Alutiiq Bul Spring13.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Alutiiq Bul Spring13.Indd Alutiiq Museum Bulletin Vol 17, No.4, Spring 2013 Haakanson to Leave Alutiiq Museum Sven Haakanson, Jr. joined the Alutiiq Museum in 2000, fresh from groundwork laid for this next stage and I look forward to helping. I also graduate school and ready to connect Kodiak with its Alutiiq heritage. plan to partner with the museum on future research and teaching projects, Now, after many remarkable successes at the helm, Haakanson is preparing but my next step will be to take our work to a broader audience. Th e to step down. During his tenure the museum created a series of annual Alutiiq Museum’s work is an example of community transformation that arts workshops in Alutiiq villages, developed an exhibit of rare Alutiiq needs to be shared. Museums and Native peoples in other communities ceremonial masks, completed a comprehensive study of the Cape Alitak can learn from our successful experiences to create a brighter future for petroglyphs, published books making Alutiiq culture and language more indigenous peoples everywhere.” accessible to the public, and earned accreditation. To honor Haakanson’s service, the museum is creating a send off “Th e past 13 years have been wonderful,” said Haakanson. “I was very scrapbook. Colleague, friends, supporters, and family members are invited lucky to start my career as an anthropologist in my home community. I to stop by the museum and write Haakanson a note, share a favorite photo, came back to Kodiak with a Ph.D. and a strong desire to see Alutiiq heritage or draw him a picture. Take a moment to record your favorite memory of awakened. With the help of the museum’s talented staff , we’ve been able to working with Sven. If you live far from Kodiak, send us a note by mail, fax create programs and resources that have reintroduced Alutiiq traditions. (907-486-7048), or email ([email protected]) and we’ll include Kodiak has changed in the past decade. Th e community better recognizes the it in the scrapbook. Th e public is also invited to a farewell potluck on value of Native traditions, and people of all heritages are learning about our Tuesday, June 25th, in the museum’s lab. ancestors’ world. Today Alutiiq culture is recognized and celebrated in a way that it was not when I was a child growing up in Old Harbor.” Haakanson’s departure comes as the Alutiiq Museum embarks on a major long-range planning eff ort to chart the organization’s next decade. Haakanson will participate in the process before leaving his post June 25th. In the coming months, the museum’s capable staff will shepherd its many programs as the search for a new director takes place. “Th is is the right time for me to move on,” said Haakanson. “When I arrived in 2000, the museum needed to enhance its programs and advance community awareness of Alutiiq culture. We’ve done that. When I look around Kodiak I see Alutiiq heritage in so many places. I know the museum will continue this work, but now it is time for the organization to create a self-sustaining future. Th e next director faces the challenges of building an endowment and updating critical facilities. Th ere is very good Film Debut Sven examines artifacts in the museum laboratory. Anchorage – May 12th, 2013, 1:30 pm, Mothers Day Celebration, Alaska Native Heritage Center Kodiak – May 18th, 2013, 7:00 pm, Alutiiq Museum Gallery In 2011, Alutiiq weavers journeyed to St. Petersburg, Russia with Sven Haakanson to view ancestral baskets collected by Russian traders. Join Haakanson for the Kodiak debut of a short fi lm – Sharing Alutiiq Stories: weaving our past into our present - that highlights this journey and the history of Alutiiq basket weaving. Haakanson will introduce the 26-minute fi lm produced by the Alutiiq Museum, WonderVisions, Shared Beringia Heritage Program—National Park Service, National Science Foundation, National Endowment for the Humanities, and Alaska Humanities Forum. 1 Quyanaa – Thank you. Th ese simple words do not seem large enough. I fi nd Alutiiq Museum it diffi cult to adequately express my gratitude to all the Archaeological Repository people who supported me as Executive Director of the 215 Mission Road, Suite 101 Alutiiq Museum. My years in Kodiak have been rich, fi lled Kodiak, Alaska 99615 Phone: 907-486-7004 Fax: 907-486-7048 with rare opportunities to learn about Alutiiq heritage, email: [email protected] represent our people, and share our ancestors’ talents. It www.alutiiqmuseum.org has been a true pleasure to work for the museum and AAlutiiqlutiiq HHeritageeritage FFoundation:oundation: I thank the many, many people and organizations that Chair: Open have made this work possible–funders, collaborators, Vice Chair: Margaret Roberts, Koniag, Inc. colleagues, friends, and family. Secretary: Donene Tweten, Natives of Kodiak, Inc. Treasurer: Perry Eaton, Ouzinkie Native Corp. I am particularly grateful to the Alutiiq Heritage Board Member: Jay Baldwin, Leisnoi, Inc. Foundation for the trust they placed in me. Museums are Board Member: Margie Bezona, KANA Board Member: Fred Coyle, Akhiok-Kaguyak, Inc. complicated organizations with unique opportunities and Board Member: Tanya Inga, Old Harbor Native Corp. challenges. Th ey are educational institutions, businesses, Board Member: Loretta Nelson, Afognak Native Corp. and repositories rolled into one. I am grateful for the Board Member: Gordon Pullar, at large Board Member: Andy Teuber, KANA guidance and encouragement of the museum’s directors, and for the assistance of the organization’s governing AAlutiiqlutiiq MMuseumuseum SStaff:taff: corporations. Together we developed a repository in Executive Director: Sven Haakanson, Jr. which the Alutiiq people can have great pride. Deputy Director: Amy Steffi an Museum Manager: Katie St. John Th e work of the museum I share with its talented staff . Curator: Patrick Saltonstall Registrar: Marnie Leist Th is group of dedicated people believes in the museum’s Exhibits Coordinator: Jill Lipka mission and work exceptionally hard to advance it every Language Program Manager: April Laktonen Counceller day. Th ey are my colleagues and I thank them for their Public Outreach Coordinator: Danielle Ringer Store Manager: Marya Halvorsen creativity, perseverance, and candor. Th e museum’s Th e Alutiiq Museum is governed by Afgonak Native Corporation, accomplishments belong to them as well. Akhiok Kaguyak Inc., KANA, Koniag Inc., Leisnoi Inc., Natives of Kodiak Inc., Old Harbor Native Corporation, and Ouzinkie Native Th e museum also belongs to our community. Your Corporation. Each organization elects a representative to the Alutiiq Heritage Foundation, the Alutiiq Museum’s board. Funding is provided memberships, collection loans, participation in programs, by charitable contributions, membership fees, grants, contracts and sales and interest in the Alutiiq world have all helped the from the museum store. museum prosper. Now I challenge you to keep the ALUTIIQ HERITAGE FOUNDATION MISSION STATEMENT: Th e Alutiiq Heritage Foundation, through the Alutiiq Museum and museum’s work alive. A change in leadership does not Archaeological Repository, preserve the traditions of the Alutiiq people alter the work we need to do. Please continue to preserve and promotes greater awareness of the rich cultural legacy of the indigenous peoples of the greater Gulf of Alaska region. Our collections and share our ancestor’s culture. Visit. Give. Collaborate. are held in a repository that is accessible to the public. We encourage and I plan to do all of these things. support research on Alutiiq culture history, and disseminate the results of this research to the public through educational outreach, exhibits, special events, publications, and scholarly presentations. Tang’rciqamken camiku – I will see you soon, Tax ID #92-0150422 Sven Haakanson, Jr. Th e Alutiiq Museum Bulletin is published quarterly. Printed by Camai Printing CCall-ertuq.all-ertuq. HHee iiss ccalling.alling. 2 EEducationducation A Parka in Pieces Two caribou skins are making their way around Kodiak, traveling to rural schools as part of the New Sewers’ Club. Th ese hides are the raw material for a child’s sized parka that is literally stitching the island together. Students across the archipelago are making the garment as part of an eff ort to awaken skin sewing in artists of all ages. At each school, master sewer Susan Malutin provides instruction, teaching students to sew leather and create a decorated bag. While they work, students also take turns adding stitches to the parka, which will become part of the museum’s collection. Akhiok students sewed the neck. Larsen Bay students added the front and back panels. In Old Harbor, students sewed on the sleeves. Port Lions and Ouzinkie students stitched the sides together. Th e fi nal step will be decoration, an intensive process scheduled for a weekly sewing circle starting in September. Th e project began in February 2013 when Executive Director Sven Haakanson, Jr. and Malutin traveled to Finland with four developing sewers. With Cathy Cordry, Marya Halvorsen, Hanna Sholl, and Teri Schneider, the team spent a week studying ancestral clothing and now they are sharing their knowledge in Kodiak. “Th e New Sewers’ Club is helping us grow the next generation Photo: First Place Kulich loaf by Jolene Eluska of Alutiiq skin sewers,” said Haakanson. “Th e trip to Finland and sewing opportunities around Kodiak are placing cultural knowledge back with our people. Th ey are also creating ties for support and Kulich-Off mentorship.” Butter, sugar, fl our, and eggs, and a host of secret additions, Funding for the project came from many places including a grant were the ingredients for the Alutiiq Museum’s fi rst ever Kulich- from the Institute for Museum and Library Services, and gifts from off , a baking challenge featuring Easter bread. Th e contest was the Fulford Family, Kodiak Island Borough School District Enliven part of a grand reopening celebration held to mark the successful Program, Port Lions Tribal Council, Larsen Bay Tribal Council, Kodiak renovation of the museum’s gallery.
Recommended publications
  • Spanning the Bering Strait
    National Park service shared beringian heritage Program U.s. Department of the interior Spanning the Bering Strait 20 years of collaborative research s U b s i s t e N c e h UN t e r i N c h UK o t K a , r U s s i a i N t r o DU c t i o N cean Arctic O N O R T H E L A Chu a e S T kchi Se n R A LASKA a SIBERIA er U C h v u B R i k R S otk S a e i a P v I A en r e m in i n USA r y s M l u l g o a a S K S ew la c ard Peninsu r k t e e r Riv n a n z uko i i Y e t R i v e r ering Sea la B u s n i CANADA n e P la u a ns k ni t Pe a ka N h las c A lf of Alaska m u a G K W E 0 250 500 Pacific Ocean miles S USA The Shared Beringian Heritage Program has been fortunate enough to have had a sustained source of funds to support 3 community based projects and research since its creation in 1991. Presidents George H.W. Bush and Mikhail Gorbachev expanded their cooperation in the field of environmental protection and the study of global change to create the Shared Beringian Heritage Program.
    [Show full text]
  • Alutiiq Museum Bulletin
    Alutiiq Museum Bulletin Vol 15, No. 2, Winter 2011 Uswitusqaq’s Dream – An Alutiiq Novel for Children Pattie Leighton lives on a farm in a rural region of Western Like the story, the novel’s artwork is Alutiiq. Kodiak Alutiiq Australia, 100 km from the nearest town. April Laktonen artist Sara Squartsoff created an oil painting of sea otters for Counceller lives at the opposite end of the world in wet, windy the cover design, and petroglyph images from the Alutiiq Kodiak, Alaska. Th e two women have never met, but since Museum’s recent survey work at Cape Alitak will illustrate the 2003 they have been working together to develop Uswitusqaq’s fi rst page of each of the book’s 14 chapters. Dream, a children’s novel about Alutiiq culture. In May 2011, the Alutiiq Museum will release 500 copies Counceller explains, “Pattie is a teacher and a natural of Uswitusqaq’s Dream in paperback. Complimentary books history writer. She’s been to Alaska a number of times, and will be distributed to local libraries and elementary schools in 2003 she took a wilderness kayak trip on Kodiak. I was to share Alutiiq heritage with young readers. Individuals working as the museum’s educational coordinator at the time. and organizations that wish to purchase Uswitusqaq’s Dream I didn’t meet Pattie, but not long after her visit I got an email can contact Museum Store Manager Sarah Kennedy – from her requesting assistance with a children’s book inspired [email protected] – to reserve copies. Th e book will by her visit.” retail for $12.00 at the Alutiiq Museum Store.
    [Show full text]
  • A Brief Look at the History and Culture of Woody Island, Alaska
    A Brief Look At The History April 25 and Culture of Woody Island, 2010 Alaska This document is intended to be a brief lesson on the prehistory and history of Woody Island and the Kodiak Archipelago. It is also intended to be used as a learning resource for fifth graders who By Gordon Pullar Jr. visit Woody Island every spring. Introduction Woody Island is a peaceful place with a lush green landscape and an abundance of wild flowers. While standing on the beach on a summer day a nice ocean breeze can be felt and the smell of salt water is in the air. The island is covered by a dense spruce forest with a forest floor covered in thick soft moss. Woody Island is place where one can escape civilization and enjoy the wilderness while being only a 15 minute boat ride from Kodiak. While experiencing Woody Island today it may be hard for one to believe that it was once a bustling community, even larger in population than the City of Kodiak. The Kodiak Archipelago is made up of 25 islands, the largest being Kodiak Island. Kodiak Island is separated from mainland Alaska by the Shelikof Strait. Kodiak Island is approximately 100 miles long and 60 miles wide and is the second largest island in the United States behind the “big” island of Hawaii. The city of Kodiak is the largest community on the island with a total population of about 6,000 (City Data 2008), and the entire Kodiak Island Borough population is about 13,500 people (Census estimate 2009).
    [Show full text]
  • An Ethnography of Old Harbor and Ouzinkie, Alaska
    BLACK DUCKS AND SALMON BELLIES An Ethnography of Old Harbor and Ouzinkie, Alaska by Craig Mishler Technical Memorandum No. 7 A Report Produced for the U.S. Minerals Management Service Cooperative Agreement 14-35-0001-30788 March 2001 Alaska Department of Fish and Game Division of Subsistence 333 Raspberry Road Anchorage, Alaska 99518 This report has been reviewed by the Minerals Management Service and approved for publication. Approval does not signify that the contents necessarily reflect the views and policies of the Service, nor does mention of trade names or commercial products constitute endorsement or recommendation for use. ADA PUBLICATIONS STATEMENT The Alaska Department of Fish and Game operates all of its public programs and activities free from discrimination on the basis of sex, color, race, religion, national origin, age, marital status, pregnancy, parenthood, or disability. For information on alternative formats available for this and other department publications, please contact the department ADA Coordinator at (voice) 907- 465-4120, (TDD) 1-800-478-3548 or (fax) 907-586-6595. Any person who believes she or he has been discriminated against should write to: Alaska Department of Fish and Game PO Box 25526 Juneau, AK 99802-5526 or O.E.O. U.S. Department of the Interior Washington, D.C. 20240 TABLE OF CONTENTS List of Tables ...............................................................................................................................iii List of Figures ...............................................................................................................................iii
    [Show full text]
  • Alutiiq Museum Library Collections
    Alutiiq Museum Library Collections Owner / Collecon Name Dates Descripon Photographer Color B&W Slide Neg JPG Other total Document Copyright Holder Aerial Port Lions & Old Harbor One aerial photograph of Port Lions, second 2 2 finding aid Kids photograph is of 14 kids posing for the camera KHS, Hennessey Photocopy of of photograph of Danger Afognak, Danger Bay 1943 1 0 finding aid Coll. Bay, Afognak Island in 1943 Afognak Village Photos by Russian Orthodox church on Afognak KANA? 1986, 1990 Rick Knecht 8 88 72 168 finding aid Rick Knecht Island Afognak Village & Afognak Village, Litnik Hatchery, workers, 1969 70 145 215 finding aid Hatchery scenery Afognak Village AM 1989 Pictures from Dig Afognak of petroglyphs Amy Steffian 20 20 finding aid Petroglyphs Late 19th, Photos depicVng life of Nave Alaskans. Some by Case, Winter Alaska Naves Gen Ethno misc. early 20th 47 47 finding aid "Eskimo, Tlingit, & Athabascan." & Draper century Eight B&W images cut from health posters, depicVng life of Alaska Naves. University of Alaska University of Alaska Naves Misc Ethno One color paper icon of Saint Innocent Archives & Bill 9 10 finding aid Alaska Archives Enlightener and Apostle of America (9 x Williams, B.I.A 11 in.) 16 x 20 in. enlargement of photograph of Anchorage Earl Brown's store, near Alitak, c. 1950, Jeanne Shaever Alitak store 1 1 Museum? Jeanne Shaver CollecVon, Anchorage Boone Museum of History and Art, B91.46.75 Digital color print of an aerial view of Akhiok 1 0 finding aid Akhiok Photographs of Museum events, exhibits, AM Gallery Lab Staff AM 1995-2003 Misc 205 7 159 162 3 536 finding aid lectures & building Lena Amason's Artwork 1999 Lena Amason Masks and artwork AM staff 34 1 43 78 finding aid AM Misc events AM 1997-1998 Special events held at Museum Misc 99 1 63 46 2 211 finding aid Photographs taken during skin sewing AM Skin sewing AWOTW, AM 1996, 1999 workshops, AWOTW recording & Gov AM staff 7 25 8 31 71 finding aid Gov.
    [Show full text]
  • Who Are the Alutiiq People?
    WHO A RE THE ALUT ii Q PEOPLE ? In the historic era, Russian traders called all of the Native peoples of southwestern Alaska “Aleut” – despite regional differences in language, cultural practices, and history. In the modern era, this has caused confusion. People with distinct cultures are known by the same name. Today, Kodiak’s Native people use a variety of self-designators. There is no one correct term. Many Elders prefer Aleut, a term they were taught as children. Today others choose Alutiiq or Sugpiaq. What does each of these terms mean? SUGPIAQ – This is a traditional self-designator of the Native people of Prince William Sound, the outer Kenai Peninsula, the Kodiak Archipelago, and the Alaska Peninsula. It means “real person” and it is the way Native people described themselves prior to Western contact. This term is used by some today. Sugpiaq is a popular self-designator on the Kenai Peninsula, and is gaining use on Kodiak. ALEUT – This word means “coastal dweller” and it is derived ALUTIIQ from a Siberian Native language. Russian traders introduced the OR term, using it to describe the Native people they encountered ALUTIIT? in the Aleutian Islands, the Alaska Peninsula, and the Kodiak archipelago. Aleut is still frequently used to refer to the Native ALUTIIQ (singular) • Noun: to describe one person: people of the Aleutian Islands, although the word Unangan – I am an Alutiiq. meaning “we the people” in the region’s traditional language – is • Noun: to describe the language: gaining popularity. They are speaking Alutiiq. • Adjective: as a modified: There are many Alutiiq artists.
    [Show full text]
  • Exploring Kodiak Alutiiq Literature Through Core Values
    LIITUKUT SUGPIAT’STUN (WE ARE LEARNING HOW TO BE REAL PEOPLE): EXPLORING KODIAK ALUTIIQ LITERATURE THROUGH CORE VALUES A THESIS Presented to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY By Alisha Susana Drabek, BA., M.F.A. Fairbanks, Alaska December 2012 UMI Number: 3537832 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3537832 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 LIITUKUT SUGPIAT’ STUN (WE ARE LEARNING HOW TO BE REAL PEOPLE): EXPLORING KODIAK ALUTIIQ LITERATURE THROUGH CORE VALUES By Alisha Susana Drabek Abstract The decline of Kodiak Alutiiq oral tradition practices and limited awareness or understanding of archived stories has kept them from being integrated into school curriculum. This study catalogs an anthology of archived Alutiiq literature documented since 1804, and provides an historical and values-based analysis of Alutiiq literature, focused on the educational significance of stories as tools for individual and community wellbeing. The study offers an exploration of values, worldview and knowledge embedded in Alutiiq stories.
    [Show full text]
  • Sven Haakanson Jr
    SVEN DAVID HAAKANSON, JR., Ph.D. Home: University of Washington Burke Museum: 6522 19th Ave NE, Seattle, WA 98115 Box 353010 Seattle, WA 98195 EDUCATION Ph. D. Anthropology, M.A. Anthropology B.A. English Harvard University, 2000 Harvard University, 1996 University of Alaska, 1992 WORK EXPERIENCE • University of Washington, Associate Professor Anthropology & Curator Burke Museum 2013-Present • Executive Director; Alutiiq Museum and Archaeological Repository 2000-2013 • Adjunct Faculty Member; Kodiak College, University of Alaska Anchorage 2000-2013 PROFESSIONAL ACTIVITIES Research: • Cape Alitak Petroglyph Survey 2000-Present • Archaeological Survey of remote Eastern Islands in Indonesia with Dr. Peter Lape. 2019 • Collaborated with traditional canoe carver (Tyson Simmons) and kayak (Alfred Naumoff) 2018-19 • Constructing a traditional Sugpiat kayak, paddles, and halibut hooks, Akhiok Kids Camp 2017-19 • Survey of Alphonse Pinart’s kayaking route from Unalaska to Kodiak by boat. 2017, 2019 • Construction of two full-sized Angyaaq, Burke Museum and Village of Akhiok 2015-16 • Analysis of Ethnographic Collections from Alaska in museum around the world. 2000-Present • Ethnoarchaeological research among the Nenets Reindeer Herders, Yamal, Russia 1996-97 Museum Collection Research: • Moving the Burke museum and designing a new exhibition for the New Cultural Gallery 2016-2019 • Surveys of Alutiiq objects in French, Finish, English, German, Scottish, and Russian Museums 2002-Present Exhibitions coordinated and designed: • Co-curated “Culture is Living” gallery in the New Burke and other exhibits in the Burke 2016-2019 • The Cape Alitak Petroglyphs, Alutiiq Museum 5/2011- 1/2014 • Giinaquq: Like A Face, Kodiak, AK and Anchorage, AK. International Exhibition 2008-2009 • Traveling Traditions – Featuring Alutiiq Arts, Kodiak villages & the Alutiiq Museum 2001-2013 Publications: • Haakanson, Sven.
    [Show full text]
  • Bibliography & Resources
    CELEBRATIONS BIBLIOGRAPHY Books and Documents: Birket-Smith, K. The Chugach Eskimo. Nationalmuseets Publikationsfond, Kobenhavn, 1953. Birket-Smith, Kaj, and Frederica de Laguna. The Eyak Indians of the Copper River Delta, Alaska. AMS Pr, 1976. Black, Lydia T. Glory Remembered- Wooden Headgear of Alaska Sea Hunters, Alaska State Museums. 1991. Crittenden, Roberta, et al. Out of Our Time: The Storytellers = Oonechguk Edowchu. Cordova, AK: Cordova Baptist Press. 1980. Out of print, See http://www.chugachheritageak.org/ Crowell, Aron, et al. Living Our Cultures, Sharing Our Heritage: The First Peoples of Alaska. Smithsonian Institute, 2010. Crowell, Aron L., et al. Looking Both Ways: Heritage and Identity of the Alutiiq People. University of Alaska Press, 2002. English Bay High School Students. Alexandrovsk- English Bay in Its Traditional Way. Kenai Peninsula Borough School District, Vol. 1-3. Fitzhugh, William W. and Crowell, A. Crossroads of Continents: Cultures of Siberia and Alaska. Smithsonian Institution Press, 1988. Haakanson, Sven Jr. and Steffian, Amy. Giinaquq - Like a Face: Sugpiaq Masks of the Kodiak Archipelago. University of Alaska Press, 2009. Harry, Anna Nelson, and Michael E. Krauss. In Honor of Eyak: The Art of Anna Nelson Harry. Alaska Native Language Center, University of Alaska, 1995. http://www.uaf.edu/anla/collections/search/resultDetail.xml?id=EY961K1982 Johnson, John F. C., et al. Chugach Legends: Stories and Photographs of the Chugach Region. Chugach Alaska Corporation, 1984. Koniaq, Inc. Two Journeys: A Companion to the Giinaquq: Like a Face Exhibition. Alutiiq Museum and Archaeological Repository, 2008. Korsun, S. A., & Berëzkin, Y. E.. The Alutiit/Sugpiat a Catalog of the Collections of the Kunstkamera.
    [Show full text]
  • Alutiiq Colors
    ALUT ii Q COLORS The world’s societies interpret colors in different ways. The Alutiiq language has just 4 basic color terms – Kawirtuq (it is red), Tan’ertuq / Tamlertuq (it is black), Qatertuq (it is white), and Cungartuq (it is blue). Each of these color terms is a verb root (i.e., kawirtuq means “it is red”) as the Alutiiq language has no adjectives. Alutiiqs recognized a broader range of colors, but their traditional language describes most hues with these four terms. For example, green is a shade of blue. Alutiiq speakers also describe colors by their similarity to common things. For example, an Alutiiq speaker might say that a yellow object is the color of oil. IT IS RED - KA WIRTUQ IT IS BLUE - CUNG A RTUQ Alutiiq people manufactures red pigments from To Alutiiqs, blue is a powerful color. minerals and plants. They ground ochre, a soft, It is associated with the supernatural, naturally occurring iron oxide, into a fine powder particularly the worlds below the sea. and mixed it with oil to make paint. On Kodiak, Blue pigment was never used in body people produced a reddish-brown dye by boiling painting. However, a blue-green paint alder bark. In Prince William Sound, people adorned hunting hats, and whalers, the boiled hemlock bark or a mixture of cranberry and magical hunters who pursued giant sea blueberry juices to produce a dark red dye. Widely mammals, carried blue or green stones. used in body painting and to decorate objects, the color red may represent ancestral blood. IT IS BLA ck – TA N ’ERTUQ / TA MLERTUQ Historic sources indicate that Alutiiqs collected a specific stone to make black pigment.
    [Show full text]
  • Alutiiq Bul Spring12.Indd
    Alutiiq Museum Bulletin Vol 16, No. 4, Spring 2012 Sharing Alutiiq Heritage Globally What do the care of ancient Mesoamerican fabrics and the item based on my studies of similar clothing in Finland and Russia. preservation of Alutiiq culture have in common? Native people. And now we have pictures of the parka to share with artists here in Last November, Sven Haakanson traveled to Oaxaca, Mexico as a Kodiak. Speaking about the museum’s programs has furthered that guest of the 8th North American Textile Conservation Conference. work,” said Haakanson. “Plus my travel expenses are paid for by the A trip to Mexico to speak about Native Alaska may sound like a people inviting me to speak.” stretch, but the museum’s work was relevant to this gathering of Haakanson’s eff orts are also being recognized in June, when he professionals. Haakanson’s presentation focused on the ways the will receive the Guardians of Culture and Lifeways Leadership Award Alutiiq community is not only preserving and sharing its heritage, from the Association of Tribal Archives, Libraries, and Museums. but reawakening tradition with museum programs. Established in 2007, the award recognizes organizations and Every time he speaks at such a conference, Haakanson gives other individuals who serve as outstanding examples of how indigenous museums ideas for better, more meaningful partnerships with Native cultural organizations can contribute to the vitality and cultural people, whether they be Native Alaskans or indigenous peoples of sovereignty of Native nations. Haakanson was selected for bridging Central America. According to conference organizer Emilia Cortes cultures and continents, making collections more accessible to his presence in Mexico had a big impact.
    [Show full text]
  • Kodiak Native Wellness News Kodiak Area Native Association
    Qik’rtarmiut Asiitmen Kodiak Native Wellness News Kodiak Area Native Association Promoting wellness & knowledge for Kodiak’s Native People Fall - Uksuaq 2008 Long-Term Elder Care Planning Grant awarded KANA is pleased to announce award of an Elder facilities available to Elders in our region, Late Elder Larry Matfay at rebuilt Care Initiative and Long-Term Care planning including long-term care options. We will ciqlluaq in Akhiok, courtesy of the grant from the Indian Health Service. We look specifically at how our Elders and their Alutiiq Museum. submitted a funding proposal in response to families are being served within each of our questions and requests from Elders and their communities, identifying gaps in coverage and families through our Elder advocacy efforts. other programmatic or facility needs. Our overall project goal is to produce a As we engage communities in our long-term plan based on documented needs, which planning process, we will seek meaningful demonstrates how development of new involvement by Elders, Elders’ families, programs and services can be part of a broader caregivers, and providers. Taking direction vision for Elder care in our region. from them, we hope to gain a better understanding of what assistance our Elders The grant will support KANA’s inventory need and what approaches or strategies will be and assessment of existing services and most effective. The result of our Elder Phyllis Peterson in Akhiok planning process will with her son, Philip Rastopsoff. be the production of Photo by Sven Haakanson, Jr, a Kodiak Elder Care courtesy of the Alutiiq Museum. Needs Assessment Report, summarizing our findings and preparing us to implement strategies in the second year of our Elder Care needs, setting us on the path toward our vision initiative.
    [Show full text]