The Evolution of Municipal Government Arts Policy in Vancouver
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Robert Sommers: the Role of the Canadian Pacific Railway in The
The Atlas: UBC Undergraduate Journal of World History | 2004 The Role of the Canadian Pacific Railway in the Early History of Vancouver ROBERT SOMMERS British Columbia’s entry into Confederation in 1871 was contingent upon the construction of a national railway. For the rest of that decade, however, the debate raged as to where the terminus would be, with the province’s two leading urban centres, New Westminster and Victoria, vying for the prize. At that time, the town where Vancouver stands today was known as Granville or Gastown, and was full of impassable forests, was a remote location, and had land so cheap that it traded for a dollar an acre. Finally, in 1882, when Burrard Inlet was announced as the Canadian Pacific Railway (CPR) terminus, Port Moody went wild with land speculation. However, the provincial government had other plans. Desiring an extension of the railway all the way to Coal Harbour, the province made the CPR an offer it could not refuse: more than ten square miles (6458 acres) of land in return for an extension of the rail line and for CPR construction of works and docks by the railroad terminus. The Canadian Pacific, led by William Cornelius Van Horne, quickly agreed. It wanted to extend its line anyway because Port Moody lacked sufficient room for the railway to operate: it did not own an acre outside of the limited rail yard and the Second Narrows was not considered a safe passage for ships. The CPR thus became the richest landowner in town, the speculative land market in Port Moody immediately collapsed – only to rise in Granville – and Gastown boomed, becoming a city on April 6, 1886. -
Aboriginal Arts Research Initiative
ABORIGINAL ARTS RESEARCH INITIATIVE REPORT ON CONSULTATIONS Presented to Claire McCaughey, Research Manager, Strategic Initiatives Division Canada Council for the Arts Prepared by France Trépanier June 2008 For more information or additional copies of this document, please contact: Research Office 350 Albert Street. P.O. Box 1047 Ottawa ON Canada K1P 5V8 (613) 566-4414 / (800) 263-5588 ext. 4526 [email protected] Fax (613) 566-4428 www.canadacouncil.ca Or download a copy at: http://www.canadacouncil.ca/publications_e Publication aussi offerte en français TABLE OF CONTENTS 1. Introduction ................................................................................... 3 2. Methodology.................................................................................. 5 3. Objectives...................................................................................... 6 4. Context........................................................................................... 8 4.1 History..................................................................................... 8 4.2 Current Context....................................................................... 9 5. Values .......................................................................................... 12 6. Themes......................................................................................... 14 6.1 Definition of Aboriginal Art and Artist..................................... 14 6.2 Traditional and Contemporary Art ........................................ 17 6.3 -
Marian Penner Bancroft Rca Studies 1965
MARIAN PENNER BANCROFT RCA STUDIES 1965-67 UNIVERSITY OF BRITISH COLUMBIA, Arts & Science 1967-69 THE VANCOUVER SCHOOL OF ART (Emily Carr University of Art + Design) 1970-71 RYERSON POLYTECHNICAL UNIVERSITY, Toronto, Advanced Graduate Diploma 1989 SIMON FRASER UNIVERSITY, Visual Arts Summer Intensive with Mary Kelly 1990 VANCOUVER ART GALLERY, short course with Griselda Pollock SOLO EXHIBITIONS 2019 REPUBLIC GALLERY, Vancouver, upcoming in May 2019 WINDWEAVEWAVE, Burnaby, BC, video installation, upcoming in May 2018 HIGASHIKAWA INTERNATIONAL PHOTOGRAPHY FESTIVAL GALLERY, Higashikawa, Hokkaido, Japan, Overseas Photography Award exhibition, Aki Kusumoto, curator 2017 REPUBLIC GALLERY, Vancouver, RADIAL SYSTEMS photos, text and video installation 2014 THE REACH GALLERY & MUSEUM, Abbotsford, BC, By Land & Sea (prospect & refuge) 2013 REPUBLIC GALLERY, Vancouver, HYDROLOGIC: drawing up the clouds, photos, video and soundtape installation 2012 VANCOUVER ART GALLERY, SPIRITLANDS t/Here, Grant Arnold, curator 2009 REPUBLIC GALLERY, Vancouver, CHORUS, photos, video, text, sound 2008 REPUBLIC GALLERY, Vancouver, HUMAN NATURE: Alberta, Friesland, Suffolk, photos, text installation 2001 CATRIONA JEFFRIES GALLERY, Vancouver THE MENDEL GALLERY, Saskatoon SOUTHERN ALBERTA ART GALLERY, Lethbridge, Alberta, By Land and Sea (prospect and refuge) 2000 GALERIE DE L'UQAM, Montreal, By Land and Sea (prospect and refuge) CATRIONA JEFFRIES GALLERY, Vancouver, VISIT 1999 PRESENTATION HOUSE GALLERY, North Vancouver, By Land and Sea (prospect and refuge) UNIVERSITY -
THE ARTERY News from the Britannia Art Gallery February 1, 2017 Vol
THE ARTERY News from the Britannia Art Gallery February 1, 2017 Vol. 44 Issue 97 While the Artery is providing this newsletter as a courtesy service, every effort is made to ensure that information listed below is timely and accurate. However we are unable to guarantee the accuracy of information and functioning of all links. INDEX # ON AT THE GALLERY: Exhibition My Vintage Rubble and Fish & Moose series 1 Mini-retrospective by Ken Gerberick Opening Reception: Wednesday, Feb 1, 6:30 pm EVENTS AROUND TOWN EVENTS 2-6 EXHIBITIONS 7-24 THEATRE 25/26 WORKSHOPS 27-30 CALLS FOR SUBMISSIONS LOCAL EXHIBITIONS 31 GRANTS 32 MISCELLANEOUS 33 PUBLIC ART 34 CALLS FOR SUBMISSIONS NATIONAL AWARDS 35 EXHIBITIONS 36-44 FAIR 45/46 FESTIVAL 47-49 JOB CALL 50-56 CALL FOR PARTICPATION 57 PERFORMANCE 58 CONFERENCE 59 PUBLIC ART 60-63 RESIDENCY 64-69 CALLS FOR SUBMISSIONS INTERNATIONAL WEBSITE 70 BY COUNTRY ARGENTINA RESIDENCY 71 AUSTRIA PRIZE 72 BRAZIL RESIDENCY 73/74 CANADA RESIDENCY 75-79 FRANCE RESIDENCY 80/81 GERMANY RESIDENCY 82 ICELAND PERFORMERS 83 INDIA RESIDENCY 84 IRELAND FESTIVAL 85 ITALY FAIR 86 RESIDENCY 87-89 MACEDONIA RESIDENCY 90 MEXICO RESIDENCY 91/92 MOROCCO RESIDENCY 93 NORWAY RESIDENCY 94 PANAMA RESIDENCY 95 SPAIN RESIDENCY 96 RETREAT 97 UK RESIDENCY 98/99 USA COMPETITION 100 EXHIBITION 101 FELLOWSHIP 102 RESIDENCY 103-07 BRITANNIA ART GALLERY: ACKNOWLEDGEMENTS: 108 SUBMISSIONS TO THE ARTERY E-NEWSLETTER 109 VOLUNTEER RECOGNITION 110 GALLERY CONTACT INFORMATION 111 ON AT BRITANNIA ART GALLERY 1 EXHIBITIONS: February 1 - 24 My Vintage Rubble, Fish and Moose series – Ken Gerberick Opening Reception: Wed. -
A Hundred Years of Natural History the Vancouver Natural History Society, 1918–2018
A Hundred Years of Natural History The Vancouver Natural History Society, 1918–2018 Susan Fisher and Daphne Solecki A Hundred Years of Natural History The Vancouver Natural History Society 1918–2018 A Hundred Years of Natural History: The Vancouver Natural History Society, 1918–2018 © 2018 Vancouver Natural History Society Published by: Vancouver Natural History Society Nature Vancouver PO Box 3021, Stn. Terminal Vancouver, BC V6B 3X5 Printed by: Infigo www.infigo.ca Hundred Years Editorial Committee: Daphne Solecki, Susan Fisher, Bev Ramey, Cynthia Crampton, Marian Coope Book design: Laura Fauth Front cover: VNHS campers on Savary Island, 1918. Photo by John Davidson. City of Vancouver Archives CVA 660-297 Back cover: 2018 Camp at McGillivray Pass. Photos by Jorma Neuvonen (top) and Nigel Peck (bottom). ISBN 978-0-9693816-2-4 To the countless volunteers who have served and continue to serve our society and nature in so many ways. Table of Contents Acknowledgements.......................................... 5 Preface........................................................ 6 The.Past.of.Natural.History............................... 8 John.Davidson.............................................. 13 Indigenous.Connections.................................. 16 Objective.1:.To.promote.the.enjoyment.of.nature... 21 Objective.2:.To.foster.public.interest.and.education. in.the.appreciation.and.study.of.nature..............35 Objective.3:.To.encourage.the.wise.use.and. conservation.of.natural.resources.and Objective.4:.To.work.for.the.complete.protection. -
Annual Report
Annual Report Canada Council for the Arts 2008/09 Kevin Lockau, work in progress, sand cast glass, forged steel, granite. Photo: Martin Lipman in progress, sand cast glass, forged work Lockau, Kevin Annual Report Canada Council for the Arts 2008/09 350 Albert Street 350, rue Albert Post Offi ce Box 1047 Case postale 1047 Ottawa, Ontario K1P 5V8 Ottawa (Ontario) K1P 5V8 1-800-263-5588 or 1-800 263-5588 ou 613-566-4414 613-566-4414 Fax: 613-566-4390 Téléc. : 613-566-4390 [email protected] [email protected] www.canadacouncil.ca www.conseildesarts.ca Design: Alejandro Contreras Printed in Canada ISBN: 0-88837-200-0 The 52nd Annual Report of the Canada Council for the Arts and supplementary information on grants, services and awards are available on the Council’s website. The Canada Council for the Arts is a federal Crown corporation created by an Act of Parliament in 1957 “to foster and promote the study and enjoyment of, and the production of works in, the arts.” The Council offers a broad range of grants (6,168 in 2008-09) and services to professional Canadian artists and arts organizations in music, theatre, writing and publishing, visual arts, dance, media arts and integrated arts. It further seeks to raise public awareness of the arts through its communications, research and arts promo- tion activities. The Council also awards prizes and fellowships every year to ap- proximately 200 artists and scholars. The Canadian Commission for UNESCO and the Public Lending Right Commission operate within the Council. The Canada Council Art Bank, which has some 17,300 works of contemporary Canadian art in its collection, rents to the public and private sectors. -
Tsleil-Waututh History in Burrard Inlet
The Vancouver Historical Society Newsletter Preserving and promoting the history of Vancouver since 1936 HS Vol. 58 No. 4 | January 2019 | ISSN 0823-0161 People of the Inlet: Tsleil-Waututh History in Burrard Inlet “Draft map of Indian villages and landmarks, Burrard Inlet and English Bay, before the whiteman came” by J.S. Matthews, part of his recording of First Nations people and places in the early 1930s. CVA MAP 56.01. were situated when the reserve was created, actually a former By Jessica Quan summer village site. The current Tsleil-Waututh Nation is a small community of 500+ people, with half of them living on f you’ve never heard of the Tsleil-Waututh Nation until the reserve in North Vancouver. They may be small in num- Irecently, you are probably not the only one. Pronounced bers, but they are growing and have been building relationships “Slay-wah-tuth”, TWN has been using their original name for generations. only since 2000, from their traditional language, Downriver Someone who has been building bridges and has spent Hunq’eme’nem. In 1869, the federal government set out In- her lifetime in education, activism and spreading understand- dian reserves in TWN traditional territory (occupied and used) CONTINUED INSIDE that spans 190,000 hectares: from the Fraser River in the south to Mamquam Lake (east of Whistler) in the north. January Speaker: 276 acres was called Burrard Inlet Indian Reserve #3 (government-allocated) and is where the Tsleil-Waututh peoples Carleen Thomas NEXT MEETING: Thursday, January 24, 2019 at 7:30pm at the Museum of Vancouver Upcoming Speakers President’s Notes appy Gregorian-calen- February 28, 2019 Hdar New Year to all of Dreams and Designs: The Making of West Vancouver you! Francis Mansbridge, author Since the last newsletter In the past century West Vancouver has developed from a low- in November, the board met for cost vacation destination for visiting Vancouverites to a highly its planning meeting and sent desirable and expensive community. -
Property of the Estate of Blema and H. Arnold Steinberg
ProPerty of the estAte of BlemA And h. Arnold steinBerg member of the board of governors of McGill University, and later as governor emeritus, and founding chairman of the board of the McGill University Health Centre, among other titles. All of this led to one of the most gratifying roles of his extraordinary life, when in 2009 he was appointed chancellor of McGill University. Upon his passing, Heather Munroe-Blum, vice-chancellor of McGill, reflected: “Arnold was a prince of a man. He shaped McGill, Montreal and Canada in deeply progressive and posi- tive ways—uniquely, indelibly. He influenced everyone he met through his gracious warmth, joyous optimism and incisive intelligence.” Blema Steinberg wore many hats and was exceptionally accomplished. She too was known for her remarkable dedication to McGill University and her continuous philanthropic efforts. She was a double graduate of McGill, where she completed her BA and PhD, and a graduate of Cornell University, where she completed her MA. She became a professor in 1961 and was appointed to McGill’s Department of Political Science, where she taught for more than 40 years, before being honoured with the title of professor emerita following her retirement in 2001. During her tenure, she focused her research efforts on the psy- chological factors of decision-making and character studies of leaders in politics. Blema authored many academic publications and, most notably, two books—Women in Power: The Personalities Blema and H. Arnold Steinberg and Leadership Styles of Indira Gandhi, Golda Meir and Margaret Photo: Owen Egan Thatcher and Shame and Humiliation: Presidential Decision-Making Courtesy of McGill University on Vietnam. -
City of Vancouver Councils Dating from 1886 to 2011 PDF File
2008 - 2011 • Mayor Gregor Robertson • Suzanne Anton • David Cadman • George Chow • Heather Deal • Kerry Jang • Raymond Louie • Geoff Meggs • Andrea Reimer • Tim Stevenson • Ellen Woodworth 2005 - 2008 • Mayor Sam Sullivan • Suzanne Anton • Elizabeth Ball • David Cadman • Kim Capri • George Chow • Heather Deal • Peter Ladner • B.C. Lee • Raymond Louie • Tim Stevenson City of Vancouver Councils dating back to 1886 2 OF 48 2002 - 2005 • Mayor Larry W. Campbell • Fred Bass • David Cadman • Jim Green • Peter Ladner • Raymond Louie • Tim Louis • Anne Roberts • Tim Stevenson • Sam Sullivan • Ellen Woodsworth 1999 - 2002 • Mayor Philip Owen • Fred Bass • Jennifer Clarke • Lynne Kennedy • Daniel Lee • Don Lee • Tim Louis • Sandy McCormick • Gordon Price • George Puil • Sam Sullivan City of Vancouver Councils dating back to 1886 3 OF 48 1996 - 1999 • Mayor Philip Owen • Don Bellamy • Nancy A. Chiavario • Jennifer Clarke • Alan Herbert • Lynne Kennedy • Daniel Lee • Don Lee • Gordon Price • George Puil • Sam Sullivan 1993 - 1996 • Mayor Philip Owen • Donald Bellamy • Nancy A. Chiavario • Jennifer Clarke • Craig Hemer • Maggie Ip • Lynne Kennedy • Jenny Kwan • Gordon Price • George Puil • Sam Sullivan City of Vancouver Councils dating back to 1886 4 OF 48 1990 - 1993 • Mayor Gordon Campbell • Donald Bellamy • Tung Chan • Libby Davies • Bruce Eriksen • Philip Owen • Gordon Price • George Puil • Harry Rankin • Patricia Wilson • Bruce Yorke 1988 - 1990 • Mayor Gordon Campbell • Jonathan Baker • Donald Bellamy • Libby Davies • Bruce Eriksen • Philip Owen • Gordon Price • George Puil • Harry Rankin • Carole Taylor • Sandra Wilking City of Vancouver Councils dating back to 1886 5 OF 48 1986 - 1988 • Mayor Gordon Campbell • Jonathan Baker • Donald Bellamy • Helen Boyce • Ralph Caravetta • Libby Davies • Bruce Eriksen • Philip Owen • Gordon Price • George Puil • Carole Taylor 1984 - 1986 • Mayor Michael Harcourt • Donald Bellamy • May Brown • Gordon Campbell • Libby Davies • Bruce Eriksen • Marguerite Ford • George Puil • Harry Rankin • W. -
1976-77-Annual-Report.Pdf
TheCanada Council Members Michelle Tisseyre Elizabeth Yeigh Gertrude Laing John James MacDonaId Audrey Thomas Mavor Moore (Chairman) (resigned March 21, (until September 1976) (Member of the Michel Bélanger 1977) Gilles Tremblay Council) (Vice-Chairman) Eric McLean Anna Wyman Robert Rivard Nini Baird Mavor Moore (until September 1976) (Member of the David Owen Carrigan Roland Parenteau Rudy Wiebe Council) (from May 26,1977) Paul B. Park John Wood Dorothy Corrigan John C. Parkin Advisory Academic Pane1 Guita Falardeau Christopher Pratt Milan V. Dimic Claude Lévesque John W. Grace Robert Rivard (Chairman) Robert Law McDougall Marjorie Johnston Thomas Symons Richard Salisbury Romain Paquette Douglas T. Kenny Norman Ward (Vice-Chairman) James Russell Eva Kushner Ronald J. Burke Laurent Santerre Investment Committee Jean Burnet Edward F. Sheffield Frank E. Case Allan Hockin William H. R. Charles Mary J. Wright (Chairman) Gertrude Laing J. C. Courtney Douglas T. Kenny Michel Bélanger Raymond Primeau Louise Dechêne (Member of the Gérard Dion Council) Advisory Arts Pane1 Harry C. Eastman Eva Kushner Robert Creech John Hirsch John E. Flint (Member of the (Chairman) (until September 1976) Jack Graham Council) Albert Millaire Gary Karr Renée Legris (Vice-Chairman) Jean-Pierre Lefebvre Executive Committee for the Bruno Bobak Jacqueline Lemieux- Canadian Commission for Unesco (until September 1976) Lope2 John Boyle Phyllis Mailing L. H. Cragg Napoléon LeBlanc Jacques Brault Ray Michal (Chairman) Paul B. Park Roch Carrier John Neville Vianney Décarie Lucien Perras Joe Fafard Michael Ondaatje (Vice-Chairman) John Roberts Bruce Ferguson P. K. Page Jacques Asselin Céline Saint-Pierre Suzanne Garceau Richard Rutherford Paul Bélanger Charles Lussier (until August 1976) Michael Snow Bert E. -
A Black Community in Vancouver?: a History of Invisibility
A Black Community in Vancouver?: A History of Invisibility Adam Julian Rudder B.A., Simon Fraser University, 2001 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of History We accept this dissertation as conforming to the required standard. O Adam Rudder, 2004 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopying or other means, without the permission of the author ABSTRACT Supervisor: Dr. John Lutz This paper explores the difficult but common historical problem of why some peoples are included in History and others are left out. The challenge of writing History which includes these people "without a History" has been the focus of social historians world wide since the 1970s and some advancements have been made in the effort to give voice to people who have been silenced in the past. The focus here is slightly different and more subtle: how do you write a history of the absence of absenting of a people? The example I focus on is the absencelpresence of blacks in the Strathcona district of Vancouver, British Columbia and more especially the historically contested space of "Hogan's Alley" which is considered by many today to have been the historic heart of the black community. Although the thesis does use standard forms of historical research including interviews, archival, newspaper, census and secondary sources to establish the presence of people of African descent in Strathcona, this is not a history of these people. Rather it is an extended analysis of why there is so little History about them. -
2017-18 Annual Report
BUILDING MOMENTUM ANNUAL REPORT 2017-18 1 BUILDING MOMENTUM 150 Elgin Street 150 rue Elgin Post Office Box 1047 Case postale 1047 Ottawa, Ontario Ottawa (Ontario) K1P 5V8 K1P 5V8 1-800-263-5588 or 1-800-263-5588 ou 613-566-4414 613-566-4414 [email protected] [email protected] canadacouncil.ca conseildesarts.ca The Canada Council for the Arts’ offices are located on the Cover: Mia Amir’s Geologic Formations premiered at the rEvolver Theatre Festival; traditional unceded territory of the Algonquin Nations. at The Clutch Greenhouse in Vancouver, in 2018. It is a bold blend of immersive multidisciplinary performance, intimate personal narration and theory. Photo: Javier R. Sotres Inside front cover: Still from Queer Coolitudes: Indo-Caribbean Diasporas (release planned in the fall 2018) by Michelle Mohabeer. Queer Coolitudes: Published in Canada. Cat. No. K21-1E-PDF. ISSN 1493-5589 Indo-Caribbean Diasporas is a daring, inventive and experimental feature- length documentary (80 minutes), which is the first media work of its kind The 61st Annual Report of the Canada Council for the Arts and created in Canada about often under-represented and largely-invisible Queer supplementary information on grants, services and prizes are Indo-Caribbean diasporic communities. available on the Council’s website. 2 MANDATE The Canada Council for the Arts is Canada’s public peaceful, equitable and sustainable future. The arts funder, with a mandate “to foster and promote Canada Council Art Bank operates art rental the study and enjoyment of, and the production of programs and helps further public engagement works in, the arts.” with contemporary arts.