smithsonian Records (request number 46094) This responds to your request dated April 14, 2016, and received in this Office on April 20, 2016, for a copy of the meeting minutes of the National Air and Space Museum Board covering the time period January 1, 2006 to the present.
    [Show full text]
  • FEH DESIGN + Group 4 Architecture Executive Summary 01 It’S 8:25 on a Sunny Morning in Late May in Appleton, Wisconsin
    statement of qualifications city of appleton public library PREPARED BY: table of contents 01 executive summary 02 firm information 03 project team 04 project understanding 05 project schedule 06 additional information Olathe Indian Creek Library / Olathe, KS FEH DESIGN + Group 4 Architecture executive summary 01 It’s 8:25 on a sunny morning in late May in Appleton, Wisconsin. A steady stream of cars is pulling through the library’s drive-through book-drop and a dozen people are already in the coffee shop that adjoins the library’s spacious “marketplace” atrium at the corner of N. Appleton and E. Washington Streets. A woman near the entrance stops at the book lockers, scans her library card, and opens the small door that gives her 24-hour access to the book she reserved on OWLSnet. An older couple is looking at the new exhibit on printmaking jointly developed by the Art History and Studio Art programs at Lawrence University. The soft early-morning light fills the space as a new day begins at the Appleton Public Library. a/executive summary FEH DESIGN is a community of architects, engineers and interior designers with a passion to create and together reimagining the built environment. Founded in 1898, with offices in Iowa and Wisconsin, FEH provides nationally recognized designs across the upper Midwest and beyond. Group 4 Architecture, Research + Planning is a full-service architecture firm of talented professionals inspired to create vibrant, enduring places that cultivate dynamic communities. The FEH DESIGN/Group 4 team brings together national library thought leadership with long-standing local architectural excellence.
    [Show full text]
  • Twlight Zone Episode Guide
    a Ed Wynn in One For The Angels EPISODE GUIDE ESCAPE CLAUSE JUDGMENT NIGHT Writer: Rod Serling. Director: Mitch Leisen. Cast: Writer: Rod Serling. Director: John Brahm. Cast: Compiled by GARY GERANI, David Wayne, Virginia Christine, Wendell Holmes, Nehemiah Persoff, Ben Wright, Patrick McNee, Bradley Deirdre Owen, author of Fantastic Television Thomas Gomez. Hugh Sanders, Leslie James Franciscus. A hypochondriac makes a pact with the Devil Murky tale about a passenger aboard a war- for immortality. He then kills someone for First Season: 1959-60 time freighter who is certain the ship will be kicks, but instead of getting the electric chair, sunk at 1:15A.M. he is sentenced to life imprisonment! WHERE IS EVERYBODY? Writer: Rod Serling. Director: Robert Stevens. AND WHEN THE SKY WAS Cast: Earl Holliman, James Gregory. THE LONELY Writer: Rod Serling. Director: Jack Smight. Cast: Pilot show for the series concerns a man who OPENED Jack Warden, Jean Marsh, John Dehner, Ted Writer: Rod Serling. Director: Douglas Heyes. finds himself in a completely deserted city. In Knight, JimTurley. Cast: Rod Taylor, Charles Aidman, James Hutton, the end, we learn that it was all a test to ob- This classic episode concerns one James Maxine Cooper. serve how human beings will respond to ex- Corry (Warden), a man convicted of murder After three astronauts return from man's first treme loneliness during space flights. This and sentenced to spend forty years on a dis- space flight, each of them mysteriously dis- was the only episode shot at Universal tant asteroid. He has only one companion— appears.
    [Show full text]