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Alutiiq Bul Summer13.Indd Alutiiq Museum Bulletin Vol 18, No.1, Summer 2013 Drabek to Lead Museum Fall Lecture Line Up When Alisha Drabek was a child growing up All lectures are free to the public and begin at in Kodiak, Alutiiq traditions were hidden and 7:00 pm in the Alutiiq Museum Gallery. poorly understood outside of Alutiiq culture- bearers. People didn’t speak the Alutiiq language Th ursday, August 22 openly or celebrate Native heritage in public ways. Documenting Afognak Village as an Historic “Alutiiq history and worldview were not taught at Landscape for the National Register of Historic Places all when I was in school here. In fact, the subtle Robert Kopperl, Archaeologist, SWCA prejudices against our people simmered under the Environmental Consultants surface. It wasn’t until I left for college in 1990 that Th ursday, September 19 I was able to grow my knowledge about the Alutiiq Alutiiq Skin Sewing and the Etholen Collection people and our place in the world. My true deeper Susan Malutin, Teri Schneider, Marya Halvorsen, access to this knowledge came upon my return as Hanna Sholl and Cathy Cordry, Kodiak Skin Sewers an adult, as I have spent time with our Elders.” As an adult, Drabek hopes to change the Th ursday, September 26 experiences of younger generations. “One day Kodiak’s Native Orchids – A Natural Treasure to Kodiak youth will grow up immersed in Alutiiq Alisha Drabek, seated, and the Alutiiq Museum be Enjoyed and Protected traditions and values, and never be made to feel staff , July 2013. Standing from left Marnie Leist, Stacy Studebaker, Kodiak Botanist shame about being Native or kept from embracing Marya Halvorsen, Jill Lipka, Danielle Ringer, Amy their cultural identity or speaking the Alutiiq Steffi an, Katie St. John, and Patrick Saltonstall. Th ursday, October 3 language,” she said. Drabek will have her chance to Reinventing the Th elma C, a Legacy Kodiak Seiner continue shaping the cultural landscape of Kodiak exceptionally proud that Alisha will lead the Alutiiq Toby Sullivan, Executive Director, as the Alutiiq Museum’s next Executive Director. Museum in preserving and sharing the culture and Kodiak Maritime Museum Th e Alutiiq Heritage Foundation selected history of the Alutiiq people.” Drabek to fi ll the leadership position, following the A Kodiak resident and Alutiiq tribal member Th ursday, October 10 resignation of Sven Haakanson, Jr. in June. Drabek with connections to Kodiak and Afognak village, Breathing New Life Into Old Collections began work at the museum on August 5th. She is Drabek brings a host of skills to the museum. Mike Etnier, Researcher Faculty, the museum’s third Executive Director and has a In 2012, she earned her doctorate in Indigenous Western Washington University history of partnership with the organization. As a Studies from the University of Alaska, with a focus Monday, October 14 KANA intern, Drabek helped former Vice President on education and Indigenous Knowledge Systems. Gulf Apex Predator Prey Whale Research: Rita Stevens organize construction paperwork She is well known for her work with the Alutiiq Where We’ve Been and Where We’re Going from the museum project. More recently, she has language, which she learned as an apprentice to Bree Witteveen, Research Assistant Professor, produced language learning materials, designed Elder Phyllis Peterson and many other Kodiak University of Alaska Fairbanks and edited publications, served on the museum’s Elders. She is also an accomplished grant writer, collections advisory committee, and participated in college professor, graphic designer, and an award- Th ursday, October 17 long range planning. Th rough her past experience winning writer. A children’s book that she co- Kodiak Prehistory in Recent Decades with the collections committee, Drabek also authored, Th e Red Cedar of Afognak: A Driftwood Patrick Saltonstall, Curator, recognizes “the incredible responsibility that the Journey, won an American Book Award from the Alutiiq Museum museum has for the care, stewardship and sharing Before Columbus Foundation. of Alutiiq cultural resources in partnerships with “Being able to strengthen community Th ursday, October 24 Kodiak Alutiiq tribes and Native Corporations, connections and wellness are what most excite Corked at Karluk: Salmon Fishing and the Creation along with outside museums.” me,” said Drabek. “Whether this comes from of the Karluk Reservation in Territorial Alaska Margaret Roberts, Chair of the Alutiiq Heritage fostering Alutiiq language usage, culturally relevant Anjuli Grantham, Public Historian Foundation, the museum’s governing organization education in our schools, increased access to cultural Monday, October 28 said, “Alisha Drabek is an inspiration and role knowledge, or sharing our heritage with the world model to our people in celebrating Alutiiq heritage to improve cross-cultural communication, I want Archaeology of Chirikof Island through living culture. Th e Alutiiq Heritage to continue the progress we have made in these Catherine Foster West, Professor, Foundation Board of Directors are pleased and areas as a community.” Boston University 1 Cama’i, I am honored to be selected to serve as the Alutiiq Alutiiq Museum Museum and Alutiiq Heritage Foundation’s Archaeological Repository Executive Director. One of the best parts of my new 215 Mission Road, Suite 101 job is that I now get to work daily with a group of Kodiak, Alaska 99615 Phone: 907-486-7004 Fax: 907-486-7048 experts in their fi eld who are passionate about the email: [email protected] same things as I am: Alutiiq culture, history and www.alutiiqmuseum.org community wellbeing through education. Refl ecting AAlutiiqlutiiq HHeritageeritage FFoundation:oundation: on all that the Alutiiq Museum staff and supporters Chair: Margaret Roberts, Koniag, Inc. have collectively accomplished over the years, I am so Vice Chair: Loretta Nelson, Afognak Native Corp. hopeful for the next phase of accomplishments that Secretary: Donene Tweten, Natives of Kodiak, Inc Treasurer: Perry Eaton, Ouzinkie Native Corp. we can achieve together. I encourage our members to Board Member: Jay Baldwin, Leisnoi, Inc. reach out to staff and let them know what you appreciate Board Member: Margie Bezona, KANA Board Member: April Counceller, Koniag, Inc. about the great work they have been doing. Board Member: Fred Coyle, Akhiok-Kaguyak, Inc. Board Member: Tanya Inga, Old Harbor Native Corp. As I joined the staff I was invited to participate in a Board Member: Gordon Pullar, at large two-day Board and staff strategic planning session. Board Member: Andy Teuber, KANA It was such an amazing opportunity for us to plan AAlutiiqlutiiq MMuseumuseum SStaff:taff: the future of the organization and work to clarify Executive Director: Alisha Drabek our mission together. I could not have asked for a Deputy Director: Amy Steffi an Museum Manager: Katie St. John better orientation. Th is plan has developed through Curator: Patrick Saltonstall recent and ongoing outreach eff orts. So, if there is Registrar: Marnie Leist an aspect of our programs or services that you want Exhibits Coordinator: Jill Lipka Public Outreach Coordinator: Danielle Ringer to encourage please let us know. Now, it is my job Store Manager: Marya Halvorsen to help launch a new fundraising and membership Th e Alutiiq Museum is governed by Afgonak Native Corporation, Akhiok Kaguyak Inc., KANA, Koniag Inc., Leisnoi Inc., Natives of engagement drive that will not just stabilize the Kodiak Inc., Old Harbor Native Corporation, and Ouzinkie Native Museum’s operations, but will grow its programs Corporation. Each organization elects a representative to the Alutiiq Heritage Foundation, the Alutiiq Museum’s board. Funding is provided and services to reach our shared goals. by charitable contributions, membership fees, grants, contracts and sales from the museum store. For those of you on Kodiak Island, stop by to see our ALUTIIQ HERITAGE FOUNDATION MISSION STATEMENT: newly renovated gallery when you can take a break Th e Alutiiq Heritage Foundation, through the Alutiiq Museum and Archaeological Repository, preserve the traditions of the Alutiiq people from summertime activities. And for those of you and promotes greater awareness of the rich cultural legacy of the indigenous peoples of the greater Gulf of Alaska region. Our collections off -island, check us out on Facebook and the Alutiiq are held in a repository that is accessible to the public. We encourage and Museum website. Our Community Archaeology support research on Alutiiq culture history, and disseminate the results of this research to the public through educational outreach, exhibits, special crew has had some amazing fi nds posted online. events, publications, and scholarly presentations. Carliarluci! (You all take care!) Tax ID #92-0150422 Th e Alutiiq Museum Bulletin is published quarterly. Alisha S Englartaq Drabek, PhD Printed by Camai Printing AAngayumaluta.ngayumaluta. – WWee aarere aallll ppartners.artners. 2 EEducationducation Culture Inspired Online Archive Shares Word Poetry of the Week A spring trip to the Alutiiq Museum Th e Alutiiq Word of the Week, our generated inspiration for some poetry. popular weekly lessons on all things Old Harbor students crafted these Alutiiq, is now available electronically. haiku about artifacts they studied. On the museum’s website you can Quyanaa – Th ank you to teacher fi nd all 490 lessons, each with a Jennifer Simeonoff for sharing. sound fi le. Want to practice speaking in Alutiiq? Click on a sound bar to hear Elders Nick Alokli, Sophie Shepherd, and Petroglyph Rubbing – by Jordan S. Th e Feast Bowl – by Daisy C. Florence Pestrikoff says words and An old happy face Th e wooden feast bowl sentences. Need to research a topic for a paper or presentation? Search came to life on my paper: is oozing greasy black oil the archive for easy access to cultural information. Th e lessons are petroglyph rubbing from long ago feasts alphabetized, grouped by subject, and can be searched for any topic. Spear Tip – by Alec I. Whaling – by Robert R.
Recommended publications
  • Alutiiq Museum Bulletin
    Alutiiq Museum Bulletin Vol 15, No. 2, Winter 2011 Uswitusqaq’s Dream – An Alutiiq Novel for Children Pattie Leighton lives on a farm in a rural region of Western Like the story, the novel’s artwork is Alutiiq. Kodiak Alutiiq Australia, 100 km from the nearest town. April Laktonen artist Sara Squartsoff created an oil painting of sea otters for Counceller lives at the opposite end of the world in wet, windy the cover design, and petroglyph images from the Alutiiq Kodiak, Alaska. Th e two women have never met, but since Museum’s recent survey work at Cape Alitak will illustrate the 2003 they have been working together to develop Uswitusqaq’s fi rst page of each of the book’s 14 chapters. Dream, a children’s novel about Alutiiq culture. In May 2011, the Alutiiq Museum will release 500 copies Counceller explains, “Pattie is a teacher and a natural of Uswitusqaq’s Dream in paperback. Complimentary books history writer. She’s been to Alaska a number of times, and will be distributed to local libraries and elementary schools in 2003 she took a wilderness kayak trip on Kodiak. I was to share Alutiiq heritage with young readers. Individuals working as the museum’s educational coordinator at the time. and organizations that wish to purchase Uswitusqaq’s Dream I didn’t meet Pattie, but not long after her visit I got an email can contact Museum Store Manager Sarah Kennedy – from her requesting assistance with a children’s book inspired [email protected] – to reserve copies. Th e book will by her visit.” retail for $12.00 at the Alutiiq Museum Store.
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  • Alutiiq Museum Library Collections
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  • Who Are the Alutiiq People?
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  • Bibliography & Resources
    CELEBRATIONS BIBLIOGRAPHY Books and Documents: Birket-Smith, K. The Chugach Eskimo. Nationalmuseets Publikationsfond, Kobenhavn, 1953. Birket-Smith, Kaj, and Frederica de Laguna. The Eyak Indians of the Copper River Delta, Alaska. AMS Pr, 1976. Black, Lydia T. Glory Remembered- Wooden Headgear of Alaska Sea Hunters, Alaska State Museums. 1991. Crittenden, Roberta, et al. Out of Our Time: The Storytellers = Oonechguk Edowchu. Cordova, AK: Cordova Baptist Press. 1980. Out of print, See http://www.chugachheritageak.org/ Crowell, Aron, et al. Living Our Cultures, Sharing Our Heritage: The First Peoples of Alaska. Smithsonian Institute, 2010. Crowell, Aron L., et al. Looking Both Ways: Heritage and Identity of the Alutiiq People. University of Alaska Press, 2002. English Bay High School Students. Alexandrovsk- English Bay in Its Traditional Way. Kenai Peninsula Borough School District, Vol. 1-3. Fitzhugh, William W. and Crowell, A. Crossroads of Continents: Cultures of Siberia and Alaska. Smithsonian Institution Press, 1988. Haakanson, Sven Jr. and Steffian, Amy. Giinaquq - Like a Face: Sugpiaq Masks of the Kodiak Archipelago. University of Alaska Press, 2009. Harry, Anna Nelson, and Michael E. Krauss. In Honor of Eyak: The Art of Anna Nelson Harry. Alaska Native Language Center, University of Alaska, 1995. http://www.uaf.edu/anla/collections/search/resultDetail.xml?id=EY961K1982 Johnson, John F. C., et al. Chugach Legends: Stories and Photographs of the Chugach Region. Chugach Alaska Corporation, 1984. Koniaq, Inc. Two Journeys: A Companion to the Giinaquq: Like a Face Exhibition. Alutiiq Museum and Archaeological Repository, 2008. Korsun, S. A., & Berëzkin, Y. E.. The Alutiit/Sugpiat a Catalog of the Collections of the Kunstkamera.
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  • Alutiiq Bul Spring13.Indd
    Alutiiq Museum Bulletin Vol 17, No.4, Spring 2013 Haakanson to Leave Alutiiq Museum Sven Haakanson, Jr. joined the Alutiiq Museum in 2000, fresh from groundwork laid for this next stage and I look forward to helping. I also graduate school and ready to connect Kodiak with its Alutiiq heritage. plan to partner with the museum on future research and teaching projects, Now, after many remarkable successes at the helm, Haakanson is preparing but my next step will be to take our work to a broader audience. Th e to step down. During his tenure the museum created a series of annual Alutiiq Museum’s work is an example of community transformation that arts workshops in Alutiiq villages, developed an exhibit of rare Alutiiq needs to be shared. Museums and Native peoples in other communities ceremonial masks, completed a comprehensive study of the Cape Alitak can learn from our successful experiences to create a brighter future for petroglyphs, published books making Alutiiq culture and language more indigenous peoples everywhere.” accessible to the public, and earned accreditation. To honor Haakanson’s service, the museum is creating a send off “Th e past 13 years have been wonderful,” said Haakanson. “I was very scrapbook. Colleague, friends, supporters, and family members are invited lucky to start my career as an anthropologist in my home community. I to stop by the museum and write Haakanson a note, share a favorite photo, came back to Kodiak with a Ph.D. and a strong desire to see Alutiiq heritage or draw him a picture. Take a moment to record your favorite memory of awakened.
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  • Alutiiq Colors
    ALUT ii Q COLORS The world’s societies interpret colors in different ways. The Alutiiq language has just 4 basic color terms – Kawirtuq (it is red), Tan’ertuq / Tamlertuq (it is black), Qatertuq (it is white), and Cungartuq (it is blue). Each of these color terms is a verb root (i.e., kawirtuq means “it is red”) as the Alutiiq language has no adjectives. Alutiiqs recognized a broader range of colors, but their traditional language describes most hues with these four terms. For example, green is a shade of blue. Alutiiq speakers also describe colors by their similarity to common things. For example, an Alutiiq speaker might say that a yellow object is the color of oil. IT IS RED - KA WIRTUQ IT IS BLUE - CUNG A RTUQ Alutiiq people manufactures red pigments from To Alutiiqs, blue is a powerful color. minerals and plants. They ground ochre, a soft, It is associated with the supernatural, naturally occurring iron oxide, into a fine powder particularly the worlds below the sea. and mixed it with oil to make paint. On Kodiak, Blue pigment was never used in body people produced a reddish-brown dye by boiling painting. However, a blue-green paint alder bark. In Prince William Sound, people adorned hunting hats, and whalers, the boiled hemlock bark or a mixture of cranberry and magical hunters who pursued giant sea blueberry juices to produce a dark red dye. Widely mammals, carried blue or green stones. used in body painting and to decorate objects, the color red may represent ancestral blood. IT IS BLA ck – TA N ’ERTUQ / TA MLERTUQ Historic sources indicate that Alutiiqs collected a specific stone to make black pigment.
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  • Alutiiq Bul Spring12.Indd
    Alutiiq Museum Bulletin Vol 16, No. 4, Spring 2012 Sharing Alutiiq Heritage Globally What do the care of ancient Mesoamerican fabrics and the item based on my studies of similar clothing in Finland and Russia. preservation of Alutiiq culture have in common? Native people. And now we have pictures of the parka to share with artists here in Last November, Sven Haakanson traveled to Oaxaca, Mexico as a Kodiak. Speaking about the museum’s programs has furthered that guest of the 8th North American Textile Conservation Conference. work,” said Haakanson. “Plus my travel expenses are paid for by the A trip to Mexico to speak about Native Alaska may sound like a people inviting me to speak.” stretch, but the museum’s work was relevant to this gathering of Haakanson’s eff orts are also being recognized in June, when he professionals. Haakanson’s presentation focused on the ways the will receive the Guardians of Culture and Lifeways Leadership Award Alutiiq community is not only preserving and sharing its heritage, from the Association of Tribal Archives, Libraries, and Museums. but reawakening tradition with museum programs. Established in 2007, the award recognizes organizations and Every time he speaks at such a conference, Haakanson gives other individuals who serve as outstanding examples of how indigenous museums ideas for better, more meaningful partnerships with Native cultural organizations can contribute to the vitality and cultural people, whether they be Native Alaskans or indigenous peoples of sovereignty of Native nations. Haakanson was selected for bridging Central America. According to conference organizer Emilia Cortes cultures and continents, making collections more accessible to his presence in Mexico had a big impact.
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  • Alutiiq Museum Collections Policy
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  • The Alutiiq Orthography: Kodiak Dialect First Edition
    The Alutiiq Orthography: Kodiak Dialect First Edition by April G.L. Counceller, Ph.D. and Jeff Leer, Ph.D. with Nick Alokli Kathryn Chichenoff Mary Haakanson Julie Knagin Stella Krumrey Florence Pestrikoff Sophie Shepherd Peter Boskofsky Alisha Drabek, Ph.D. Alutiiq Heritage Foundation 2012 © 2012 Alutiiq Heritage Foundation Produced by: Alutiiq Heritage Foundation Alutiiq Museum & Archaeological Repository 215 Mission Rd., Ste. 101 Kodiak, AK Based partly on materials produced by: Chugachmiut, Inc. Culture and Language Program 1840 Bragaw Street, Suite 110 Anchorage, Alaska 99508-3463 (907) 562-4155 http://www.chugachmiut.org/ ISBN # 978-1-929650-09-5 Development and Publication support provided by the National Science Foundation, Grant # 1153156 Any opinions, findings and conclusions or recommendations expressed in this mate- rial are those of the author(s) and do not necessarily reflect the views of the National Science Foundation (NSF). Text and cover design, and book editing by Alisha Drabek, Nunaworks Front and back cover photos of Kodiak Alutiiq community members are courtesy of the Alutiiq Museum, Native Village of Afognak, Sun’aq Tribe of Kodiak, Kodiak Area Native Association, Kodiak College, and the Kodiak Island Borough School District. The Alutiiq Orthography: Kodiak Dialect Acknowledgements The developers of this guide are grateful to the Elders and fluent speakers who participated in workshop sessions, as well as the learners who participated and assisted. Grants to the Alutiiq Heritage Foundation from National Science Foundation (grant #1153156), and previous support to Chugachmiut, Inc. from the Department of Education (grant# S356A090054), provided support for completion of both dialect versions of this orthography guide.
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  • Caring for Karluk Collections T H E a L U T I I Q Members to Study Karluk Museum’S Collections Are One
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