Département D'art D'asie Asian Art Department

Total Page:16

File Type:pdf, Size:1020Kb

Département D'art D'asie Asian Art Department DÉPARTEMENT D’ART D’ASIE 25 AVRIL 2015 APRIL 25 2015 ASIAN ART DEPARTMENT HE JIAYING (1957-) EXPERTS : M. Thierry PORTIER MME ALICE JOSSAUME Cabinet Portier, Paris CONTACT : SILVIA CASAS ARTS ET ANTIQUITÉS DE LA CHINE +1 (514) 344 4081, #227 JADES / PIERRES / CÉRAMIQUES / ARTS DÉCORATIFS / BRONZES / [email protected] ENCRES / BRODERIE ART DU JAPON CLOISONNÉS / CÉRAMIQUES / BRONZES SAMEDI 25 avril 2015 10h00, MONTRÉAL EXPOSITION Du vendredi 17 avril au lundi 20 avril, de midi à 17:00, Vendredi 24 avril de midi à 17:00 et le jour de la vente, de 8:00 à 10:00, au 870 du Couvent, Montréal, Québec Provenant de successions, collections et à divers, par ordre des liquidateurs ou ayants droits CONDITIONS DE VENTES : Les lots seront vendus sans garanties, « tels quels » et sans réclamation. Les décisions du commissaire- priseur sont sans appel (les indications FINE CHINESE ART AND ANTIQUES données sont approximatives). La vente est JADES / STONES / CERAMICS / DECORATIVE ARTS / BRONZES / faite au comptant. L’acquéreur paiera en sus INK ON PAPER / EMBROIDERY des enchères 20% de frais et les taxes s’il y a lieu. ORDRE D’ACHAT : Le commissaire-priseur et FINE JAPANESE ART AND ANTIQUES les experts se chargeront gratuitement CLOISONNES / CERAMICS / BRONZES d’exécuter les ordres d’achat pour les amateurs qui ne peuvent être présents à la vente. Les ordres pourront se faire par lettre, Internet, téléphone ou télécopie, avant 18h, le SatURDAY, APRIL 25, 2015 jour de chaque vente, s’il vous plaît. 10:00AM, MONTREAL PAIEMENT : Comptant, chèque certifié, virement bancaire, cartes de crédits, en devise canadienne. Rapport de condition VIEWING disponible sur demande. From Friday, April 17 2015, to Monday April 20, from Noon to 5:00PM, Friday April 24, from Noon to 5:00PM and the day of the auction from 8:00AM to 10:00AM, CONDITIONS OF SALE: Lots are sold without at 870 du Couvent, Montréal, Québec guaranties or recourse and « as is ». The Fine Art auctioneer’s decisions are final (all From estates, collections and from others by order of trustees, information are approximate). Items executors or others purchased at the auction must be paid for immediately. A charge of 20% over and above the hammer price, as well as taxes (when applicable) are added to all lots purchased at the auction. À la suite de cette vente cataloguée, ABSENTEE BIDS: The Fine Art auctioneer seront présentés des lots supplémentaires dont la liste sera sur place ou sur www.iegor.net and the experts will be pleased to execute absentee bids free of charge for those who Following the catalogued auction, are unable to attend the auction. Bids may be placed by mail, Internet, telephone or fax, additional lots will be presented. List available on site or on www.iegor.net before 6pm, the day of the auction, please. PAYMENT: Cash, certified cheque, wire Pour information et rendez-vous / For information and appointments: transfer, credit cards (Visa, MasterCard) in Canadian Dollar. Condition report available on 514 344-4081 | [email protected] request. EXPERTS : M. Thierry PORTIER MME ALICE JOSSAUME Cabinet Portier, Paris CONTACT : SILVIA CASAS ARTS ET ANTIQUITÉS DE LA CHINE +1 (514) 344 4081, #227 JADES / PIERRES / CÉRAMIQUES / ARTS DÉCORATIFS / BRONZES / [email protected] ENCRES / BRODERIE ART DU JAPON CLOISONNÉS / CÉRAMIQUES / BRONZES SAMEDI 25 avril 2015 10h00, MONTRÉAL EXPOSITION Du vendredi 17 avril au lundi 20 avril, de midi à 17:00, Vendredi 24 avril de midi à 17:00 et le jour de la vente, de 8:00 à 10:00, au 870 du Couvent, Montréal, Québec Provenant de successions, collections et à divers, par ordre des liquidateurs ou ayants droits CONDITIONS DE VENTES : Les lots seront vendus sans garanties, « tels quels » et sans réclamation. Les décisions du commissaire- priseur sont sans appel (les indications FINE CHINESE ART AND ANTIQUES données sont approximatives). La vente est JADES / STONES / CERAMICS / DECORATIVE ARTS / BRONZES / faite au comptant. L’acquéreur paiera en sus INK ON PAPER / EMBROIDERY des enchères 20% de frais et les taxes s’il y a lieu. ORDRE D’ACHAT : Le commissaire-priseur et FINE JAPANESE ART AND ANTIQUES les experts se chargeront gratuitement CLOISONNES / CERAMICS / BRONZES d’exécuter les ordres d’achat pour les amateurs qui ne peuvent être présents à la vente. Les ordres pourront se faire par lettre, Internet, téléphone ou télécopie, avant 18h, le SatURDAY, APRIL 25, 2015 jour de chaque vente, s’il vous plaît. 10:00AM, MONTREAL PAIEMENT : Comptant, chèque certifié, virement bancaire, cartes de crédits, en devise canadienne. Rapport de condition VIEWING disponible sur demande. From Friday, April 17 2015, to Monday April 20, from Noon to 5:00PM, Friday April 24, from Noon to 5:00PM and the day of the auction from 8:00AM to 10:00AM, CONDITIONS OF SALE: Lots are sold without at 870 du Couvent, Montréal, Québec guaranties or recourse and « as is ». The Fine Art auctioneer’s decisions are final (all From estates, collections and from others by order of trustees, information are approximate). Items executors or others purchased at the auction must be paid for immediately. A charge of 20% over and above the hammer price, as well as taxes (when applicable) are added to all lots purchased at the auction. À la suite de cette vente cataloguée, ABSENTEE BIDS: The Fine Art auctioneer seront présentés des lots supplémentaires dont la liste sera sur place ou sur www.iegor.net and the experts will be pleased to execute absentee bids free of charge for those who Following the catalogued auction, are unable to attend the auction. Bids may be placed by mail, Internet, telephone or fax, additional lots will be presented. List available on site or on www.iegor.net before 6pm, the day of the auction, please. PAYMENT: Cash, certified cheque, wire Pour information et rendez-vous / For information and appointments: transfer, credit cards (Visa, MasterCard) in Canadian Dollar. Condition report available on 514 344-4081 | [email protected] request. 1004 PENDENTIF EN JADE ART DE LA CHINE CHINESE ART CHINE Galet sculpté à décor d’oiseaux et de fleurs. - JADE PENDANT CHINA Carved pebble decorated with birds and flowers. H: 9cm - 3.5’’ E: 200-300 1002 ENFANT EN JADE TENANT UNE OIE CHINE Socle en bois joint. - JADE SCULPTURE OF A CHILD HOLDING A GOOSE CHINA Wooden base included. 1005 H: 7cm - 2.75’’ ORNEMENT DE FORME E: 100-200 RECTANGULAIRE EN JADE GRIS CHINE À décor sculpté et ajouré d’une tigresse et son petit sous les arbres. - RECTANGULAR GREY JADE ORNAMENT CHINA With carved and openwork decor of a 1001 1003 tigress and her baby under the trees. PETITE STATUETTE DE BOUDDHA PETITE STATUETTE DE L: 7.5cm - 3” ASSIS EN JADE BLANC GUANYIN DEBOUT EN E: 200-300 CHINE JADE CÉLADON, PORTANT - UN PANIER 1006 - CHINE SMALL WHITE JADE STATUE OF ROCHER EN JADE BICOLORE BICOLOR JADE ROCK SCULPTURE SITTING BUDDHA - CHINE CHINA CHINA SMALL CELADON JADE Sculpté de deux grues et d’une chèvre Carved with two cranes and a mountain STATUE OF A STANDING de montagne sous pins dans un goat under pine trees in a mountainous H. 4.5cm – 1.75’’ GUANYIN CARRYING A paysage montagneux. Socle en bois landscape. Wooden stand included. E: 400-600 BASKET joint. CHINA H:9cm - 3.5’’ E: 400-600 H : 4.5cm – 1.75’’ E: 100-200 1004 PENDENTIF EN JADE ART DE LA CHINE CHINESE ART CHINE Galet sculpté à décor d’oiseaux et de fleurs. - JADE PENDANT CHINA Carved pebble decorated with birds and flowers. H: 9cm - 3.5’’ E: 200-300 1002 ENFANT EN JADE TENANT UNE OIE CHINE Socle en bois joint. - JADE SCULPTURE OF A CHILD HOLDING A GOOSE CHINA Wooden base included. 1005 H: 7cm - 2.75’’ ORNEMENT DE FORME E: 100-200 RECTANGULAIRE EN JADE GRIS CHINE À décor sculpté et ajouré d’une tigresse et son petit sous les arbres. - RECTANGULAR GREY JADE ORNAMENT CHINA With carved and openwork decor of a 1001 1003 tigress and her baby under the trees. PETITE STATUETTE DE BOUDDHA PETITE STATUETTE DE L: 7.5cm - 3” ASSIS EN JADE BLANC GUANYIN DEBOUT EN E: 200-300 CHINE JADE CÉLADON, PORTANT - UN PANIER 1006 - CHINE SMALL WHITE JADE STATUE OF ROCHER EN JADE BICOLORE BICOLOR JADE ROCK SCULPTURE SITTING BUDDHA - CHINE CHINA CHINA SMALL CELADON JADE Sculpté de deux grues et d’une chèvre Carved with two cranes and a mountain STATUE OF A STANDING de montagne sous pins dans un goat under pine trees in a mountainous H. 4.5cm – 1.75’’ GUANYIN CARRYING A paysage montagneux. Socle en bois landscape. Wooden stand included. E: 400-600 BASKET joint. CHINA H:9cm - 3.5’’ E: 400-600 H : 4.5cm – 1.75’’ E: 100-200 1010 GROUPE EN JADE CÉLADON TACHÉ DE BRUN, SCULPTÉ EN FORME DE CERF AVEC LINGZHI CHINE - BROWN STAINED CELADON JADE CARVED GROUP OF A DEER LINGZHI CHINA L. 11cm – 4.25’’ E: 800-1.000 1007 1008 1011 PENDENTIF EN JADÉITE SCULPTURE EN JADE BLANC CHINE CHINE GROUPE EN JADE CÉLADON TACHÉE DE BRUN, SCULPTÉ Incisé de part et d’autre de quatre caractères Figurant deux dragons enlacés surmontés de EN FORME DE BÉLIER et d’une orchidée. Socle en bois joint. deux têtes de dragon. Socle en bois joint. COUCHÉ AVEC PÊCHE DE - - LONGÉVITÉ JADEITE PENDANT WHITE JADE SCULPTURE CHINE CHINA CHINA - Incised on both sides with four characters and Depicting two entwined dragons and BROWN STAINED CELADON an orchid. Wooden stand included. surmounted by two dragon heads. Wooden JADE CARVED GROUP OF stand included. AN ARIES WITH LONGEVITY H: 5.5cm - 2 ‘’ PEACH Sans le socle / Without stand: L: 8cm - 3.25 ‘’ CHINA E: 200-300 H: 7cm - 2.75’’ L: 7cm - 2.75’’ E: 200-300 L: 11cm - 4.5’’ E: 800-1.000 1009 PAPILLON EN JADE 1012 CHINE CHÈVRE COUCHÉE EN JADE Incisé dans un rendu naturaliste, orné de BICOLORE svastikas.
Recommended publications
  • 262 - Online Liquidation Absolute Auction
    09/24/21 10:29:30 #262 - Online Liquidation Absolute Auction. Weber City, VA. Auction Opens: Mon, Nov 30 7:36pm ET Auction Closes: Wed, Dec 2 8:32pm ET Lot Title Lot Title 0001 18PC -Philips Norelco MG5750/49 Multigroom 0015 SureFire DSF-500/590 Ultra-High Two-Output- All-In-One Trimmer Series 5000, No blade oil Mode LED WeaponLight for Mossberg 500 and Needed 590 0002 Electric Dog Fence Basics Underground Dog 0016 GE 6-Outlet Wall Tap, Reset Button, Circuit Fence Containment System for Easy Setup and Breaker, Power Outlet Extender, Adapter Most Complete DIY Pet Safety Solution - 2 Spaced Outlets, 3 Prong Plug, Grounded, UL Dog | 500 Feet Reliable Boundary Wire Listed 0003 Dewalt DPG82-11C Concealer Clear Anti-Fog 0017 2 LITER -Yellow Plastic Trigger Spray Bottle Dual Mold Safety Goggle Water Sprayer for Home Garden Car Washing 0004 Dewalt DPG82-11C Concealer Clear Anti-Fog 0018 Wahl Lifeproof Lithium Ion Foil Shaver – Dual Mold Safety Goggle Waterproof Rechargeable Electric Razor With 0005 Dewalt DPG82-11C Concealer Clear Anti-Fog Precision Trimmer for Men’S Beard Shaving & Dual Mold Safety Goggle Grooming with long Run Time & Quick Charge, Orange – model 7061-2201 0006 MyQ Smart Garage Door Opener Chamberlain MYQ-G0301 - Wireless & Wi-Fi enabled 0019 4PK -Learning Resources Answer BuzzerS, Garage Hub with Smartphone Control Game Show Buzzers, 3-1/2in, Multicolor, Ages 3+ 0007 MyQ Smart Garage Door Opener Chamberlain MYQ-G0301 - Wireless & Wi-Fi enabled 0020 Braun Electric Razor for Men, Series 3 3040s Garage Hub with Smartphone
    [Show full text]
  • VILLAGE of PAW PAW DOWNTOWN DEVELOPMENT AUTHORITY the Downtown Development Authority Do What We Can to Bring Community Togetherness to BOARD of DIRECTORS Paw Paw
    VILLAGE OF PAW PAW DOWNTOWN DEVELOPMENT AUTHORITY The Downtown Development Authority do what we can to bring community togetherness to BOARD OF DIRECTORS Paw Paw. We believe that by everyone in the community working together to improve our Mary Lou Hartwell downtown area, local businesses and organizations can flourish and ensure the prosperity Chair of the community for future generations. Through our efforts, we promote and enhance the commercial core of the community as a way for local businesses to maintain themselves and Sarah Moyer-Cale the downtown area. We care about the well-being of downtown Paw Paw and all our efforts Village Manager are aimed at helping the downtown area thrive. Mary Holland-Springer DDA Coordinator UPDATE YOUR FACADE NEW BUSINESSES Roman Plaszczak WITH OUR HELP BLACK TORTOISE GALLERY Harold Schuitmaker The Paw Paw Downtown Development 826 E. Michigan Ave. Authority works towards enhancing the Bryan Gilbert Steve Racette downtown area by maintaining buildings Barbara Carpenter and their facades. With the facade grant BUDDAH BURGER Ellyn Jones and loan program that the DDA provides, 929 E Michigan Ave businesses in Paw Paw’s downtown can get Curtis Eldred Joe Romph assistance repairing, constructing, or Susan Metzger reconstructing exterior elements of a FARMERS INSURANCE building such as windows, doors, exterior Maria Diaz 179 W. Michigan Ave. walls, chimneys, or any other architectural Jeri Cooke Holly Hamilton fault. These building and restoration projects Sid Shank preserve the vintage structures of downtown OUTPOURING COFFEE HOUSE while helping build and improve new ones, AND CAFÉ Kim Otten ensuring that Paw Paw’s downtown 507 W.
    [Show full text]
  • The Dictionary of Chinese Deities
    THE DICTIONARY OF CHINESE DEITIES HAROLD LIU For everyone who love Chinese myth A Amitabha Amitabha is is a celestial buddha described in the scriptures of the Mahayana school of Buddhism. Amitabha is the principal buddha in the Pure Land sect, a branch of Buddhism practiced mainly in East Asia. An Qisheng An immortal who had live 1.000 year at he time of Qin ShiHuang. According to the Liexian Zhuan, Qin Shi Huang spoke with him for three entire days (including nights), and offered Anqi jade and gold. He later sent an expedition under Xu Fu to find him and his highly sought elixir of life. Ao Guang The dragon king of East sea. He is the leader of four dragon king. His son Ao Bing killed by Nezha, when his other two son was also incapitated by Eight Immortals. Ao Run The dragon king of West Sea. His crown prine named Mo Ang and help Sun Wukong several times in journey to the West story.His 3th son follow monk XuanZhang as hisdragon horse during Xuan Zhang's journey to the West. Ao Qin The dragon king of South sea AoShun The dragon King of North sea. Azzure dragon (Qing Long) One of four mythical animal in China, he reincanated many times as warrior such as Shan Xiongxin and Yom Kaesomun, amighty general from Korea who foiled Chinese invasion. It eleemnt is wood B Bai He Tongzhu (white crane boy) Young deity disciple of Nanji Xianweng (god of longevity), he act as messenger in heaven Bai Mudan (White peony) Godess of temptress Famous prostitute who sucesfully tempt immortal Lu Dongbin to sleep with her and absorb his yang essence.
    [Show full text]
  • When the Sea Turned to Silver Grace Lin By
    educator’s guide WHEN THE SEA TURNED TO SILVER GRACE LIN BY Curriculum D Fairy Tales & Folklore D First & Third Person Perspectives connections D Figurative Language Ages 8-12 WHEN THE SEA TURNED TO SILVER Introduction her grandmother. The story is also told from Amah’s perspective while she is the Tiger Emperor’s prisoner. Just when we thought Grace Lin couldn’t get any better Both Pinmei and Amah encounter people who request at penning fantasy adventures inspired by Chinese stories of them; in addition, interspersed between Pinmei’s folktales, here comes When the Sea Turned to Silver. and Amah’s experiences is the story of the Black Tortoise A companion novel to the Newbery Honor book Where of Winter, who is also trapped and trying to escape. the Mountain Meets the Moon and Starry River of the And while the stories about Pinmei, Amah, and the Sky, When the Sea Turned to Silver draws from the Black Tortoise of Winter are told in chronological order, legends and world of the other novels to narrate a new sometimes the stories each character tells are not. tale about Pinmei’s quest to save her grandmother. In First have students list the different stories told in this this way, Lin is not just telling another extraordinary novel. Then, have them map out the chronological story; she is proving the whole world is filled with sequence of each tale (e.g., the stories of Nuwa, the incredible stories. These stories interconnect and build Ginseng Boy, the Sea King, etc.) on a timeline.
    [Show full text]
  • Introduction to Astronomy Introduction
    IDP HOME CONTENTS NEXT: Introduction to Astronomy Introduction For many thousands of years, man has attempted to make sense of the sky by naming and grouping stars into recognisable patterns. At the turn of the twentieth century, Marc Aurel Stein, a Hungarian- born, British archaeologist uncovered the world’s oldest existing star chart in a Buddhist cave complex in Dunhuang, China. The chart, now known as the Dunhuang Star Atlas and probably dating from before AD 700, was just one of a large number of important manuscripts, printed documents and paintings which were found at the site, and which tell us much about social, religious and political issues in medieval China and Central Asia. But the Star Atlas – now held at the British Library in London – is also proving important for our current understanding of astronomical history due to the accuracy and detail it provides about the sky seen from China from such an early period. This resource aims to: Introduce the Dunhuang Star Atlas and explain its importance as a historical and scientific document Offer an introduction to astronomy and explain the place it has occupied in Chinese history and culture. Introduce the most important Chinese constellations and the myths associated with them. Look at the links between Chinese astronomy and astrology and explore the Chinese ‘zodiac’. Offer ideas for classroom activities and downloadable resources for teachers. Link to related websites and other sources of information. IDP HOME CONTENTS NEXT: Introduction to Astronomy file:///Users/bobi/PC/Documents_PC/wintext/chine/dunhuang/BLib... 1 sur 1 IDP HOME CONTENTS PREVIOUS: Introduction to this Resource NEXT: History of Astronomy in China Introduction to Astronomy For thousands of years, man has used the sky to help him find his way, tell the change of season and the time of day.
    [Show full text]
  • 2017 Oregon Scholastic Art Awards 2
    Grace Marvin Abiqua Academy Moyano Gold Key Art Painting Blue Grace Julius Samiee Hauswirth Abiqua Academy Moyano Silver Key Art Fashion JSH Jacket Marisol Ceballos Academy Of InternationalJohnstone Studies Gold Key Art Printmaking La madre eternal Victor Anthony Aloha High School Ottum Honorable Mention Art Design Printed as an Ugly Duckling Mitchel Arndt Aloha High School Ottum Gold Key Art Mixed Media A Dream Within A Dream Jarrad Ashman Aloha High School Ottum Gold Key Art Drawing and Illustration Memories Jarrad Ashman Aloha High School Ottum Honorable Mention Art Drawing and Illustration The Death of Agriculture Jarrad Ashman Aloha High School Ottum Silver Key Art Drawing and Illustration Pride Jarrad Ashman Aloha High School Ottum Silver Key Art Painting Flowers Won't Blossom Jarrad Ashman Aloha High School Ottum Silver Key Art Drawing and Illustration Parrot Embodiment Mercedes Barraza Aloha High School Ottum Silver Key Art Digital Art It's Okay To Be Queer Mercedes Barraza Aloha High School Ottum Silver Key Art Digital Art Equality for LGBTQ Pheodor Beliaev Aloha High School Daley Gold Key Art Sculpture An Alcoholic's Time Line Pheodor Beliaev Aloha High School Ottum Gold Key Art Mixed Media I lost my trumpet from TB Pheodor Beliaev Aloha High School Ottum Gold Key Art Sculpture Inner-Mongolian Kiddie Pool, Water Included! (Made in China, Designed in California) Pheodor Beliaev Aloha High School Ottum Honorable Mention Art Painting The many instances of the fat man losing his liquor Pheodor Beliaev Aloha High School Ottum Silver
    [Show full text]
  • Nomenclature for Lunar Features at the Chang'e-3 Landing Site
    Acta Geochim (2017) 36(2):213–223 DOI 10.1007/s11631-017-0159-1 ORIGINAL ARTICLE Nomenclature for lunar features at the Chang’e-3 landing site Zhoubin Zhang1,2 · Chunlai Li1,2,3 · Wei Zuo1,2,3 · Xingguo Zeng1,2 Received: 22 December 2016 / Revised: 15 February 2017 / Accepted: 9 April 2017 / Published online: 27 April 2017 © Science Press, Institute of Geochemistry, CAS and Springer-Verlag Berlin Heidelberg 2017 Abstract Nomenclatures for lunar features always published after some necessary approval procedures by the accompany the progresses of human lunar exploration, International Astronomical Union. which has an important dual meaning in culture and sci- ence. The naming of lunar features not only can Keywords Moon · Chang’e-3 · Landing site · Lunar commemorate the outstanding contributions of academics, feature nomenclature masters in various fields, and popularize the traditional cultures of ethnic groups all over the world, but also have a critical function of providing accurate indicative informa- 1 Introduction tion on features with special morphology, origin, nature and scientific value. However, nomenclature for features at Planetary nomenclature, like terrestrial nomenclature, is the Chang’e-3 landing site, which has a more arbitrary used to uniquely identify a feature on the surface of a form without many constrains posed by a uniformed sys- planet or satellite so that the feature can be easily located, tem, is unlike the features for other morphological units. described, and discussed. Nomenclature for lunar features This paper originated from the actual needs for the originated in the seventeenth century, as early scientists in description of scientific exploration activities, interpreta- that era used telescopes to observe the lunar surface, named tion of scientific research and dissemination of scientific the remarkable features on the lunar surface according to results.
    [Show full text]
  • Aspects of Cyclic Myth in Chinese and Western Literature
    ASPECTS OF CYCLIC MYTH IN CHINESE AND WESTERN LITERATURE ROBERT SHAN-MU CHEN B.A., Soochow University, 1969 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENT FOR THE DEGREE OF MASTER OF ARTS in the Programme of Comparative Literature We accept this thesis as conforming to the required standard THE UNIVERSITY OF. BRITISH COLUMBIA September, 197? Robert Shan-mu Chen, 1977 i In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the Head of my Department or by his representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Robert Shan-mu Chen Department of Comparative Literature The University of British Columbia 2075 Wesbrook Place Vancouver, Canada V6T 1W5 Datp October 20, 1977- J /ABSTRACT This thesis is a comparative study of the history and literary form of the cyclic myth in Chinese and Western European culture. The cyclic myth is seen as a complex of discrete myths and rituals which tend to identify man with the periodic regeneration of nature and celestial bodies in order to ensure personal duration against the flux of time. By comparing the origins and transformations of the cyclic myth in both cultures the essential distinctions between Chinese and Western literature will be re• vealed as both cosmological and ontological.
    [Show full text]
  • The Metaphysical Symbolism of the Chinese Tortoise
    This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. The metaphysical symbolism of the chinese tortoise Chong, Alan Wei Lun 2018 Chong, A. W. L. (2018). The metaphysical symbolism of the chinese tortoise. Master's thesis, Nanyang Technological University, Singapore. http://hdl.handle.net/10356/73204 https://doi.org/10.32657/10356/73204 Downloaded on 10 Oct 2021 09:40:57 SGT THE METAPHYSICAL SYMBOLISM OF THE CHINESE TORTOISE THE METAPHYSICAL SYMBOLISM THE METAPHYSICAL OF THE CHINESE TORTOISE CHONG WEI LUN ALAN CHONG WEI LUN, ALAN CHONG WEI LUN, SCHOOL OF ART, DESIGN AND MEDIA 2018 A thesis submitted to the Nanyang Technological University in partial fulfilment of the requirement for the degree of Master of Arts (Research) Acknowledgements Foremost, I would like to express my gratitude to Nanyang Technological University, School of Art, Design and Media for believing in me and granting me the scholarship for my Masters research. I would like to thank my thesis supervisor Dr. Nanci Takeyama of the School of Art, Design and Media, College of Humanities, Arts, & Social Sciences at Nanyang Technological University. The door to Prof. Takeyama office was always open whenever I ran into a trouble spot or had a question about my research or writing. Her valuable advice and exceeding patience has steered me in the right the direction whenever she thought I needed it. I would like to acknowledge Dr. Sujatha Meegama of the School of Art, Design and Media, Nanyang Technological University for advising in my report, and I am gratefully indebted to her for her valuable input for my research process.
    [Show full text]
  • Ancient Chinese Seasons Cylinder (The Four Beasts)
    A Collection of Curricula for the STARLAB Ancient Chinese Seasons Cylinder (The Four Beasts) Including: The Skies of Ancient China I: Information and Activities by Jeanne E. Bishop ©2008 by Science First/STARLAB, 95 Botsford Place, Buffalo, NY 14216. www.starlab.com. All rights reserved. Curriulum Guide Contents The Skies of Ancient China I: Information and Activities The White Tiger ..............................................14 Introduction and Background Information ..................4 The Black Tortoise ............................................15 The Four Beasts ......................................................8 Activity 2: Views of the Four Beasts from Different The Blue Dragon ...............................................8 Places in China ....................................................17 The Red Bird .....................................................8 Activity 3: What’s Rising? The Four Great Beasts as Ancient Seasonal Markers .....................................21 The White Tiger ................................................8 Activity 3: Worksheet ......................................28 The Black Tortoise ..............................................9 Star Chart for Activity 3 ...................................29 The Houses of the Moon ........................................10 Activity 4: The Northern Bushel and Beast Stars .......30 In the Blue Dragon ...........................................10 Activity 5: The Moon in Its Houses ..........................33 In the Red Bird ................................................10
    [Show full text]
  • DECEMBER 2020 Newsletter for the Wiltshire, Swindon, All the Best for the Christmas Period
    Volume26 Issue 4 NWASNEWS DECEMBER 2020 Newsletter for the Wiltshire, Swindon, All the Best For the Christmas Period. Stay Safe Beckington, Bath Astronomical Societies There will be many reasons to be glad to December Zoom Meeting have 2020 behind us, and if we keep sen- Topic: WAS December Zoom MeetingDr sible and vaccines work we may be back Wiltshire Society Page 2 Lilian Hobbs/Eisa Eisinga: The Planetarium to normal by May or June. in the Bedroom. Swindon Stargazers 3 It has been frustrating. And in November Time: Dec 1, 2020 07:45 PM London Beckington AS and Star Quest Astrono- 4 for the 2nd wave lockdown we did not have my Group page. good weather for astronomy. The odd hour Join Zoom Meeting here and there between full Moons that spread the glow around the sky. But the https://us02web.zoom.us/j/86130423379? SPACE NEWS 5-14 pwd=TXRiYk1CSkwzLzZkaFRXdHZuRi9rZ Late November Launches evenings have been blessed with the sight Lunar Sample Return Mission Chang’e5 of Jupiter and Saturn getting closer and z09 Biggest Solar Flare in 3 years closer. All behind tree for me but by the Meeting ID: 861 3042 3379 Europa may be Spouting Water 21st December, Winter Solstice, we are Mew Jets from a Galactic Core due for the closest conjunction between Passcode: 580823 Hayabusa Sample Reurn 6th December these two planets since 1226. Nearly 800 Sun 2000light years closer to centre New Physics from Polarized Light years. Worth getting a travelling telescope 2nd Fusion type at Sun Core and getting out to a clear position.
    [Show full text]
  • Chinese Letters and Intellectual Life in Medieval Japan: the Poetry and Political Philosophy of Chūgan Engetsu
    Chinese Letters and Intellectual Life in Medieval Japan: The Poetry and Political Philosophy of Chūgan Engetsu By Brendan Arkell Morley A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Japanese Language in the Graduate Division of the University of California, Berkeley Committee in charge: Professor H. Mack Horton Professor Alan Tansman Professor Paula Varsano Professor Mary Elizabeth Berry Summer 2019 1 Abstract Chinese Letters and Intellectual Life in Medieval Japan: The Poetry and Political Philosophy of Chūgan Engetsu by Brendan Arkell Morley Doctor of Philosophy in Japanese University of California, Berkeley Professor H. Mack Horton, Chair This dissertation explores the writings of the fourteenth-century poet and intellectual Chūgan Engetsu 中巌円月, a leading figure in the literary movement known to history as Gozan (“Five Mountains”) literature. In terms of modern disciplinary divisions, Gozan literature straddles the interstices of several distinct areas of study, including classical Chinese poetry and poetics, Chinese philosophy and intellectual history, Buddhology, and the broader tradition of “Sinitic” poetry and prose (kanshibun) in Japan. Among the central contentions of this dissertation are the following: (1) that Chūgan was the most original Confucian thinker in pre-Tokugawa Japanese history, the significance of his contributions matched only by those of early-modern figures such as Ogyū Sorai, and (2) that kanshi and kanbun were creative media, not merely displays of erudition or scholastic mimicry. Chūgan’s expository writing demonstrates that the enormous multiplicity of terms and concepts animating the Chinese philosophical tradition were very much alive to premodern Japanese intellectuals, and that they were subject to thoughtful reinterpretation and application to specifically Japanese sociohistorical phenomena.
    [Show full text]