DOCSLIB.ORG

Barnes Rune 2012 (Decoding the Mysteries of Pennsylvania’S Barnes Foundation, a Special American Place)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Barnes Rune 2012 (Decoding the Mysteries of Pennsylvania’S Barnes Foundation, a Special American Place) BARNES RUNE 2012 (Decoding The Mysteries of Pennsylvania’s Barnes Foundation, A Special American Place) Richard Ralph Feudale Table of Contents Prologue ................................................................................................................ 1 Chapter 1—Telltale Art (Through the Looking Glass) ....................................... 7 Chapter 2—Wisteria sinensis .............................................................................. 13 Chapter 3—An American Home ...................................................................... 17 Chapter 4—Angels in the Architecture ............................................................. 21 Chapter 5—A Diving Platform near Pourville ................................................. 29 Chapter 6—The Founder’s Circle—The Tears of St. Lawrence ....................... 37 Chapter 7— The Founder’s Circle—In Flanders Fields, The Cret Connection ..................................................................... 43 Chapter 8—The Founder’s Circle—Then We All Went Home ....................... 55 Chapter 9—The Founder’s Circle—Something Happened .............................. 59 Chapter 10— The Founder’s Circle—The Gate that Looketh toward the East ............................................................................. 63 Chapter 11—The Founder’s Circle—Gallery IV, The Chapel .......................... 79 Chapter 12—The Founder’s Circle—The Order of the Knights Templar ..... 87 Chapter 13— The Founder’s Circle—“The Flanders 43” (between Heaven and Hell) .......................................................... 93 Chapter 14—The Founder’s Circle—Gallery VI, Welcome Home! ............... 103 Chapter 15—The Founder’s Circle—The Circle Complete ............................ 111 Chapter 16—Through the Eyes of a Child ...................................................... 115 Chapter 17—The Interlude .............................................................................. 119 Chapter 18— “Angels and Horses in Hilly Landscape—Fantasy” ................. 123 Chapter 19—Becken Backen ........................................................................... 127 Chapter 20—Passages ...................................................................................... 135 Chapter 21— The Eternal Flame, the Soldier, and the Knight by Jacques Copyright © 2010 Ali A Dashti Lipchitz ....................................................................................... 139 All rights reserved. Chapter 22—The Passage of A Group of Personages through a Dry Canal .... 143 Chapter 23—The Synapse ................................................................................ 145 ISBN: 1453625496 Chapter 24—The Pirate, The Cyclops, and The Cauldrons of “Ker-Feal” ..... 147 ISBN-13: 9781453625491 Chapter 25—The Monkey Puzzle Tree ............................................................ 155 Chapter 26—St. Michael Defeats the Devil ..................................................... 159 Chapter 27—The Circle of Heaven and Earth in Merion ............................... 165 Chapter 28— “While the Children Were Smothered on the Stair by the Door” ....................................................................... 171 Chapter 29—The South Wall, Gallery XIV (A Scene from a Dry Canal) ...... 181 Chapter 30—The Double ................................................................................. 187 PROLOGUE Chapter 31—The Crypt .................................................................................... 195 Chapter 32—The Water Bearer’s Formal Education ..................................... 209 Chapter 33—The Barnes Curse? ...................................................................... 217 Chapter 34—The Accursed? ............................................................................ 237 ecently, former Pennsylvania Governor, Edward G. Rendell, told Fox News that Chapter 35—The Three Wise Men ................................................................. 243 he thought that keeping The Barnes art collection in its Merion Home would Chapter 36—The Place of the Skull ................................................................ 273 Rbe a disgrace. My goal is to persuade Americans to encourage Pennsylvanians Chapter 37—Two Nudes .................................................................................. 281 to preserve The Barnes and its art collection intact in Merion. Some Pennsylvania poli- Chapter 38—A Legend of Modern Art ............................................................ 289 ticians hope to promote The Barnes as a museum and move the Barnes art collection Chapter 39—The Holy Grail of Modern Art? ................................................ 295 of Renoirs, Matisses, Picassos, etc., into a new building in the art museum area of the Chapter 40—The Missing Link? ...................................................................... 303 city of Philadelphia. Interests sympathetic to moving The Barnes to Philadelphia have Chapter 41—A Portrait of a Painter, after El Greco? ..................................... 309 prized it open and managed to progress to begin building a new “home” for the art Chapter 42—The Book of Life ......................................................................... 325 collection. The state of Pennsylvania has quietly earmarked over $100,000,000.00 in Chapter 43—Time Past, Time Present, Time Future ..................................... 331 public funds to move The Barnes. The problem is that, in my opinion, The Barnes isn’t CONCLUSION ................................................................................................. 347 a museum, it is an oracle of modern times and is inextricably tied to its original home EPILOGUE ........................................................................................................ 351 in Merion. I believe that The Barnes is a great American composition that belongs where the good doctor, Albert C. Barnes, M.D., put it and ordered that it remain. In my opinion The Barnes has no one to defend it who can defend it because the powers supporting this Move have nearly inconceivable power and wealth. Even all the might of its potential savior, the Pennsylvania taxpayer, has been leveled against it. So, I have written this story to at least tell you what you’ll be missing. Hidden on The Barnes Foundation’s Merion estate and in its dazzling ar- ray of art is a story for modern times written in images and completed by the garden and arboretum. In my opinion The Barnes is an historic work of human hands designed to allow a visitor to step into and to become a part of the artis- tic experience. I believe that its founder crafted The Barnes to be a memorial to those who died in the wars and labor struggles of his time and that he left im- ages corresponding to those themes of memorial carved on the stone walls of his Mansion. I also believe that the doctor somehow had a glimpse of the future and that he intended The Barnes to be a place of hope in these times in which we find ourselves. Most of my discussion will focus on the paintings in a way that I hope will bring the collection to life. BARNES RUNE 2012 PROLOGUE This text is organized like a walking tour of The Barnes. I vary from the order, the imagery of the stair at The Barnes and the memory of those who died in The Italian but I have provided a reasonable facsimile of the gallery layout in the appendix to Hall Massacre of 1913, a shameful chapter in American labor history. I talk of a modern help keep the reader oriented as I talk about different pieces of art. I make significant champion or guardian of The Barnes whose coming Dr. Barnes may have foreseen and proposals about The Foundation that, despite their importance to American culture, of a lesson that Barnes may have left for that champion. I describe the possibility that have not been previously made. I believe that these mysteries were not revealed during there may be a curse associated with The Barnes and how to break it. I tell of a great Dr. Barnes’s time because he felt that in a perpetual Foundation there would be time mystery about Picasso and of the possible origins of modern art. Finally, I propose that enough to reveal these secrets and that they should only be revealed when the time was Dr. Barnes may have foreseen his Foundation under siege and the Move planned for right as a defensive measure to save The Barnes. I think Barnes was working on big completion in 2012. Has he left his tale on the wall of Gallery XVII in defense of keep- things and that his view is a multi-generational, epoch-making approach. ing The Barnes in Merion? We shall see that Dr. Barnes’s message is one of hope for this generation and for I think The Barnes is an oracle for modernity. There is even imagery in the paint- future generations. It is a message from reflective people who thought deeply of the ing arrangements that suggest a psychic interest and even a possible 2012 connection. long range possibilities for humanity in simpler, less complicated times before the cata- If you want treasures beyond imagination, mystery and authentic American charm and clysmic mechanized wars and countless atrocities of the twentieth century irreparably flavor, The Barnes in Merion is it. This book will guide the reader through some of the traumatized modern civilization and robbed us of our innocence. I believe the doctor highlights and then the reader should go and see what they can find on their own be- meant The Barnes to be instructive in our present
Load more

Recommended publications
  • THE AMERICAN ART-1 Corregido
    THE AMERICAN ART: AN INTRODUCTION Compiled by Antoni Gelonch-Viladegut For the Gelonch Viladegut Collection Paris-Boston, April 2011 SOMMARY INTRODUCTION 3 18th CENTURY 5 19th CENTURY 6 20th CENTURY 8 AMERICAN REALISM 8 ASHCAN SCHOOL 9 AMERICAN MODERNISM 9 MODERNIST PAINTING 13 THE AMERICAN SOUTHWEST 14 HARLEM RENAISSANCE 14 NEW DEAL ART 14 ABSTRACT EXPRESSIONISM 15 ACTION PAINTING 18 COLOR FIELD 19 POLLOCK AND ABSTRACT INFLUENCES 20 ART CRITICS OF THE POST-WORLD WAR II ERA 21 AFTER ABSTRACT EXPRESSIONISM 23 OTHER MODERN AMERICAN MOVEMENTS 24 THE GELONCH VILADEGUT COLLECTION 2 http://www.gelonchviladegut.com The vitality and the international presence of a big country can also be measured in the field of culture. This is why Statesmen, and more generally the leaders, always have the objective and concern to leave for posterity or to strengthen big cultural institutions. As proof of this we can quote, as examples, the Bibliothèque Nationale de France, the British Museum, the Monastery of Escorial or the many American Presidential Libraries which honor the memory of the various Presidents of the United States. Since the Holy Roman Empire and, notably, in Europe during the Renaissance times cultural sponsorship has been increasingly active for the sake of art or for the sense of splendor. Nowadays, if there is a country where sponsors have a constant and decisive presence in the world of the art, this is certainly the United States. Names given to museum rooms in memory of devoted sponsors, as well as labels next to the paintings noting the donor’s name, are a very visible aspect of cultural sponsorship, especially in America.
    [Show full text]
  • Site/Non-Site Explores the Relationship Between the Two Genres Which the Master of Aix-En- Provence Cultivated with the Same Passion: Landscapes and Still Lifes
    site / non-site CÉZANNE site / non-site Guillermo Solana Museo Thyssen-Bornemisza, Madrid February 4 – May 18, 2014 Fundación Colección Acknowledgements Thyssen-Bornemisza Board of Trustees President The Museo Thyssen-Bornemisza Hervé Irien José Ignacio Wert Ortega wishes to thank the following people Philipp Kaiser who have contributed decisively with Samuel Keller Vice-President their collaboration to making this Brian Kennedy Baroness Carmen Thyssen-Bornemisza exhibition a reality: Udo Kittelmann Board Members María Alonso Perrine Le Blan HRH the Infanta Doña Pilar de Irina Antonova Ellen Lee Borbón Richard Armstrong Arnold L. Lehman José María Lassalle Ruiz László Baán Christophe Leribault Fernando Benzo Sáinz Mr. and Mrs. Barron U. Kidd Marina Loshak Marta Fernández Currás Graham W. J. Beal Glenn D. Lowry HIRH Archduchess Francesca von Christoph Becker Akiko Mabuchi Habsburg-Lothringen Jean-Yves Marin Miguel Klingenberg Richard Benefield Fred Bidwell Marc Mayer Miguel Satrústegui Gil-Delgado Mary G. Morton Isidre Fainé Casas Daniel Birnbaum Nathalie Bondil Pia Müller-Tamm Rodrigo de Rato y Figaredo Isabella Nilsson María de Corral López-Dóriga Michael Brand Thomas P. Campbell Nils Ohlsen Artistic Director Michael Clarke Eriko Osaka Guillermo Solana Caroline Collier Nicholas Penny Marcus Dekiert Ann Philbin Managing Director Lionel Pissarro Evelio Acevedo Philipp Demandt Jean Edmonson Christine Poullain Secretary Bernard Fibicher Earl A. Powell III Carmen Castañón Jiménez Gerhard Finckh HSH Prince Albert II of Monaco Giancarlo Forestieri William Robinson Honorary Director Marsha Rojas Tomàs Llorens David Franklin Matthias Frehner Alejandra Rossetti Peter Frei Katy Rothkopf Isabel García-Comas Klaus Albrecht Schröder María García Yelo Dieter Schwarz Léonard Gianadda Sir Nicholas Serota Karin van Gilst Esperanza Sobrino Belén Giráldez Nancy Spector Claudine Godts Maija Tanninen-Mattila Ann Goldstein Baroness Thyssen-Bornemisza Michael Govan Charles L.
    [Show full text]
  • The Plains of Mars, European War Prints, 1500-1825
    Schmucker Art Catalogs Schmucker Art Gallery Fall 2018 The Plains of Mars, European War Prints, 1500-1825 Melissa Casale Bailey R. Harper Gettysburg College Felicia M. Else Gettysburg College Shannon Egan Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/artcatalogs Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, and the European History Commons Share feedback about the accessibility of this item. Recommended Citation Casale, Melissa; Harper, Bailey R.; Else, Felicia M.; and Egan, Shannon, "The Plains of Mars, European War Prints, 1500-1825" (2018). Schmucker Art Catalogs. 28. https://cupola.gettysburg.edu/artcatalogs/28 This open access art catalog is brought to you by The Cupola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The Cupola. For more information, please contact [email protected]. The Plains of Mars, European War Prints, 1500-1825 Description Over fifty original prints yb renowned artists from the sixteenth through the early nineteenth century, including Albrecht Dürer, Lucas Cranach, Théodore Géricault, and Francisco de Goya, among many others, are featured inThe Plains of Mars: European War Prints, 1500-1825. On loan from the Sarah Campbell Blaffer Foundation at the Museum of Fine Arts, Houston, the works of art included in this exhibition examine the topics of war and peace, propaganda, heroism, brutal conflicts, and the harrowing aftermath of battle. Spanning from the Renaissance to the Romantic periods and encompassing a wide geographic scope including Italy, Germany, France, Spain, the Low Countries, England, and North America, the prints depict triumphant Renaissance soldiers, devastating scenes of violence, and satirical caricatures of political figures.
    [Show full text]
  • About Henry Street Settlement
    TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America March 1– 5, Gala Preview February 28 FOUNDED 1962 Park Avenue Armory at 67th Street, New York City MEDIA MATERIALS Lead sponsoring partner of The Art Show The ADAA Announces Program Highlights at the 2017 Edition of The Art Show ART DEALERS ASSOCIATION OF AMERICA 205 Lexington Avenue, Suite #901 New York, NY 10016 [email protected] www.artdealers.org tel: 212.488.5550 fax: 646.688.6809 Images (left to right): Scott Olson, Untitled (2016), courtesy James Cohan; Larry Bell with Untitled (Wedge) at GE Headquarters, Fairfield, CT in 1984, courtesy Anthony Meier Fine Arts; George Inness, A June Day (1881), courtesy Thomas Colville Fine Art. #TheArtShowNYC Program Features Keynote Event with Museum and Cultural Leaders from across the U.S., a Silent Bidding Sale of an Alexander Calder Sculpture to Benefit the ADAA Foundation, and the Annual Art Show Gala Preview to Benefit Henry Street Settlement ADAA Member Galleries Will Present Ambitious Solo Exhibitions, Group Shows, and New Works at The Art Show, March 1–5, 2017 To download hi-res images of highlights of The Art Show, visit http://bit.ly/2kSTTPW New York, January 25, 2017—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 2017 edition of The Art Show. The nation’s most respected and longest-running art fair will take place on March 1-5, 2017, at the Park Avenue Armory in New York, with a Gala Preview on February 28 to benefit Henry Street Settlement.
    [Show full text]
  • Read Ebook {PDF EPUB} the Iron King by Maurice Druon the Iron King Summary & Study Guide
    Read Ebook {PDF EPUB} The Iron King by Maurice Druon The Iron King Summary & Study Guide. The Iron King Summary & Study Guide includes comprehensive information and analysis to help you understand the book. This study guide contains the following sections: This detailed literature summary also contains Topics for Discussion on The Iron King by Maurice Druon. The novel of "The Iron King" by Maurice Druon is the first in a cycle of seven books "The Accursed Kings" which chronicle the formation of the Nation state of France from the early Fourteenth Century onwards. The tale of the "Iron King" concerns itself with the reign of King Philip IV (or Philip the Fair, known for his outstanding handsomeness). Philip the Fair was an autocratic ruler, a widower and the father of four children, Isabella, Louis, Philippe and Charles. Isabella is now, at the start of the book the Queen of England and has been locked into a loveless marriage with King Edward the Second. Philip the fair's three younger sons are all princes of the realm and married to the ladies of Burgundy; Beatrice, Jeanne, and Blanche. The novel starts with the Chevalier Robert of Artois plotting with Queen Isabella to bring down the princesses of France. Having recently discovered that they are adulterous, he realizes that he can use this fact to bring down their family of Burgundy and the real object of his hatred — their mother Mahaut and his own Aunt. He desires this because Mahaut received lands as a dowry for marrying into the royal family, and he wishes to regai the lands of Burgundy and everything that his family had lost.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • BOOTS, BRUSHES and the BIGHORN MOUNTAINS Artwork from the 1860S to the 1930S
    BOOTS, BRUSHES AND THE BIGHORN MOUNTAINS Artwork from the 1860s to the 1930s EXHIBITION DATES JUNE 15 - SEPTEMBER 7, 2015 INAUGURAL EXHIBITION IN THE S.K. JOHNSTON, JR. FAMILY GALLERY AT DIRECTOR’S STATEMENT and subject matter, the earliest being two watercolors by Walter Sies. They fittingly depict scenes of Fort Reno and Boots, Brushes and The Bighorn Mountains is the our country’s early military inroads into what was previously culmination of a long-imagined exhibit of works dating ceded to the Crow and Lakota people through the Laramie from the 1860s into the late 1930s. Until recently the idea Treaty of 1851. The military theme boils into conflict as set for it was confined to the back of my mind due to several forth in Frederic Remington’s Fight on the Little Bighorn mitigating factors, not the least of which was lack of a which depicts the famous battle of 1876 as well as in Miles proper environment in which to house the impressive and his Escort, in which the artist places himself riding to collection of artwork I envisioned for the show. Our new the left of Major General Nelson A. Miles. As you view the Forrest E. Mars, Jr. Building now provides The Brinton show be careful to read labels because the chronology of Museum with the perfect setting in which to display the art the subject matter does not always correspond to the time of and about this majestic, historic and enticing mountain of the canvases’ execution. For example, Fight on the Little range and the surrounding lands which it shades and Bighorn was painted by Remington in 1900, some 24 years waters.
    [Show full text]
  • American Art at Bonhams
    AMERICAN ART Wednesday May 23, 2018 AMERICAN ART Wednesday May 23, 2018 at 2pm New York BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Jennifer Jacobsen Front Cover: Lot 9 New York, New York 10022 +1 (212) 644 9009 fax Director Inside Front Cover: Lot 8 bonhams.com [email protected] +1 (917) 206 1699 Image © Wolf Kahn/Licensed [email protected] by VAGA, New York, NY PREVIEW To bid via the internet please visit Opposite: Lot 40 Saturday, May 19, 12pm - 5pm www.bonhams.com/24545 Elizabeth Goodridge Department Page: Lot 18 Sunday, May 20, 12pm - 5pm Head of Sale Registration Page: Lot 21 Monday, May 21, 10am - 5pm Please note that bids should be +1 (917) 206 1621 Inside Back Cover: Lot 13 Tuesday, May 22, 10am - 5pm summited no later than 24hrs prior [email protected] Back Cover: Lot 19 to the sale. New Bidders must SALE NUMBER: 24545 also provide proof of identity when Bailey Cardinal Lots 1 - 56 submitting bids. Failure to do this Administrator may result in your bid not being +1 (917) 206 1616 CATALOG: $35 processed. [email protected] LIVE ONLINE BIDDING IS AVAILABLE FOR THIS SALE Please email bids.us@bonhams. com with “Live bidding” in the subject line 48hrs before the auction to register for this service. Bidding by telephone will only be accepted on a lot with a lower estimate in excess of $1000 Please see pages 74-77 for bidder information including Conditions of Sale, after-sale collection and shipment. All items listed on page 76 will be transferred to offsite storage along with all other items purchased, if not removed by 5pm on May 23.
    [Show full text]
  • Jacques De M Jacques De Molay
    Jacques De Molay Born 1240–1250 Franche-Comté Died 18 March 1314 Paris Nationality French Known for Knights Templar Coat of arms of Jacques de Molay Jacques de Malay (c. 1244 – 18 March 1314) [1] was the 23rd and last Grand Master of the Knights Templar , leading the Order f rom 20 April 1292 until it was dissolved by order of Pope Clement V in 1307. Though little is known of his actual life and deeds except for his last years as Grand Master, he is the best k nown Templar, along with the Order's founder and first Grand Master, Hughes de Payens (1070 –1136). Jacques de Malay’s goal as Grand Master was to reform the Order, and adjust it to the situation in the Holy Land during the waning days of the Crusades . As European support for the Crusades had dwindled, other forces were at work which sought to disband the Order and claim the wealth of the Tememplar’s as their own. King Philip IV off FranceF , deeply in debt to the Templars, had de Molay and many other French Templars arrested in 1307 and tortured into making false confessions. When de Molay later retracted his confession, Philip had him slowly burned upon a scaffold on an island in the River Seine in Paris , in March 1314. The sudden end of both the centuries-old order of Templars, and the dramatic execution of its last leader, turned de Molay into a legendary figure. Youth source Little is known of his early years, but de Molay was probably born in Molay, Haute- Saone , in the county of Burgundy , at the time a territory ruled by Otto III as part of the Holy Roman Empire , and in modern times in the area of Franche-Comté , northeastern France.
    [Show full text]
  • History of the Crusades. Episode 174. the Crusade Against the Cathars. 14Th Century France. Hello Again. Last Week We Saw the De
    History of the Crusades. Episode 174. The Crusade Against the Cathars. 14th Century France. Hello again. Last week we saw the decline of the Cathar faith in southern France in the last half of the 13th century. Next week we will begin our examination of the Cathars of Languedoc in the 14th century, but before we do so we are going to use this week's episode to take a step back and look at France as a whole in the 14th century. Now imagine for a moment that you are the country of France. As you look back upon your illustrious history, what would you say are your worst years? You might ponder a moment about the chaos and dislocation caused following the collapse of the Western Roman Empire in the fifth century, and there's no doubt that the first half of the 20th century was no picnic, but there is one standout century that will send shudders through you every time you think about it. And that century is, of course, the 14th century. For the Kingdom of France the 14th century was a series of monumental catastrophes, a 100 year period of such violence, upheaval and calamity that it almost doesn't bear thinking about. But think about it we must. Now, just to set the scene and to give you an idea of what we are in for, let's take a look at a cautionary tale from this time. Cautionary tales are stories told to children designed to send them a message about the morality of the time, and to warn them of the perils that they may face should they make the wrong choices.
    [Show full text]
  • Selected Ancestors of the Chicago Rodger's
    \ t11- r;$1,--ff" :fi-',v--q-: o**-o* *-^ "n*o"q "I-- 'Ita^!cad$l r.rt.H ls $urq1 uodi uoFour) puE au^l ete)S d-- u.uicnv ls 000'988'Z: I reJo+ uodn oi*cflaN llrprPa srE " 'sauepuno8 laqlo n =-^-Jtos,or lluunspue0NvrulsflnHlu0N -'- 'NVeU0nvt! 0twr0t ---" """ 'salrepuno8 rluno3 i ,- e s(llv1st leNNVtrc sr3tm3 a^nPnsu upr aqt 3'NVEI -__-,,sau?puno6leuorlPL.arLt ] tsF s!-d: ' 6@I Si' Wales and England of Map 508 409 8597 409 508 pue puel0L rrsl'19N9 salen om [email protected] -uv*t' please contact David Anderson at: Anderson David contact please 1,N For additional information, additional For + N 'r'oo"' lojr!rB "tA^ .*eq\M ""t \uir - s ,s *'E?#'lj:::",,X. ."i",i"eg"'. Wo, r rii': Fl?",:ll.jl,r ,s *,,^ . l"lfl"'" 1SVo! s.p, ;eG-li? ol.$q .:'N" avl r'/ !',u l.ltll:,wa1 H'. P " o r l\);t; !ff " -oNv P-9 . \ . ouorrufq 6 s 'dM .ip!que3 /,.Eer,oild.,.r-ore' uot-"'j SIMOd ) .,,i^.0'"i'"'.=-1- 4.1 ...;:,':J f UIHS i";,.i*,.relq*r -l'au8.rs.rd1'* tlodtiod * 1- /I!!orq8,u! l&l'p4.8 .tr' \ Q '-' \ +lr1: -/;la-i*iotls +p^ .) fl:Byl''uo$!eH l''",,ili"l,"f \ ,uoppor .q3norcq.trrv i ao3!ptDj A rarre;'a\ RUPqpuou^M. L,.rled. diulMoo / ) n r".c14!k " *'!,*j ! 8il5 ^ris!€i<6l-;"qrlds qteqsu uiraoos' \u,.".',"u","on". ' \. J$Pru2rl 3rEleril. I ubFu isiS. i'i. ,,./ rurHSNtoiNll AM-l' r- 'utqlnx i optow tstuuqlt'" %,.-^,r1, ;i^ d;l;:"f vgs "".'P"r;""; --i'j *;;3,1;5lt:r*t*:*:::* HTVON *",3 r.
    [Show full text]
  • The Wilted Lily Representations of the Greater Capetian Dynasty Within the Vernacular Tradition of Saint-Denis, 1274-1464
    THE WILTED LILY REPRESENTATIONS OF THE GREATER CAPETIAN DYNASTY WITHIN THE VERNACULAR TRADITION OF SAINT-DENIS, 1274-1464 by Derek R. Whaley A thesis submitted in fulfilment of the requirements of the Degree of Doctor of Philosophy in History at the University of Canterbury, 2017. ABSTRACT Much has been written about representations of kingship and regnal au- thority in the French vernacular chronicles popularly known as Les grandes chroniques de France, first composed at the Benedictine abbey of Saint-Denis in 1274 by the monk Primat. However, historians have ignored the fact that Primat intended his work to be a miroir for the princes—a didactic guidebook from which cadets of the Capetian royal family of France could learn good governance and morality. This study intends to correct this oversight by analysing the ways in which the chroniclers Guillaume de Nangis, Richard Lescot, Pierre d’Orgemont, Jean Juvénal des Ursins, and Jean Chartier constructed moral character arcs for many of the members of the Capetian family in their continua- tions to Primat’s text. This thesis is organised into case studies that fol- low the storylines of various cadets from their introduction in the narrative to their departure. Each cadet is analysed in isolation to deter- mine how the continuators portrayed them and what moral themes their depictions supported, if any. Together, these cases prove that the chron- iclers carefully crafted their narratives to serve as miroirs, but also that their overarching goals shifted in response to the growing political cri- ses caused by the Hundred Years War (1337-1453) and the Armagnac- Burgundian civil war (1405-1435).
    [Show full text]