Arts’ Play an Important Role in Moulding the Minds of Students .In This Age of Technology and Concrete Jungles, Art Is of Paramount Importance
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Chapter- Iv Analysis and Interpretation
CHAPTER- IV ANALYSIS AND INTERPRETATION 1. Foreign Exchange Earnings for the year 2014 is Rupees 6398.93 crores. During 2014, the domestic tourist arrival was 116, 95,411 (an increase of 7.71%) whereas Foreign Tourist Arrival was 9, 23, 366 (an increase of 7.60%) over the previous year’s figure. 2. Kerala, the Malayalam speaking region, has made valuable contributions to the world culture and one of them, is the institution of Kalari. Tacholi Othenan, the undisputed exponent and all time great of Kalarippayattu, was born in 1584. After his death at the age of thirty-two, the people of Malabar made a cult hero of him and eventually deified and worshipped him as a demi-god. 3. Irrespective of caste, community, sex, religion and social status, the people of Kerala learnt the art of payattu. 4. Nearly half of foreign tourists visit Kalari for Rejuvenation therapy. 28.57 per cent domestic tourists visit Kalari for Martial Arts and 31.97 per cent for Rejuvenation Therapy. Rejuvenation therapy helps for longevity, memory, intellect, positive health, youth, excellent complexion and strength of sensory organs. Main aim of this therapy is to maintain the youth of the individual along with the maintaining of his long life. It is a costly affair but the enjoyment derived is maximum. It is expected by the Tourism Department that in 2021, 30 Lakhs foreign tourists and 180 Lakhs domestic tourists visit Kerala. According to Kerala Tourism statistics, Foreign tourist arrivals to Kerala in 2014 showed an increase of 7.60% compared to the previous year. -
Kalanidhi Kalakosa Janapada Sampada Kaladarsana
ANNUAL REPORT April 1, 2014-March 31, 2015 Contents Page No, Introduction 3 Organisation 4 Formation of the Trust 5 Highlights 5 KALANIDHI 7 Programme : Reference Library 8 : Reprography Unit 9 : Slide Unit 9 : Cultural Archives 9 Conservation Unit 12 Media Centre 13 Cultural Informatics Lab 14 KALAKOSA 17 Programme A : Kalatattvakosa 17 Programme B : Kalamulasastra 18 Programme C : Kalasamalocana 19 Area Studies 20 JANAPADA SAMPADA 25 Programme A : Ethnographic Collection 26 Programme B : Adi Drishya 27 Programme C : Lifestyle Studies 29 North East Study Programme 34 KALADARSANA 37 Exhibitions 38 Seminars/Conferences/Workshops 39 Public Lectures 42 Performances 43 Other Events 46 REGIONAL CENTRES 50 Eastern Regional Centre, Varanasi 50 Southern Regional Centre, Bengaluru 52 SUTRADHARA 57 ANNEXURES I: The Indira Gandhi National Centre for the Arts Board of Trustees 58 (as on March 31, 2015) II: The Indira Gandhi National Centre for the Arts Members of the 59 Executive Committee (as on March 31, 2015) III: List of Exhibitions held in IGNCA from April 1, 2014 to March 31, 2015 60 IV: List of Lectures and other programmes held in IGNCA 62 from April 1, 2014 to March 31, 2015 V: List of IGNCA Publications from April 1, 2014 to March 31, 2015 76 VI: List of officers of IGNCA, including Senior /Junior Research 77 Fellows/Consultants in the IGNCA (as on March 31, 2015) INDIRA GANDHI NATIONAL CENTRE FOR THE ARTS Annual Report 2014-15 INTRODUCTION The Indira Gandhi National Centre for the Arts (IGNCA), established in the memory of Smt. Indira Gandhi in 1987, is visualised as an autonomous national institution encompassing the study and experience of all the arts - each form with its own integrity, yet within a dimension of mutual inter- dependence and inter-relatedness with nature, the social structure and cosmology. -
Malayalam Biopics: from Books to Films
MALAYALAM BIOPICS: FROM BOOKS TO FILMS Gayatri Binu Registered Number: 1324032 A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Science in Communication Christ University Bengaluru 2015 Program Authorized to Offer Degree Department of Media Studies II Authorship Christ University Declaration Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Gayatri Binu Registered Number: 1324032 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ _____________________________________________________ Date: __________________________________ III IV I, Gayatri Binu, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: V VI Abstract Malayalam Biopics: From Books to Films Gayatri Binu MS in Communication, Christ University, Bangalore This article talks about the difficulties that emerge when considering biographical films that are focused around biographical or autobiographical works of writing utilizing careful investigations of three Malayalam films. -
Szcc Annual Report 2016-2017
ANNUAL ACTIVITY REPORT 2016-2017 The South Zone Cultural Centre at Thanjavur, Tamil Nadu was established as a Society under the Ministry of Culture, Government of India, came into existence on 31st January 1986 with the objective to integrate people of India through Culture, art and heritage. The Centre has jurisdiction over the states of Andhra Pradesh, Telangana, Karnataka, Kerala, Tamil Nadu and Union Territories of Andaman and Nicobar Islands, Lakshadweep and Puducherry. During the year 2016-17 SZCC, in association with the Member States, has arranged around 169 programmes. More than 10,414 artistes from various parts of the country have been paid for their participation in various programmes conducted during the year. These programmes could be conducted successfully with the active participation and support of each Member State. Some of the programmes organised are highlighted below: ANNUAL ACTIVITY REPORT AND REVIEW OF THE PROGRAMMES CONDUCTED DURING THE YEAR 2016-2017 During the Year 2016-17 the South Zone Cultural Centre, Thanjavur has conducted 169 Cultural Programmes in which 10414 artistes have participated. The following is a comparative statement of programmes conducted in various States/Union Territories during the last 7 years. Sl. 2010- 2011- 2012- 2013- 2014- 2015- 2016- State/UT No 11 12 13 14 15 2016 2017 01 Andaman &Nicobar Islands 1 1 1 5 2 01 01 02 Andhra Pradesh 1 3 3 7 4 07 07 03 Karnataka 1 4 4 9 20 09 17 04 Kerala 5 3 6 27 25 14 11 05 Lakshadweep 1 1 0 0 1 0 0 06 Puducherry 5 2 7 18 10 21 22 07 Tamil Nadu 26 51 71 70 86 110 92 08 Telangana 0 0 0 0 1 04 05 09 Other Zones 4 0 3 9 10 11 14 10 Programmes Abroad 0 0 0 5 1 0 0 Total 44 65 95 150 160 177 169 Further, the number of artistes from the Member States and also from other States performed in various programmes organised by SZCC during the past 7 years is shown below 175 Artistes from Member States performed during the years from 2010-2011 to 2016-2017 2015-2016 2016-2017 Sl. -
Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018
Kerala School Kalolsavam 2017- 2018 Thrissur 06 Jan 2018 - 10 Jan 2018 List of participants For Team Manager ( Ernakulam ) Festival: HS General School Code: 25002 School Name: Vidyadhiraja Vidya Bhavan E. M. H. S. Aluva Sl.No Item Name Reg No. Adm.No. B/G Class Cluster Stage No Date 607 - Kathakali Sangeetham Stage 18 1 ACHYUTH UNNI 4588 7046 B 10 1 06 Jan 2018 (Boys) Neelakadambu Stage 18 2 615 - Violin - Paurasthyam SAINANDAN P V 4589 7226 B 9 1 08 Jan 2018 Neelakadambu Stage 7 3 625 - Ottanthullal NIRUPAMA VENUGOPAL 4591 7353 G 8 2 08 Jan 2018 Neermaruthu Stage 10 4 656 - Aksharaslokam PRANAV S 4594 7064 B 10 1 06 Jan 2018 Manchadi Stage 23 5 663 - Parichamuttu (Boys) ARJUN O B 4610 7130 B 9 5 09 Jan 2018 Chandanam 6 663 - Parichamuttu (Boys) MOHAMMED ADHNAN 4608 7191 B 9 7 663 - Parichamuttu (Boys) ATHUL K L 4609 7249 B 9 8 663 - Parichamuttu (Boys) DEEPAK UNNIKRISHNAN 4611 8374 B 9 9 663 - Parichamuttu (Boys) ASWAL ASOKAN 4612 7966 B 9 10 663 - Parichamuttu (Boys) HARIKRISHNAN E V 4613 7159 B 9 11 663 - Parichamuttu (Boys) FAHSAN MIRZA M A 4614 8575 B 9 12 663 - Parichamuttu (Boys) PRITHVIN RAYMAND 4615 8561 B 9 Stage 16 13 664 - Poorakkali (Boys) FARIS P A 4607 8608 B 9 1 09 Jan 2018 Rajamalli 14 664 - Poorakkali (Boys) AADHIL IBRAHIM 4596 7752 B 9 15 664 - Poorakkali (Boys) VISHNU SUBHASH 4597 7163 B 9 16 664 - Poorakkali (Boys) ASWIN SURESHBABU 4598 7164 B 9 17 664 - Poorakkali (Boys) BIJAI BATIN 4599 7161 B 9 18 664 - Poorakkali (Boys) HARIKRISHNAN R 4600 7436 B 9 19 664 - Poorakkali (Boys) AROMAL VIJAYAKUMAR 4601 7312 B 9 20 -
Annual Report 2016-17 Thunchath Ezhuthachan Malayalam University
THUNCHATH EZHUTHACHAN MALAYALAM UNIVERSITY ANNUAL REPORT 2016-17 THUNCHATH EZHUTHACHAN MALAYALAM UNIVERSITY ANNUAL REPORT CONTENTS 1. Vice Chancellor’s note 2. Aims and objectives 3. Milestones 4. ‘Akhsaram’ Campus 5. Academic activities 6. Library 7. Student’s welfare, hostels 8. Activities with social commitment 9. International co-operation., Gundert Chair 10. Projects 11. 11. Publications 12. Administration 13. Appendix Editor: Dr. P.B.Lalkar English Translation Team Prof. Madhu Eravankara ( Co-ordinator) Dr. M. Vijayalakshmy, Dr. A.P Sreeraj, Dr. Jainy Varghese, Sri K.S Hakeem Design & Lay-out : Lijeesh M.T. Printing : K.B.P.S. Kakkanad, Kochi P R E FA C E Justice (Retd.) P Sathasivam Prof. C Ravindranath K Jayakumar Chancellor Pro Chancellor Vice Chancellor It is with great pleasure that I am presenting the Annual Report of Malayalam University up to March 31, 2017. The university started functioning in 2012 and the admission formalities of the first batch of students were completed in August 2013. Initially we started with 5 M.A courses. When we look back in 2017, it is worthy to note that the university has achieved tremendous growth both in infrastructure and academic level. Within this short span of time, we could start 10 M.A. Courses and Research Programmes. The first two batches of M.A and one batch of M.Phil students are out. Amenities like Library, Studio and Theatre claims self sufficiency. 28 permanent teachers were also appointed. The year 2016-17 witnessed so many important developments. The new library- research block and Heritage Museum, were opened. The year was marked with variety of academic activities and visit of several dignitaries. -
Different Dance Forms of India (Part II)
Different Dance Forms Of India (Part II) 1. Dance forms in Arunachal Pradesh are: Dance performed in Arunachal Pradesh is divided into different categories from different tribes & is performed on special occasions. Some dances are based on drama with different mystical stories. These eight groups are divided into four groups with two sub- groups. The first group is the part of rituals dance forms, theme of second group relates to harvesting & domestication of animals. The third group dance theme is associated with the funeral ceremony in which the soul is guided by the priest & the last fourth group consists of fertility dance form • The Wancho Dance • Idu Mishmi Ritual Dance • Digaru Mishmi Buiya Dance • Khampti Dance • Buiya Dance • Ka Fifai Dance-Drama • Ponung Dance • Sadinuktso These dance form are performed by the tribes of Arunachal Pradesh & is performed in groups of men & women accompanied by songs. But some of the dances are restricted to men only such as war dance or ritualistic dance of the Buddhist tribe.etc. • Aji Lamu • Chalo • Hiirii Khaniing • Lion and Peacock dance • Pasi Kongki • Ponung • Popir etc. 2. Dance forms in Chhattisgarh are:- • Pandwani: A traditional folk dance based on the story which depicts the character of Pandeva’s, leading the character of epic Mahabharata. This dance group is started by the leader & then followed by the rest of the members. • Raut Nacha: This dance form is performed by the Yadavs/yaduvanshis group an appreciation towards Lord Krishna. The theme relates to the fight between king Khansa & Lord Krishna. • Panthi: A popular dance form performed by the Satnami community on special occasions by installing an idol of Jaitkham. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi
BHARAT SCHOOL OF BANKING STATIC GK Indian Cultural/Classical Dances - Folk Dances in India State Dance (S) Andra Pradesh Kuchipudi, Kolattam, Ghantamardala, (Ottam Thedal, Mohiniattam, Kummi, Siddhi, Madhuri, Chhadi. Arunachal Pradesh Bardo Chham Assam Bihu, Ali Ai Ligang, Bichhua, Natpuja, Maharas, Kaligopal, Bagurumba, Naga dance, Khel Gopal, Tabal Chongli, Canoe, Jhumura Hobjanai etc. Bihar Chhau,Jata-Jatin, Bakho-Bakhain, Panwariya, Sama-Chakwa, Bidesia, Jatra etc. Chhattisgarh Panthi, Raut Nacha, Gaur Maria, Goudi, Karma, Jhumar, Dagla, Pali, Tapali, Navrani, Diwari, Mundari. Goa Tarangamel, Dashavatara, Dekhni, Dhalo, Dhangar, Fugdi, Ghodemodni, Goff, Jagar, Kunbi, Mando, Musal Khel, Perni Jagar, Ranamale, Romta Mel, Divlyan Nach (Lamp dance), Veerabhadra, Morulo, Tonayamel , Mandi, Jhagor, Khol, Dakni, , Koli Gujarat Garba, Dandiya Ras, Tippani Juriun, Bhavai. Haryana Saang, Chhathi, Khoria, Ras Leela, Dhamal, Jhumar, Loor, Gugga, Teej Dance, Phag, Daph, Gagor Himachal Pradesh Kinnauri, Mangen, Jhora, Jhali, Chharhi, Dhaman, Chhapeli, Mahasu, Nati, Dangi, Chamba, Thali, Jhainta, Daf, Stick dance Jammu & Kashmir Kud, Dumhal, Rauf, Hikat, Mandjas, Damali Jharkhand Chhanu, Sarahul, Jat-Jatin, Karma , Munda, Danga, Bidesia, Sohrai. Karnataka Yakshagan, Bayalatta, Dollu Kunitha, Veeragasse, Huttar, Suggi, Kunitha, Karga, Lambi Kerala Mohiniyattam, Kathakali, Thirayattam, Theyyam, Thullal, Koodiyattam, Duffmuttu / Aravanmuttu, Oppana, Kaikottikali, Thiruvathirakali, Margamkali, Thitambu Nritham, Chakyar Koothu, Chavittu Nadakam, Padayani -
St.Thomas College, (Autonomous) Thrissur
St.Thomas College, (Autonomous) Thrissur UG ADMISSION 2021 PROVISIONAL ALLOTMENT RANK LIST 24/08/2021 BA English & History (Double Main) Aided GENERAL - (Confirmed List) Rank Application Number Student Name Index Mark 1 STC2021UG00636 GAYATHRI MANMOHAN 1660 2 STC2021UG07967 ALWINS K WILSON KOOTHUR WILSON 1660 3 STC2021UG07043 ANNA MEHRI 1651 4 STC2021UG07089 AVANI C S CHANDRIKA SADANANDAN 1650 5 STC2021UG01337 ANN AMBROSE MENACHERY 1641 6 STC2021UG05085 UNNIMAYA S NAIR UNNIMAYA SUDHAKARAN NAIR 1637 7 STC2021UG04908 ANSA ANTONY 1637 8 STC2021UG00899 ROSEMARY GEORGE 1637 9 STC2021UG07631 ALEENA SUNNY 1634 10 STC2021UG07582 VINAYAK S S SHALINI SREEJITH 1633 11 STC2021UG00441 DONA DAVIS 1633 12 STC2021UG09377 FATHIMA MASHAHIL UK UPPUKANDATHIL 1632 13 STC2021UG02442 THRISHA PRADEEP 1632 14 STC2021UG07676 SOURAV C B 1632 15 STC2021UG07616 AMAN REHMAN K P 1632 16 STC2021UG03287 ASWATHI T 1630 17 STC2021UG07079 AKHILA K KUNNATHUR 1630 18 STC2021UG08135 SREEKALA K J KAIPPULLY JAYAN 1629 19 STC2021UG05279 DISHNA A R AMMATT RAJAN 1628 20 STC2021UG09101 ANN MARY 1626 21 STC2021UG07163 AFLA KADER NP NALAKATH PILAKKATTIL 1625 22 STC2021UG00114 REVATHY O 1624 23 STC2021UG06787 NANDANA S JAYAN 1624 24 STC2021UG00659 BHAVITHA K S 1624 25 STC2021UG04126 FAIZA SAFEER 1623 26 STC2021UG00470 NIVEDITHA C.M CHALIPPATT MANOJ 1623 27 STC2021UG03918 ROSMARY BIJU 1623 28 STC2021UG02699 JENNA ANGEL JOSEPH 1622 29 STC2021UG04159 MINNU JOSEPH 1621 30 STC2021UG09637 KRISHNENDU S KUMAR 1621 GENERAL - (Waiting List) Rank Application Number Student Name Index Mark 1 STC2021UG01289 -
The-Tamara-Carnival-Dollar-Page-.Pdf
The Tamara Carnival is a coming together of music, dance, drama & The Tamara Carnival theatre, showcasing the cultural heritage of India. Scheduled between 21st December, 2015 to 4th January, 2016 at The Tamara Coorg, it joyously ushers in the Christmas, New Year festivities & year-end holidays, to entertain & refresh guests in a serene locale. The Tamara Carnival will feature Indian & Western art form performances from across India. Guests can also partake of an array of flavours & cuisines from different regions of India. Be it a performance of the folk dance, ‘Oppana’, classical dance, ‘Kuchipudi,’ martial art, ‘Kalaripayattu,’ or Blues music, each of these events have a story to tell, delving into ancient traditions, folklore, religion & culture. During the carnival fortnight, there will also be occasions when guests can enjoy the silence of The Tamara Coorg. From time immemorial, music & dance have been known to help man transcend earthly bounds & connect to divinity & spiritual bliss. The Tamara Carnival gently eases into your consciousness, rejuvenating & uplifting, leaving you in a blissful state of harmony with your inner being & the universe. The day begins with a trek/yoga/bird watching session followed by breakfast. A cookery or pottery session is on the anvil before Event Description lunch while a pottery session/ plantation tour/coffee brewing Event Description experience/Yoga is on the schedule, post lunch. The highlight of the day is cultural performances featuring varied art forms from across the country, be it a music recital, dance performance or stand-up comedy show. These performances will be held during the day or at night. -
E:\Secretariat\Secretariat 5-6
SECRETARIAT ASSISTANT PRELIMINARY EXAM Exam held on 05-06-2004 Time: 75 min. Max: 100 marks Questions 1 to 5: Choose synonymous word 1. To surprise somebody greatly: (a) Appraise (b) Antonyms (c) Astonish (d) Reveal 2. To make something more important that it really: (a) Excess (b) Elaborate (c) Stress upon (d) Exaggerate 3. Express one's opinion without evidence or full knowledge: (a) Specify (b) Speculate (c) Concede (d) Sensing 4. An event that will happen soon: (a) Imminent (b) Damnsure (c) Immense (d) Immutable 5. To lead somebody to do something: (a) Persuade (b) Placate (c) Persecute (d) Perpend Questions 6 to 10: Four words are given in each. Three of them can be grouped together applying a principle. One word does not belong to the group. Find it out. 6. (a) Violet (b) Blue (c) Magenda (d) Green 7. (a) Cucumber (b) Carrot (c) Brinjal (d) Ladies finger 8. (a) Yaswanth Sinha (b)Jaswant Singh (c) Shatrugnan Sinha (d) Manmohan Singh 9. (a) Cancel (b) Nullify (c) Void (d) Confirm 10. (a) G. Sankarakuruppu (b) O.N.V. Kuruppu (c) S.K. Pottekkadu (d) Thakazhi Sivasankarapillai Questions 11 to 13: Three words are given. There is a relationship between the first two words. Select a word that expresses a similar relationship with the third word from the given alternatives. 11. Pather Panjali : Sathyajith Ray; Athithi : (a) K.P. Kumaran (b) M.T. Vasudevan Nair (c) T.V. Chandran (d) P.A. Backer 12. Pareekkutty : Madhu; Chemban Kunju : (a) P.J. Antony (b) Jose Prakash (c) Govindankutty (d) Kottarakara Sreedharan Nair 13.