AMERICAN ART Wednesday May 24, 2017 New York
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THE AMERICAN ART-1 Corregido
THE AMERICAN ART: AN INTRODUCTION Compiled by Antoni Gelonch-Viladegut For the Gelonch Viladegut Collection Paris-Boston, April 2011 SOMMARY INTRODUCTION 3 18th CENTURY 5 19th CENTURY 6 20th CENTURY 8 AMERICAN REALISM 8 ASHCAN SCHOOL 9 AMERICAN MODERNISM 9 MODERNIST PAINTING 13 THE AMERICAN SOUTHWEST 14 HARLEM RENAISSANCE 14 NEW DEAL ART 14 ABSTRACT EXPRESSIONISM 15 ACTION PAINTING 18 COLOR FIELD 19 POLLOCK AND ABSTRACT INFLUENCES 20 ART CRITICS OF THE POST-WORLD WAR II ERA 21 AFTER ABSTRACT EXPRESSIONISM 23 OTHER MODERN AMERICAN MOVEMENTS 24 THE GELONCH VILADEGUT COLLECTION 2 http://www.gelonchviladegut.com The vitality and the international presence of a big country can also be measured in the field of culture. This is why Statesmen, and more generally the leaders, always have the objective and concern to leave for posterity or to strengthen big cultural institutions. As proof of this we can quote, as examples, the Bibliothèque Nationale de France, the British Museum, the Monastery of Escorial or the many American Presidential Libraries which honor the memory of the various Presidents of the United States. Since the Holy Roman Empire and, notably, in Europe during the Renaissance times cultural sponsorship has been increasingly active for the sake of art or for the sense of splendor. Nowadays, if there is a country where sponsors have a constant and decisive presence in the world of the art, this is certainly the United States. Names given to museum rooms in memory of devoted sponsors, as well as labels next to the paintings noting the donor’s name, are a very visible aspect of cultural sponsorship, especially in America. -
The Hudson River School
Art, Artists and Nature: The Hudson River School The landscape paintings created by the 19 th century artist known as the Hudson River School celebrate the majestic beauty of the American wilderness. Students will learn about the elements of art, early 19 th century American culture, the creative process, environmental concerns and the connections to the birth of American literature. New York State Standards: Elementary, Intermediate, and Commencement The Visual Arts – Standards 1, 2, 3, 4 Social Studies – Standards 1, 3 ELA – Standards 1, 3, 4 BRIEF HISTORY By the mid-nineteenth century, the United States was no longer the vast, wild frontier it had been just one hundred years earlier. Cities and industries determined where the wilderness would remain, and a clear shift in feeling toward the American wilderness was increasingly ruled by a new found reverence and longing for the undisturbed land. At the same time, European influences - including the European Romantic Movement - continued to shape much of American thought, along with other influences that were distinctly and uniquely American. The traditions of American Indians and their relationship with nature became a recognizable part of this distinctly American Romanticism. American writers put words to this new romantic view of nature in their works, further influencing the evolution of American thought about the natural world. It found means of expression not only in literature, but in the visual arts as well. A focus on the beauty of the wilderness became the passion for many artists, the most notable came to be known as the Hudson River School Artists. The Hudson River School was a group of painters, who between 1820s and the late nineteenth century, established the first true tradition of landscape painting in the United States. -
Bingoi Hartford, July 29 (4*>- Five EVERY SAT
PA6B . SATURDAY, JULY 27, 1967 Ayerage Dtiily Net Press Run The Weather For the Week Ended Fereeast at V. B. Weather BTarasa ^anrbfBtfr Sufttittg !|?ralb Jime 8. 1887 Chance of scattered abowera te> •eema to have a jinx on hla cars night. Low In mid 60s. Tueeday, About Tohpd on vacation tfipi. 12,540 scattered ahoiyera and thpnder- Several years, ago he had a nar Area Youths Member et the Andit ahowera In afternoon and evening. Heard Along Main Street High near 80. riremen of the 8th Dlitricf'Fire row escape in a colliaion. and this Bnrean of drcalatiea Pepartment will hold a-Depart year he tangled with a hurricane. THE ARMY aod NAVY Manchester— A City o f Village Charm ment meeting Monday at 7:30 p.m. And on Some of Manchester*» Side Streets, It aeema that he was driving In Win Awards southern Illlnoia when the tall end At the fire headquarters, Main and (Claaaifted Advertlaing en Pago 13) PRICE FIVE CENT» HlUlard SU. of Hurricane Audrey swept by. VOL. LXX V I, NO. 254 (FOURTEEN PAGES) MANCHESTER, CONN., MONDAY, JULY 29. 1957 Nothing to Maintain the shear face of the hill carrying He and hla family were in a brand At 4*H Week There are four beautiful tennis Indian pumps. Tuesday eveninif's weighinf - in new car driving through the wide courts near E, Center 8 t. on the 1V-0 men stayed v^lth the truck open fields o f the Midwest which Storrs, July 27 (Special)—Twelve aession by Manchester WATES High School grounds. -
American Art New York | November 19, 2019
American Art New York | November 19, 2019 AMERICAN ART | 39 2 | BONHAMS AMERICAN ART | 3 American Art at Bonhams New York Jennifer Jacobsen Director Aaron Anderson Los Angeles Scot Levitt Vice President Kathy Wong Specialist San Francisco Aaron Bastian Director American Art New York | Tuesday November 19, 2019 at 4pm BONHAMS BIDS INQUIRIES ILLUSTRATIONS 580 Madison Avenue +1 (212) 644 9001 Jennifer Jacobsen Front Cover: Lot 15 New York, New York 10022 +1 (212) 644 9009 fax Director Inside Front Cover: Lots 47 and 48 bonhams.com [email protected] +1 (917) 206 1699 Inside Back Cover: Lot 91 [email protected] Back Cover: Lot 14 PREVIEW To bid via the internet please visit Friday, November 15, 10am - 5pm www.bonhams.com/25246 Aaron Anderson Saturday, November 16, 10am - 5pm +1 (917) 206 1616 Sunday, November 17, 12pm - 5pm Please note that bids should be [email protected] Monday, November 18, 10am - 5pm summited no later than 24hrs prior to the sale. New Bidders must REGISTRATION also provide proof of identity when IMPORTANT NOTICE SALE NUMBER: 25246 submitting bids. Failure to do this Please note that all customers, Lots 1 - 101 may result in your bid not being irrespective of any previous processed. activity with Bonhams, are CATALOG: $35 required to complete the Bidder LIVE ONLINE BIDDING IS Registration Form in advance of AUCTIONEER AVAILABLE FOR THIS SALE the sale. The form can be found Rupert Banner - 1325532-DCA Please email bids.us@bonhams. at the back of every catalogue com with “Live bidding” in the and on our website at www. -
A Finding Aid to the Balcomb and Gertrude Greene Papers, Circa 1880S-2009, in the Archives of American Art
A Finding Aid to the Balcomb and Gertrude Greene Papers, circa 1880s-2009, in the Archives of American Art Catherine S. Gaines September 24, 2009 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 2 Scope and Content Note................................................................................................. 4 Arrangement..................................................................................................................... 5 Names and Subjects ...................................................................................................... 5 Container Listing ............................................................................................................. 7 Series 1: Biographical Material, 1926-1981............................................................. 7 Series 2: Letters, 1936-2005.................................................................................... 8 Series 3: Subject Files, 1939-2008.......................................................................... 9 Series 4: Writings, -
The Elegant Home
THE ELEGANT HOME Select Furniture, Silver, Decorative and Fine Arts Monday November 13, 2017 Tuesday November 14, 2017 Los Angeles THE ELEGANT HOME Select Furniture, Silver, Decorative and Fine Arts Monday November 13, 2017 at 10am Tuesday November 14, 2017 at 10am Los Angeles BONHAMS BIDS INQUIRIES Automated Results Service 7601 W. Sunset Boulevard +1 (323) 850 7500 European Furniture and +1 (800) 223 2854 Los Angeles, California 90046 +1 (323) 850 6090 fax Decorative Arts bonhams.com Andrew Jones ILLUSTRATIONS To bid via the internet please visit +1 (323) 436 5432 Front cover: Lot 215 (detail) PREVIEW www.bonhams.com/24071 [email protected] Day 1 session page: Friday, November 10 12-5pm Lot 733 (detail) Saturday, November 11 12-5pm Please note that telephone bids American Furniture and Day 2 session page: Sunday, November 12 12-5pm must be submitted no later Decorative Arts Lot 186 (detail) than 4pm on the day prior to Brooke Sivo Back cover: Lot 310 (detail) SALE NUMBER: 24071 the auction. New bidders must +1 (323) 436 5420 Lots 1 - 899 also provide proof of identity [email protected] and address when submitting CATALOG: $35 bids. Telephone bidding is only Decorative Arts and Ceramics available for lots with a low Jennifer Kurtz estimate in excess of $1000. +1 (323) 436 5478 [email protected] Please contact client services with any bidding inquiries. Silver and Objects of Vertu Aileen Ward Please see pages 321 to 323 +1 (323) 436 5463 for bidder information including [email protected] Conditions of Sale, after-sale collection, and shipment. -
A Lasting Impression
1 A Lasting Impression An Introduction to Pennsylvania Impressionism James A. Michener Art Museum’s Traveling Trunk James A. Michener Art Museum • 138 South Pine Street • Doylestown, PA 18901 MichenerArtMuseum.org • 215-340-9800 2 A Lasting Impression James A. Michener Art Museum’s Traveling Trunk Table of Contents Lessons Lesson 1: First Impressions pages 3-4 Lesson 2: Improvisational Theater pages 5-6 Lesson 3: Journals and Boxes page 7 Lesson 4: Contemporary Connections pages 8-9 Lesson 5: The Arts and Media pages 10 Lesson 6: Painting Impressions page 11 Lesson 7: Michener Museum Impressions pages 12-13 Lesson 8: Women in the Arts pages 14-15 Lesson 9: Impressionism and the Environment page 16 Lesson 10: Your Last Impression page 17 Appendix 1: Vocabulary pages 18-24 Appendix 2: Standards pages 25-40 Appendix 3: Biographies and Visuals pages 41-102 Appendix 4: Bibliography pages 103-104 James A. Michener Art Museum • 138 South Pine Street • Doylestown, PA 18901 MichenerArtMuseum.org • 215-340-9800 3 A Lasting Impression James A. Michener Art Museum’s Traveling Trunk Lesson 1: First Impressions Social Studies, Studio Art, Language Arts, Art History Connections Objectives: Students will be introduced to the themes and materials in the James A. Michener Art Museum Culture Kit, A Lasting Impression. Students will demonstrate an understanding of the vocabulary presented in the Lasting Impressions Culture Kit Students will become familiar with the distinctive style in Pennsylvania Impressionist paintings, through the works of Lathrop, Redfield, and Sotter Students will use original documentation to learn about the history of Pennsylvania Impressionism Students will understand the importance of Bucks County heritage as it relates to Pennsylvania, American, and French Impressionism Lesson Ideas Explore the Culture Kit Display the contents of the Culture Kit in your classroom or school library. -
READ ME FIRST Here Are Some Tips on How to Best Navigate, find and Read the Articles You Want in This Issue
READ ME FIRST Here are some tips on how to best navigate, find and read the articles you want in this issue. Down the side of your screen you will see thumbnails of all the pages in this issue. Click on any of the pages and you’ll see a full-size enlargement of the double page spread. Contents Page The Table of Contents has the links to the opening pages of all the articles in this issue. Click on any of the articles listed on the Contents Page and it will take you directly to the opening spread of that article. Click on the ‘down’ arrow on the bottom right of your screen to see all the following spreads. You can return to the Contents Page by clicking on the link at the bottom of the left hand page of each spread. Direct links to the websites you want All the websites mentioned in the magazine are linked. Roll over and click any website address and it will take you directly to the gallery’s website. Keep and fi le the issues on your desktop All the issue downloads are labeled with the issue number and current date. Once you have downloaded the issue you’ll be able to keep it and refer back to all the articles. Print out any article or Advertisement Print out any part of the magazine but only in low resolution. Subscriber Security We value your business and understand you have paid money to receive the virtual magazine as part of your subscription. Consequently only you can access the content of any issue. -
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About Henry Street Settlement
TO BENEFIT Henry Street Settlement ORGANIZED BY Art Dealers Association of America March 1– 5, Gala Preview February 28 FOUNDED 1962 Park Avenue Armory at 67th Street, New York City MEDIA MATERIALS Lead sponsoring partner of The Art Show The ADAA Announces Program Highlights at the 2017 Edition of The Art Show ART DEALERS ASSOCIATION OF AMERICA 205 Lexington Avenue, Suite #901 New York, NY 10016 [email protected] www.artdealers.org tel: 212.488.5550 fax: 646.688.6809 Images (left to right): Scott Olson, Untitled (2016), courtesy James Cohan; Larry Bell with Untitled (Wedge) at GE Headquarters, Fairfield, CT in 1984, courtesy Anthony Meier Fine Arts; George Inness, A June Day (1881), courtesy Thomas Colville Fine Art. #TheArtShowNYC Program Features Keynote Event with Museum and Cultural Leaders from across the U.S., a Silent Bidding Sale of an Alexander Calder Sculpture to Benefit the ADAA Foundation, and the Annual Art Show Gala Preview to Benefit Henry Street Settlement ADAA Member Galleries Will Present Ambitious Solo Exhibitions, Group Shows, and New Works at The Art Show, March 1–5, 2017 To download hi-res images of highlights of The Art Show, visit http://bit.ly/2kSTTPW New York, January 25, 2017—The Art Dealers Association of America (ADAA) today announced additional program highlights of the 2017 edition of The Art Show. The nation’s most respected and longest-running art fair will take place on March 1-5, 2017, at the Park Avenue Armory in New York, with a Gala Preview on February 28 to benefit Henry Street Settlement. -
Oral History Interview with Ad Reinhardt, Circa 1964
Oral history interview with Ad Reinhardt, circa 1964 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Ad Reinhardt ca. 1964. The interview was conducted by Harlan Phillips for the Archives of American Art, Smithsonian Institution. The reader should bear in mind that he or she is reading a transcript of spoken, rather than written, prose. This is a rough transcription that may include typographical errors. Interview HARLAN PHILLIPS: In the 30s you were indicating that you just got out of Columbia. AD REINHARDT: Yes. And it was an extremely important period for me. I guess the two big events for me were the WPA projects easel division. I got onto to it I think in '37. And it was also the year that I became part of the American Abstract Artists School and that was, of course, very important for me because the great abstract painters were here from Europe, like Mondrian, Leger, and then a variety of people like Karl Holty, Balcomb Greene were very important for me. But there was a variety of experiences and I remember that as an extremely exciting period for me because - well, I was young and part of that - I guess the abstract artists - well, the American Abstract artists were the vanguard group here, they were about 40 or 50 people and they were all the abstract artists there were almost, there were only two or three that were not members. -
Annual Report 2009
Bi-Annual 2009 - 2011 REPORT R MUSEUM OF ART UNIVERSITY OF FLORIDA CELEBRATING 20 YEARS Director’s Message With the celebration of the 20th anniversary of the Harn Museum of Art in 2010 we had many occasions to reflect on the remarkable growth of the institution in this relatively short period 1 Director’s Message 16 Financials of time. The building expanded in 2005 with the addition of the 18,000 square foot Mary Ann Harn Cofrin Pavilion and has grown once again with the March 2012 opening of the David A. 2 2009 - 2010 Highlighted Acquisitions 18 Support Cofrin Asian Art Wing. The staff has grown from 25 in 1990 to more than 50, of whom 35 are full time. In 2010, the total number of visitors to the museum reached more than one million. 4 2010 - 2011 Highlighted Acquisitions 30 2009 - 2010 Acquisitions Programs for university audiences and the wider community have expanded dramatically, including an internship program, which is a national model and the ever-popular Museum 6 Exhibitions and Corresponding Programs 48 2010 - 2011 Acquisitions Nights program that brings thousands of students and other visitors to the museum each year. Contents 12 Additional Programs 75 People at the Harn Of particular note, the size of the collections doubled from around 3,000 when the museum opened in 1990 to over 7,300 objects by 2010. The years covered by this report saw a burst 14 UF Partnerships of activity in donations and purchases of works of art in all of the museum’s core collecting areas—African, Asian, modern and contemporary art and photography.