DOCSLIB.ORG

F14 UK-Catalogue.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
F14 UK-Catalogue.Pdf Harper UK Adult ­ Fall 2014 Running Wild J. G. Ballard, Adam Phillips Summary A high­security luxury housing estate in the Thames Valley is the setting for a disturbing outbreak of violence in this compelling novella from the acclaimed author of 'Cocaine Nights' and 'Super­Cannes'. Pangbourne Village housing estate is exclusive, expensive and protected from the outside world by the very latest in security systems. It should be the perfect place to bring up a child. So why, in the space of ten minutes early one morning, were the thirty­two adult residents brutally murdered, and all thirteen children abducted? No kidnapper has ever come forward, and the police are mystified. It is only when psychiatrist Richard Greville is called in that the truth behind the massacre gradually becomes clear… Contributor Bio J. G. Ballard was born in 1930 in Shanghai, where his father was a businessman. After internment in a civilian prison camp, he and his family returned to England in 1946. He published his first novel, The Drowned World, in 1961. His 1984 bestseller Empire of the Fourth Estate Sun won the Guardian Fiction Prize and the James Tait Black Memorial Prize, and was 9780006548195 shortlisted for the Booker Prize. His memoir Miracles of Life was published in 2008. J. G. 0006548199 Ballard died in 2009. Pub Date: 9/2/2014 On Sale Date: 9/2/2014 Ship Date: 8/22/2014 Quotes $17.99/$17.99 Can./£8.99 UK 'A tight, macabre tale…A well­constructed and superbly written novella. As a malevolent B­format Paperback gesture in the direction of facts we prefer to ignore, it provides a salutary chill.' 112 Pages Jonathan Coe, Guardian Fiction / Literary FIC019000 'In words as crisp as a well­cut film, Ballard's gripping story shocks middle­class 130.000 mm W | 197.000 mm H | 90.000 gr Wt assumptions to the roots.' Mail on Sunday 5.12in W | 7.76in H | 90gr Wt Status:ACTIVE 'Has the impact of a black­and­white television documentary. The writing is elegant, taut and economical, the story gripping.' Sunday Times 'A particularly chilling fable…Ballard in a nutshell.' Nicholas Lezard, Guardian 'Simultaneously a detective novel, a psychological horror novel and a dystopian political novel. "Running Wild" may well be remembered as one of the major political novels of our time.' New York Review of Science Fiction Comp Titles No comparable titles have been specified. Subrights No subrights have been specified. Harper UK Adult ­ Fall 2014 Empire of the Sun J. G. Ballard, John Lanchester Summary From the master of dystopia, comes his heartrending story of a British boy's four year ordeal in a Japanese prison camp during the Second World War. Based on J. G. Ballard's own childhood, this is the extraordinary account of a boy's life in Japanese­occupied wartime Shanghai ­ a mesmerising, hypnotically compelling novel of war, of starvation and survival, of internment camps and death marches. It blends searing honesty with an almost hallucinatory vision of a world thrown utterly out of joint. Rooted as it is in the author's own disturbing experience of war in our time, it is one of a handful of novels by which the twentieth century will be not only remembered but judged. Contributor Bio J. G. Ballard was born in 1930 in Shanghai, where his father was a businessman. After internment in a civilian prison camp, he and his family returned to England in 1946. He Fourth Estate published his first novel, The Drowned World, in 1961. His 1984 bestseller Empire of the 9780007221523 Sun won the Guardian Fiction Prize and the James Tait Black Memorial Prize, and was 0007221525 shortlisted for the Booker Prize. His memoir Miracles of Life was published in 2008. J. G. Pub Date: 9/2/2014 On Sale Date: 9/2/2014 Ballard died in 2009. Ship Date: 8/22/2014 $17.99/$17.99 Can./£8.99 UK Quotes B­format Paperback 'An extraordinary achievement' Angela Carter 352 Pages 130.000 mm W | 197.000 mm H 'A remarkable journey into the mind of a growing boy … horror and humanity are blended | 280.000 gr Wt into a unique and unforgettable fiction' Sunday Times 5.12in W | 7.76in H | 280gr Wt Status:ACTIVE 'Remarkable … form, content and style fuse with complete success … one of the great war novels of the 20th century' William Boyd 'Gripping and remarkable … I have never read a novel which gave me a stronger sense of the blind helplessness of war … unforgettable' Observer 'A brilliant fusion of history, autobiography and imaginative speculation. An incredible literary achievement and almost intolerably moving' Anthony Burgess Comp Titles No comparable titles have been specified. Subrights No subrights have been specified. Harper UK Adult ­ Fall 2014 Cocaine Nights J. G. Ballard, James Lever Summary The remarkable bestseller from the author of Crash ­ Cocaine Nights is an engrossing mystery and unnerving vision of a society enjoying a life of unlimited leisure. When Charles Prentice arrives in Spain to investigate his brother's involvement in the death of five people in a fire in the upmarket coastal resort of Estrella de Mar, he gradually discovers that beneath the civilised, cultured surface of this exclusive enclave for Britain's retired rich there flourishes a secret world of crime, drugs and illicit sex . What starts as an engrossing mystery develops into a mesmerising novel of ideas ­ a dazzling work of the imagination from one of Britain's most original and controversial novelists ­ author of Super­Cannes and Millennium People. Contributor Bio J. G. Ballard was born in 1930 in Shanghai, where his father was a businessman. After internment in a civilian prison camp, he and his family returned to England in 1946. He published his first novel, The Drowned World, in 1961. His 1984 bestseller Empire of the Sun won the Guardian Fiction Prize and the James Tait Black Memorial Prize, and was Fourth Estate shortlisted for the Booker Prize. His memoir Miracles of Life was published in 2008. J. G. 9780006550648 Ballard died in 2009. 0006550649 Pub Date: 7/8/2014 On Sale Date: 7/8/2014 Quotes Ship Date: 6/27/2014 '[Ballard] is one of the few genuine surrealists this country has produced, the possessor $17.99/$17.99 Can./£8.99 UK of a terrifying and exhilarating imagination ­ and a national treasure' Guardian B­format Paperback 352 Pages 'Britain's number one living novelist. This adds a glinting new facet to his achievement ­ Fiction / Literary FIC019000 Ballard, detective­novelist extraordinary' Sunday Times 130.000 mm W | 197.000 mm H | 260.000 gr Wt 'As thrillingly wired as ever…Dazzlingly original' Independent 5.12in W | 7.76in H | 260gr Wt Status:ACTIVE 'Utterly compulsive' Sunday Telegraph Comp Titles No comparable titles have been specified. Subrights No subrights have been specified. Harper UK Adult ­ Fall 2014 Super­Cannes J. G. Ballard, Ali Smith Summary A high­tech business park on the Mediterranean is the setting for a most disturbing crime in this extraordinary bestseller from the author of Crash and Cocaine Nights. After over three decades at the forefront of modern fiction, J.G. Ballard reached a new generation of readers with the bestselling thriller Cocaine Nights. In Super­Cannes, he delves into another closed community, where it is claimed that 'work is the new leisure'. A disturbing mystery awaits Paul and Jane Sinclair when they arrive in Eden­Olympia, a high­tech business park in the hills above Cannes. Jane is to work as a doctor for those who live in this ultra­modern workers' paradise. But what caused her predecessor to go on a shooting spree that made headlines around the world? As Paul investigates, he begins to uncover a thriving subculture of crime that is spiralling out of control. Both novel of ideas and complex thriller, Super­Cannes is an extraordinary satire from the author of Empire of the Sun, Drowned World and Crash. Extreme Metaphors, a collection of interviews with Ballard, will be published in 2012. Fourth Estate 9780006551607 0006551602 Contributor Bio Pub Date: 10/14/2014 J. G. Ballard was born in 1930 in Shanghai, where his father was a businessman. After On Sale Date: 10/14/2014 internment in a civilian prison camp, he and his family returned to England in 1946. He Ship Date: 10/3/2014 published his first novel, The Drowned World, in 1961. His 1984 bestseller Empire of the $17.99/$17.99 Can./£8.99 UK Sun won the Guardian Fiction Prize and the James Tait Black Memorial Prize, and was B­format Paperback shortlisted for the Booker Prize. His memoir Miracles of Life was published in 2008. J. G. 416 Pages Ballard died in 2009. Fiction / Literary FIC019000 130.000 mm W | 197.000 mm H Quotes | 300.000 gr Wt 'Sublime…An elegant, elaborate trap of a novel, which reads as a companion piece to 5.12in W | 7.76in H | 300gr Wt Cocaine Nights but takes ideas from that novel and runs further. The first essential Status:ACTIVE novel of the 21st century' Independent 'Possibly his greatest book. Super­Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it' Sunday Express 'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near­future in which going mad is the only way of staying sane' Daily Mail 'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings' Guardian Comp Titles No comparable titles have been specified.
Load more

Recommended publications
  • Near Vermilion Sands: the Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard
    Near Vermilion Sands: The Context and Date of Composition of an Abandoned Literary Draft by J. G. Ballard Chris Beckett ‘We had entered an inflamed landscape’1 When Raine Channing – ‘sometime international model and epitome of eternal youthfulness’2 – wanders into ‘Topless in Gaza’, a bio-fabric boutique in Vermilion Sands, and remarks that ‘Nothing in Vermilion Sands ever changes’, she is uttering a general truth about the fantastic dystopian world that J. G. Ballard draws and re-draws in his collection of stories set in and around the tired, flamboyant desert resort, a resort where traumas flower and sonic sculptures run to seed.3 ‘It’s a good place to come back to,’4 she casually continues. But, like many of the female protagonists in these stories – each a femme fatale – she is a captive of her past: ‘She had come back to Lagoon West to make a beginning, and instead found that events repeated themselves.’5 Raine has murdered her ‘confidant and impresario, the brilliant couturier and designer of the first bio-fabric fashions, Gavin Kaiser’.6 Kaiser has been killed – with grim, pantomime karma – by a constricting gold lamé shirt of his own design: ‘Justice in a way, the tailor killed by his own cloth.’7 But Kaiser’s death has not resolved her trauma. Raine is a victim herself, a victim of serial plastic surgery, caught as a teenager in Kaiser’s doomed search for perpetual gamin youth: ‘he kept me at fifteen,’ she says, ‘but not because of the fashion-modelling. He wanted me for ever when I first loved him.’8 She hopes to find in Vermilion Sands, in its localized curvature of time and space, the parts of herself she has lost on a succession of operating tables.
    [Show full text]
  • Translation Rights List Non-Fiction May 2019
    Translation Rights List Including Non-Fiction May 2019 Contents • Rights Department p.3 • Little, Brown Imprints p.4 • General p.5 • Culture p.13 • Business & Management p.19 • History p.22 • Music p.28 • Memoirs & Biography p.34 • Sport p.39 • Travel & Nature p.41 • Health, Self-Help & Popular Psychology p.42 • Parenting p.48 • Food & Cookery p.53 • Overcoming Series p.56 • Rights Representatives p.59 Key • Rights sold displayed in parentheses indicates that we do not control the rights • An asterisk indicates a new title since previous Rights list • Titles in italics were not published by Little, Brown Book Group 2 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia, Latin America and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director USA, Spain, Portugal, Far East, the Netherlands, Flemish Belgium and the Indian Subcontinent [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager France, French Belgium, Turkey, Arab States, Israel, Greece, Bulgaria, Czech Republic, Slovak Republic, Hungary, Romania, Russia, Serbia and Macedonia [email protected] +44 (0) 20 3122 6598 HENA BRYAN Rights Trainee [email protected] +44 (0) 20 3122 0693 Little, Brown Book Group Follow us on Twitter: Carmelite House @LBBGRights 50 Victoria Embankment London EC4Y 0DZ UNITED KINGDOM 3 Little, Brown Imprints 4 General Highlights WHEN THE CLOUDS FELL FROM THE SKY THE ADVENTURES OF AZUKI 5 THE ADVENTURES OF AZUKI THE MINIATURE HEDGEHOG Humour| Robinson | 112pp |60 colour photographs| September 2019 A full-colour collection of photographs of the adorable Azuki, the miniature hedgehog, enjoying some of his favourite adventures, from camping to baking Riding on the popularity of everyone's favourite Insta-famous miniature hedgehog (400,000 followers on Instagram and counting), this adorable illustrated book stands out as a gem of originality among the glut of dog and cat books.
    [Show full text]
  • Download Spring 2015
    LAUREN ACAMPORA CHARLES BRACELEN FLOOD JOHN LeFEVRE BELINDA BAUER ROBERT GODDARD DONNA LEON MARK BILLINGHAM FRANCISCO GOLDMAN VAL McDERMID BEN BLATT & LEE HALL with TERRENCE McNALLY ERIC BREWSTER TOM STOPPARD & ELIZABETH MITCHELL MARK BOWDEN MARC NORMAN VIET THANH NGUYEN CHRISTOPHER BROOKMYRE WILL HARLAN JOYCE CAROL OATES MALCOLM BROOKS MO HAYDER P. J. O’ROURKE KEN BRUEN SUE HENRY DAVID PAYNE TIM BUTCHER MARY-BETH HUGHES LACHLAN SMITH ANEESH CHOPRA STEVE KETTMANN MARK HASKELL SMITH BRYAN DENSON LILY KING ANDY WARHOL J. P. DONLEAVY JAMES HOWARD KUNSTLER KENT WASCOM GWEN EDELMAN ALICE LaPLANTE JOSH WEIL MIKE LAWSON Grove Atlantic, 154 West 14th Street, 12 FL, New York, New York 10011 GROVE PRESS Hardcovers APRIL A startling debut novel from a powerful new voice featuring one of the most remarkable narrators of recent fiction: a conflicted subversive and idealist working as a double agent in the aftermath of the Vietnam War The Sympathizer Viet Thanh Nguyen MARKETING Nguyen is an award-winning short story “Magisterial. A disturbing, fascinating and darkly comic take on the fall of writer—his story “The Other Woman” Saigon and its aftermath and a powerful examination of guilt and betrayal. The won the 2007 Gulf Coast Barthelme Prize Sympathizer is destined to become a classic and redefine the way we think about for Short Prose the Vietnam War and what it means to win and to lose.” —T. C. Boyle Nguyen is codirector of the Diasporic Vietnamese Artists Network and edits a profound, startling, and beautifully crafted debut novel, The Sympathizer blog on Vietnamese arts and culture is the story of a man of two minds, someone whose political beliefs Published to coincide with the fortieth A clash with his individual loyalties.
    [Show full text]
  • JG Ballard's Reappraisal of Space
    Keyes: J.G. Ballard’s Reappraisal of Space 48 From a ‘metallized Elysium’ to the ‘wave of the future’: J.G. Ballard’s Reappraisal of Space Jarrad Keyes Independent Scholar _____________________________________ Abstract: This essay argues that the ‘concrete and steel’ trilogy marks a pivotal moment in Ballard’s intellectual development. From an earlier interest in cities, typically London, Crash ([1973] 1995b), Concrete Island (1974] 1995a) and High-Rise ([1975] 2005) represent a threshold in Ballard’s spatial representations, outlining a critique of London while pointing the way to a suburban reorientation characteristic of his later works. While this process becomes fully realised in later representations of Shepperton in The Unlimited Dream Company ([1979] 1981) and the concept of the ‘virtual city’ (Ballard 2001a), the trilogy makes a number of important preliminary observations. Crash illustrates the roles automobility and containerisation play in spatial change. Meanwhile, the topography of Concrete Island delineates a sense of economic and spatial transformation, illustrating the obsolescence of the age of mechanical reproduction and the urban form of the metropolis. Thereafter, the development project in High-Rise is linked to deindustrialisation and gentrification, while its neurological metaphors are key markers of spatial transformation. The essay concludes by considering how Concrete Island represents a pivotal text, as its location demonstrates. Built in the 1960s, the Westway links the suburban location of Crash to the West with the Central London setting of High-Rise. In other words, Concrete Island moves athwart the new economy associated with Central London and the suburban setting of Shepperton, the ‘wave of the future’ as envisaged in Ballard’s works.
    [Show full text]
  • "Resurrected from Its Own Sewers": Waste, Landscape and the Environment in JG Ballard's Climate Novels Set in Junky
    "Resurrected from its own sewers": Waste, landscape and the environment in JG Ballard's climate novels Set in junkyards, abandoned waysides and disaster zones, J.G. Ballard’s fiction assumes waste to be integral to the (material and symbolic) post-war landscape, and to reveal discomfiting truths about the ecological and social effects of mass production and consumption. Nowhere perhaps is this more evident than in his so- called climate novels, The Drowned World (1962), The Drought (1965), originally published as The Burning World, and The Crystal World (1966)—texts which Ballard himself described as “form[ing] a trilogy.” 1 In their forensic examination of the ecological effects of the Anthropocene era, these texts at least superficially fulfil the task environmental humanist Kate Rigby sees as paramount for eco-critics and writers of speculative fiction alike: that is, they tell the story of our volatile environment in ways that will productively inform our responses to it, and ultimately enable “new ways of being and dwelling” (147; 3). This article explores Ballard’s treatment of waste and material devastation in The Drowned World, The Drought, and The Crystal World, focussing specifically on their desistance from critiquing industrial modernity, and their exploitation, instead, of the narrative potential of its deleterious effects. I am especially interested in examining the relationship between the three novels, whose strikingly similar storylines approach ecological catastrophe from multiple angles. To this end, I refrain from discussing Ballard’s two other climate novels, The Wind from Nowhere (1962), which he himself dismissed outright as a “piece of hackwork” he wrote in the space of a day, and Hello America (1981), which departs from the 1960s texts in its thematic structure (Sellars and O’Hara, 88).
    [Show full text]
  • 2020 Spring Adult Rights Guide
    Incorporating Gregory & company Highlights London Book Fair 2020 Highlights Welcome to our 2020 International Book Rights Highlights For more information please go to our website to browse our shelves and find out more about what we do and who we represent. Contents Fiction Literary Fiction 4 to 11 Upmarket Fiction 12 to 17 Commercial Fiction 18 to 19 Crime and Thriller 20 to 31 Non-Fiction Politics, Current Affairs, International Relations 32 to 39 History and Philosophy 40 to 43 Nature and Science 44 to 47 Biography and Memoir 48 to 54 Practical, How-To and Self-Care 55 to 57 Upcoming Publications 58 to 59 Recent Highlights 60 Prizes 61 Film and TV News 62 to 64 DHA Co-Agents 65 Primary Agents US Rights: Veronique Baxter; Jemima Forrester; Georgia Glover; Anthony Goff (AG); Andrew Gordon (AMG); Jane Gregory; Lizzy Kremer; Harriet Moore; Caroline Walsh; Laura West; Jessica Woollard Film & TV Rights: Clare Israel; Penelope Killick; Nicky Lund; Georgina Ruffhead Translation Rights Alice Howe: [email protected] Direct: France; Germany Margaux Vialleron: [email protected] Direct: Denmark; Finland; Iceland; Italy, the Netherlands; Norway; Sweden Emma Jamison: [email protected] Direct: Brazil; Portugal; Spain and Latin America Co-agented: Poland Lucy Talbot: [email protected] Direct: Croatia; Estonia; Latvia; Lithuania; Slovenia Co-agented: China; Hungary, Japan; Korea; Russia; Taiwan; Turkey; Ukraine Imogen Bovill: [email protected] Direct: Arabic; Albania; Bulgaria; Greece; Israel; Italy; Macedonia, Vietnam, all other markets. Co-agented: Czech Republic; Indonesia; Romania; Serbia; Slovakia; Thailand Contact t: +44 (0)20 7434 5900 f: +44 (0)20 7437 1072 www.davidhigham.co.uk General translation rights enquiries: Sam Norman: [email protected] THE PALE WITNESS Patricia Duncker A tour de force of historical fiction from the acclaimed novelist Patricia Duncker According to the Gospel of Matthew, the wife of Pontius Pilate interceded on Jesus’ behalf as Pilate was contemplating the prophet’s fate.
    [Show full text]
  • 13 Reflections on Tolkien's Use of Beowulf
    13 Reflections on Tolkien’s Use of Beowulf Arne Zettersten University of Copenhagen Beowulf, the famous Anglo-Saxon heroic poem, and The Lord of the Rings by J.R.R. Tolkien, “The Author of the Century”, 1 have been thor- oughly analysed and compared by a variety of scholars.2 It seems most appropriate to discuss similar aspects of The Lord of the Rings in a Festschrift presented to Nils-Lennart Johannesson with a view to his own commentaries on the language of Tolkien’s fiction. The immediate pur- pose of this article is not to present a problem-solving essay but instead to explain how close I was to Tolkien’s own research and his activities in Oxford during the last thirteen years of his life. As the article unfolds, we realise more and more that Beowulf meant a great deal to Tolkien, cul- minating in Christopher Tolkien’s unexpected edition of the translation of Beowulf, completed by J.R.R. Tolkien as early as 1926. Beowulf has always been respected in its position as the oldest Germanic heroic poem.3 I myself accept the conclusion that the poem came into existence around 720–730 A.D. in spite of the fact that there is still considerable debate over the dating. The only preserved copy (British Library MS. Cotton Vitellius A.15) was most probably com- pleted at the beginning of the eleventh century. 1 See Shippey, J.R.R. Tolkien: Author of the Century, 2000. 2 See Shippey, T.A., The Road to Middle-earth, 1982, Pearce, Joseph, Tolkien.
    [Show full text]
  • Of Elves and Men Simon J
    Journal of Tolkien Research Volume 3 | Issue 1 Article 1 2016 Fantasy Incarnate: Of Elves and Men Simon J. Cook Dr. None, [email protected] Follow this and additional works at: http://scholar.valpo.edu/journaloftolkienresearch Part of the Esthetics Commons, Intellectual History Commons, and the Literature in English, British Isles Commons Recommended Citation Cook, Simon J. Dr. (2016) "Fantasy Incarnate: Of Elves and Men," Journal of Tolkien Research: Vol. 3: Iss. 1, Article 1. Available at: http://scholar.valpo.edu/journaloftolkienresearch/vol3/iss1/1 This Peer-Reviewed Article is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Cook: Fantasy Incarnate Fantasy Incarnate: Of Elves and Men Introduction The following essay arises out of sustained engagement with the section of J.R.R. Tolkien’s On Fairy Stories entitled ‘Origins’. This section is dense, often elliptical, sometimes cryptic, with depths that have yet to be plumbed. It defies easy exegesis. My attempt to understand the ideas behind the text have led me far afield – into other sections of the essay, into other writings by Tolkien, and into works by other scholars which, in varying degrees, illuminate Tolkien’s thought. I have yet to exhaust this material and more remains to be said. What fruit I now present from my exegetical labour boils down to two claims: that loss of historical memory plays a vital role in Tolkien’s account of mythology, and that the notion of incarnation provides a key to his conception of fantasy.1 The essay consists of four main sections.
    [Show full text]
  • Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE E-Mail: [email protected] No
    THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON Roger Johnson, Mole End, 41 Sandford Road, Chelmsford CM2 6DE e-mail: [email protected] no. 347 30 October 2014 The subscription for postal subscribers who send money rather than Christmas Annual ’ and the assertion that the Sherlock Holmes stamped & self-addressed envelopes is (for 12 issues) £7.50 in the UK, Museum’s address at 239 Baker Street was officially changed to 221B and £12.00 or US$21.00 overseas. Please make dollar checks payable show that it’s not wholly reliable. to The Sherlock Holmes Society of London . An e-mail subscription Not a month goes by without several volumes of new Sherlock Holmes costs nothing and pretty much guarantees instantaneous delivery. stories and an apparently unlimited number online, and most (to put it Nothing’s ever straightforward, it seems. See the Undershaw kindly) are not good. However, I look forward to reading Moriarty , by Preservation Trust website at www.saveundershaw.com for the latest Anthony Horowitz (Orion; www.orionbooks.co.uk ; £19.99), and news in the sorry saga of the house that Conan Doyle built. meanwhile there’s Young Sherlock: Stone Cold , the seventh in the The Specsavers Crime Thriller Awards were announced on Monday. splendid series by Andrew Lane (Macmillan Children’s Books; Amanda Abbington won the Dagger as Best Supporting Actress for her www.panmacmillan.com ; £12.99). After exotic adventures in China and performance as Mary Morstan in Sherlock . Good! decidedly weird ones in Ireland, Sherlock is packed off to Oxford to study logic under Mycroft’s friend Charles Dodgson.
    [Show full text]
  • Contents PROOF
    PROOF Contents Acknowledgements vii Notes on Contributors viii Introduction 1 Jeannette Baxter and Rowland Wymer Part I ‘Fictions of Every Kind’: Form and Narrative 1 Ballard’s Story of O: ‘The Voices of Time’ and the Quest for (Non)Identity 19 Rowland Wymer 2 Ballard/Atrocity/Conner/Exhibition/Assemblage 35 Roger Luckhurst 3 Uncanny Forms: Reading Ballard’s ‘Non-Fiction’ 50 Jeannette Baxter Part II ‘The Angle Between Two Walls’: Sex, Geometry and the Body 4 Pornographic Geometries: The Spectacle as Pathology and as Therapy in The Atrocity Exhibition 71 Jen Hui Bon Hoa 5 Disaffection and Abjection in J. G. Ballard’s The Atrocity Exhibition and Crash 88 Emma Whiting 6 Reading Posture and Gesture in Ballard’s Novels 105 Dan O’Hara Part III ‘Babylon Revisited’: Ballard’s Londons 7 The Texture of Modernity in J. G. Ballard’s Crash, Concrete Island and High-Rise 123 Sebastian Groes v September 30, 2011 17:22 MAC/BAXI Page-v 9780230_278127_01_prex PROOF vi Contents 8 J. G. Ballard and William Blake: Historicizing the Reprobate Imagination 142 Alistair Cormack 9 Late Ballard 160 David James Part IV ‘The Personal is Political’: Psychology and Sociopathology 10 Empires of the Mind: Autobiography and Anti-imperialism in the Work of J. G. Ballard 179 David Ian Paddy 11 ‘Going mad is their only way of staying sane’: Norbert Elias and the Civilized Violence of J. G. Ballard 198 J. Carter Wood 12 The Madness of Crowds: Ballard’s Experimental Communities 215 Jake Huntley 13 ‘Zones of Transition’: Micronationalism in the Work of J. G.
    [Show full text]
  • Violence and Dystopia
    Violence and Dystopia Violence and Dystopia: Mimesis and Sacrifice in Contemporary Western Dystopian Narratives By Daniel Cojocaru Violence and Dystopia: Mimesis and Sacrifice in Contemporary Western Dystopian Narratives By Daniel Cojocaru This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Daniel Cojocaru All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7613-5 ISBN (13): 978-1-4438-7613-1 For my daughter, and in loving memory of my father (1949 – 1991) TABLE OF CONTENTS Acknowledgements .................................................................................... ix Chapter One ................................................................................................. 1 Introduction 1.1 Modern Dystopia ............................................................................. 1 1.2 René Girard’s Mimetic Theory ...................................................... 10 1.2.1 Imitative Desire ..................................................................... 10 1.2.2 Violence and the Sacred ........................................................ 16 1.2.3 Girard and the Bible .............................................................
    [Show full text]
  • Body and Space in J. G. Ballard's Concrete Island and High-Rise
    Universidade Federal de Minas Gerais Faculdade de Letras Pedro Henrique dos Santos Groppo Body and Space in J. G. Ballard’s Concrete Island and High-Rise Minas Gerais – Brasil Abril – 2009 Groppo 2 Acknowledgments I would like to thank Prof. Julio Jeha for the encouragement and support. He was always open and willing to make sense of my fragmentary and often chaotic ideas. Also, thanks to CNPq for the financial support. And big thanks to the J. G. Ballard online community, whose creativity and enthusiasm towards all things related to Ballard were captivating. Groppo 3 Abstract The fiction of J. G. Ballard is unusually concerned with spaces, both internal and exterior. Influenced by Surrealism and Freudian psychoanalysis, Ballard’s texts explore the thin divide between mind and body. Two of his novels of the 1970s, namely Concrete Island (1974) and High-Rise (1975) depict with detail his preoccupation with how the modern, urban world pushes man to the point where an escape to inner world is the solution to the tacit and oppressive forces of the external world. This escape is characterized by a suspension of conventional morality, with characters expressing atavistic tendencies, an effective return of the repressed. The present thesis poses a reading of these two novels, aided by analyses of some of Ballard’s short stories, with a focus on the relation between bodies and spaces and how they project and introject into one another. Such a reading is grounded on theories of the uncanny as described by Freud and highlights Ballard’s kinship to Gothic fiction.
    [Show full text]