Mediterranean Youth Orchestra • Enoa • Medinea

Total Page:16

File Type:pdf, Size:1020Kb

Mediterranean Youth Orchestra • Enoa • Medinea Festival d’Aix-en-Provence 69th EDITION l JULY 3RD - 22ND 2017 l PRESS PACK Opera • COnCerts • tOUrs • aCadémie dU Festival d’aix mediterranean YOUtH OrCHESTRA • enOa • medinea PRess OFFICE valérie Weill i [email protected] i +33 6 85 22 74 66 Christine delterme Guillaume poupin rémy tartanac sUmmarY opera pages 4 - 7 concerts pages 8 - 9 académie du festival d’aix pages 10 - 14 tours pages 15 - 17 3 OPERA 4 PHILIPPE BOESMANS PINOCCHIO WORLD PREMIERE adapted from the play by Joël pommerat conductor Emilio pomarico director Joël pommerat set and lighting designer Eric soyer costume designer Isabelle deffin le pantin Chloé Briot* Commissioned by the Festival d’aix le mauvais élève /la chanteuse Julie Boulianne Co-production: la monnaie / de munt, la fée Marie-eve munger* Opéra de dijon le directeur de la troupe stéphane degout* un escroc / un meurtrier Yann Beuron GRAND tHéÂTRE DE PROVENCe le père / un meurtrier Vincent le texier From 3rd to 16th July 2017 orchestra Klangforum *Former artists of the académie du Festival d’aix GEORGES BIZET CARMEN New PRODucTION conductor Pablo Heras-Casado director and set design Dmitri tcherniakov lighting designer Gleb Filshtinsky costume designer Elena Zaitseva carmen stéphanie d’Oustrac* don josé Michael Fabiano micaëla Elsa dreisig* escamillo Teddy tahu rhodes frasquita Gabrielle philiponet mercédès Virginie verrez le dancaïre Marc mauillon le remendado Mathias vidal* zuniga Christian Helmer moralès Guillaume andrieux* chorus Chœur aedes maîtrise des GRAND tHéÂTRE DE PROVENCe Bouches-du-rhône From 4th to 20th July 2017 orchestra Orchestre de paris *Former artists of the académie du Festival d’aix 5 IGOR STRAVINSKY THE RAKE’S PROGRESS STRAVINSKY CYCLE NEW PRODUCTION conductor Daniel Harding director Simon mcBurney set designer Michael levine lighting designer Paul Anderson costume designer Christina Cunningham tom rakewell Paul appleby nick shadow Kyle Ketelsen ann trulove Julia Bullock baba the turk andrew Watts mother goose Hilary summers trulove NN Co-production: dutch national Opera sellem alan Oke tHéÂTRE DE l’ARCHEVÊCHé chorus English voices From 5th to 18th July 2017 orchestra Orchestre de paris WOLFGANG AMADEUS MOZART DON GIOVANNI NEW PRODUCTION conductor Jérémie rhorer director Jean-François sivadier set designer Alexandre de dardel lighting designer Philippe Berthomé costume designer Virginie Gervaise don giovanni Philippe sly leporello Nahuel di pierro dona anna Eleonora Buratto don ottavio Pavol Breslik Co-production: Opéra national de donna elvira Isabel leonard lorraine, les théâtres de la ville de zerlina Julie Fuchs* luxembourg, teatro Communale di masetto Krzysztof Bączyk* Bologna il commendatore NN tHéÂTRE DE l’ARCHEVÊCHé chorus English voices From 6th to 21th July 2017 orchestra Le Cercle de l’Harmonie *Former artists of the académie du Festival d’aix 6 FRANCESCO CAVALLI ERISMENA NEW PRODUCTION OF THE L’ACADÉMIE DU FESTIVAL D’AIX conductor Leonardo García alarcon director & set and lighting designer Jean Bellorini costume designer Macha makeieff erismena Francesca aspromonte* idraspe Carlo vistoli* clerio moro Tai Honey aldimira Susanna Hurrell alcesta Stuart Jackson* orimeno NN Co-production: innsbrucker Festwochen argippo Andrea vincenzo Bonsignore * der alten musik, les théâtres de la ville flerida Lea desandre* de luxembourg erimante Alexander miminoshvili* diarte Jonathan abernethy tHéÂTRE dU JeU DE PAUME From 7th to 21st July orchestra Cappella mediterranea *Former artists of the académie du Festival d’aix PIOTR ILITCH TCHAIKOVSKY EUGENE ONEGIN CONCERT VERSION conductor Tugan sokhiev With soloists, chorus and orchestra from the GRAND tHéÂTRE DE PROVENCe state academic Bolshoi theatre of russia mercredi 19 juillet 2017 7 CONCERTS 8 The detailled programme will be annouced in January 2017 AIX EN juIN Prélude to the Festival d’Aix-en-Provence master classes, concerts and performances of the académie Concerts of the HsBC laureates of the académie les voix de silvacane Festival Choral académique Parade[s] CONceRTS OF The MEDITERRANeaN YOUTH ORchesTRA CONceRTS AND OUTREACH PROjecTS WitH tHe Cellist Sonia Wieder-atHertOn as a musician who loves venturing off the beaten track, sonia Wieder-atherton has filled her journey as an international soloist with experiences and Odyssées [Odysseys] to use the title of her decade-long musical adventure. Her cello improvises dialogues with “imaginary choruses” using vocals from around the world that are mixed and transcribed on magnetic tape. in partnership with the Festival Choral académique de l’académie aix-marseille and in association with the Conservatoire darius milhaud d’aix-en-provence, the Festival d’aix is launching a project going back to where the journey began for 2017. sonia Wieder-atherton and philippe Franceschi will prepare and train students throughout the 2016/17 season with the involvement of choirs from in and around the city. the first series of performances will be held in June 2017 at the Conservatoire darius milhaud as part of aix en Juin followed by a series in manosque where the cellist will improvise live with the choruses joining her on stage directed by philippe Franceschi. in July 2017, the idea of this concert will be covered by the Festival d’aix with magnetic tape as the chorus’ work will be subject to an audio and spatialisation creation. 9 20th AcaDÉMIE DU FesTIval D’AIX 10 the académie du Festival d’aix is a centre of excellence for vocal and instrumental training, a platform for reflecting, experimenting and creating opera and innovative forms, and a place that caters for the professional development of young artists. it offers them the opportunity to take part in residencies and perform in concerts and opera productions at the Festival d’aix as well as on tours across France and abroad throughout the year. through its four main training areas, which are voice, chamber music, creation and orchestra, the académie upholds the values of exchange, development and cultural enrichment in the form of multidisciplinary and intercultural activities, creation and outreach for all of its programmes. last but not least, through its networks, enoa (european network of Opera academies) and médinea (mediterranean incubator of emerging artists), the académie promotes mobility for young artists within the euro-mediterranean area all year round, in order to encourage artistic and cultural meetings. 2017 TRAINING PROGRAMME These workshops and residences provide practice sessions for selected young artists around the world followed by public performances in the form of concerts, masterclasses and encounters with the public. FROM 12TH TO 24TH JUNE 2017 MOzaRT RESIDENCY – as part of the enoa ever since the curtain was first raised on the Festival d’aix, it has always featured mozart. it’s no surprise then that the académie has become a key training and professional development venue for vocal coach pianists and singers wanting to develop and refine their interpretation of the mozartian repertoire. this singers’ residency will be dedicated to the austrian master and features stage and musical work directed by talented vocal coach pianists and a choreographer. ten singers and three pianists will have the opportunity to benefit from a rewarding experience with Susanna Eken, vocal professor at the royal danish academy of music. as a specialist in the mozart repertoire and a familiar face at the Festival d’aix, this peerless tutor will engage with mozart’s work by adopting a combined technical and physiological approach to the voice. FROM 13TH JUNE TO 16TH July 2017 PINOcchIO ResIDENcy the académie is greatly concerned about supporting modern music and promoting future artists. For several years now, it has offered a residency for singers seeking to develop their skills in a contemporary repertoire. spurred on by this desire, and at the request of composer, Philippe Boesmans, the 2017 Festival d’aix is recruiting six understudies (two sopranos, one mezzo-sopranos, one tenor, one baritone, one bass-baritone) to stage the Pinocchio opera. the singers will play a key part in this production, follow all the steps in its creative process and make the most of their time in aix-en-provence to broaden their understanding of the contemporary repertoire and contribute to new forms of writing through this residency reserved just for them. 11 FROM 21ST JUNE 21 TO 21ST July 2017 ERIsmeNA ResIDENcy to stage the Erismena opera by Francesco Cavalli for the 2017 Festival d’aix, young understudy singers will be recruited from the very first rehearsal to the last performance. these singers will be prepared for all eventualities, even replacing a singer who, for various reasons, could not perform or take part in the tours as planned. after being actively involved in rehearsals, the understudies will take part in a residency to supplement and broaden their knowledge of the baroque repertoire in its entirety. the understudy singers will be supervised by renowned musicians and have the chance to explore drama as well as expressive and stylistic trends of a multi-faceted repertoire through the prism of the venetian school. FROM 26TH JUNE TO 5TH July 2017 OpeRA CReaTION WORkshOP – as part of the enoa the Opera Creation Workshop is open each year to young creators from all disciplines and is a place for reflection and discussion on artistic opera-related issues. this workshop seeks to define current values of opera and the tasks it will assume in the future. the British stage director, Katie Mitchell, and composer, Philippe Boesmans, will open the debate on current opera creation together with its multi-disciplinary guise and enlighten it with their own experiences. FROM 3RD TO 15TH July 2017 ChambeR MusIC ResIDENcy violinists, András Keller (member of the Keller Quartet) and David Alberman (member of the london symphony Orchestra) are combining their talents as artists and tutors for the benefit of young ensembles (string quartets and piano trios) wanting to refine their approach to all repertoires, from classic to contemporary music. this residency will be the ideal opportunity to open up to contemporary creation and get to grips with new languages by working alongside current composers.
Recommended publications
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
    CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music.
    [Show full text]
  • FY19 Annual Report View Report
    Annual Report 2018–19 3 Introduction 5 Metropolitan Opera Board of Directors 6 Season Repertory and Events 14 Artist Roster 16 The Financial Results 20 Our Patrons On the cover: Yannick Nézet-Séguin takes a bow after his first official performance as Jeanette Lerman-Neubauer Music Director PHOTO: JONATHAN TICHLER / MET OPERA 2 Introduction The 2018–19 season was a historic one for the Metropolitan Opera. Not only did the company present more than 200 exiting performances, but we also welcomed Yannick Nézet-Séguin as the Met’s new Jeanette Lerman- Neubauer Music Director. Maestro Nézet-Séguin is only the third conductor to hold the title of Music Director since the company’s founding in 1883. I am also happy to report that the 2018–19 season marked the fifth year running in which the company’s finances were balanced or very nearly so, as we recorded a very small deficit of less than 1% of expenses. The season opened with the premiere of a new staging of Saint-Saëns’s epic Samson et Dalila and also included three other new productions, as well as three exhilarating full cycles of Wagner’s Ring and a full slate of 18 revivals. The Live in HD series of cinema transmissions brought opera to audiences around the world for the 13th season, with ten broadcasts reaching more than two million people. Combined earned revenue for the Met (box office, media, and presentations) totaled $121 million. As in past seasons, total paid attendance for the season in the opera house was 75%. The new productions in the 2018–19 season were the work of three distinguished directors, two having had previous successes at the Met and one making his company debut.
    [Show full text]
  • 660464-65 Itunes Massenet
    MASSENET Don César de Bazan Naouri • Dreisig • Lebègue • Bettinger • Helmer • Moungoungou Ensemble Aedes • Les Frivolités Parisiennes Mathieu Romano Jules Émile Frédéric CD 1 74:18 1 Overture 5:48 MA(S184S2–E191N2) ET Act I. Street in Madrid 2 Don César de Bazan (1872) (second version, 1888) No. 1. Introduction: Dès que ton tambour sonne – Ballade aragonaise: Par un frais sentier 5:34 (Chorus, Maritana) 3 Opéra-comique in four acts and four tableaux Scène, Prière et Strette: C’est elle!… – Libretto by Adolphe Philippe d’Ennery (1811–1899), No. 2. Mélodie: L’amour, un amour implacable 8:21 (Charles II, Don José, Maritana, Chorus) Dumanoir (Philippe François Pinel) (1806–1865) 4 No. 3. Air: Partout où l’on chante 3:30 and Jules Chantepie (1843–1885) (Don César) 5 First performance: Paris, Opéra-Comique (Salle Favart 2), No. 4. Quatuor: Le voilà! 6:53 (Captain, Don César, Lazarille, Don José) 30 November 1872 6 No. 5. Finale: Bohème charmante 7:20 Don César de Bazan, a nobleman . Laurent Naouri, Baritone (Chorus, Maritana, Don José, Don César, Alcade, Lazarille) Maritana, a Gypsy street-singer . Elsa Dreisig, Soprano Act II. In a fortress Lazarille, a boy, apprentice arquebusier . Marion Lebègue, Mezzo-soprano 7 Entr’acte 1:59 King Charles II of Spain . Thomas Bettinger, Tenor 8 No. 6. Berceuse: Dors, ami 4:01 Don José de Santarém, first minister to the King . Christian Helmer, Baritone (Lazarille) 9 Captain of the Guard . Christian Moungoungou, Baritone No. 7. Couplets: Riche, j’ai semé les richesses 2:31 (Don César) Men and Women folk, Soldiers, Arquebusiers, 0 No.
    [Show full text]
  • The Royal Opera House Presents a Cinema Festival This Christmas – Kids Go Free!
    Wednesday 7 November 2018 The Royal Opera House presents a Cinema Festival this Christmas – kids go free! The Royal Opera House will launch its first ever Cinema Festival on Monday 3 December in the newly refurbished Linbury Theatre in the heart of Covent Garden. Children can go free to all Saturday and Sunday cinema matinée performances and to The Nutcracker on 3 December. Launching with the live screening of The Nutcracker on 3 December and running until 6 January 2019, the Cinema Festival will feature 21 titles that celebrate the breadth of ballet and opera repertory shown in cinemas since our first broadcast ten years ago. Tickets on sale Thursday 8 November at 10am. Production photo of The Nutcracker © ROH. Photography by Tristram Kenton, 2013 Specially curated, free-for-children screenings include The Nutcracker live (3 December, 7.15pm), La Fille mal gardée (8 December, 2pm), The Magic Flute (9 December, 4pm), Alice’s Adventures in Wonderland For all Royal Opera House press releases visit www.roh.org.uk/for/press- and-media (15 December, 2pm), Cendrillon (16 December, 4pm), both Anthony Dowell’s and Liam Scarlett’s versions of Swan Lake (22 December, 2pm, and 5 January, 2pm, respectively), The Winter’s Tale (23 December, 4pm) and Romeo and Juliet (29 December, 2pm). Richard Jones’s staging of La bohème (30 December, 4pm) and Giselle which brings the cinema festival to an end on 6 January at 4pm. Further highlights include The Royal Ballet’s Sylvia (7 December, 7pm, featuring former Royal Ballet Principal Darcey Bussell and Guest Artist Roberto Bolle), John Copley’s acclaimed Royal Opera production (which ran for 41 years) of La bohème (8 December, 7pm, featuring Hibla Gerzmava and Teodor Ilincai), La traviata featuring soprano Renée Fleming and tenor Joseph Calleja (15 December, 7pm), Otello (21 December, 7pm, featuring German tenor Jonas Kaufmann) and Manon, featuring current Royal Ballet Principals Sarah Lamb and Vadim Muntagirov (28 December, 7pm).
    [Show full text]
  • Digital Concert Hall
    Digital Concert Hall Streaming Partner of the Digital Concert Hall 21/22 season Where we play just for you Welcome to the Digital Concert Hall The Berliner Philharmoniker and chief The coming season also promises reward- conductor Kirill Petrenko welcome you to ing discoveries, including music by unjustly the 2021/22 season! Full of anticipation at forgotten composers from the first third the prospect of intensive musical encoun- of the 20th century. Rued Langgaard and ters with esteemed guests and fascinat- Leone Sinigaglia belong to the “Lost ing discoveries – but especially with you. Generation” that forms a connecting link Austro-German music from the Classi- between late Romanticism and the music cal period to late Romanticism is one facet that followed the Second World War. of Kirill Petrenko’s artistic collaboration In addition to rediscoveries, the with the orchestra. He continues this pro- season offers encounters with the latest grammatic course with works by Mozart, contemporary music. World premieres by Beethoven, Schubert, Mendelssohn, Olga Neuwirth and Erkki-Sven Tüür reflect Brahms and Strauss. Long-time compan- our diverse musical environment. Artist ions like Herbert Blomstedt, Sir John Eliot in Residence Patricia Kopatchinskaja is Gardiner, Janine Jansen and Sir András also one of the most exciting artists of our Schiff also devote themselves to this core time. The violinist has the ability to capti- repertoire. Semyon Bychkov, Zubin Mehta vate her audiences, even in challenging and Gustavo Dudamel will each conduct works, with enthusiastic playing, technical a Mahler symphony, and Philippe Jordan brilliance and insatiable curiosity. returns to the Berliner Philharmoniker Numerous debuts will arouse your after a long absence.
    [Show full text]
  • Love Forbidden, Not Forgotten
    2011-2012 Season Love forbidden, not forgotten Luisa Fernanda La rondine Rigoletto Roméo & Juliette LUISA FERNANDA SUBSCRIBERS SEE © Javier del Real for Teatro Real LA RONDINE 4 OPERASFORTHEPRICEOF © Carol Rosegg for New York City Opera RIGOLETTO © Ken Howard for San Diego Opera ROMÉO & JULIETTE 3 © Michal Daniel for The Minnesota Opera Dear Florida Grand Opera Subscriber, I am delighted to invite you to join us for Florida Grand Opera’s 2011-2012 season, which will begin with our first-ever presentation of a zarzuela, Federico Moreno Torroba’s Luisa Fernanda, in a remarkable production from Madrid’s Teatro Real. Zarzuela, a traditional form of Spanish musical theater, has been championed by the world’s great Hispanic opera singers, including Montserrat Caballé, Pilar Lorengar, Alfredo Kraus, and Teresa Berganza. The great tenor Plácido Domingo actually began his magnificent career singing zarzuela and has kept it in his repertory over the years. This Teatro Real production has been seen at Milan’s La Scala, Washington National Opera, and Los Angeles Opera, and we are proud to be able to present it to our Maestro Ramon Tebar and Bob Heuer South Florida audience. It promises to be a highlight of the season. The season will also include Florida Grand Opera’s first-ever production of Puccini’s La rondine, which has been enjoying renewed worldwide popularity, and truly remarkable artists in productions of Verdi’s Rigoletto and Gounod’s Roméo et Juliette. I hope you will join me in welcoming FGO’s new Music Director, Ramon Tebar, who will assume that role during the 2011-2012 season.
    [Show full text]
  • Season Premiere of Tosca Glitters
    2019–20 Season Repertory and Casting Casting as of November 12, 2019 *Met debut The Gershwins’ Porgy and Bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin New Production Sep 23, 27, 30, Oct 5mat, 10, 13mat, 16, Jan 8, 11, 15, 18, 24, 28, Feb 1mat Conductor: David Robertson Bess: Angel Blue/Elizabeth Llewellyn* Clara: Golda Schultz/Janai Brugger Serena: Latonia Moore Maria: Denyce Graves Sportin’ Life: Frederick Ballentine* Porgy: Eric Owens/Kevin Short Crown: Alfred Walker Jake: Ryan Speedo Green/Donovan Singletary Production: James Robinson* Set Designer: Michael Yeargan Costume Designer: Catherine Zuber Lighting Designer: Donald Holder Projection Designer: Luke Halls The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund Additional funding from Douglas Dockery Thomas Manon Jules Massenet Sep 24, 28mat, Oct 2, 5, 19, 22, 26mat ____________________________________________________________________________________________________________ PRESS DEPARTMENT The Metropolitan Opera Press: 212.870.7457 [email protected] 30 Lincoln Center Plaza General: 212.799.3100 metopera.org New York, NY 10023 Fax: 212.870.7606 Conductor: Maurizio Benini Manon: Lisette Oropesa Chevalier des Grieux: Michael Fabiano Guillot de Morfontaine: Carlo Bosi Lescaut: Artur Ruciński de Brétigny: Brett Polegato* Comte des Grieux: Kwangchul Youn Production: Laurent Pelly Set Designer: Chantal Thomas Costume Designer: Laurent Pelly Lighting Designer: Joël Adam Choreographer: Lionel Hoche Associate Director: Christian Räth A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B.
    [Show full text]
  • Opera Bands and Artists List
    Opera Bands and Artists List Szeged Symphony https://www.listvote.com/lists/music/artists/szeged-symphony-orchestra-265888/albums Orchestra Marek Torzewski https://www.listvote.com/lists/music/artists/marek-torzewski-11768532/albums Frederic Toulmouche https://www.listvote.com/lists/music/artists/frederic-toulmouche-20001877/albums Dominique Girod https://www.listvote.com/lists/music/artists/dominique-girod-16056863/albums Livia Budaï-Batky https://www.listvote.com/lists/music/artists/livia-buda%C3%AF-batky-26988123/albums Vitaliy Kil'chevskiy https://www.listvote.com/lists/music/artists/vitaliy-kil%27chevskiy-19850392/albums Yaniv D'Or https://www.listvote.com/lists/music/artists/yaniv-d%27or-16131484/albums Malvīne Vīgnere- https://www.listvote.com/lists/music/artists/malv%C4%ABne-v%C4%ABgnere-gr%C4%ABnberga- Grīnberga 16363082/albums Rosa Rimoch https://www.listvote.com/lists/music/artists/rosa-rimoch-29419597/albums Karine Babajanyan https://www.listvote.com/lists/music/artists/karine-babajanyan-18628035/albums Jean-Baptiste Mathieu https://www.listvote.com/lists/music/artists/jean-baptiste-mathieu-11927434/albums Opera Las Vegas https://www.listvote.com/lists/music/artists/opera-las-vegas-16960608/albums Vicente Forte https://www.listvote.com/lists/music/artists/vicente-forte-11954634/albums Albert Lim https://www.listvote.com/lists/music/artists/albert-lim-23887792/albums Alban Berg https://www.listvote.com/lists/music/artists/alban-berg-78475/albums Bedřich Diviš Weber https://www.listvote.com/lists/music/artists/bed%C5%99ich-divi%C5%A1-weber-79023/albums
    [Show full text]
  • LA VESTALE GASPARE SPONTINI Alessandro De Marchi & Eric Lacascade
    PRESS FILE OPERA LA VESTALE GASPARE SPONTINI Alessandro de Marchi & Eric Lacascade 13, 15, 17, 20, 22 October 2015 20:00 25 October 2015 15:00 CIRQUE ROYAL / KONINKLIJK CIRCUS Opéra en trois actes, version française Livret de Victor-Joseph Etienne de Jouy Premiere Salle Montsansier, Paris, 15/12/1807 NEW PRODUCTION I – INTRODUCTION WITH BIOGRAPHIES THE FLAMES OF THE VESTAL ALTAR SET THE SCORE ALIGHT Since La Vestale, not a note of music has been written that wasn’t stolen from my scores!’ Gaspare Spontini was himself aware of how innovative and influential his score was. He turned opera in a new direction by conceiving the whole score on the basis of a compelling dramatic conception involving naturalistic effects, orchestration, and musical form, thereby pointing the way for such opera composers as Rossini, Wagner, Berlioz, and Meyerbeer. As a grand opera it was ahead of its time and was full of spectacular scenes showing a Vestal Virgin’s forbidden love for a Roman general; it made Spontini the most important composer of the Napoleonic period. Here directing his first opera, the French stage director Éric Lacascade focuses on a highly topical subject: ‘More than passionate love, what is at stake in this opera is the liberation of a woman who frees herself from the power of religious authority.’ COMPOSER & WORK Born in 1774 in Italy, Gaspare Spontini (1774-1851) imposed a new style to French music, mixing his Neapolitan inspiration to the genre of French lyric tragedy and thus creating what may be termed as Grand Historic Opera. The Italian composer, who became French in 1817, began a brilliant career in Rome and Venice after his studies at the Royal Conservatory of Naples.
    [Show full text]
  • FY13 Annual Report View Report
    ANNUAL REPORT 2012–13 3 Introduction 5 Metropolitan Opera Board of Directors 7 2012–13 Season Repertory & Events 14 2012–13 Artist Roster 15 The Financial Results 46 Patrons Introduction The Metropolitan Opera’s 2012–13 season featured an extraordinary number of artistic highlights, earning high praise for new productions, while the company nevertheless faced new financial challenges. The Met presented seven new stagings during the 2012–13 season, including the Met premieres of Thomas Adès’s The Tempest and Donizetti’s Maria Stuarda, the second of the composer’s trilogy of Tudor operas (with the third installment planned for a future season). All seven new productions, plus five revivals, were presented in movie theaters around the world as part of the Met’s groundbreaking Live in HD series, which continued to be an important revenue source for the Met, earning $28 million. Combined earned revenue for the Met (Live in HD and box office) totaled $117.3 million. This figure was lower than anticipated as the company continued to face a flat box office, complicated by the effects of Hurricane Sandy, the aftermath of which had a negative impact of approximately $2 million. As always, the season featured the talents of the world’s leading singers, conductors, directors, designers, choreographers, and video artists. Two directors made stunning company debuts: François Girard, with his mesmerizing production of Parsifal on the occasion of Wagner’s bicentennial, and Michael Mayer, whose bold reimagining of Verdi’s Rigoletto in 1960 Las Vegas was the talk of the opera world and beyond. Robert Lepage returned to direct the highly anticipated company premiere of Thomas Adès’s The Tempest, with the composer on the podium.
    [Show full text]