DOCSLIB.ORG

Insight on Screen Tbivision.Com | August/September 2020

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Insight on screen TBIvision.com | August/September 2020 Switched on thinking Delivering diversity Where next for the How kids TV global animation is approaching industry? inclusivity Page 8 Page 14 pOFC TBI AugSep20.indd 1 27/08/2020 18:12 pXX Xilam TBI AugSep20.indd 1 25/08/2020 14:38 Welcome | This issue Contents TBI August/September 2020 8 20 14 24 8. Switched on thinking 20. Talking it out Kids animation companies have adapted rapidly to the e ects of the Spanish-language scripted product is in demand and Latin American global pandemic, but Helen Dugdale expores what lessons have been producers already widely renowed for their fi lm output are fi nding learned and fi nds out where the industry will go next. new opportunities, as Nick Edwards reports. 12. Who’s doing what this fall 24. Kids Hot Picks With the traditional events calendar disrupted, TBI checks in with TBI takes a look at some of the best kids TV o erings making their a variety of distributors to fi nd out how they’re planning to attract way to market, with sneak peeks of Zog And The Flying Doctors, attention online. Green Hornet, The Epic Adventures Of Morph and more. 14. Delivering diversity 30. Launch time Mark Layton takes a deep dive to explore how the global TV Richard Middleton talks to former BBC Studios director of industry is working to improve inclusivity and representation in commissioning & co-production Tobi de Graa about su ering from children’s programming, and asks what needs to happen both in front Covid-19, his agnostic approach to production and why it’s more fun of and behind the camera in order to bring about real change. to date than marry. Plus: 2 Editor’s Note • 4 Well-being • 5 About Town • 6 Diversity • 32 Last Word TBI August/September 2020 1 p01 Contents TBI AugSep20 - ML RJM.indd 3 27/08/2020 18:37 TBI August/September 2020 | Welcome Editor’s note Richard Middleton Animation & action hen the world was plunged into lockdown earlier this year, Contact us huge swathes of the content business were pole-axed almost overnight. Yet looking back on stories from those fi rst few Editor Richard Middleton months, it is remarkable how quickly the industry reacted [email protected] – rejigging schedules, commissioning self-fi lmed dramas, Direct line +44 (0) 20 7017 7184 stockingW up on library content, cutting costs by the billion, working together to deliver government-backed insurance schemes – even coming up with new formats Deputy editor Mark Layton that included strapping cameras to dogs. [email protected] TV’s nimble-footed nature was on full view, no matter where you were in the world. Contributors Helen Dugdale, Nick Edwards That response comes in sharp contrast to the discussion around inclusion and diversity, which continues to generate reams of quotes calling for change. Yet that’s Sales manager Michael Callan hardly new. In this edition, we explore how the next generation of adult viewers are [email protected] being infl uenced by what they watch and take a deep dive into what the kids business Direct line +44 (0) 20 7017 5295 is doing to improve inclusivity and representation at all levels. We are also delighted to welcome Deborah Williams, exec director of the UK’s Art director Matthew Humberstone Creative Diversity Network, to TBI’s pages, with a new monthly column that will [email protected] explore how the industry can deliver meaningful action – again, at all levels – while Direct line +44 (0) 20 7017 5336 celebrating the creativity that comes from having inclusive and diverse content that refl ects the audience watching it. Marketing executive Abigail Dede We also travel the world – virtually, of course – to fi nd out how the animation [email protected] business has adapted and thrived over recent months, take a trip to Latin America to Direct line +44 (0) 20 7017 6018 explore the region’s burgeoning scripted business, track down how distributors are planning on attracting buyers this fall, and pick out some hot new shows heading to Commercial director Patricia Arescy a virtual market near you. [email protected] Direct line +44 (0) 20 7017 5320 Editorial director Stuart Thomson [email protected] Direct line +44 (0) 20 7017 5314 @TBImagazine Published by Informa Tech, Blue Fin Building, Television Business International (USPS 003-807) is published bi-monthly (Jan, Mar, Apr, Jun, Aug 110 Southwark Street, London SE1 0TA and Oct) by Informa Tech, Blue Fin Building, 110 Southwark Street, London, SE1 0TA. The 2006 US Tel: +44 (0)20 7017 5000 Institutional subscription price is $255. Airfreight and mailing in the USA by Agent named Air Business, e-mail: [email protected] web: www.tbivision.com C/O Priority Airfreight NY Ltd, 147-29 182nd Street, Jamaica, NY11413. Periodical postage paid at Printed in England by Walstead Roche Ltd, Jamaica NY 11431. US Postmaster: Send address changes to Television Business International, C/O Air St Austell, Cornwall PL26 8LX. Business Ltd / Priority Airfreight NY Ltd, 147-29 182nd Street, Jamaica, NY11413. Subscription records are maintained at Informa Tech, Blue Fin Building, 110 Southwark Street, London, SE1 0TA, United © 2020 Informa UK Ltd All rights reserved Kingdom. Air Business Ltd is acting as our mailing agent. Reproduction without permission is prohibited 2 TBI August/September 2020 p02 Ed Note TBI AugSep20 RJM.indd 6 27/08/2020 19:17 New for Christmas 2020 New for Summer 2021 1 × 26' 52 × 7' 1 × 26’ 1 × 26’ 1 × 26’ Films. Brands. Entertainment. Magic Light Pictures creates rich and imaginative experiences for families worldwide. Contact us [email protected] [email protected] p03 Magic Light Pictures TBI AugSep20.indd 1 27/08/2020 17:45 TBI | Well-being Well-being Tracy Forsyth You can’t wear a crown if your head is down e all know that when we are Shoulders back In this edition’s stressed and panicky our breath We live in the digital era, which means we are well-being column, gets short and shallow. In the almost constantly hunched over a laptop or a corporate wellness old days the remedy for a panic smartphone. What this means is that we are curving coach Tracy Forysth attackW was to put your head between your knees inwards with our pectoral muscles getting tighter provides five physical and breathe in and out of a paper bag. Reason and shorter and our shoulder muscles getting exercises to help boost being, this helped to slow down and deepen your weaker and weaker pulling everything forward and your confidence and breathing, increasing oxygen to the lungs in order down. The more that happens, the harder it is to self-belief to send more oxygenated blood to the brain to help counter-balance. So, on a daily, hourly basis, raise you think clearer. The slowing down of the breath your shoulders up, back and down. Keep them also lowers blood pressure and stress levels. Clever back and down. If this feels weird, you need to do huh? The body does its best to help you in times it more! The benefit of this posture is that your ribs of need. And it can do so much more. So, if you have more room to expand meaning you can take are ever in a position where you want a boost of deeper breaths, enabling you to bring more oxygen confidence and self-belief then try these methods into your system. using your physical being. Chin up Use your breath My Dad always used to say this to me if I was If you’ve got a big presentation or a dicult feeling down. There is something about having your conversation coming up and want to feel powerfully chin up that makes you look confident, nonchalant, calm, try this: breathe in for two counts and out for undefeated. Having your chin up physically means four counts. Conversely, if you want to feel pumped that the throat is open and not constricted. And up and ready for action, try it the other way around: in yogic philosophy, the throat area relates to breathe in for four counts and out for two counts. expression and speaking your truth. We all know The first calms and focuses you, the second wakes that when we are deeply moved or upset, we can you up and energises you. have a lump in our throat or find it dicult to speak. Lift your chin up to free that throat area, Stand or sit tall enabling you to speak more confidently. If you want to make a physical impact either around a table in a big meeting or just when meeting Crown on someone for the first time, pull yourself up to your Lastly, hold your head high as if you were being Tracy is a creative mentor highest point possible with a long straight spine. pulled by a thread from the crown of your head. If for the Channel 4 Indie Even if you are tiny, this will work. And if you are you’ve watched Beyoncé’s new film Black Is King, Growth Fund, the already tall, don’t slouch to come down to other you might remember a fantastic quote: “You can’t producer of the WFTV people’s levels. Standing or sitting tall will not only wear a crown if your head is down”. Literally, hold mentoring scheme and make you look more confident but feel it too. One your head as if you are wearing a precious crown.
Recommended publications
  • Cienegas Vanishing Climax Communities of the American

    Cienegas Vanishing Climax Communities of the American

    Hendrickson and Minckley Cienegas of the American Southwest 131 Abstract Cienegas The term cienega is here applied to mid-elevation (1,000-2,000 m) wetlands characterized by permanently saturated, highly organic, reducing soils. A depauperate Vanishing Climax flora dominated by low sedges highly adapted to such soils characterizes these habitats. Progression to cienega is Communities of the dependent on a complex association of factors most likely found in headwater areas. Once achieved, the community American Southwest appears stable and persistent since paleoecological data indicate long periods of cienega conditions, with infre- quent cycles of incision. We hypothesize the cienega to be an aquatic climax community. Cienegas and other marsh- land habitats have decreased greatly in Arizona in the Dean A. Hendrickson past century. Cultural impacts have been diverse and not Department of Zoology, well documented. While factors such as grazing and Arizona State University streambed modifications contributed to their destruction, the role of climate must also be considered. Cienega con- and ditions could be restored at historic sites by provision of ' constant water supply and amelioration of catastrophic W. L. Minckley flooding events. U.S. Fish and Wildlife Service Dexter Fish Hatchery Introduction and Department of Zoology Written accounts and photographs of early explorers Arizona State University and settlers (e.g., Hastings and Turner, 1965) indicate that most pre-1890 aquatic habitats in southeastern Arizona were different from what they are today. Sandy, barren streambeds (Interior Strands of Minckley and Brown, 1982) now lie entrenched between vertical walls many meters below dry valley surfaces. These same streams prior to 1880 coursed unincised across alluvial fills in shallow, braided channels, often through lush marshes.
  • 68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016

    68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016

    EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
  • Limitations on Copyright Protection for Format Ideas in Reality Television Programming

    Limitations on Copyright Protection for Format Ideas in Reality Television Programming

    For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING By Kent R. Raygor and Edwin Komen* * Kent R. Raygor and Edwin Komen are partners in the Entertainment, Media, and Technology Group in the Century City, California and Washington, D.C. offices, respectively, of Sheppard Mullin Richter & Hampton LLP. The authors thank Ben Aigboboh, an associate in the Century City office, for his assistance with this article. 97 For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING I. INTRODUCTION Television networks constantly compete to find and produce the next big hit. The shifting economic landscape forged by increasing competition between and among ever-proliferating media platforms, however, places extreme pressure on network profit margins. Fully scripted hour-long dramas and half-hour comedies have become increasingly costly, while delivering diminishing ratings in the key demographics most valued by advertisers. It therefore is not surprising that the reality television genre has become a staple of network schedules. New reality shows are churned out each season.1 The main appeal, of course, is that they are cheap to make and addictive to watch. Networks are able to take ordinary people and create a show without having to pay “A-list” actor salaries and hire teams of writers.2 Many of the most popular programs are unscripted, meaning lower cost for higher ratings. Even where the ratings are flat, such shows are capable of generating higher profit margins through advertising directed to large groups of more readily targeted viewers.
  • GLAAD Where We Are on TV (2020-2021)

    GLAAD Where We Are on TV (2020-2021)

    WHERE WE ARE ON TV 2020 – 2021 WHERE WE ARE ON TV 2020 – 2021 Where We Are on TV 2020 – 2021 2 WHERE WE ARE ON TV 2020 – 2021 CONTENTS 4 From the office of Sarah Kate Ellis 7 Methodology 8 Executive Summary 10 Summary of Broadcast Findings 14 Summary of Cable Findings 17 Summary of Streaming Findings 20 Gender Representation 22 Race & Ethnicity 24 Representation of Black Characters 26 Representation of Latinx Characters 28 Representation of Asian-Pacific Islander Characters 30 Representation of Characters With Disabilities 32 Representation of Bisexual+ Characters 34 Representation of Transgender Characters 37 Representation in Alternative Programming 38 Representation in Spanish-Language Programming 40 Representation on Daytime, Kids and Family 41 Representation on Other SVOD Streaming Services 43 Glossary of Terms 44 About GLAAD 45 Acknowledgements 3 WHERE WE ARE ON TV 2020 – 2021 From the Office of the President & CEO, Sarah Kate Ellis For 25 years, GLAAD has tracked the presence of lesbian, of our work every day. GLAAD and Proctor & Gamble gay, bisexual, transgender, and queer (LGBTQ) characters released the results of the first LGBTQ Inclusion in on television. This year marks the sixteenth study since Advertising and Media survey last summer. Our findings expanding that focus into what is now our Where We Are prove that seeing LGBTQ characters in media drives on TV (WWATV) report. Much has changed for the LGBTQ greater acceptance of the community, respondents who community in that time, when our first edition counted only had been exposed to LGBTQ images in media within 12 series regular LGBTQ characters across both broadcast the previous three months reported significantly higher and cable, a small fraction of what that number is today.
  • RADARSCREEN Realscreen's Global Pitch Guide

    RADARSCREEN Realscreen's Global Pitch Guide

    US $7.95 USD Canada $8.95 CDN International $9.95 USUSDD RADARSCREEN realscreen’s Global Pitch Guide A USPS AFSM 100 Approved Polywrap A USPS AFSM 100 CANADA POST AGREEMENT NUMBER 40050265 PRINTED IN CANAD G<ID@KEF%+*-* 9L==8CF#EP L%J%GFJK8><G8@; 8LKF GIJIKJK; A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. RRS.19690.Breakthrough4.inddS.19690.Breakthrough4.indd 1 110/08/110/08/11 22:59:59 PPMM CONTENT SALES INTERNATIONAL THE SENSES MAKING SENSE OF THE WORLD AROUND US 3 x 50 min. | HD, 5.1 and stereo Just one of more than 30 new titles for 2011/2012 FOR MORE DOCUMENTARIES SEE contentsales.ORF.at WILDLIFE, NATURE & SCIENCE, ARCHITECTURE & DESIGN, CULTURE & ART, ENVIRONMENT & GLOBALIZATION, HISTORY & BIOGRAPHIES, LEISURE & LIFESTYLE, SOCIAL ISSUES & RELIGION, PEOPLE & PLACES RRS.19849.ORF.inddS.19849.ORF.indd 1 111/08/111/08/11 111:411:41 AAMM CONTENTS EDITOR’S NOTE . .4 UNITED STATES . .7 CANADA . 27 UNITED KINGDOM . 34 EUROPE . 40 AUSTRALIA . 48 ASIA . 50 INTERNATIONAL . 54 FUNDERS . 60 RADARSCREEN: realscreen’s Global Pitch Guide 3 CContentsEditPub.inddontentsEditPub.indd 3 111/08/111/08/11 22:36:36 PPMM ™ PITCH Realscreen is published 6 times a year by Brunico Communications Ltd., PERFECT 100- 366 Adelaide Street West, Toronto, Ontario, Canada M5V 1R9 Tel. 416-408-2300 Fax 416-408-0870 www.realscreen.com elcome to the second annual edition of VP & Publisher Claire Macdonald [email protected] realscreen’s Global Pitch Guide, designed Editor Barry Walsh [email protected] to give producers and sellers of content the Associate Editor Adam Benzine [email protected] W Staff Writer Kelly Anderson [email protected] intel they need to fi nd the right buyers for their Creative Director Stephen Stanley [email protected] projects, and the information to help them shape Art Director Mark Lacoursiere [email protected] their pitches effectively.
  • HBO: Brand Management and Subscriber Aggregation: 1972-2007

    HBO: Brand Management and Subscriber Aggregation: 1972-2007

    1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
  • Readers of the Round Table: the 1998 Joint Kentucky Arizona Reading Program

    Readers of the Round Table: the 1998 Joint Kentucky Arizona Reading Program

    DOCUMENT RESUME ED 429 604 IR 057 328 TITLE Readers of the Round Table: The 1998 Joint Kentucky Arizona Reading Program. INSTITUTION Kentucky State Dept. for Libraries and Archives, Frankfort.; Arizona State Dept. of Library, Archives and Public Records, Phoenix. PUB DATE 1998-00-00 NOTE 357p. PUB TYPE Guides Non-Classroom (055) Reference Materials Bibliographies (131) Tests/Questionnaires (160) EDRS PRICE MF01/PC15 Plus Postage. DESCRIPTORS Adolescent Literature; Childrens Libraries; Childrens Literature; *Creative Activities; Elementary Secondary Education; Enrichment Activities; *Library Services; *Medieval History; Parent Participation; Preschool Education; Program Guides; *Public Libraries; Questionnaires; *Reading Programs; Resource Materials; *Summer Programs; Thematic Approach IDENTIFIERS Arizona; Kentucky ABSTRACT Intended to encourage children of all ages to read over the summer, this manual presents library-based programs, crafts, displays, and events with a medieval theme. The chapters of the manual are: (1) Introductory Materials;(2) Goals, Objectives and Evaluation;(3) Getting Started;(4) Common Program Structures;(5) Planning Timeline;(6) Publicity and Promotion;(7) Awards and Incentives;(8) Parents/Family Involvement; (9) Programs for Preschoolers, including display ideas, flannel board stories, origami, puzzle stories, songs, crafts, activities, plays, crafts, recipes, medieval clip art, and a preschool bibliography; (10) Programs for School Age Children, including entertainment programs, songs, activities, and a school age bibliography;(11) Programs for Young Adults, including activities, a medieval menu, and a young adult bibliography;(12) Special Needs; and (13) Resources, including people, companies, and materials. A master copy of a reading log and reading program evaluation form are included.(AEF) ******************************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document.
  • Claimant List

    Claimant List

    Electronically Filed Filing Date: 07/13/2017 02:31:36 PM EDT COMPANY NAME ADDRESS 1 ADDRESS 2 ADDRESS 2 ADDRESS 3 ADDRESS 4 ADDRESS 5 1A PRODUCTIONS LIMITED LANGSHOT FARM ACRE VALLEY ROAD TORRANCE GLASGOW UNITED G64 4DL KINGDOM 3DD ENTERTAINMENT LIMITED 8 - 12 CAMDEN HIGH STREET CAMDEN LONDON UNITED NW1 0JH KINGDOM 7 & 7 PRODUCERS' SALES SERVICES LTD 122 WALTON STREET LONDON UNITED SW3 2JJ KINGDOM 7 WONDER PRODUCTIONS LIMITED SOMERSET HOUSE NEW WING F36 STRAND LONDON UNITED WC2R 1LA KINGDOM 9 STORY MEDIA GROUP 23 FRASER AVENUE TORONTO CANADA M6K 1Y7 99PRO MEDIA GMBH EISENACHERSTRASE 86 04155 LEIPZIG GERMANY AARDMAN ANIMATIONS GAS FERRY ROAD BRISTOL UNITED BS1 6UN KINGDOM ABDUCTION FILMS LTD 68 WATER STREET VANCOUVER B.C. CANADA V6B 1A4 ACORN MEDIA GROUP INC 8515 GEORGIA AVENUE SUITE 650 SILVER SPRING MD UNITED STATES 20910 ACTIVE ENTERTAINMENT INC 1170 CAMINO VIEJO SANTA BARBARA, CA 93108 UNITED STATES ADHOC FILMS 1 WARDOUR ST 3RD FLOOR LONDON UNITED W1D 6PA KINGDOM ADLER MEDIA INC 8209 WAHLY DRIVE BETHESDA, MARYLAND UNITED STATES 20817 AFTER DARK FILMS, LLC 6350 SANTA MONICA BLVD., HOLLYWOOD, CA 90038 UNITED STATES 90038 SUITE 116 AKKORD FILM PRODUKTION GMBH ARNDTSTRASSE 34 10965 BERLIN GERMANY AKTIS FILM INTERNTATIONAL GMBH HAUPTMANNSTR. 10 04109 LEIPZIG GERMANY GERMANY ALL3MEDIA INTERNATIONAL LTD 10TH FLOOR, BERKSHIRE 168-173 HIGH HOLBORN UNITED WC1V 7AA HOUSE KINGDOM ALL3MEDIA INTERNATIONAL LTD: BENTLEY PRODUCTION 10TH FLOOR, BERKSHIRE 168-173 HIGH HOLBORN UNITED WC1V 7AA HOUSE KINGDOM ALL3MEDIA INTERNATIONAL LTD: CACTUS TV 10TH FLOOR,
  • Platform Delegate List

    Platform Delegate List

    First Name Surname Job Title Company Email Suleeko Abdi Student [email protected] Frances Abebreseh Communications Manager Netflix Lucy Acfield Head of Brand & Product Marketing Guinness World Records James Acken Founder, Freelancer Acken Studios lindsey@dailymadnessproducti Lindsey Adams Producer Daily Madness ons.com Megan Adams Look Mentor Look UK ToyLikeMe Seleena Addai Illustrator / Character Designer The Secret Story Draw [email protected] Animation Production Liaison [email protected] Abigail Addison Executive ScreenSkills om Aiden Adkin Creative Director Harbour Bay [email protected] Selorm Adonu Director XVI Films [email protected] Ivan Agenjo Executive Producer Peekaboo Animation [email protected] Jayne Aguire Walsh Entry Level Creative Freelance [email protected] Andrew Aidman Producer Andrew Aidman [email protected] Sun In Eye Productions, Aittokoski Metsamarja Aittokoski Screenwriter, Director, Producer Experience [email protected] Sonja Ajdin Research Manager Viacom Yinka Akano CRBA Exec BBC [email protected] Production and Development Francesca Alberigi Coordinator Nickelodeon International Aoife Alder Research Executive ITV Candice Alessandra Student Student Laura Alexander Video Producer / Editor Acamar Films Kristopher Alexander Professor of Video Games The Digital Citadel [email protected] Lisa Ali Freelance Freelance Shakila Ali Content Impact BBC Co-Founder and Chief Creative Caroline Allams Officer Natterhub [email protected] Bill Allard
  • NYTVF Overall PR 092215 11

    NYTVF Overall PR 092215 11

    PRESS NOTE: Media interested in covering any 2015 New York Television Festival events can apply for credentials by completing this form at NYTVF.com. 11TH ANNUAL NEW YORK TELEVISION FESTIVAL TO FEATURE WGN AMERICA'S MANHATTAN AND A SPECIAL EVENT HOSTED BY NBC DIGITAL ENTERPRISES FEATURING DAN HARMON AS PART OF OPENING NIGHT DOUBLE-HEADER *** Official Artists to have exclusive access to an Industry Welcome Keynote from Joel Stillerman of AMC and SundanceTV and a series of events sponsored by Pivot, including a screening of Please Like Me and Q&A with Josh Thomas, and the NYTVF 2015 Opening Night Party, hosted with Time Warner Cable Free Festival line-up to include Creative Keynote Showrunner Panel; BAFTA, CNN, Pop (Schitt’s Creek) and truTV (Those Who Can’t)-hosted special events; screenings of 50 Official Selections from the Independent Pilot Competition; closing night awards reception and more [NEW YORK, NY, September 22, 2015] – The NYTVF today announced schedule highlights for its eleventh annual New York Television Festival, which begins Monday, October 19 with an opening night screening celebrating season two of WGN America's Manhattan, the critically acclaimed, Emmy Award-winning drama produced by Lionsgate Television, Skydance Television and Tribune Studios. Following a first-look at the episode set to premiere the next night, cast members John Benjamin Hickey, Rachel Brosnahan, Ashley Zukerman, Michael Chernus, Katja Herbers and Mamie Gummer, along with series creator, writer and executive producer Sam Shaw and director and executive producer Thomas Schlamme, have been confirmed to participate in a talk-back panel. Also on opening night will be a special event hosted by NBCUniversal Digital Enterprises, featuring a live performance by Dan Harmon and special guests.
  • A.I. Artifical Intelligence About a Boy Abraham Lincoln: Vampire Hunter

    A.I. Artifical Intelligence About a Boy Abraham Lincoln: Vampire Hunter

    A.I. Artifical Intelligence Almost Holy The Art of Racing in the Rain About A Boy Aloha The Artist Abraham Lincoln: Alone in Berlin Vampire Hunter As Time Goes By: The Already Tomorrow in Complete Series Abyss Hong Kong Atomic Blonde Across the Universe Amelie Atonement Ad Astra American Assassin Au Revoir Les Enfants Adam's Rib American Gods: Season 1 The Autobiography of Miss Adaptation The Americans: Seasons 1- Jane Pittman 3 After the Wedding Avatar The American Side The Aftermath Away from Her American Sniper The Age of Adaline Baby Driver Amistad Albert Nobbs Back to the Future II An American in Paris Alien Balzac and the Little Anatomy of a Murder Chinese Seamstress Alien:Covenant And the Band Played On Band of Brothers Alien 3 And Then There Were Bandits Alien Resurrection None The Band's Visit Aliens Angel Has Fallen Bang the Drum Slowly All About Eve Angels in America Barefoot Contessa All Creatures Great and Annie Hall Small Battlestar Galactica: Anywhere But Here Seasons 1-4.5 All My Friends Are Funeral Singers The Apartment Beast All of My Heart: Inn Love Approaching the Unknown Beatriz At Dinner All of My Heart: The Apocalypse Now A Beautiful Day in the Wedding Neighborhood Apollo 13 All the Money in the World Because I Said So Argo All the President's Men Becoming Jane Arn: The Knight Templar Before I Fall Black Hawk Down Bridesmaids Before Midnight Black or White Brigadoon Before Sunrise Black Panther Bridge of Spies Before Sunset Black Swan The Bridge on the River Kwai Being 17 Blade Runner Brightburn Bella Blade Runner
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam

    THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam

    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.