Music Reduces Pain and Increases Functional Mobility in Fibromyalgia
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Riot Act Free
FREE RIOT ACT PDF Zoe Sharp | 316 pages | 29 Jan 2013 | Murderati Ink (ZACE Ltd) | 9781909344013 | English | Kendal, United Kingdom 'Read the riot act' - meaning and origin. Featured on Intense Socialization. This duo plays a completely different Riot Act list of songs that covers four decades of rock and Riot Act, ranging from Sublime and Bob Marley, to Paul Simon and Peter Gabriel. The current line-up consists of four veteran musicians. View Profile. Check out our original music. You can easily purchase our music through our online store. Riot Act the musical mayhem coming soon to a venue near you! Riot Riot Act will be heating up the stage at RiverFire Book a room and take a road trip with us. The Rebooted line-up consists of four veteran musicians: […]. The current Riot Act consists of four veteran musicians: Johnny […]. Site Designed and maintained by accomtec. Follow us:. Upcoming Shows. Music Video Distant Early Warning. Whatch now. Welcome to RiotAct. Read more. Riot Act The current line-up consists of four veteran musicians. Chris Michaud bass guitar. Riot Act Guitar Vocals. Bass Guitar, Vocals with Riot Act! Lead Guitar Rhythm Guitar Vocals. Drums Percussion. Drums, Vocals with Riot Act! All Artists Music. Original Music Check out our original music. Intense Socialization Request Now Clear. Latest News Experience the musical mayhem coming soon to a venue near you! Riot Act (album) - Wikipedia Following a full-scale tour in support of their previous album, BinauralPearl Jam took a year-long Riot Act. The band reconvened in the beginning of and commenced work on a new album. -
Black Circle Song Catalogue
Black Circle Song Catalogue Ten Vitalogy Yield Riot Act Pearl Jam L. Bolt Singles / G. Hits Other Bands Hunger Strike Once Last Exit Brain of J. Can't Keep Gone Mind Your Manners Breath Rockin’In The Free World Even Spin the Black Faithful Save You Come Back Sirens I Got ID Love Reign Oér Me Flow Circle Given to Fly Love Boat Captain Inside Job Sleeping By Myself Can't Deny Me Baba O'Riley Alive Not For You Wishlist Ghost Future Days State of Love and Breed Why Go Tremor Christ Do THe Evolution I Am Mine Infallible Trust Heart-Shaped Box Black Nothingman Low Light Thumbing My Way Them Bones Jeremy Whipping In Hiding ½ Full Would? Oceans Corduroy All Those Yesterdays All or None Black Hole SUn Porch Satan's Bed Comfortably Numb Deep Better Man Little Wing Garden Immortality I Believe in Miracles Release You've got to Hide Your Love away Go Sometimes Light Years Sad The Fixer Comes Then Goes Sleepless Nights Low Light Ceiling Animal Hail, Hail Thin Air Leaving Here Just Breathe Superblood Setting Forth Of The Light Daughter Smile Insignificance Yellow Ledbetter Amongst the Wolfmoon Rise Pages Glorified G Off He Goes Hard to Imagine Waves Dance of The Hard Sun DIsarray Dissident Red Mosquito Wash Unthought Clairvoyants Society Penguins and Butterflies W.M.A Present Tense Known Quick Escape Guaranteed Autumn Theory Blood The End Divide Rearviewmirror Never Thought I Would Rats Drive Home in the Rain Small Town Leash Indifference Crazy Mary Vs. No Code Binaural Lost Dogs Backspacer Gigaton Vedder Black Circle. -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLVI, Issue 2 Spring 2017 Dominican Migrants, Plural Identities, and Popular Music Angelina Tallaj, Guttman Community College, CUNY In an age of globalization marked by proliferating population movements, ever-faster communication, and cultural exchanges across nations, diasporic communities strive, often through music, to maintain connection to a homeland identity. In doing so they create new styles in adapting to their new host society, and offer musi- cal experiences that complicate the home/host binary positions. Dominican-American music, while influenced by American genres such as R&B, house, and hip hop, also features specifically Dominican Spanish lyrics and distinctive local Dominican rhythms to assure a continuity with Dominicans’ identity as Latinos or Hispanics. Dominican genres in New York, especially merengue and bachata, have become symbols of Latinidad (pan- Latino solidarity) for many migrants from Latin America precisely because they blend local and global genres of music. These genres mix rural Latin American cultural references with urban elements from New York City in ways that Spanish-speaking groups, who also experience newly fluid racial and ethnic identities away from their homeland, can identify with. Experiencing these Dominican-American genres is a way for migrants to rei- magine new and more porous borders of geography, race, and history. They combine past and present, rural and urban, and home and host countries in ways that create new and more plural models of identities. For many Dominicans, New York is just another Dominican city: we call upper Manhattan Quisqueya Heights, citing the Taíno Native Indian name for the island of Haiti and the Dominican Republic. -
2 40 Y 20 Jose Jose 7 Abrazame Muy Fuerte Juan Gabriel 8 Acabame De Matar Banda El Recodo 9 Acomp
file:///files/karaoke/custom%20books/FiestaMexicana_Titles.txt 2 40 Y 20 Jose Jose 7 Abrazame Muy Fuerte Juan Gabriel 8 Acabame De Matar Banda El Recodo 9 Acompaname Alicia Villareal / Pedro Fernandez 10 Acompaname Enrique Guzman 11 Adelante Javier Solis 12 Adoro Armando Manzanero 13 Amame Alexandre Pires 14 Amar Y Querer Jose Jose 15 Amarte Es Un Placer Luis Miguel 16 Amor A La Mexicana Thalia 17 Amor Amor Amor Luis Miguel 18 Amor De Mujer Paulina Rubio 19 Amor Eterno Juan Gabriel 20 Amor Prohibido Selena 21 Amor Real Sin Bandera 22 Amor Secreto Luis Fonsi 23 Amor Sonado Los Tucanes De Tijuana 24 Amorcito Corazon Lupillo Rivera 25 Amores Extranos Laura Pausini 26 Angel Christian Castro 27 Angel De Amor Mana 28 Arrasando Thalia 29 Asereje La Onda 30 Ases Y Tercias De Reyes Juan Gabriel 31 Asi Es El Destino Thalia 32 Asi Fue Juan Gabriel 33 Ave Maria David Bisbal 34 Ay Jalisco No Te Rajes Jorge Negrete 35 Ay Papacito Grupo Limite 36 Azul Christian Castro 37 Barrio Viejo Joan Sebastian 38 Bella Ricky Martin 39 Bella Senora Emmanuel 40 Besame Mucho Los Panchos 41 Besos Y Copas Alicia Villarreal 42 Bidi Bidi Bom Bom Selena 43 Bonita Finca De Adobe Ramon Ayala 44 Borracho Te Recuerdo Vicente Fernandez 45 Caminemos Los Panchos 46 Caray Juan Gabriel 47 Casa 24 Pedro Fernandez file:///files/karaoke/custom%20books/FiestaMexicana_Titles.txt (1 of 10)5/18/2004 5:16:39 PM file:///files/karaoke/custom%20books/FiestaMexicana_Titles.txt 48 Casi Soraya 49 Cataclismo Javier Solis 50 Cenizas Javier Solis 51 Chica De Humo Emmanuel 52 Clavado En Un Bar Mana -
Rumba Rhythms, Salsa Sound
MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A THE SALSA SOUND MATT DOEDEN This Page Left Blank Intentionally MUSIC MILESTONES AMERICAN MS, RUMBA RHYTH ND BOSSA NOVA, A HE SALSA SOUND T MATT DOEDEN TWENTY-FIRST CENTURY BOOKS MINNEAPOLIS NOTE TO READERS: some songs and music videos by artists discussed in this book contain language and images that readers may consider offensive. Copyright © 2013 by Lerner Publishing Group, Inc. All rights reserved. International copyright secured. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of Lerner Publishing Group, Inc., except for the inclusion of brief quotations in an acknowledged review. Twenty-First Century Books A division of Lerner Publishing Group, Inc. 241 First Avenue North Minneapolis, MN 55401 U.S.A. Website address: www.lernerbooks.com Library of Congress Cataloging-in-Publication Data Doeden, Matt. American Latin music : rumba rhythms, bossa nova, and the salsa sound / by Matt Doeden. p. cm. — (American music milestones) Includes bibliographical references and index. ISBN 978–0–7613–4505–3 (lib. bdg. : alk. paper) 1. Popular music—United States—Latin American influences. 2. Dance music—Latin America—History and criticism. 3. Music— Latin America—History and criticism. 4. Musicians—Latin America. 5. Salsa (Music)—History and criticism. I. Title. ML3477.D64 2013 781.64089’68073—dc23 2012002074 Manufactured in the United States of America 1 – CG – 7/15/12 Building the Latin Sound www 5 Latin Fusions www 21 Sensations www 33 www The Latin Explosion 43 Glossary w 56 Source Notes w 61 Timeline w 57 Selected Bibliography w 61 Mini Bios w 58 Further Reading, w Websites, Latin Must-Haves 59 and Films w 62 w Major Awards 60 Index w 63 BUILDING THE Pitbull L E F T, Rodrigo y Gabriela R IG H T, and Shakira FAR RIGHT are some of the big gest names in modern Latin music. -
CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1
CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Wash 2. Once 3. Even Flow 4. State Of Love And Trust 5. Alive 6. Why Go CHICAGO, ILLINOIS FRIDAY, NOVEMBER 29, 1991 LOCATION CHICAGO, IL Aragon Ballroom SET 1 1. Release 2. Even Flow 3. Smells Like Teen Spirit 4. Once 5. Alive 6. Jeremy 7. Why Go 8. Porch CHICAGO, ILLINOIS SATURDAY, MARCH 28, 1992 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Release 2. Even Flow 3. Improv (You Tell Me) 4. Rockin' In The Free World 5. Once 6. State Of Love And Trust 7. Alive 8. Black 9. Deep 10. Jeremy 11. Why Go 12. Porch TINLEY PARK, ILLINOIS SUNDAY, AUGUST 02, 1992 LOCATION TINLEY PARK, IL World Music Amphitheater SET 1 1. Summertime Rolls 2. Why Go 3. Deep 4. Jeremy 5. Even Flow 6. Alive 7. Black 8. Once 9. Porch CHICAGO, ILLINOIS THURSDAY, MARCH 10, 1994 LOCATION CHICAGO, IL Chicago Stadium SET 1 1. Release 2. Animal 3. Go 4. Even Flow 5. Dissident 6. Empire Carpet song 7. State Of Love And Trust 8. Why Go 9. Jeremy 10. Glorified G 11. Daughter 12. The Real Me 13. Not For You 14. Rearviewmirror 15. Blood 16. Alive 17. Porch 18. Garden 19. Happy Birthday (Jeff) 20. Spin The Black Circle 21. Black 22. Tremor Christ 23. Footsteps 24. Rockin' In The Free World 25. I Won't Back Down 26. Leash 27. Sonic Reducer Indifference CHICAGO, ILLINOIS SUNDAY, MARCH 13, 1994 LOCATION CHICAGO, IL New Regal Theater SET 1 1. -
Juan Gabriel, Luis Miguel, and José José Transmitted by Television Channels and Streaming Platforms with International Influence
Television, melodrama and DAVID GONZÁLEZ HERNÁNDEZ1 bio-series: Juan Gabriel, https://orcid.org/0000-0003-3041-8750 Luis Miguel, and José José ANTONIETA MERCADO ANAYA2 Televisión, melodrama y bioseries: Juan https://orcid.org/0000-0003-4153-7368 Gabriel, Luis Miguel, y José José EFRAÍN DELGADO RIVERA3 DOI: https://doi.org/10.32870/cys.v2020.7492 https://orcid.org/0000-0003-3663-5502 JAIME MIGUEL GONZÁLEZ CHÁVEZ4 https://orcid.org/0000-0003-0517-8767 This article examines the narrative strategies that have structured the biographical series of Juan Gabriel, Luis Miguel, and José José transmitted by television channels and streaming platforms with international influence. It focuses primarily on their retrospective stories and struggles to achieve “success”. We discussed how these storylines are reconfigured as melodramas to manage tensions about gender, sexuality, drug addiction and family. KEYWORDS: Television, melodrama, biographical series. Este artículo examina las estrategias narrativas que estructuran las series biográficas de Juan Gabriel, Luis Miguel, y José José transmitidas por canales de televisión y platafor- mas de streaming con alcance internacional. Se enfoca principalmente en sus historias retrospectivas y sus luchas por alcanzar el “éxito”. Discutimos cómo estas historias se reconfiguran como melodramas para manejar las tensiones sobre el género, la sexuali- dad, la drogadicción y la familia. PALABRAS CLAVE: Televisión, melodrama, series biográficas. 1 How to cite: González Hernández, D., Mercado Anaya, A., Delgado Rivera, E. & González Chávez, J. M. (2020). Televisión, melodrama and bio-series: Juan Gabriel, Luis Mi- guel, and José José. Comunicación y Sociedad, e7492. https://doi.org/10.32870/cys. v2020.7492 Instituto Tecnológico y de Estudios Superiores de Occidente, Mexico. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You) -
Teen Song Book
1. LOVE THE LORD ! 4. WE BOW DOWN ! Love the Lord your God with all your heart You are Lord of creation and Lord of my and soul and all your mind life and love all of mankind as you have loved Lord of the land and the sea yourself and… You were Lord of the heavens before there ! was time Love the Lord your God with all your heart And Lord of all lords You will be! and soul and all your mind and love all We bow down and we worship You, Lord mankind as you have loved yourself and… We bow down and we worship You, Lord ! We bow down and we worship You, Lord We’ve got Christian lives to live, we’ve got Lord of all lords You will be! Jesus’ love to give, we’ve got nothing to ! hide because in Him we abide You are King of creation and King of my ! life Men: King of the land and the sea Love the Lord your God with all your heart You were King of the heavens before there and soul and all your mind was time and love all of mankind as you have loved And King of all kings You will be! yourself ! We bow down and we crown You the King Soprano: We bow down and we crown You the King We’ve got Christian lives to live, we’ve got We bow down and we crown You the King Jesus’ love to give, we’ve got nothing to King of all kings You will be! hide because in! Him we abide ! Everyone: We’ve! got His love 5. -
Decisions Have Consequences
Volume 8, No. 10, October, 2020 Decisions have Consequences Every day we are faced with decisions to make. Each of those decisions will have a consequence. Sometimes the consequence is good. I decided to spend the day with my mother, and the outcome was None of Self and All of Thee very enjoyable! Sometimes the consequence is bad. I O, the bitter pain and sorrow love the taste of salty sunflower seeds, and before I That a time could ever be, When I proudly said to Jesus, knew it, over a couple of weeks I had eaten five bags “All of self, and none of Thee, of sunflower seeds. I now know what an attack of All of self and none of Thee, diverticulitis feels like, and I don’t crave sunflower All of self and none of Thee,” seeds like I once did. The consequence of that decision When I proudly said to Jesus, was very painful. “All of Self and none of Thee.” Yet He found me; I beheld Him Throughout history, we can look back and see the Bleeding on th’accursed tree, consequences of bad decisions. David decided not to And my wistful heart said faintly, follow God’s command and took a census of the “Some of self, and some of Thee, people anyway. There was a bad consequence to that Some of self, and some of Thee, Some of self, and some of Thee,” action. Not only David, but his people suffered for his And my wistful heart said faintly, decision as well. “Some of self and some of Thee.” 9 Day by day His tender mercy I Chronicles 21:9-14: The LORD spoke to Gad, David’s Healing, helping full and free, seer, saying, 10 “Go and speak to David, saying, -
According to the Gospel of Haunted Women
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2015 According to the Gospel of Haunted Women Judith Roney University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Roney, Judith, "According to the Gospel of Haunted Women" (2015). Electronic Theses and Dissertations, 2004-2019. 1302. https://stars.library.ucf.edu/etd/1302 ACCORDING TO THE GOSPEL OF HAUNTED WOMEN by JUDITH RONEY A.A. Lake Sumter-State College, 2010 B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Spring Term 2015 Major Professor: Russ Kesler © 2015 Judith Roney ii ABSTRACT According to the Gospel of Haunted Women is a collection of seventy-five poems divided into four sections. The voices speaking within, are, indeed haunted by varying definitions. They bespeak complex, troubled emotions such as guilt, shame, and anxiety, yet work towards expressions of courage. The dead and the living are cajoled and accused, while others are provided a format through which they may be heard long after their mouths have closed. -
Moral Values As Seen in Harry Morgan's
MORAL VALUES AS SEEN IN HARRY MORGAN’S CHARACTERISTICS IN TO HAVE AND HAVE NOT BY ERNEST HEMINGWAY AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By AGUS TITO Student Number: 014214094 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 MORAL VALUES AS SEEN IN HARRY MORGAN’S CHARACTERISTICS IN TO HAVE AND HAVE NOT BY ERNEST HEMINGWAY AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By AGUS TITO Student Number: 014214094 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2007 i ii iii I now that I was born And I know that I’ll die The in between is mine I am mine (Taken from song lyrics “I Am Mine” by Pearl Jam) THIS THESIS IS DEDICATED TO MY SELF MY BELOVED PARENTS AND SISTERS MY FRIENDS iv ACKNOWLEDGEMENTS I would really like to express my greatest gratitude to Almighty God who always accompanies me. Due to His blessings and mercy I could finally accomplish this thesis. He always guides me in good and bad times. I would like to thank my happy family as they always love me and support me in every step of life. It is great blessing to have them all in this life, and I would like to thank them: my father, Pak Peno, my mother, Bu Harti, and my sisters, Lia and Tina. I would like to thank my major advisor, Dra.