Different Dance Forms of India (Part II)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
List of Indian Folk Dances - State Wise
STUDENT'S SENA New resolution for banking aspirants List of Indian Folk Dances - State Wise List of Folk dances, important for general awareness section of bank exams. Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma, Danga, Bidesia, Sohrai. Uttarakhand Garhwali, Pandav Nritya, Kumaoni, Kajari, Chancheri, Jhora, Raslila, Chhapeli. Andhra Kuchipudi (Classical), Ghanta mardala, Vilasini Pradesh Natyam, Andhra Natyam, Burrakatha, Veeranatyam, Butta bommalu, Tholu Bommalata, Dappu. Chhattisgarh Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Arunachal Mask dance (Mukhauta Nritya), War dance. Pradesh Himachal Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Pradesh Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance etc. Goa Mandi, Jhagor, Khol, Dakni etc. Assam Bihu, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. West Bengal Kathi, Gambhira, Dhali, Jatra, Baul, Marasia, Mahal, Keertan etc. Kerala Kathakali (Classical), Ottamthullal, Mohiniyattam, Kaikottikali, Tappeti Kali, Kali Attam. Meghalaya Laho, Baala etc. Manipur Manipuri (Classical), Rakhal, Nat Rash, Maha Rash, Raukhat etc. 1 STUDENT'S SENA New resolution for banking aspirants Nagaland Chong, Lim, Nuralim etc. Orissa Odissi (Classical), Savari, Ghumara, Painka, Munari, Chhau, Chadya Dandanata etc. Maharashtra Lavani, Nakata, Koli, Lezim, Gafa, Dahikala Dashavatar or Bohada, Tamasha, Mouni, Powara, Gauricha etc. Karnataka Yakshagana, huttar, Suggi, Kunitha, Karga, Lambi Gujarat Garba, Dandiya Raas, Tippani Juriun, Bhavai. Punjab Bhangra, Giddha, Daff, Dhaman etc. Rajasthan Ghumar, Chakri, Ganagor, Jhulan Leela, Jhuma, Suisini, Ghapal, Panihari, Ginad etc. Mizoram Khanatm, Pakhupila, Cherokan etc. Jammu Rauf, Hikat, Mandjas, kud Dandi nach, Damali. & Kashmir Tamil Nadu Bharatanatyam, Kummi, Kolattam, Kavadi. Uttar Pradesh Nautanki, Raslila, Kajri, Jhora, Chappeli, Jaita. Bihar Jata-Jatin,Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc. -
The Role of Indian Dances on Indian Culture
www.ijemr.net ISSN (ONLINE): 2250-0758, ISSN (PRINT): 2394-6962 Volume-7, Issue-2, March-April 2017 International Journal of Engineering and Management Research Page Number: 550-559 The Role of Indian Dances on Indian Culture Lavanya Rayapureddy1, Ramesh Rayapureddy2 1MBA, I year, Mallareddy Engineering College for WomenMaisammaguda, Dhulapally, Secunderabad, INDIA 2Civil Contractor, Shapoor Nagar, Hyderabad, INDIA ABSTRACT singers in arias. The dancer's gestures mirror the attitudes of Dances in traditional Indian culture permeated all life throughout the visible universe and the human soul. facets of life, but its outstanding function was to give symbolic expression to abstract religious ideas. The close relationship Keywords--Dance, Classical Dance, Indian Culture, between dance and religion began very early in Hindu Wisdom of Vedas, etc. thought, and numerous references to dance include descriptions of its performance in both secular and religious contexts. This combination of religious and secular art is reflected in the field of temple sculpture, where the strictly I. OVERVIEW OF INDIAN CULTURE iconographic representation of deities often appears side-by- AND IMPACT OF DANCES ON INDIAN side with the depiction of secular themes. Dancing, as CULTURE understood in India, is not a mere spectacle or entertainment, but a representation, by means of gestures, of stories of gods and heroes—thus displaying a theme, not the dancer. According to Hindu Mythology, dance is believed Classical dance and theater constituted the exoteric to be a creation of Brahma. It is said that Lord Brahma worldwide counterpart of the esoteric wisdom of the Vedas. inspired the sage Bharat Muni to write the Natyashastra – a The tradition of dance uses the technique of Sanskrit treatise on performing arts. -
Static GK: Dances in India
For More Study Material Static GK: Dances in India Classical Dance: Classical Dance State Mohiniyattam Kerala Bharatanatyam Tamil Nadu Kathak Uttar Pradesh Kathakali Kerala Kuchipudi Andhra Pradesh Manipuri Manipur Odissi Orissa Chhau West bengal Sattriya Assam Folk Dance: State Folk Dance Andhra Pradesh Kolattam, Gobbi Dance, Dhimsa, Dhamal Dance Assam Bihu, Jhumur Naach, Ali Ai Ligang, Bagurumba Arunachal Pradesh Bardo Chham, Lion and Peacock dance Chhattisgarh Raut Nacha, Gaur Maria Dance, Panthi Join Telegram Channel For More Study Material Gujarat Garba, Dandiya ras, Tippani Dance, Kinnauri Nati, Namgen Goa Tarangamel, Dekhni, Dhalo, Dhangar, Fugdi Haryana Jhumar Dance, Gugga dance, Saang, Teej, Loor dance, Dhamal Dance, Phag dance Himachal Pradesh Luddi dance, Munzra, Kanayala, Giddha Parhaun, Hikat Karnataka Yakshagana, Bayalata, Dollu Kunitha, Veeragaase dance Kerala Theyyam or Kaliyattam, Thullal, Thirayattam, Oppana, Mar- gamkali, Thitambu Nritham, Chakyar Koothu, Chavittu Na- dakam Madhya pradesh Tertali, Charkula, Matki dance, Phulpati dance, Grida dance, Maanch Maharashtra Pavri Nach, Lavani Manipur Thang Ta, Dhol Cholom Mizoram Cheraw dance or Bamboo dance Nagaland Chang Lo or Sua Lua Odisha Ghumura dance, Goti Pua, Nacni, Baagh Naach or Tiger dance, Dalkhai dhap, Karma Naach, Keisabadi Punjab Bhangra, Giddha, Malwai Giddha, Jhumar, Karthi, Kikli Puducherry Garadi Sikkim Singhi Chham Rajasthan Ghoomar, Kalbelia, Bhavai, Kachchhi Ghodi Tamil Nadu Kamandi, Kummi, Kolattam, Karagattam or Karagam, Oyi- lattam, Puliyattam, Mayil Attam or Peacock dance, Pampu Attam or snake dance West Bengal Jatra, Chau, Kathi Join Telegram Channel For More Study Material Lakshadweep Lava Uttar Pradesh Nautanki, Raslila, Jhora, Chhapeli, Jaita Jammu Kashmir Rouf, Chakri Jharkhand Karma Telengana Perini Thandavam, Dappu, Lambadi Tripura Hojagiri, Goria, Lebang Boomani Uttrakhand Chholiya, Jagars, Thali-Jadda, Jhainta, Barada Nat Bihar Kajari, Jaat- Jaatin, Jhijhian, Jhumeri, Souhar- Khilouna Uttrakhand Barada Nati, Bhotiya, Chancheri, Chhapeil Join Telegram Channel . -
Annual Report
NATIONAL SCHOOL OF DRAMA jk"Vªh; ukV~; fo|ky; ANNUAL REPORT okf"kZd çfrosnu 0 2 - 9 1 0 2 okf"kZd çfrosnu Annual Report 2019-20 Annual Report 2019-20 jk"Vªh; ukV~; fo|ky; National School of Drama Contents NSD : An Introduction 3 Organizational Set-up & Meetings during 2019-20 4 Authorities and Officers of the School 5 Director and other Teaching Staff 6 Training at the National School of Drama 7 Technical Departments 9 Library 10 Highlights 2019-20 13 Other Activities 17 Academic Activities 23 Apprentice Fellowship awarded for the academic year 2019-20 to NSD graduate 36 Students’ Productions 38 Cultural Exchange Programme (CEP) 49 Repertory Company 51 Sanskaar Rang Toli (TIE) 54 National School of Drama Extension Programme 62 RajbhashaVibhag 64 Publication Programme 66 NSD Bengaluru Centre 69 NSD Sikkim Theatre Training Centre, Gangtok 80 NSD Theatre-in-Education Centre, Agartala, Tripura 82 NSD Varanasi Centre 91 Staff strength 97 NSD Resource Position at a Glance 99 National School of Drama National School of Drama (NSD) one of the foremost theatre institutions in the world and the only one of its kind in India was set up by Sangeet Natak Akademy in 1959. Later in 1975, it became an autonomous organization, fully financed by Ministry of Culture, (MoC) Government of India. The objective of NSD is to develop suitable patterns of teaching in all branches of drama both at undergraduate and post-graduate levels so as to establish high standards of theatre education in India. After graduation, the NSD offers a theatre training programme of three years' duration. -
Arts-Integrated Learning
ARTS-INTEGRATED LEARNING THE FUTURE OF CREATIVE AND JOYFUL PEDAGOGY The NCF 2005 states, ”Aesthetic sensibility and experience being the prime sites of the growing child’s creativity, we must bring the arts squarely into the domain of the curricular, infusing them in all areas of learning while giving them an identity of their own at relevant stages. If we are to retain our unique cultural identity in all its diversity and richness, we need to integrate art education in the formal schooling of our students for helping them to apply art-based enquiry, investigation and exploration, critical thinking and creativity for a deeper understanding of the concepts/topics. This integration broadens the mind of the student and enables her / him to see the multi- disciplinary links between subjects/topics/real life. Art Education will continue to be an integral part of the curriculum, as a co-scholastic area and shall be mandatory for Classes I to X. Please find attached the rich cultural heritage of India and its cultural diversity in a tabular form for reading purpose. The young generation need to be aware of this aspect of our country which will enable them to participate in Heritage Quiz under the aegis of CBSE. TRADITIONAL TRADITIONAL DANCES FAIRS & FESTIVALS ART FORMS STATES & UTS DRESS FOOD (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) (ILLUSTRATIVE) Kuchipudi, Burrakatha, Tirupati Veerannatyam, Brahmotsavam, Dhoti and kurta Kalamkari painting, Pootha Remus Andhra Butlabommalu, Lumbini Maha Saree, Langa Nirmal Paintings, Gongura Pradesh Dappu, Tappet Gullu, Shivratri, Makar Voni, petticoat, Cherial Pachadi Lambadi, Banalu, Sankranti, Pongal, Lambadies Dhimsa, Kolattam Ugadi Skullcap, which is decorated with Weaving, carpet War dances of laces and fringes. -
State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi
BHARAT SCHOOL OF BANKING STATIC GK Indian Cultural/Classical Dances - Folk Dances in India State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi. Arunachal Pradesh Bardo Chham Assam Bihu, Ali Ai Ligang, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. Bihar Chhau,Jata-Jatin, Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc. Chhattisgarh Panthi, Raut Nacha, Gaur Maria, Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Goa Tarangamel, Dashavatara, Dekhni, Dhalo, Dhangar, Fugdi, Ghodemodni, Goff, Jagar, Kunbi, Mando, Musal Khel, Perni Jagar, Ranamale, Romta Mel, Divlyan Nach (Lamp dance), Veerabhadra, Morulo, Tonayamel , Mandi, Jhagor, Khol, Dakni, , Koli Gujarat Garba, Dandiya Ras, Tippani Juriun, Bhavai. Haryana Saang, Chhathi, Khoria, Ras Leela, Dhamal, Jhumar, Loor, Gugga, Teej Dance, Phag, Daph, Gagor Himachal Pradesh Kinnauri, Mangen, Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance Jammu & Kashmir Kud, Dumhal, Rauf, Hikat, Mandjas, Damali Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma , Munda, Danga, Bidesia, Sohrai. Karnataka Yakshagan, Bayalatta, Dollu Kunitha, Veeragasse, Huttar, Suggi, Kunitha, Karga, Lambi Kerala Mohiniyattam, Kathakali, Thirayattam, Theyyam, Thullal, Koodiyattam, Duffmuttu / Aravanmuttu, Oppana, Kaikottikali, Thiruvathirakali, Margamkali, Thitambu Nritham, Chakyar Koothu, Chavittu Nadakam, Padayani -
The-Tamara-Carnival-Dollar-Page-.Pdf
The Tamara Carnival is a coming together of music, dance, drama & The Tamara Carnival theatre, showcasing the cultural heritage of India. Scheduled between 21st December, 2015 to 4th January, 2016 at The Tamara Coorg, it joyously ushers in the Christmas, New Year festivities & year-end holidays, to entertain & refresh guests in a serene locale. The Tamara Carnival will feature Indian & Western art form performances from across India. Guests can also partake of an array of flavours & cuisines from different regions of India. Be it a performance of the folk dance, ‘Oppana’, classical dance, ‘Kuchipudi,’ martial art, ‘Kalaripayattu,’ or Blues music, each of these events have a story to tell, delving into ancient traditions, folklore, religion & culture. During the carnival fortnight, there will also be occasions when guests can enjoy the silence of The Tamara Coorg. From time immemorial, music & dance have been known to help man transcend earthly bounds & connect to divinity & spiritual bliss. The Tamara Carnival gently eases into your consciousness, rejuvenating & uplifting, leaving you in a blissful state of harmony with your inner being & the universe. The day begins with a trek/yoga/bird watching session followed by breakfast. A cookery or pottery session is on the anvil before Event Description lunch while a pottery session/ plantation tour/coffee brewing Event Description experience/Yoga is on the schedule, post lunch. The highlight of the day is cultural performances featuring varied art forms from across the country, be it a music recital, dance performance or stand-up comedy show. These performances will be held during the day or at night. -
Preservation of Kathiawari Folk Literature and Arts
Indian Journal of Traditional Knowledge Vol. 8 (4), October 2009, pp. 626-628 Preservation of Kathiawari folk literature and arts Puffy I Dave Department of Extension Education, College of Agriculture, Junagadh Agricultural University, Junagadh 362 001 Gujarat E-mail: [email protected] Received 13 July 2007; revised 12 June 2008 Kathiawar, known as Saurashtra region in Gujarat, is rich in its cultural heritage of folk arts and literature. The folk dances of Kathiawar like dandiya raas, garba , etc. folk music like bhajans, dohas , etc, litterateurs like Zaverchand Meghani, Narsinh Mehta, Bhoja Bhagat, Dulabhai Kag, etc. have occupied a prominent place in the world of folk arts and literature. The tales and poems are still enjoyed by people, when presented by folk artists in Lok Dayora (a gathering where people are entertained by folk artists). Even Bhavais (street plays) are performed telling them the stories of our great epics; today these street plays are performed to awaken citizens with their rights. This folk heritage is now moving towards extinction as today our youths are drawn towards western culture and arts. There is an urgent need for preservation of dying Kathiawari art forms and literature. Special care should be taken for the upliftment of the folk artists. Keywords : Extinction, Prevention, Folk art & literature Kathiawar, officially known as Saurashtra, was named richness and life force of folk literature of Kathiawar. after the Kathi community, who ruled for long in this The rich tradition of folk literature of Kathiawar is region. Kathiawar, on the West of peninsular India lies reflected by the following couplet, which exhorts the between 20 ° 40 ′ to 23 ° 25 ′ North latitude and 69 ° 5 ′ to mother to give birth only to the Bhakt – (saints or 72 °20 ′ East longitudes. -
DANCE FORMS of INDIA ALL BANKING and GOVERNMENT EXAMS Dance Forms of India Free Static GK E-Book
oliveboard FREE eBooks DANCE FORMS OF INDIA ALL BANKING AND GOVERNMENT EXAMS Dance Forms of India Free static GK E-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like IBPS Clerk, IBPS SO, SBI PO, SSC-CGL, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Dance Forms of India have been asked. Hence it becomes very important for all the candidates to be aware about all the Dance Forms of India. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Dance Forms of India. The list of all the major Dance Forms of India is given in in the following pages of this Free E- book on Dance Forms of India. Sample Questions - Q. Mohiniattam is the Classical Dance form associated with? (a) Karnataka (b) Tamil Nadu (c) Telangana (d) Kerala Answer: Option D – Kerala Q. ‘Baul’ is folk dance associated with the State of - (a) West Bengal (b) Mizoram (c) Meghalaya (d) Assam Answer: Option A – West Bengal Dance Forms of India Free static GK E-book Dance Forms of India Major Classical Dance forms in India Dance State Description It is a delightful combination of four elements i.e. expression, music, beats, and dance. The accompanying music in Bharatnatyam is classical Bharatnatyam Tamil Nadu Carnatic. -
Location Accessibility Contact Time Dates
Panchayat/ Municipality/ Cheekode Panchayat Corporation LOCATION District Malappuram Nearest Town/ Kondotty Town - 500 Landmark/ Junction Nearest Bus statio Kondotty Bus Stand – 9.3 Km Nearest Railway Feroke Railway Station -22 Km statio ACCESSIBILITY Nearest Airport Calicut International Airport – 11.2 Km Omanur Shuhadakkal Maqam Omanoor – 673645 Contact: Omanoor Shuhada Islamic Complex Phone: +91-483-2726900 Contact: Cheekode Grama Panchayat Office CONTACT Phone: +91-483-2725235 DATES FREQUENCY DURATION TIME April Annual 4 Days ABOUT THE FESTIVAL (Legend/History/Myth) The festival is celebrated in memory of Kunjali, Moideen and Aboobacker, the martyrs of Omanoor. Their sacrifice during the war with 3000 odd British forces is remembered through this Nercha festival. This Omanoor incident of 18 15 was an outbreak in connection with the conversion of a lady from the family of the Zamorin to Islam. The lady embraced Islam but soon she was persuaded to revert by his family members. When the Mappilas protested against the reversion, the Zamorin and his men retaliated and desecrated the mosque of Omanoor. It lead to an open fight that got escalated. Local Approximately 2000 RELEVANCE- NO. OF PEOPLE (Local / National / International) PARTICIPATED EVENTS/PROGRAMS DESCRIPTION (How festival is celebrated) The Omanoor Nercha is a mosque festival which commemorates martyrs. It is celebrated for four days in April Annadanam every year. Duffmuttu songs that are a tribute to Islamic Duffmuttu heroes and martyrs are sung. Nercha involves Annadanam Special Prayers or distribution of food. The festival is celebrated with Religious Discourses cooperation from other religious communities as well. Religious discourses are part of the festival.. -
Natya Shastra
This page uses content from Wikipedia and is licensed under CC BY-SA. Natya Shastra The Nāṭya Śāstra (Sanskrit: नाट्य शा , Nāṭyaśāstra) is a Sanskrit Hindu text on the performing arts. [1][2] The text is attributed to sage Bharata Muni, and its first complete compilation is dated to between Part of a series on 200 BCE and 200 CE,[3][4] but estimates vary between 500 BCE and 500 CE.[5] Hindu scriptures and texts The text consists of 36 chapters with a cumulative total of 6000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance.[6][7] Shruti [2][8] The Nāṭya Śāstra is notable as an ancient encyclopedic treatise on the arts, one which has Smriti influenced dance, music and literary traditions in India.[9] It is also notable for its aesthetic "Rasa" theory, which asserts that entertainment is a desired effect of performance arts but not the primary Vedas goal, and that the primary goal is to transport the individual in the audience into another parallel reality, full of wonder, where he experiences the essence of his own consciousness, and reflects on spiritual and Rigveda moral questions.[8][10] The text has inspired secondary literature such as Sanskrit bhasya (reviews and Samaveda commentaries) such as by the 10th century Abhinavagupta.[11] -
Youth Festival Rules MG University Rules
MG University Rules Youth Festival Rules 1. These rules may be called MAHATMA GANDHI UNIVERSITY YOUTH FESTIVAL RULES 2019. 2. In these rules, unless the context otherwise requires, o a) “Act” means Mahatma Gandhi University Act, 1985, with subsequent amendments. o b) “College” means any educational institution maintained by, or affiliated to, the Mahatma Gandhi University. o c) “Judge” means a person appointed to pronounce decision in a contest or competition. 3. Maximum number of individual item s, allowed for one student to participate is strictly limited to 5 (five). 4. Only a single student can participate in an individual item from a college 5. For the group items, each college can send only one team. Each college is allowed to participate o nly in a maximum of 6 (six) group items, out of 11 (eleven) group items in the competitions. (One Act Play is excluded from the group items. Each college is allowed to send their one act play team separately. 6. Any complaint regarding the selection of candidates for the University Youth Festival shall be referred to the Committee and the decision of the Committee shall be final. 7. The entry forms should contain the name, class, address, mobile phone number and Email id of the competitors. For the group items, names of all the participants shall be furnished. 8. Every participant, including the members of the group items shall bring their College Identity Cards to participate in the youth festival and the Professor-in-charge of the contingent should have an authorization letter signed by the Principal of the concerned college with him to meet any urgent situation.