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Microfilmed - 1064 Information to Users
MICROFILMED - 1064 INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they ari spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note wfll appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer o f a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—bepnning below the first row and continuing on until complete. -
Oscar-Winning Actress Jane Wyman Dies
Oscar-winning actress Jane Wyman dies RANCHO MIRAGE, Calif. – Oscar-winning actress Jane Wyman, once married to future president Ronald Reagan, joined the Catholic Church as an adult and became a benefactor to several Catholic causes. Ms. Wyman died Sept. 10 at her home in Rancho Mirage. The cause of death was not disclosed. While her age was placed at 90, other sources suggested she may have been 93. “The death of Ms. Wyman marks the loss not only of a great actress, but a great woman of faith and a personal friend,” said a Sept. 10 statement from Bishop Gerald R. Barnes of San Bernardino. “Her support of the work of the Catholic Church in the Coachella Valley and the Diocese of San Bernardino made possible many wonderful things, including the Blessed Junipero Serra House of Formation,” Bishop Barnes said. Ms. Wyman also was a strong supporter of Hollywood’s Covenant House and Our Lady of Angels Monastery. She also reportedly went to Mass with fellow Catholic actress Loretta Young, who died in 2000. She won an Oscar for her portrayal of deaf-mute Belinda McDonald, who is made pregnant from rape and becomes a source of scandal, in 1948’s “Johnny Belinda.” She also was nominated three other times for roles in “The Yearling” (1946), as the backwoods wife of Gregory Peck; “The Blue Veil” (1951), as a nursemaid viewed over many decades; and “Magnificent Obsession” (1954), as a blind woman romanced by the playboy who accidentally killed her husband. Her breakout role was in the 1938 movie “Brother Rat,” where she met Mr. -
Bob Crutchfield
Deutscher FALCON CREST - Fanclub November 19, 2014 Going a Long Way with “Janie”: BOB CRUTCHFIELD Crossed Jane Wyman’s Paths More Than Once Interview by THOMAS J. PUCHER (German FALCON CREST Fan Club) Bob Crutchfield, who worked as Senior Vice President TV Publicity at Lorimar Productions between 1980 and 1986, and I met on a social network on the Internet. I instantly realized that he would be a great interviewee. After exchanging a few private messages, we decided to switch to e-mail communication and finally set up an ap- pointment for a phone interview. He lives in the Palm Springs area and mentioned that, whenever he comes near the Rancho Mirage Country Club or drives by, he always says “Hi, Janie,” thinking of Jane Wyman because that is where she moved in 1996; she had a small home on the golf course and spent the final years of her life there until she passed away in 2007. Bob mentioned that he sometimes realizes that she is gone only after he murmurs his hello. It is probably because he and Jane go back such a long way. Getting to Know Jane Wyman “She and I were friends long before Falcon Crest. I was working for a private PR firm,” Bob began to explain how he first met Jane. He pointed out that the company he worked for went bankrupt and that he was fortunate to land a job with a well - estab- lished Hollywood agency, which represented many of the major movie stars at that time in the late 1960’s. -
American Heritage Center
UNIVERSITY OF WYOMING AMERICAN HERITAGE CENTER GUIDE TO ENTERTAINMENT INDUSTRY RESOURCES Child actress Mary Jane Irving with Bessie Barriscale and Ben Alexander in the 1918 silent film Heart of Rachel. Mary Jane Irving papers, American Heritage Center. Compiled by D. Claudia Thompson and Shaun A. Hayes 2009 PREFACE When the University of Wyoming began collecting the papers of national entertainment figures in the 1970s, it was one of only a handful of repositories actively engaged in the field. Business and industry, science, family history, even print literature were all recognized as legitimate fields of study while prejudice remained against mere entertainment as a source of scholarship. There are two arguments to be made against this narrow vision. In the first place, entertainment is very much an industry. It employs thousands. It requires vast capital expenditure, and it lives or dies on profit. In the second place, popular culture is more universal than any other field. Each individual’s experience is unique, but one common thread running throughout humanity is the desire to be taken out of ourselves, to share with our neighbors some story of humor or adventure. This is the basis for entertainment. The Entertainment Industry collections at the American Heritage Center focus on the twentieth century. During the twentieth century, entertainment in the United States changed radically due to advances in communications technology. The development of radio made it possible for the first time for people on both coasts to listen to a performance simultaneously. The delivery of entertainment thus became immensely cheaper and, at the same time, the fame of individual performers grew. -
The BG News November 18, 1983
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 11-18-1983 The BG News November 18, 1983 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News November 18, 1983" (1983). BG News (Student Newspaper). 4194. https://scholarworks.bgsu.edu/bg-news/4194 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. friday, november 18, 1983 bowling green state university vol. 66 Issue 45 new/ Greyhound buses move out - strikers angry - b» The) Anocknwd Frew ers Joined by sympathetic unionized Greyhound workers or passengers. Four strike sympathizers were ar- agency in Cherry Hill, N.J., said she downtown depot there. plumbers, carpenters, subway work- Pickets shouted "Scab bus, scab rested in Minneapolis, where 300 had to get to Washington, but police Greyhound spokeswoman Dorothy Greyhound buses - many of them ers and Teamsters burst through a bus!" in Mobile. Ala., as the company strikers demonstrated, police said, finally told her the bus wasn't leaving Lorant said rfdership on the first virtually empty - pulled out of sta- police line, surrounded a bus and resumed partial service. and there were nine arrests in De- and she was causing a disturbance. buses was "light to moderate," but tions to the Jeers of union members pounded it like a drum, keeping it at troit, where police reported 150 dem- They said they would take her some- said she had no figures. -
Janfeb03 (Page 2)
January - February, 2003 50 Years Ago... by Carla Whalen The lot was humming with activity in Allen, Slim Pickens, Eddy Waller, Roy the years 1952 and 1953. Republic Pictures Barcroft, Rod Cameron, Forrest Tucker, owned the facility, continued to produce Harry Carey, Jr., John Agar and Jim Davis; feature films, and was beginning to enter with cowgirls Mary Ellen Kay, Penny into television production. Republic made Edwards, Marjorie Lord, Estelita Rodriguez forty-six features in ’52 and ’53, of which and Gale Storm. The most famous feature twenty six were westerns starring big B- of this two-year period was The Quiet Man movie cowboys Allan "Rocky" Lane, Rex starring John Wayne, Maureen O’Hara, Barry Fitzgerald and Ward Bond. This was shot mostly on distant location in a very rainy Ireland, with the interiors done back here on the lot on what are now Stages #9 and #10. Republic also continued producing the "cliffhanger" serials it was famous for and Bill Williams, Kit Carson produced four 12-episode Chapterplays during 1952-53; Canadian Mounties vs. over three-hundred fifty B-westerns, Atomic Invaders, Radar Men from the Moon, including fifty-six Gene Autry and eighty- Zombies of the Stratosphere and Jungle Drums two Roy Rogers singing cowboy oaters. By of Africa starring Clayton Moore, who was the early 50’s Republic’s production schedule taking a break from his role as "The Lone was the lowest it had been since 1935, and Ranger." Republic produced Commando Cody most shows were shot on location leaving the – Sky Marshal of the Universe as a television stages available to independent producers. -
Lisa Seidman
Deutscher FALCON CREST - Fanclub August 1, 2015 Behind the Scripts: LISA SEIDMAN From Fan to Story Editor Interview by THOMAS J. PUCHER (German FALCON CREST Fan Club) Lisa Seidman and I got in touch through a social network on the Internet. I was pleas- antly surprised when she sent me her e-mail address so we could communicate direct- ly, and it did not take too long until we agreed on an e-mail interview. “I’m a much clearer writer than speaker — for the obvious reasons,” Lisa explained her preference for a questionnaire instead of a phone interview. I loved her being straightforward so it was all set. Back in 2011, I had done a research of old production documents of Falcon Crest at the Earl Gregg Swem Library at the Special Collections Research Center of The College of William and Mary in Williamsburg, VA. There I discovered some of Lisa’s scripts along with letters she had sent to her former professor, Louis E. Catron, who passed away in the meantime. From what I had read there, I had reason to believe that Lisa would make a wonderful interviewee because it seemed to me that she had a fresh, direct and honest way to address things. As usual, I was not interested in chatting with someone who would merely gloss over his or her Hollywood experience so I felt Lisa would prob- ably fit perfectly into the kind of interviewee I liked the most — and I was not disap- pointed. Getting to Work on Falcon Crest “Your first writing assignment of Falcon Crest,” I began the interview, “was Obsession, Possession (episode 157 <7.02>). -
Production Data
An AMANDA & MF PRODUCTION in Association with PRODUCTION DATA Overview Compiled by SASCHA KURZ & THOMAS J. PUCHER (German FALCON CREST Fan Club) FALCON CREST is a registered trademark of LORIMAR PRODUCTIONS, Inc. / WARNER BROS. Entertainment Inc. © 1981 – 1990 LORIMAR PRODUCTIONS, Inc. Produced by Malcolm R. Harding Executive Producers Earl Hamner & The Vintage Years (1981) Michael Filerman Production Supervisor Mitch Ackerman Executive Production Supervisor Edward O. Denault Episode # Title LORIMAR # Original CBS Airdate Writers Director 0. <0.00> The Vintage Years 198299 unaired Earl Hamner Alexander Singer Produced by Malcolm R. Harding (1 – 11) Barry Steinberg (12 – 18) Created by Earl Hamner Executive Producers Earl Hamner & Michael Filerman Season 1 (1981-82) Executive Story Consultant Robert L. McCullough Story Editors Katharyn Powers & E.F. Wallengren Associate Producer Victoria LaFortune Production Supervisor Mitch Ackerman Executive Production Supervisor Edward O. Denault Episode # Title LORIMAR # Original CBS Airdate Writers Director 1. <1.01> In His Father’s House 189701 Fri, 12/04/1081 Robert L. McCullough Michael Preece 2. <1.02> A Time for Saboteurs 189704 Fri, 12/11/1981 Sandra Kay Siegel Michael Preece (a.k.a. The Grapes of Wrath) 3. <1.03> The Tangled Vines 189702 Fri, 12/18/1981 E. F. Wallengren Jack Bender (a.k.a. Tangled Vines) 4. <1.04> The Harvest 189703 Fri, 12/25/1981 Earl Hamner Michael Preece 5. <1.05> Tony Comes Home 189705 Fri, 01/01/1982 Katharyn Powers Jack Bender (a.k.a. Tony Comes back) 6. <1.06> Kindred Spirits 189707 Fri, 01/08/1982 Judy Merl & Jack Bender (a.k.a. -
Suscripción a La Alerta Del Programa Mensual Del Cine Doré En
Robin and Marian (Robin y Marian, Richard Lester, 1976). SuscripciónBilbao (Bigas a la Luna, alerta 1978 del) programa mensual del cine Doré en: http://www.mcu.es/suscripciones/loadAlertForm.do?cache=init&layout=alertasFilmo&area=FILMO Suscripción a la alerta del programa mensual del cine Doré en: http://www.mcu.es/suscripciones/loadAlertForm.do?cache=init&layout=alertasFilmo&area=FILMO Ciclos en preparación: Marzo: William Wellman (y II) Año Dual España-Japón 3XDOC Ellas crean: Nueve cineastas argentinas Recuerdo de: Jesús Franco, Alfredo Landa, Lolita Sevilla … Centenario de Rafael Gil (y II) Jirí Menzel Mikhail Romm Brian de Palma Alberto Lattuada GOBIERNO MINISTERIO DE ESPAÑA DE EDUCACIÓN, CULTURA Y DEPORTE FEBRERO 2017 Centenario de Ernest Borgnine Centenario de Jane Wyman Homenaje a Gil Parrondo Recuerdo de: Curtis Hanson, Guy Hamilton, Michèle Morgan, Debbie Reynolds Cine de Irán Cecil B. DeMille Buzón de sugerencias Guy Hamilton Curtis Hanson Agradecimientos febrero 2017: Casa Asia (Menene Gras, Rodrigo Escamilla). Introducción Este mes dedicamos un ciclo a celebrar el Centenario de Ernest Borgnine, mítico actor fallecido en 2012, muy empa- rentado con la generación de cineastas de los cincuenta que cambiaron para siempre la imagen del cine de Hollywood. En total serán 10 títulos: Sábado trágico (Richard Fleischer, 1955), Jubal (Delmer Daves, 1956), La leyenda de Lylah Clare (Robert Aldrich, 1968), El emperador del norte (Robert Aldrich, 1973), Marty (Delbert Mann, 1955), Grupo salvaje (Sam Peckinpah, 1969), El vuelo del Fénix (Robert Aldrich, 1965), Doce del patíbu- lo (Robert Aldrich, 1967), Los vikingos (Richard Fleischer, 1958) y Veracruz (Robert Aldrich, 1954). El mes de enero también hubiese cumplido cien años Jane Wyman, poderosa actriz y referente del melodrama y muy po- pular gracias a las series televisivas. -
Falcon Crest's
GROWING UP ON MY THREE SONS > ASK MO > RHODA’S WEDDING DAY icons A TOAST TO TELEVISION’S BEST FALCON CREST’S SUDSY SUCCESS CBS led the ’80s primetime pack in one of TV’s most beloved genres, the nighttime soap uch like one of its characters, the prime- time soap opera once spent years in an apparent coma. After the 1969 demise of the genre’s one true early hit, Peyton Place, the soap had languished, asleep, through most of the 1970s. Then, in the spring of 1978, CBS did Dallas. Dallas brought Texas-sized drama to the small screen, and soon notched the No. 1 spot in TV’s Nielsen ratings. In the fall of 1979, CBS introduced Dallas spinoff Knots Landing, and in December 1981 came a third hit, Falcon Crest. The juicy, wine industry-set Falcon Crest would prove to be the decade’s last successful soap. ABC’s Dynasty spinoff The Colbys quickly fi zzled, and NBC never found serialized success, with fl ops including Flamingo Road, Berrenger’s and 1983’s Yellow Rose— also set, suspiciously enough, on a Texas ranch. Falcon Crest followed Dallas on Friday night for almost all of its nine seasons, creating a solid weekly As the titular vineyard’s playboy scion two-hour block of backstabbing and betrayal. Knots Lance Cumson, Lorenzo Lamas was one of only three actors to remain at Falcon Crest Landing ruled its own Thursday night roost. In the for its entire nine-year run. end, this trifecta of treachery proved to be a ratings combination that, all throughout the ’80s, no other network could replicate or topple. -
Alumni History and Hall of Fame Project
Los Angeles Unified School District Alumni History and Hall of Fame Project Los Angeles Unified School District Alumni History and Hall of Fame Project Written and Edited by Bob and Sandy Collins All publication, duplication and distribution rights are donated to the Los Angeles Unified School District by the authors First Edition August 2016 Published in the United States i Alumni History and Hall of Fame Project Founding Committee and Contributors Sincere appreciation is extended to Ray Cortines, former LAUSD Superintendent of Schools, Michelle King, LAUSD Superintendent, and Nicole Elam, Chief of Staff for their ongoing support of this project. Appreciation is extended to the following members of the Founding Committee of the Alumni History and Hall of Fame Project for their expertise, insight and support. Jacob Aguilar, Roosevelt High School, Alumni Association Bob Collins, Chief Instructional Officer, Secondary, LAUSD (Retired) Sandy Collins, Principal, Columbus Middle School (Retired) Art Duardo, Principal, El Sereno Middle School (Retired) Nicole Elam, Chief of Staff Grant Francis, Venice High School (Retired) Shannon Haber, Director of Communication and Media Relations, LAUSD Bud Jacobs, Director, LAUSD High Schools and Principal, Venice High School (Retired) Michelle King, Superintendent Joyce Kleifeld, Los Angeles High School, Alumni Association, Harrison Trust Cynthia Lim, LAUSD, Director of Assessment Robin Lithgow, Theater Arts Advisor, LAUSD (Retired) Ellen Morgan, Public Information Officer Kenn Phillips, Business Community Carl J. Piper, LAUSD Legal Department Rory Pullens, Executive Director, LAUSD Arts Education Branch Belinda Stith, LAUSD Legal Department Tony White, Visual and Performing Arts Coordinator, LAUSD Beyond the Bell Branch Appreciation is also extended to the following schools, principals, assistant principals, staffs and alumni organizations for their support and contributions to this project. -
Robert Enrietto Collection, 1968 - 2003
Robert Enrietto Collection, 1968 - 2003 By FBE Collection Overview Title: Robert Enrietto Collection, 1968 - 2003 ID: 1000/01/RG1000.01 Creator: Enrietto, Robert (1941 - 2003) Extent: 23.0 Cubic Feet Arrangement: Arranged in nine series arranged chronologically and alphabetically: Series 1: Productions - Loose Papers, 1970s-1980s Series 2: Falcon Crest, 1981-1990 Series 3: Remington Steele, 1982-1987 Series 4: Sable, 1987-1988 Series 5: Miscellany, 1970s-1990s Series 6: Productions- Bound, 1970s-1990s Series 7: Three of a Kind, 1981-1983 Series 8: Rock-A-Doodle, 1990-1991 Series 9: Butch Cassidy and the Sundance Kid, 1967-1969 Subject Index: Motion picure film; Television; Television series Genres/Forms of Material: administrative records; Correspondence; Film posters; Motion picture plays; personal papers Languages: English Scope and Contents of the Materials The collection primarily consists of production materials (call sheets, correspondence, and shooting schedules) and scripts for television programs and films. Posters, photographs, and storyboards of various film and television programs are also present. This collection illustrates the professional work involved behind the scenes for television and film productions from a time when this work was done in paper form. Biographical Note Robert Enrietto was born July 13, 1941 in Chicago. He graduated from the Film program at Columbia College in 1967 and went on to work in studio production for over three decades as a production manager, assistant director, set designer, and producer. He was a member of the Director's Guild of America. He also co-founded Columbia College Chicago's "Semester in L.A." program. Enrietto did set design and art direction on several low budget films in the 1960s including "She Devils on Wheels", and "The Girl, the Body, and the Pill".