Narnia Audition Information Sheet

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Narnia Audition Information Sheet First Act Fall 2021 Kansas Westside Show Audition Narnia the Musical (age requirements 8 -18) Auditions: August 20th Callbacks: August 21st Performance Dates: November 4th, 2021 – November 7th, 2021 View Conflict Sheet Here The Artistic Team Production Information Director: Jessie Martindale AD/SM: Tyler MacSweeney Cassandra Hernandez Music Director: Nancy Chipchase [email protected] Choreographer: Carlye Stone Auditions: Callbacks: Friday, August 20th Saturday, August 21st 4:30-8:30 9 a.m. – 1 p.m. Location: Callback Location: Lenexa United Methodist Lenexa United Methodist 9138 Caenen Lake Rd. 9138 Caenen Lake Rd. Lenexa, KS 66215 Lenexa, KS 66215 Please arrive 20 minutes prior to audition time. Sign up for auditions here. Use the links to submit items below: ● Narnia Audition Form ● Medical Release/Behavior Contract ● Covid Release Form ● Sign Up to Audition Please remember to bring your sheet music, iPhone, or iPad. Please wear comfortable clothing and shoes. You will audition in groups of 10. Following the vocal audition, your group will learn a short dance routine to perform for the Artistic Team. You will be notified via email about Callbacks by 7am on Saturday, August 21st. You will receive a callback timeslot. Callbacks will be closed. Callbacks will be only for those we need to see again for any number of reasons. Cast List will be posted no later than Sunday, August 22nd at 10:00 p.m. Rehearsals begin on Tuesday, August 24th. Break a leg! Rehearsals will be held on Tuesday, Friday and an occasional Saturday at Lenexa United Methodist, 9138 Caenen Lake Rd., Lenexa, KS 66215. Character Breakdown Aslan: The great lion of Narnia. Strong but gentle. Range: Baritone/Tenor White Witch: The evil Queen of Narnia. Also known as Jadis. Terrifyingly brilliant. And brilliantly evil. Range: Soprano/Belt Peter Pevensie: The oldest Pevensie child. Very protective of his younger siblings. This is a very physical role. Noble and courageous. Range: Baritone/Tenor Susan Pevensie: The second oldest Pevensie child. Believes in logic over fantasy. Gentle and motherly to her siblings. Range: Soprano/Belt Edmund Pevensie: The third oldest Pevensie child. A frustrated brother who briefly turns his back on his siblings. Range: Tenor Lucy Pevensie: The youngest Pevensie child. Full of imagination and excitement. Range: Soprano Professor Diggory Kirke: The children's uncle and owner of the wardrobe. A mysterious and wonderful older gentleman. British accent required. Baritone/Tenor Mrs. Macready: Housekeeper at Marbleton Manor. A flustered, busy woman. Range: Non-singing Mr. Beaver: A silly, but helpful, beaver. Range: Baritone Mrs. Beaver: Wife of Mr. Beaver. Motherly and good-natured. Range: Mezzo Mr. Tumnus: A kind and charming faun. Range: Baritone/Tenor Dwarf: Minion of the White Witch. A clumsy dwarf. Range: Baritone/Tenor Fenris Ulf: Head of White Witch's Secret Police. A dark character. Range: Baritone/Tenor Father Christmas: Santa Claus. Kind and welcoming. Gives the children tools to fight the White Witch. Range: Baritone/Tenor White Stag: Harbinger of luck/potent change in Narnia. Multiple dance solos throughout show. Requires a strong dancer preferably with pointe/ ballet training. Range: Non-singing Ensemble: Various good/evil Narnian creatures .
Recommended publications
  • The Lion, the Witch and the Wardrobe by C.S Lewis. Introduction
    The Lion, the Witch and the Wardrobe by C.S Lewis. Introduction Peter, Susan, Edmund, and Lucy Pevensie are four siblings sent to live in the country with the eccentric Professor Kirke during World War II. The children explore the house on a rainy day and Lucy, the youngest, finds an enormous wardrobe. Lucy steps inside and finds herself in a strange, snowy wood. Lucy encounters the Faun Tumnus, who is surprised to meet a human girl. Tumnus tells Lucy that she has entered Narnia, a different world. Tumnus invites Lucy to tea, and she accepts. Lucy and Tumnus have a wonderful tea, but the faun bursts into tears and confesses that he is a servant of the evil White Witch. The Witch has enchanted Narnia so that it is always winter and never Christmas. Tumnus explains that he has been enlisted to capture human beings. Lucy implores Tumnus to release her, and he agrees. Lucy exits Narnia and eagerly tells her siblings about her adventure in the wardrobe. They do not believe her, however. Lucy's siblings insist that Lucy was only gone for seconds and not for hours as she claims. When the Pevensie children look in the back of the wardrobe they see that it is an ordinary piece of furniture. Edmund teases Lucy mercilessly about her imaginary country until one day when he sees her vanishing into the wardrobe. Edmund follows Lucy and finds himself in Narnia as well. He does not see Lucy, and instead meets the White Witch that Tumnus told Lucy about. The Witch Witch introduces herself to Edmund as the Queen of Narnia.
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    Inklings Forever: Published Colloquium Proceedings 1997-2016 Volume 6 A Collection of Essays Presented at the Sixth Frances White Ewbank Colloquium on Article 12 C.S. Lewis & Friends 5-29-2008 A Redeemed Life: Edmund Pevensie as an Example of Lewis's 'new kind of man' Pamela L. Jordan Taylor University Follow this and additional works at: https://pillars.taylor.edu/inklings_forever Part of the English Language and Literature Commons, History Commons, Philosophy Commons, and the Religion Commons Recommended Citation Jordan, Pamela L. (2008) "A Redeemed Life: Edmund Pevensie as an Example of Lewis's 'new kind of man'," Inklings Forever: Published Colloquium Proceedings 1997-2016: Vol. 6 , Article 12. Available at: https://pillars.taylor.edu/inklings_forever/vol6/iss1/12 This Essay is brought to you for free and open access by the Center for the Study of C.S. Lewis & Friends at Pillars at Taylor University. It has been accepted for inclusion in Inklings Forever: Published Colloquium Proceedings 1997-2016 by an authorized editor of Pillars at Taylor University. For more information, please contact [email protected]. A Redeemed Life: Edmund Pevensie as an Example of Lewis's 'new kind of man' Pamela L. Jordan A recurring theme in The Chronicles of excitement and eagerness to explore, likening their Narnia is that Narnia changes those who enter. The new adventure to being shipwrecked (he had read all narrator repeatedly notes the restorative power of the right books). Just as the debate about eating the Narnia and calls the reader's attention to the sandwiches brings tempers to a boil, Edmund is able difference in the children (and adults in The to diffuse the situation with his adventuresome spirit.
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  • The Lion, the Witch and the Wardrobe
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  • Knowledge Organiser
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  • Copyrighted Material
    bindex.qxd 2/22/08 8:32 PM Page 211 Index A Almighty One, 66 Abolition of Man,The, xiii, 91, Ancient Greece and Rome, 108 120, 123 Ancient philosophy, academic Absalom, 165 background in, 17 Absolute, the, 17–18 Andersen, H. C., 33, 160 Accidents versus substance, 126 Andrew Ketterley, 10, 58–59, Achilles, 139 62, 92, 95, 98, 99, 101, 123, Acknowledgment, Day of, 82 133, 157, 158, 165 Adam, 34, 38, 45, 74, 89, 112, Androcles and the lion, allusion 130 of, 169 Adept (noun), defined, 164 Anglo-Saxon language, 141 Advertisement, government by, Animal rationale, meaning of, 112 73 Aeschylus, 66 Animals from lumps of earth, Aesop’s fables, 55, 166 164 Alambil, 124 Anodos, 13, 32 Albatross image, 72, 81 Anradin, 51 Alcestis, 52 Anscombe, E., 30 Alice’s Adventures in Wonder- Antichrist, 55, 164 land (Carroll), 35 Anticipation, 109 Allah, 159 Apocalypse, 126 Allegories: biblical parallels ver- Apologizing, 94, 102, 105, sus, 71; supposals versus, 113 64–65, 70 Apothegms, defined, 167 AllegoryCOPYRIGHTED of Love,The, xiii, 16, Apple, MATERIAL temptation involving an, 20, 108 75, 76 Allusions, 15, 163, 164, 166, Applied science, 123 168, 169, 170, 172; names Aquinas,T., xvi, 108 as, 131–135. See also specific Arabian Nights’ Entertain- allusions ments, or The Thousand and 211 bindex.qxd 2/22/08 8:32 PM Page 212 212 Index One Nights (Lane, trans.), 69, 124, 140; as judge, 49–50, 51, 131, 159, 166 82–85; learning about true Arabs, 159 nature of, 49; loving, view- Aravis, 48–49, 101, 102, 155, point on, 85–86; Lucy called 160 by, in the night, 168;
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  • “You Cannot Want Wrong Things Any More, Now That You Have Died”: Problems of Purity, Temptation, and Redemption in the Hrc Onicles of Narnia Jullian Boger
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  • THE LION, the WITCH and the WARDROBE. KNOWLEDGE ORGANISER (Year 7) PAGE 1
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  • The Chronicles of Narnia The
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