Bibliography & Resources

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Bibliography & Resources CELEBRATIONS BIBLIOGRAPHY Books and Documents: Birket-Smith, K. The Chugach Eskimo. Nationalmuseets Publikationsfond, Kobenhavn, 1953. Birket-Smith, Kaj, and Frederica de Laguna. The Eyak Indians of the Copper River Delta, Alaska. AMS Pr, 1976. Black, Lydia T. Glory Remembered- Wooden Headgear of Alaska Sea Hunters, Alaska State Museums. 1991. Crittenden, Roberta, et al. Out of Our Time: The Storytellers = Oonechguk Edowchu. Cordova, AK: Cordova Baptist Press. 1980. Out of print, See http://www.chugachheritageak.org/ Crowell, Aron, et al. Living Our Cultures, Sharing Our Heritage: The First Peoples of Alaska. Smithsonian Institute, 2010. Crowell, Aron L., et al. Looking Both Ways: Heritage and Identity of the Alutiiq People. University of Alaska Press, 2002. English Bay High School Students. Alexandrovsk- English Bay in Its Traditional Way. Kenai Peninsula Borough School District, Vol. 1-3. Fitzhugh, William W. and Crowell, A. Crossroads of Continents: Cultures of Siberia and Alaska. Smithsonian Institution Press, 1988. Haakanson, Sven Jr. and Steffian, Amy. Giinaquq - Like a Face: Sugpiaq Masks of the Kodiak Archipelago. University of Alaska Press, 2009. Harry, Anna Nelson, and Michael E. Krauss. In Honor of Eyak: The Art of Anna Nelson Harry. Alaska Native Language Center, University of Alaska, 1995. http://www.uaf.edu/anla/collections/search/resultDetail.xml?id=EY961K1982 Johnson, John F. C., et al. Chugach Legends: Stories and Photographs of the Chugach Region. Chugach Alaska Corporation, 1984. Koniaq, Inc. Two Journeys: A Companion to the Giinaquq: Like a Face Exhibition. Alutiiq Museum and Archaeological Repository, 2008. Korsun, S. A., & Berëzkin, Y. E.. The Alutiit/Sugpiat a Catalog of the Collections of the Kunstkamera. Fairbanks, Alas.: Univ. of Alaska Press. 2012. Poling, Donald R. Chenega Diaries: Stories and Voices of Our Past: Life and Times in the Native Village of Chenega, Alaska 1944-1948. Chenega Future, Inc., 2011. Celebrations Page 1 Port Graham High School Students. Fireweed Cillqaq- Life and Times in Port Graham. Kenai Peninsula borough School District, Vol. 1-4. Sloat, Teri, and Betty Huffmon. The Eye of the Needle. Puffin Unicorn, 1993. Smelcer, John E., and Morgen A. Young. We Are the Land, We Are the Sea: Stories of Subsistence from the People of Chenega, Alaska. Chenega Heritage, Inc. 2007. Stamp, Bobby A. Chenega as I Saw It – It’s People. Chugach Alaska Corporation, 2010. Steffian, Amy F. & Laktonen-Counceller, April, Alutiiq Traditions: An Introduction to the Native Culture of the Kodiak Archipelago. Alutiiq Museum & Archaeological Repository. 2009. Varjola, Pirjo, et al. The Etholén Collection: the Ethnographic Alaskan Collection of Adolf Etholén and His Contemporaries in the National Museum of Finland. National Board of Antiquities, 1990. Web Resources: Overall: http://www.chugachheritageak.org/celebrations Celebration website page Chugach Eskimo Online PDF CRRC- Iqsak K-12 Science Curriculum o http://chugachk12.blogspot.com/p/lesson-plan-summaries.html Tamamta Katurlluta: The Gathering https://www.youtube.com/watch?v=FRyHIMe9oIM Learning Experiences: Living Our Cultures, Sharing Our Heritage o https://www.anchoragemuseum.org/media/3496/smithsonian_lesson_plans_lr.pdf Lesson 10 Ceremonies, Pp. 74-80 Dance: Nancy Yeaton describing Joe Tanape performing the traditional Seal Dance o https://youtu.be/KS-gHqLCxCU Aaron Meganack teaching how to do the Seal Dance https://youtu.be/g-KJMBNgcbk Nanwalek Seal Dance https://www.youtube.com/watch?v=H7x771gAhAQ Nanwalek Seal Dancers (video clip also located on the webpage) o https://www.youtube.com/watch?time_continue=86&v=kkIzEEeXG2c Qutekcak Native Tribe Dances Manual (Attached) o Qutekcak Video https://youtu.be/tzK8wTLB7JA MP4 files of Chenega, Tatitlek and Nanwalek songs (Located on the Celebrations web page) Chenega Corporation Dancing https://www.youtube.com/watch?v=6U_qN7g8SPA Tiluji – Kayak Song https://youtu.be/NaBfZagBKU0 Peksulineq 2019 – Tatitlek Culture Camp o https://www.youtube.com/watch?v=iTAFBR0QAso Qikitaq (Bashful Eyes) Dance Alaska Native Music and Dance in Culture and Education https://lauraleeak.atavist.com/alaska-native-music-and-dance-in-culture-and-education Celebrations Page 2 Aluutet – Songs http://www.alutiiqlanguage.org/html/songs.php Alutiiq Songbook http://www.alutiiqlanguage.org/files/Alutiiq%20Songbook%20NO%20glossary.pdf Sugpiaq Mask Dance for Memorial Celebration https://youtu.be/B4cpqtQffVQ Imamsuat (People of the Sea) Sugpiaq Dance Group o https://www.youtube.com/watch?v=TU2skhdU6Bw Drum Making: Alaska Native Drum Making Video https://www.youtube.com/watch?v=6MelsgBFNls Face Painting: https://www.thesprucecrafts.com/best-face-paints-4175587 Face Paint Headdress: Arctic Studies https://alaska.si.edu/record.asp?id=155 Christalina Jager, Port Graham, beaded headdresses https://www.pinterest.com/search/pins/?q=Christalina%20jager&rs=typed&term_meta[]=Chr istalina%7Ctyped&term_meta[]=jager%7Ctyped Mask Making: http://alutiiqmuseum.org/exhibits/electronic-exhibits/278-like-a-face.html Giinaquq : Like A Face - Sugpiaq Masks of the Kodiak Archipelago http://alutiiqmuseum.org/exhibits/electronic-exhibits/272-ancient-faces.html Sugpiaq spirit carvings http://alutiiqmuseum.org/exhibits/electronic-exhibits/278-like-a-face.html Sugpiaq mask photos How to Make a Paper Mache Mask o https://www.thesprucecrafts.com/how-to-paper-mache-mask-1106527 o https://www.youtube.com/watch?v=-pVIs4hVc7E Aluminum Foil Mold for Papier Mache o Step One- tinfoil mold https://www.youtube.com/watch?v=Dxm4S_2WwI4 o Step Two- Paper Mache https://www.youtube.com/watch?v=41tVWPLJwpQ How to make a Paper Mache Mask using a milk jug o https://www.google.com/search?q=how+to+make+paper+mache+masks+step+by+ste p&rlz=1C1CHBD_enUS797US797&oq=How+to+&aqs=chrome.0.69i59j69i57j35i3 9j0l3.3670j0j8&sourceid=chrome&ie=UTF- 8#kpvalbx=_7Vo7XfGYLpPs9APrzIvgAw25 How to make a papier mache mask using a balloon o https://www.wikihow.com/Make-a-Papier-M%C3%A2ch%C3%A9-Mask-(for-Kids) Seal Hunting Hat/Visors: Nick Tanape, Nanwalek, Sea Mammal Hunter http://jukebox.uaf.edu/mp3s/nanpg/23503- 10.mp3 Bentwood Visor https://museums.alaska.gov/PDF/teachersResources/hat/bentwoodVisor.pdf Alaska Native Collections- Sharing Knowledge https://alaska.si.edu/record.asp?id=242 Celebrations Page 3 Making Traditional Alutiiq Visors – Learn the methods of traditional bentwood visor making https://youtu.be/wxfBfJ3j-3k Traditional Ecological Knowledge Traditional Ecological Knowledge Components http://ankn.uaf.edu/Curriculum/Articles/BarnhardtKawagley/Indigenous_Knowledge.html Article Abstract with Venn diagram of TEK and Western Science comparison Elder Resources Chenega Elder: late Mary Kompkoff Cordova Elders: Tom Andersen, Patience Faulkner-Andersen, Mark King, Pam Smith, and Leona Olsen Nanwalek Elders: Ephim Moonin, Rhoda Moonin, Nancy Yeaton Port Graham Elders: Anesia Metcalf, Nick Moonin and Pat Norman Tatitlek Elders: Robert (Chung) Vlasoff and Judy Randazzo Valdez Elders: Diane and Patrick (Sweeney) Selanoff, and Bill Smith Institutional Resources Chugach Alaska Corporation, John Johnson Cordova Historical Museum, Cathy Sherman, Denis Keogh and Mimi Briggs Cordova School District, Gayle Groff Ilanka Cultural Center, Brooke Johnson Pratt Museum, Scott Bartlett and Savanna Bradley Qutekcak Tribal Council Smithsonian Arctic Studies, Dr. Aron Crowell Photo Credits Dr. Aron Crowell, Smithsonian Arctic Studies: carved hunting amulets, hunting hats/visors, hoop rattles, headdresses, celebration drawings. Barclay Kopchak, Cordova: hunting hats located in UC Berkeley. Brooke Johnson, Ilanka Cultural Center: Facebook photos of Mike Webber mask carving class. Kari Brookover, Anchorage: Elder and staff photos, step-by-step photos, hunting hat pattern, cardboard masks, visors, headdresses, hoop rattle, bird rattle, potluck food, Cordova Culture Week Celebrations and Chugachmiut Cultural Heritage Retreats. Kimber Moonin, Tatitlek: Qikitaq Step-by-Step photos and video. Mitch Poling, Port Townsend: Chenega Russian Orthodox starring. Scott Bartlett and Savanna Bradley, Pratt Museum: Tamamta Katurlluta photos of celebration, blessing of traditional boats, Nanwalek Seal Dancers and potluck foods. Celebrations Page 4 .
Recommended publications
  • Alutiiq Museum Bulletin
    Alutiiq Museum Bulletin Vol 15, No. 2, Winter 2011 Uswitusqaq’s Dream – An Alutiiq Novel for Children Pattie Leighton lives on a farm in a rural region of Western Like the story, the novel’s artwork is Alutiiq. Kodiak Alutiiq Australia, 100 km from the nearest town. April Laktonen artist Sara Squartsoff created an oil painting of sea otters for Counceller lives at the opposite end of the world in wet, windy the cover design, and petroglyph images from the Alutiiq Kodiak, Alaska. Th e two women have never met, but since Museum’s recent survey work at Cape Alitak will illustrate the 2003 they have been working together to develop Uswitusqaq’s fi rst page of each of the book’s 14 chapters. Dream, a children’s novel about Alutiiq culture. In May 2011, the Alutiiq Museum will release 500 copies Counceller explains, “Pattie is a teacher and a natural of Uswitusqaq’s Dream in paperback. Complimentary books history writer. She’s been to Alaska a number of times, and will be distributed to local libraries and elementary schools in 2003 she took a wilderness kayak trip on Kodiak. I was to share Alutiiq heritage with young readers. Individuals working as the museum’s educational coordinator at the time. and organizations that wish to purchase Uswitusqaq’s Dream I didn’t meet Pattie, but not long after her visit I got an email can contact Museum Store Manager Sarah Kennedy – from her requesting assistance with a children’s book inspired [email protected] – to reserve copies. Th e book will by her visit.” retail for $12.00 at the Alutiiq Museum Store.
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  • Alutiiq Museum Library Collections
    Alutiiq Museum Library Collections Owner / Collecon Name Dates Descripon Photographer Color B&W Slide Neg JPG Other total Document Copyright Holder Aerial Port Lions & Old Harbor One aerial photograph of Port Lions, second 2 2 finding aid Kids photograph is of 14 kids posing for the camera KHS, Hennessey Photocopy of of photograph of Danger Afognak, Danger Bay 1943 1 0 finding aid Coll. Bay, Afognak Island in 1943 Afognak Village Photos by Russian Orthodox church on Afognak KANA? 1986, 1990 Rick Knecht 8 88 72 168 finding aid Rick Knecht Island Afognak Village & Afognak Village, Litnik Hatchery, workers, 1969 70 145 215 finding aid Hatchery scenery Afognak Village AM 1989 Pictures from Dig Afognak of petroglyphs Amy Steffian 20 20 finding aid Petroglyphs Late 19th, Photos depicVng life of Nave Alaskans. Some by Case, Winter Alaska Naves Gen Ethno misc. early 20th 47 47 finding aid "Eskimo, Tlingit, & Athabascan." & Draper century Eight B&W images cut from health posters, depicVng life of Alaska Naves. University of Alaska University of Alaska Naves Misc Ethno One color paper icon of Saint Innocent Archives & Bill 9 10 finding aid Alaska Archives Enlightener and Apostle of America (9 x Williams, B.I.A 11 in.) 16 x 20 in. enlargement of photograph of Anchorage Earl Brown's store, near Alitak, c. 1950, Jeanne Shaever Alitak store 1 1 Museum? Jeanne Shaver CollecVon, Anchorage Boone Museum of History and Art, B91.46.75 Digital color print of an aerial view of Akhiok 1 0 finding aid Akhiok Photographs of Museum events, exhibits, AM Gallery Lab Staff AM 1995-2003 Misc 205 7 159 162 3 536 finding aid lectures & building Lena Amason's Artwork 1999 Lena Amason Masks and artwork AM staff 34 1 43 78 finding aid AM Misc events AM 1997-1998 Special events held at Museum Misc 99 1 63 46 2 211 finding aid Photographs taken during skin sewing AM Skin sewing AWOTW, AM 1996, 1999 workshops, AWOTW recording & Gov AM staff 7 25 8 31 71 finding aid Gov.
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  • Who Are the Alutiiq People?
    WHO A RE THE ALUT ii Q PEOPLE ? In the historic era, Russian traders called all of the Native peoples of southwestern Alaska “Aleut” – despite regional differences in language, cultural practices, and history. In the modern era, this has caused confusion. People with distinct cultures are known by the same name. Today, Kodiak’s Native people use a variety of self-designators. There is no one correct term. Many Elders prefer Aleut, a term they were taught as children. Today others choose Alutiiq or Sugpiaq. What does each of these terms mean? SUGPIAQ – This is a traditional self-designator of the Native people of Prince William Sound, the outer Kenai Peninsula, the Kodiak Archipelago, and the Alaska Peninsula. It means “real person” and it is the way Native people described themselves prior to Western contact. This term is used by some today. Sugpiaq is a popular self-designator on the Kenai Peninsula, and is gaining use on Kodiak. ALEUT – This word means “coastal dweller” and it is derived ALUTIIQ from a Siberian Native language. Russian traders introduced the OR term, using it to describe the Native people they encountered ALUTIIT? in the Aleutian Islands, the Alaska Peninsula, and the Kodiak archipelago. Aleut is still frequently used to refer to the Native ALUTIIQ (singular) • Noun: to describe one person: people of the Aleutian Islands, although the word Unangan – I am an Alutiiq. meaning “we the people” in the region’s traditional language – is • Noun: to describe the language: gaining popularity. They are speaking Alutiiq. • Adjective: as a modified: There are many Alutiiq artists.
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  • Alutiiq Bul Spring13.Indd
    Alutiiq Museum Bulletin Vol 17, No.4, Spring 2013 Haakanson to Leave Alutiiq Museum Sven Haakanson, Jr. joined the Alutiiq Museum in 2000, fresh from groundwork laid for this next stage and I look forward to helping. I also graduate school and ready to connect Kodiak with its Alutiiq heritage. plan to partner with the museum on future research and teaching projects, Now, after many remarkable successes at the helm, Haakanson is preparing but my next step will be to take our work to a broader audience. Th e to step down. During his tenure the museum created a series of annual Alutiiq Museum’s work is an example of community transformation that arts workshops in Alutiiq villages, developed an exhibit of rare Alutiiq needs to be shared. Museums and Native peoples in other communities ceremonial masks, completed a comprehensive study of the Cape Alitak can learn from our successful experiences to create a brighter future for petroglyphs, published books making Alutiiq culture and language more indigenous peoples everywhere.” accessible to the public, and earned accreditation. To honor Haakanson’s service, the museum is creating a send off “Th e past 13 years have been wonderful,” said Haakanson. “I was very scrapbook. Colleague, friends, supporters, and family members are invited lucky to start my career as an anthropologist in my home community. I to stop by the museum and write Haakanson a note, share a favorite photo, came back to Kodiak with a Ph.D. and a strong desire to see Alutiiq heritage or draw him a picture. Take a moment to record your favorite memory of awakened.
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  • Alutiiq Colors
    ALUT ii Q COLORS The world’s societies interpret colors in different ways. The Alutiiq language has just 4 basic color terms – Kawirtuq (it is red), Tan’ertuq / Tamlertuq (it is black), Qatertuq (it is white), and Cungartuq (it is blue). Each of these color terms is a verb root (i.e., kawirtuq means “it is red”) as the Alutiiq language has no adjectives. Alutiiqs recognized a broader range of colors, but their traditional language describes most hues with these four terms. For example, green is a shade of blue. Alutiiq speakers also describe colors by their similarity to common things. For example, an Alutiiq speaker might say that a yellow object is the color of oil. IT IS RED - KA WIRTUQ IT IS BLUE - CUNG A RTUQ Alutiiq people manufactures red pigments from To Alutiiqs, blue is a powerful color. minerals and plants. They ground ochre, a soft, It is associated with the supernatural, naturally occurring iron oxide, into a fine powder particularly the worlds below the sea. and mixed it with oil to make paint. On Kodiak, Blue pigment was never used in body people produced a reddish-brown dye by boiling painting. However, a blue-green paint alder bark. In Prince William Sound, people adorned hunting hats, and whalers, the boiled hemlock bark or a mixture of cranberry and magical hunters who pursued giant sea blueberry juices to produce a dark red dye. Widely mammals, carried blue or green stones. used in body painting and to decorate objects, the color red may represent ancestral blood. IT IS BLA ck – TA N ’ERTUQ / TA MLERTUQ Historic sources indicate that Alutiiqs collected a specific stone to make black pigment.
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  • Alutiiq Bul Spring12.Indd
    Alutiiq Museum Bulletin Vol 16, No. 4, Spring 2012 Sharing Alutiiq Heritage Globally What do the care of ancient Mesoamerican fabrics and the item based on my studies of similar clothing in Finland and Russia. preservation of Alutiiq culture have in common? Native people. And now we have pictures of the parka to share with artists here in Last November, Sven Haakanson traveled to Oaxaca, Mexico as a Kodiak. Speaking about the museum’s programs has furthered that guest of the 8th North American Textile Conservation Conference. work,” said Haakanson. “Plus my travel expenses are paid for by the A trip to Mexico to speak about Native Alaska may sound like a people inviting me to speak.” stretch, but the museum’s work was relevant to this gathering of Haakanson’s eff orts are also being recognized in June, when he professionals. Haakanson’s presentation focused on the ways the will receive the Guardians of Culture and Lifeways Leadership Award Alutiiq community is not only preserving and sharing its heritage, from the Association of Tribal Archives, Libraries, and Museums. but reawakening tradition with museum programs. Established in 2007, the award recognizes organizations and Every time he speaks at such a conference, Haakanson gives other individuals who serve as outstanding examples of how indigenous museums ideas for better, more meaningful partnerships with Native cultural organizations can contribute to the vitality and cultural people, whether they be Native Alaskans or indigenous peoples of sovereignty of Native nations. Haakanson was selected for bridging Central America. According to conference organizer Emilia Cortes cultures and continents, making collections more accessible to his presence in Mexico had a big impact.
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  • Alutiiq Museum Collections Policy
    Alutiiq Museum Collections Policy I. INTRODUCTION The Alutiiq Heritage Foundation (AHF) Board will maintain full responsibility for the collections policy of the Alutiiq Museum and Archaeological Repository. Compliance with this policy is the profes- sional obligation of the museum’s staff. A. Mission Statement The Alutiiq Heritage Foundation, through the Alutiiq Museum & Archaeological Repository, pre- serves the traditions of the Alutiiq people and promotes a greater awareness of the rich cultural legacy of the indigenous peoples of the greater Gulf of Alaska region. Our collections are held in a repository that is accessible to the public. We encourage and support research on Alutiiq culture and history, and dissemi- nate the results of this research to the public through educational outreach, exhibits, special events, publica- tions, and scholarly presentations. B. History of the Collections The Alutiiq Museum is an outgrowth of the Kodiak Area Native Association’s (KANA) Culture and Heritage division. Founded in 1987, the division was designed to foster island-wide archaeological research, develop educational programs on Alutiiq culture, and promote workshops on Alutiiq language and arts. In 1990, the division became the Alutiiq Culture Center and moved to its own building. Large archaeological assemblages from local excavations were returned to Kodiak for curation at the center and public exhibits assembled from these materials. Additionally, the center conducted its own archaeological projects and accepted archaeological, ethnographic, archival, and photographic materials as gifts and on loan. Documentation for many of these collections was incomplete and did not follow the standards set forth in this policy. In 1993, KANA received a grant from the Exxon Valdez Oil Spill Trustee Council to develop a state-of-the-art archaeological repository and regional research facility.
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  • The Alutiiq Orthography: Kodiak Dialect First Edition
    The Alutiiq Orthography: Kodiak Dialect First Edition by April G.L. Counceller, Ph.D. and Jeff Leer, Ph.D. with Nick Alokli Kathryn Chichenoff Mary Haakanson Julie Knagin Stella Krumrey Florence Pestrikoff Sophie Shepherd Peter Boskofsky Alisha Drabek, Ph.D. Alutiiq Heritage Foundation 2012 © 2012 Alutiiq Heritage Foundation Produced by: Alutiiq Heritage Foundation Alutiiq Museum & Archaeological Repository 215 Mission Rd., Ste. 101 Kodiak, AK Based partly on materials produced by: Chugachmiut, Inc. Culture and Language Program 1840 Bragaw Street, Suite 110 Anchorage, Alaska 99508-3463 (907) 562-4155 http://www.chugachmiut.org/ ISBN # 978-1-929650-09-5 Development and Publication support provided by the National Science Foundation, Grant # 1153156 Any opinions, findings and conclusions or recommendations expressed in this mate- rial are those of the author(s) and do not necessarily reflect the views of the National Science Foundation (NSF). Text and cover design, and book editing by Alisha Drabek, Nunaworks Front and back cover photos of Kodiak Alutiiq community members are courtesy of the Alutiiq Museum, Native Village of Afognak, Sun’aq Tribe of Kodiak, Kodiak Area Native Association, Kodiak College, and the Kodiak Island Borough School District. The Alutiiq Orthography: Kodiak Dialect Acknowledgements The developers of this guide are grateful to the Elders and fluent speakers who participated in workshop sessions, as well as the learners who participated and assisted. Grants to the Alutiiq Heritage Foundation from National Science Foundation (grant #1153156), and previous support to Chugachmiut, Inc. from the Department of Education (grant# S356A090054), provided support for completion of both dialect versions of this orthography guide.
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  • Caring for Karluk Collections T H E a L U T I I Q Members to Study Karluk Museum’S Collections Are One
    Vol 15, No. 2, Autumn 2010 Caring for Karluk Collections T h e A l u t i i q members to study Karluk Museum’s collections are One. With support from large and varied. A tour of KANA and Koniag, Inc., the storage room reveals they recovered everything everything from graceful from thousands of ground slate lances to wooden arrow shafts a colorfully decorated to a few delicate grass, Russian Christmas baleen, and spruce root star. At the heart of baskets. In 1995, the them all, however, lies collection became the Karluk One. With centerpiece for the Alutiiq over 20,000 artifacts, Museum. However, this archaeolog ical the characteristics that a s s e m b l a g e i s th e make this collection museum’s single largest so stunning, have also collection, and it contains made it difficult to care some of the rarest, most for. Delicate objects inspiring pieces in the need extra preservation museum’s care. assistance, and large, Registrar Marnie un i qu e c o l l e c ti ons Leist explains. “Karluk r e q u i r e a d d i ti o na l One has many objects Objects for Clamming – wooden knives for opening clams (left), spruce root basket (center front), bentwood box (center back), documentation. that aren’t usually found sea mammal bone digging stick (right). Koniag, Inc. collection, Karluk One, ca. 1400 – 1750 AD. With a $49,300 in prehistoric sites; grant from the Institute objects made of delicate organic materials typically do not for Museum and Library Services received through a partnership survive.
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  • Alutiiq Museum Books
    Author Title Title The Subtle Volume ISBN Format Publicaon YearPublisher Subject AM Library NumberLocaon University of the State of New York ├ûgweh├╢we:ka:? Paperback 1988 Langauge Educaon 141 Cabinet 9, Shelf B (April's Office) ╨É╨╗╨╡╨║╤ü╨░╨╜╨┤╤Ç ╨æ╨╛╤Ç╨╕╤ü╨╛╨▓╨╕╤ç ╨á╤â╤ü╤ü╨║╨╕╨╣ ╨₧╤ü╤é╤Ç╨╛╨▓╤ü╨║╨╕╨╣; ╨«╤Ç╨╕╨╣ ╨┐╤Ç╨░╨▓╨╛╤ü╨╗╨░╨▓╨╜╤ï╨╣ ╨ñ╨╡╨┤╨╛╤Ç╨╛╨▓; ╨║╤Ç╨╡╤ü╤é ╨▓ ╤ü╨╛╨▒╤Ç╨░╨╜╨╕╨╕ ╨á╨╛╤ü╤ü╨╕╨╣╤ü╨║╨╕╨╣ ╨á╨╛╤ü╤ü╨╕╨╣╤ü╨║╨╛╨│╨╛ ╤ì╤é╨╜╨╛╨│╤Ç╨░╤ä╨╕╤ç╨╡╤ü╨║╨╕╨╣ ╤ì╤é╨╜╨╛╨│╤Ç╨░╤ä╨╕╤ç╨╡╤ü╨║╨╛╨│╨╛ ╨╝╤â╨╖╨╡╨╣ ╨╝╤â╨╖╨╡╤Å 9.78589E+12 Paperback 2007 ╨É╤Ç╤é-╨ƒ╨░╨╗╨░╤Russian Historyü 1038 Cabinet 8, Shelf B (April's Office) ╨Æ╨░╨╗╤î╨┤╨╡╨╝╨░╤Ç ╨Ö╨╛╤à╨╡╨╗╤î╤ü╨╛╨╜; ╨ô╨░╨╗╨╕╨╜╨░ ╨ÿ╨▓╨░╨╜╨╛╨▓╨╜╨░ ╨ö╨╢╨╡╨╜╨╕╤ü╨║╨╡╨▓╨╕╤ç; ╨¢.╨ó. ╨æ╨╗╤ì╨║; ╨£╤â╨╖╨╡╨╣ ╨░╨╜╤é╤Ç╨╛╨┐╨╛╨╗╨╛╨│╨╕╨╕ ╨╕ ╤ì╤é╨╜╨╛╨│╤Ç╨░╤ä╨╕╨╕ ╨í╨╛╨║╤Ç╨╛╨▓╨╕╤ë╨░ Treasures of the Kunstkamera; Aluets: How ╨╕╨╝.╨ƒ╨╡╤é╤Ç╨░ ╨Æ╨╡╨╗╨╕╨║╨╛╨│╨╛ ╨Ü╤â╨╜╤ü╤é╨║╨░╨╝╨╡╤Ç╤ï They Were Seen by V. Iokhel'son 9.78588E+12 Paperback 2001 ╨á╨╛╤ü╤ü╨╕╨╣╤ü╨║╨░╤Alaska NaveÅ ╨░╨║╨░╨┤╨╡╨╝╨╕╤Å ╨╜╨░╤â╨║, ╨£╤1420â╨╖╨╡╨╣Cabinet 13, Shelf E (Sven's Office) ╨░╨╜╤é╤Ç╨╛╨┐╨╛╨╗╨╛╨│╨╕╨╕ ╨╕ ╤ì╤é╨╜ Dawn Charlie; Donald W. Clark; R.M. Go•hardt; Li•le Salmon;Carmacks First Naon ┼üuhi M├ñn & Tach├ñn M├ñn hud├⌐ hud├ñn 9.78097E+12 Socover 1993 Li•le Salmon & Carmacks First NaonInternaonal Indigenous Cultures 39 Cabinet 7, Shelf A (April's Office) James C. Haggarty; Christopher B. Wooley; Jon M. Site ProtecCon and MariCme Culture Ecology in Erlandson; Aron Crowell 1990 Exxon Cultural Resource Program The Prince William Sound and the Gulf of Alaska Socover 1991 Alaska Nave 284 Cabinet 13, Shelf D (Sven's Office) 1993 Archaeological InvesCgaons of the Uyak Site (KOD-145) in ConjucCon with Access Road J.
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