QUARTERLY SUMMARY of RADIO LISTENING Survey Period Ending 27Th March 2011
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Dreaming of a Better Christmas for UK Kids
Dec 02, 2014 10:37 GMT Dreaming of a better Christmas for UK kids Dreams, the UK’s leading bed specialist, has teamed up with Bauer Media’s Cash For Kids charity to support the company’s ‘Mission Christmas’ initiative to help disadvantaged children around the UK this December. Throughout the month, customers will be able to make donations or bring along a gift to any of Dreams’ 160 retail stores, which will be the official ‘drop-off points’ for the scheme. Donations will be distributed to local charitable and voluntary organisations around the country at the end of the month, to benefit children under the age of 18 living below the poverty line. A list of charities supported can be found at the Cash For Kids web site at www.cashforkids.uk.com. The ‘Mission Christmas’ campaign also sees support from top celebrities including Ant & Dec, comedian John Bishop and more. This year, the charity aims to build on the £8 million plus gifts and cash they delivered to disadvantaged children across the UK last Christmas, and it is the first time the organisation has chosen to work with a national retail partner to raise funds and donations for the initiative. Sally Aitchison, managing director, Cash For Kids, said, “We are thrilled to have Dreams supporting Cash For Kids Mission Christmas. The success of this campaign relies on ease of access for people to drop off gifts. A company like Dreams that has so many branches in every city will have such an impact on the campaign. We are very excited to have them as a partner.” Lisa Bond, marketing director, Dreams, said, “It is a privilege for us to support a scheme like Cash For Kids Mission Christmas through our network of stores, and hope that the donations from around the UK will truly make a difference to children’s lives during Christmas and beyond.” End Child Poverty estimates that four million children currently live below the poverty line across the UK, which equates to one in three children. -
ABSTRACT NORMAN, MATTHEW ROSS. Investigation of Higher
ABSTRACT NORMAN, MATTHEW ROSS. Investigation of Higher-Order Accuracy for a Conservative Semi-Lagrangian Discretization of the Atmospheric Dynamical Equations. (Under the direction of Dr. Fredrick H. M. Semazzi.) This study considers higher-order spatial and temporal methods for a conservative semi-implicit semi-Lagrangian (SISL) discretization of the atmospheric dynamical equations. With regard to spatial accuracy, new subgrid approximations are tested in the Conservative Cascade Scheme (CCS) SL transport algorithm. When developed, the CCS used the monotonic Piecewise Parabolic Method (PPM) to reconstruct cell variation. This study adapts four new non-polynomial methods to the CCS context: the Piecewise Hyperbolic Method (PHM), Piecewise Double Hy- perbolic Method (PDHM), Piecewise Double Logarighmic Method (PDLM), and Piecewise Rational Method (PRM) for comparison against PPM. Additionally, an adaptive hybrid ap- proximation scheme, PPM-Hybrid (PPM-H), is constructed using monotonic PPM for smooth data and local extrema and using PHM for steep jumps where PPM typically suffers large accuracy degradation. Smooth and non-smooth data profiles are transported in 1-D, 2-D Cartesian, and 2-D spher- ical frameworks under uniform advection, solid body rotation, and deformational flow. Accu- racy is compared in the L1 error measure. PHM performed up to five times better than PPM for smooth functions but up to two times worse for non-smooth functions. PRM performed very similarly to PPM for non-smooth functions but the order of convergence was worse than PPM for smooth data. PDHM performed the worst of all of the non-polynomial methods for almost every test case. PPM-H outperformed both PPM and all of the new methods for all test cases in all geometries offering a robust advantage in the CCS scheme. -
United Kingdom Distribution Points
United Kingdom Distribution to national, regional and trade media, including national and regional newspapers, radio and television stations, through proprietary and news agency network of The Press Association (PA). In addition, the circuit features the following complimentary added-value services: . Posting to online services and portals with a complimentary ReleaseWatch report. Coverage on PR Newswire for Journalists, PR Newswire's media-only website and custom push email service reaching over 100,000 registered journalists from 140 countries and in 17 different languages. Distribution of listed company news to financial professionals around the world via Thomson Reuters, Bloomberg and proprietary networks. Releases are translated and distributed in English via PA. 3,298 Points Country Media Point Media Type United Adones Blogger Kingdom United Airlines Angel Blogger Kingdom United Alien Prequel News Blog Blogger Kingdom United Beauty & Fashion World Blogger Kingdom United BellaBacchante Blogger Kingdom United Blog Me Beautiful Blogger Kingdom United BrandFixion Blogger Kingdom United Car Design News Blogger Kingdom United Corp Websites Blogger Kingdom United Create MILK Blogger Kingdom United Diamond Lounge Blogger Kingdom United Drink Brands.com Blogger Kingdom United English News Blogger Kingdom United ExchangeWire.com Blogger Kingdom United Finacial Times Blogger Kingdom United gabrielleteare.com/blog Blogger Kingdom United girlsngadgets.com Blogger Kingdom United Gizable Blogger Kingdom United http://clashcityrocker.blogg.no Blogger -
Anticipated Acquisition by Capital Radio Plc of GWR Group Plc
Anticipated acquisition by Capital Radio Plc of GWR Group Plc The OFT's decision on reference under section 33(1) given on 22 December 2004 PARTIES 1. Capital Radio Plc (Capital) is a commercial radio group, providing 21 local analogue stations and 58 digital programme stations, including the Capital FM Network, Capital Gold, Century FM, Xfm and Choice FM. Capital owns outright four local digital multiplexes1, has a 50 per cent holding in three more and minority interests in a further seven. For the financial year to September 2004, Capital’s turnover was £119.9m. 2. GWR Group Plc (GWR) is a commercial radio group that owns Classic FM and 30 local analogue licences (providing 36 local stations) and 35 digital programme stations. It owns a controlling interest in the national commercial digital multiplex operator, controls 14 local digital multiplexes and has a minority investment in one London multiplex. GWR also has a minority shareholding in Classic Gold Digital Limited (CGDL), which owns 18 AM licences and digital services. For the financial year to March 2004, GWR’s turnover was £128.7m. 3. Both GWR and Capital Radio have shareholdings in Independent Radio News Limited (IRN) (Capital 45.64 per cent and GWR 8.97 per cent) and in Hit40UK Limited (Hit40UK) (Capital 38.1 per cent, GWR 34.2 per cent). These organisations, respectively, provide a national news service (Newslink) and a music chart show to radio stations of different groups across the UK in return for advertising space, which is currently sold by Capital (as an agent for IRN and Hit40UK). -
Broadcast Bulletin Issue Number
O fcom Broadcast Bulletin Issue number 126 26 January 2009 1 Ofcom Broadcast Bulletin, Issue 126 26 January 2009 Contents Introduction 3 Notice of Sanction ITV Broadcasting Limited Breach of Channel 3 licence conditions in respect of ‘Out of London’ production in 2006 and 2007 4 Channel Television Ltd STV Central Ltd and STV North Ltd UTV Ltd Breach of Channel 3 licence conditions in respect of ‘Out of London’ production in 2006 and 2007 5 Standards cases In Breach Beat: Life on the Street ITV1, Series 1: 29 October - 3 December 2006, 18:00 and Series 2: 27 January - 2 March 2008, 18:00 6 Now That’s What I Call Music Chart Chart Show TV, 18 November 2008, 16:00 12 Pizza Man by Cisco Kid Clubland TV, 4 November 2008, 19:30 13 Not In Breach Steve Sutherland Galaxy Birmingham, 29 November 2008, 21:55 14 Fairness & Privacy cases There are no Fairness and Privacy cases in this issue of the bulletin Other programmes not in breach/resolved 16 2 Ofcom Broadcast Bulletin, Issue 126 26 January 2009 Introduction The Broadcast Bulletin reports on the outcome of investigations into alleged breaches of those Ofcom codes which broadcasting licensees are required to comply. These include: a) Ofcom’s Broadcasting Code (“the Code”) which took effect on 25 July 2005 (with the exception of Rule 10.17 which came into effect on 1 July 2005). This Code is used to assess the compliance of all programmes broadcast on or after 25 July 2005. The Broadcasting Code can be found at http://www.ofcom.org.uk/tv/ifi/codes/bcode/ b) the Code on the Scheduling of Television Advertising (“COSTA”) which came into effect on 1 September 2008 and contains rules on how much advertising and teleshopping may be scheduled in programmes, how many breaks are allowed and when they may be taken. -
Capital Birmingham Should Not Be Allowed to Make the Changes to The
Spence, Mr Consultation question: Should regional radio station Capital FM (Birmingham) be permitted to make the changes to its Character of Service as proposed with particular regard to the statutory criteria as set out in the summary? (The Broadcasting Act 1990 Section 106 (1A) (b) and (d) relating to Format changes). Capital Birmingham should not be allowed to make the changes to the Character of Service as this would essentially change the station from am urban/black music station to a hit music station format which can potentially stop playing urban music if they wanted to if in the future it becomes less mainstream. The format change represents a real danger to the radio landscape in Birmingham as it can so significantly reduce the choice of music available in the area over time. It will make the station sound too similar to it's main competitors in the area on FM. I am not happy with the decision in particular to remove the commitment to listeners of African or Afro-Caribbean origin in terms of content and music. I do not believe the music output of Capital Birmingham should be allowed to be aligned to that of Yorkshire or London without a readvertisement of the license as the change requested is far too significant. I believe that the format must retain the words 'URBAN CONTEMPORARY BLACK MUSIC' and 'REGGAE, RnB AND HIP HOP' in order to be an acceptable request. The new requested format is already provided in much better quality by BBC Radio 1. I am not happy with the way the station has been allowed to gradually change from Choice FM in the mid 90s to the present day Capital FM with such a dramatic change in music output despite only slight changes to the official OFCOM agreed station format, while Choice London and Capital FM co-exist in London providing 2 very different sounding services. -
Localness on Commercial Radio Full Name Erzsebet “Erzsie” Nagy Contact Phone Number N/A Representing (Delete As Appropriate) Self Organisation Name N/A
Consultation response form Consultation title Localness on commercial radio Full name Erzsebet “Erzsie” Nagy Contact phone number N/A Representing (delete as appropriate) Self Organisation name N/A Your response Question Your response Question 1: Do you agree that Ofcom’s duty to secure ‘localness’ on local commercial radio Before I write anything, I should state that I am stations could be satisfied if stations were able a U.S. citizen and do not reside in the United to reduce the amount of locally-made Kingdom or have British citizenship, but have programming they provide? If not, please visited occasionally and know of people in the explain the reasons and/or evidence which UK. support your view. There was nothing in the Ofcom rules that stated a U.S. citizen could not participate, so I have decided to participate anyway. All content is original research. ---- Localness should never be reduced on local commercial radio stations. There is research to back this up, proven by statistical research from 2008-2014. There is substantial research that proves listeners value local content to some extent, and not just in major circumstances like floods, terrorist attacks, fire, major emergencies. Rather than reducing local-made programming, some radio stations should be, by statutory requirement, have as much local programming and content as necessary. There is substantial evidence from American researchers – 2004, 2008, 2012, 2014 that proved listeners value locality as a major selling point. Unofficial research in 2007 has proved this. No station should be local for only 3 hours a day, whatever the day of week. -
All Time Compilation Logbook by Date/Time
SKYWAVES Produced by: The British FM & TV Circle 15 Boarhill Grove DX Loggings, News Ashfield Park and Information for SUTTON-IN-ASHFIELD FM & TV DXers Nottinghamshire NG17 1HF All Time Compilation Logbook FREQ TIME DATE ITU STATION RDS CODE SIGNAL M RP 87.6 1998 D BR-4, Dillberg. D314 M JF 87.6 1998 D NDR-2, Hamburg. D382 M JF 87.6 - - - - reg G Rinse FM, Slough. pirate. Different to 100.3 Rinse FM 8760 RINSE_FM v strong GMH 87.6 HNG Slager R, Gyor (presumed) B206 M JF 87.6 1998 HNG Slager Radio, Gyšr. _SLAGER_ MJF 87.6 1998 NOR NRK Hedmark, Nordhue. F701 NRK_HEDM MJF 87.6 1998 S SR-1, 3 high power sites. E201 -SR_P1-_ MJF 87.6 SVN R Slovenia 202, un-id site. 63A2 M JF 87.7 D MDR Kultur, Chemnitz D3C3 M PW 87.7 1998 D MDR Kultur, Chemnitz. D3C3 M JF 87.7 1998 D NDR-4, Flensburg. D384 M JF 87.7 reg reg/1997 F France Culture, Strasbourg. Frequently pops up on meteor scatter. _CULTURE v good M JF Some very good peaks in May, up to 2 seconds. 87.7 1998 F France Culture, Strasbourg. F202 _CULTURE MJF 87.7 1998 FNL YLE-1, Eurajoki most likely, though other txÕs also here. 6201 M JF 87.7 ---- 1998 G Student RSL station in Lincoln? Regular. Many ID's & students! fair T JF 87.7 1998 I R Company? un-id site. 5350 M JF 87.7 1998 S SR-1, Halmastad. E201 M JF 87.7 1998 SVK Fun R Bratislava, Kosice. -
Basisdaten 2016 1
Verzeichnis der Tabellen und Grafiken Media Perspektiven Basisdaten 2016 1 Seite Rundfunk: Programmangebot und Empfangssituation TV-Haushalte nach Empfangsebenen in Deutschland 2016 4 Empfangspotenzial der deutschen Fernsehsender 2016 4 Öffentlich-rechtlicher Rundfunk: Erträge/Leistungen Rundfunkgebühren/Rundfunkbeitrag 6 Erträge aus der Rundfunkgebühr bzw. dem Rundfunkbeitrag 7 Werbefunkumsätze der ARD-Werbung 7 Werbefernsehumsätze von ARD und ZDF 7 Programmleistung der ARD 2015: Erstes Fernsehprogramm 8 Programmleistung von ARD und ZDF für KiKA und Phoenix 2015 8 Programmleistung von ARD und ZDF für Arte 2015 9 Programmleistung des ZDF 2015 9 Programmleistung von 3sat 2015 10 Programmleistung von Deutschlandradio 2015 10 Programmleistung der Deutschen Welle 2015 11 Programmleistung der ARD 2015: Hörfunk 11 Privater Rundfunk: Erträge/Leistungen Werbeumsätze privater Hörfunkanbieter 12 Bruttowerbeumsätze privater Fernsehanbieter 12 Programmleistung von RTL 2015 13 Programmleistung von ProSieben 2015 14 Programmleistung von Sat.1 2015 14 Programmleistung von VOX 2015 14 Programmleistung von Super RTL 2015 15 Programmleistung von RTL II 2015 15 Programmleistung von kabel eins 2015 16 Programmleistung von Sport1 2015 16 Programmprofile im dualen Rundfunksystem Spartenprofile von Das Erste, ZDF, RTL, Sat.1 und ProSieben 2013 bis 2015 17 Programmstruktur 2015: Sparten und Formen von Das Erste, ZDF, RTL, Sat.1 und ProSieben 19 Themenstruktur der wichtigsten Nachrichtensendungen von ARD, ZDF, RTL und Sat.1 22 Themenkategorien und ausgewählte -
Bauer Media Group Phase 1 Decision
Completed acquisitions by Bauer Media Group of certain businesses of Celador Entertainment Limited, Lincs FM Group Limited and Wireless Group Limited, as well as the entire business of UKRD Group Limited Decision on relevant merger situation and substantial lessening of competition ME/6809/19; ME/6810/19; ME/6811/19; and ME/6812/19 The CMA’s decision on reference under section 22(1) of the Enterprise Act 2002 given on 24 July 2019. Full text of the decision published on 30 August 2019. Please note that [] indicates figures or text which have been deleted or replaced in ranges at the request of the parties or third parties for reasons of commercial confidentiality. SUMMARY 1. Between 31 January 2019 and 31 March 2019 Heinrich Bauer Verlag KG (trading as Bauer Media Group (Bauer)), through subsidiaries, bought: (a) From Celador Entertainment Limited (Celador), 16 local radio stations and associated local FM radio licences (the Celador Acquisition); (b) From Lincs FM Group Limited (Lincs), nine local radio stations and associated local FM radio licences, a [] interest in an additional local radio station and associated licences, and interests in the Lincolnshire [] and Suffolk [] digital multiplexes (the Lincs Acquisition); (c) From The Wireless Group Limited (Wireless), 12 local radio stations and associated local FM radio licences, as well as digital multiplexes in Stoke, Swansea and Bradford (the Wireless Acquisition); and (d) The entire issued share capital of UKRD Group Limited (UKRD) and all of UKRD’s assets, namely ten local radio stations and the associated local 1 FM radio licences, interests in local multiplexes, and UKRD’s 50% interest in First Radio Sales (FRS) (the UKRD Acquisition). -
Q4 2013 Rajar Results Bauer Radio Records Highest Ever
Q4 2013 RAJAR RESULTS BAUER RADIO RECORDS HIGHEST EVER AUDIENCE OF OVER 16.4 MILLION - Bauer Radio achieves highest ever reach, hours and share - Bauer’s Passion Portfolio reaches 10m listeners for first time - Nationally, Kiss UK hits 5m listeners and records highest ever hours and share - Absolute 80s, Planet Rock & Kisstory claim commercial 1-2-3 for digital stations Bauer’s Passion Portfolio is the home of passionate, iconic national brands dedicated to music and entertainment: The Passion Portfolio recorded its highest-ever reach of 10m adults each week The newly acquired Absolute Radio Network performed strongly, reaching 3.5m listeners (adding almost 250,000 listeners, an increase of 7.5% yoy) Nationally, The Christian O’Connell Breakfast Show reached 1.4m listeners (up 4.0% yoy) Absolute Radio 80s remains the no. 1 commercial digital station, reaching 1.2m listeners (up 33% yoy) with hours up 27% yoy Planet Rock, the second most popular commercial digital station, reached 1.1m listeners (adding over 250,000 listeners yoy) with an impressive increase in listening hours up almost a third yoy Nationally, Kiss performed strongly, reaching over 5m adults each week (up 18% yoy) with its highest ever share & highest ever total hours (up 19% yoy) In London, Kiss 100 is the no.2 commercial station for reach with 1.83m listeners and the market-leader for both 15-24 and 15-34 year olds Rickie, Melvin and Charlie in the Morning had a strong quarter reaching almost 1.6m listeners across the UK Kisstory continues to grow in popularity since launching last May – now reaching 927,000 listeners each week heat radio reached 714,000 listeners. -
Metro Radio Is Very Much in Touch with ‘Love of Life Round Here’
1 2 With Key 103 & Magic 1152’s weekly audience of 532,000 we can fill the Manchester Arena capacity 25 times! Source: RAJAR, Key 103 TSA. 6 Months, PE Sep 2012. Key 103 & Magic 1152 = Bauer Manchester 3 AUDIENCE POTENTIAL : 2,445,000 Male = 1,211,000 Female = 1,234,000 Source: RAJAR, Key 103 TSA. 6 Months, PE Sep 2012. 4 “Key 103 & Magic 1152 – Still Manchester’s Number One” • Key 103 and Magic 1152 retain their position as the commercial market leader in Greater Manchester with 532,000 listeners tuning into the stations each week. • Key 103’s Mike and Chelsea is Manchester’s most listened to commercial Breakfast show with 320,000 listeners tuning in each week, and OJ Borg’s Home time show continues to grow, increasing the station’s share in the afternoon to 8.9% (from 8) • In our core 25–44 demographic Key 103 remains number 1 for reach & share commercially, with a 17% higher share than Capital and 97.2% higher share for the demo than Smooth Source: RAJAR, Key 103 TSA. 6 Months, PE Sep 2012. Key 103 & Magic 1152 = Bauer Manchester 5 Combined Audience Mixed of adult contemporary music with unrivalled news and sports coverage, phone-ins and local information 61% 53% 47% 44% 39% 34% 22% Men Wome n 15 -24 25- 44 45+ ABC1 C2DE This shows a breakdown of our demographic here at Key103 & Magic 1152 to show a representation of the type of listeners we have and potential customers you could have. Breakdown by gender, age & social class in percentages respectively.