The Witness a Film by James Solomon
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“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one. -
Award the Jimmy and Rosemary Breslin
The Jimmy and Rosemary Breslin Award Jimmy Breslin met Rosemary Dattolico verishly scribbled what he saw and heard. while he was a copy boy at the Long Island “Journalism should be truthful and enter- Press in Jamaica, Queens. Jimmy knew taining. You know, with news and important right out of the gate that he was going to facts you can entertain people too, have a write a column for a newspaper in this city. little humor. Life isn’t all that deadly all the “Rage is the only quality which has time, but while you’re having fun, tell the kept me or anybody I have ever stud- truth. If every word of a column is deadly seri- ied, writing columns for newspapers.” JB ous, I can’t read it. It makes me throw up. “ JB Jimmy and Rosemary started out in Rich- Rosemary was his superhuman partner. Rosemary and Jimmy believed mond Hill Queens. They knew the key to get- Before computers, faxes, and texts she stood some young person will be the next ting a column was “legwork.” Going out day right next to him as he pounded the keys of his great writer with a voice in this city. and night, all over the city they loved, look- Hermes Standard Typewriter. Rosemary would “Look out...some kid is going to ing to the other side of the street for a story. come out of nowhere and be big.” JB “If you gather a lot of stuff, then you write grab the copy and quickly dial the city desk, it, write in scenes with dialogue. -
Summary and Policy Impucations
If you have issues viewing or accessing this file contact us at NCJRS.gov. THE CRIMINAL INVESTIGATION PROCESS VOLUME I: SUMMARY AND POLICY IMPUCATIONS PREPARED UNDER A GRANT FROM THE NATIONAL INSTITUTE OF LAW ENfORCEMENT AND CRIMINAL JUSTICE, LEAA., DEPARTMENT OF JUSTICE PETER W. GREENWOOD R-1776-DOJ JOAN PETERSIUA OcrDBER 1975 .. '1.0' ~ . ';., --,' ........ ,---- " . .;~ , , . CD , ., ' • I,' •• -------- ~ - .to. _! I ~ . .1 ... u" J. 1. The research described in this report was prepared for the Department of Justice, Law Enforcement Assistance Administration, National Institute of Law Enfprcement and Criminal Justice, under Grant 73-NI-99-0037-G. Points of view or opinions stated in this document are those of the authors and do not necessarily represent the official position or policies of the U.S. Department of Justice. 148116 U S Department of Justice N~tionallnstitute of Justice duced exactly as received from the This document has been ~epr? 't points of view or opinions stated person or organization ongmaung I. thors and do not necessanly in this document are tho.~.e of the ~u. s of the Nationat Institute of represent the official pOSI.lon or po ICle Justice, . duce this copyrighted material In 101- Permission to repro cl0fiche only has been granted ~y Rand corporatlon to the National Criminal Justice Reference Service (NCJRS). , t 'd of the NCJRS system requires permis- Further reproduction ou Sl e sion of the copyright owner. Copyright © 1975 The Rand Corporation Published by The Rand Corporation THE CRIMINAL INVESTIGATION PROCESS VOLUME I: SUMMARY AND POLICY IMPUCATIONS PREPARED UNDER A GRANT FROM THE NATIONAL INSTITUTE OF LAW ENFORCEMENT AND CRIMINAL JUSTICE, LEA.A., DEPARTMENT OF JUSTICE PffER W. -
The Personal Account of an American Revolutionary and Member Ofthe Weather Underground
The Personal Account of an American Revolutionary and Member ofthe Weather Underground Mattie Greenwood U.S. in the 20th Century World February, 10"'2006 Mr. Brandt OH GRE 2006 1^u St-Andrew's EPISCOPAL SCHOOL American Century Oral History Project Interviewee Release Form I, I-0\ V 3'CoVXJV 'C\V-\f^Vi\ {\ , hereby give and grant to St. Andrew's (inter\'iewee) Episcopal School the absolute and unqualified right to the use ofmy oral histoiy memoir conducted by VA'^^X'^ -Cx^^V^^ Aon 1/1 lOip . I understand that (student interviewer) (date) the purpose ofthis project is to collect audio- and video-taped oral histories of fust-hand memories ofa particular period or event in history as part ofa classroom project (The American Century Projeci), I understand that these interviews (tapes and transcripts) will be deposited in the Saint Andrew's Episcopal School library and archives for the use by future students, educators and researchers. Responsibility for the creation of derivative works will be at the discretion ofthe librarian, archivist and/or project coordinator. 1 also understand that the tapes and transcripts may be used in public presentations including, but not limited to, books, audio or video documentaries, slide-tape presentations, exhibits, articles, public performance, or presentation on the World Wide Web at the project's web site www.americancenturyproject.org or successor technologies. In making this contract I understand that J am sharing with St. Andrew's Episcopal School librai"y and archives all legal title and literar)' property rights which J have or may be deemed to have in my interview as well as my right, title and interest in any copyright related to this oral history interview which may be secured under the laws now or later in force and effect in the United Slates of America. -
Eleanor Roosevelt
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○ Matters A Newsletter for The City University of New York • Fall 1998 FROM A HENRY ROTH MEMOIR Call It Writing: “Streetwise” in the City: A City College Epiphany Language and Culture on the Beat en years before publishing his By Leslee Oppenheim tal theme of this initiative, developed by classic novel Call It Sleep in 1934 Director of Curriculum and Instruction, CUNY for the NYPD, from Police Commis- T to mixed reviews, Henry Roth (pic- Adult and Continuing Education, Office of sioner Howard Safir’s opening remarks: tured right at about that time) began his Academic Affairs police officers who know about the lan- freshman year at the City College of New guage and culture of the communities they York. In one of several volumes of mem- leven hundred new NYPD officers, serve, equip themselves with powerful oirs Roth wrote late in life under the um- day-old graduates of the Police tools for ensuring the safety and well-being brella title Mercy of a Rude Stream, he EAcademy, file into darkened audito- of themselves, their colleagues, and the devoted more than 150 pages to his colle- riums at four CUNY campuses on July 2. public at large. giate days. This volume, A Diving Rock on The crackle of a police radio can be heard. the Hudson, was published by St. Martin’s As the lights dim, the volume rises. In total he newly-assigned officers in the audi- in 1995 (Picador paperback, 1996), which darkness now, the graduates hear a Tence that day are about to plunge into was also the year he died at the age of 89. -
Smith on Wry: Jack Smith, Columnist for Our Times,” Opens Feb
FOR IMMEDIATE RELEASE Jan. 29, 2008 CONTACT: Matt Stevens [email protected] 6264052167 New Exhibition, “Smith on Wry: Jack Smith, Columnist for Our Times,” Opens Feb. 15, 2008 Huntington Library installation will examine the late journalist’s life and his impact on readers across Southern California SAN MARINO, Calif.—Los Angeles Times columnist Jack Smith wrote daily for most of his 42year career with the paper, producing some 6,000 columns about life in the city. Along the way he became one of the most popular newspaper columnists in Southern California history; reading him was considered a daily “must.” He died in January 1996, just a few weeks after the appearance of his last column, on Christmas Day 1995. A new exhibition running at The Huntington Library, Art Collections, and Botanical Gardens from Feb. 15 to May 12, 2008, takes a look at Smith the journalist, family man, and social commentator. The Huntington acquired Smith’s papers in 2005. “Jack Smith had a way of looking at mundane and everyday things and ruminating on them in ways that were accessible on the one hand and provocative on the other,” says Sara S. “Sue” Hodson, curator of literary manuscripts at The Huntington and the show’s curator. “His beat was L.A., but he wrote larger stories of the human condition, wry and pithy observations on the foibles of people in changing times.” Hodson takes a page from Smith’s own columns, dividing her exhibition into the very same themes Smith explored in his columns: his Mt. Washington neighborhood; his family and household, including a passion for birds and disdain for cats; and his vacation house in Baja, with its incomparable landlord, Mr. -
2010 Berger List of Past Winners
2010 List of Berger Past Winners Years Awarded Awardees Company Name Description 1961 McCandlish Philips The New York Times Special Recognition 1961 David C. Miller The New York Herald Tribune 1961 Helen Dudar The New York Post 1962 Lewis Lapham Harper’s Magazine 1963 Pete Kihss The New York Times 1964 Charles Grutzner The New York Times 1964 Jimmy Breslin The New York Herald Tribune 1965 Homer Bigart The New York Times 1966 Robert M. Lipstye The New York Times 1966 William E. Blundell The Wall Street Journal 1967 Leonard Victor The Long Island Press 1967 Murray Schumach The New York Times 1968 J. Anthony Lukas The New York Times 1968 Felix Kressler The Walll Street Journal 1969 Archie Waters The Long Island Press 1969 Sy Safransky The Long Island Press 1969 Robert Mayer Newsday 1970 Richard Severo The New York Times Special Recognition 1970 Art Sears Jr. The Wall Street Journal 1970 Donald Moffitt The Wall Street Journal 1971 Jack Newfield The Village Voice 1971 Robert Mayer Newsday Special Recognition 1972 Diane Zimmerman The New York Daily News 1972 Paul Meskil The New York Daily News 1972 Joseph Martin The New York Daily News 1972 Ray Kestenbaum Special Recognition 1972 Frank Faso The New York Daily News 1973 John Hess The New York Times 1973 Barry Cunningham The New York Post 1974 Penelope McMillan The Sunday News 1974 Sonny Kleinfield The Wall Street Journal 1975 Peter Coutros The New York Daily News 1975 Diedre Carmody The New York Times 1976 Israel Shenker The New York Times 1976 Howard Blum The Village Voice 1977 Richard Severo The New York Times 1977 Denis Hamill The Village Voice 1978 Carey Winfrey Reader’s Digest Association 1978 Ricki Fulman The New York Daily News 1979 Kenneth Gross Newsday 1979 Francis X. -
Jimmy Breslin Was Right: There Is No More Beautiful Sight Than a Heaving Street Full of People
Viveros-Faune, Christian. “Los Carpinteros Moonwalk through the Crack-Up,” The Village Voice, May 22, 2013. Jimmy Breslin was right: There is no more beautiful sight than a heaving street full of people. In Havana, on a sun-baked afternoon, that sensuous humanist observation goes double. Picture a Times Square flash mob mugged by the hurly-burly of New Orleans' scrappy Treme. For those who haven't visited Fidel's island, a current show at Chelsea's Sean Kelly gallery opens a window onto some of its special genius, while also offering what scholarly types might term a critical history. Courtesy of two of Cuba's greatest living artists, the duo Los Carpinteros, this exhibition—besides holding up a convex mirror to carnival culture—takes a local view of a spiny global phenomenon: the epochal disillusionment that replaced the Left's hopes and dreams for billions of Cold War losers around the world. Courtesy Sean Kelly, New York A jolt felt intensely from Cambridge to Putting a fine point on political art Chongqing, utopianism's sudden ebb hit many intellectuals, writers, and artists in the United States and Europe like heroin withdrawal. But if cold turkey for the likes of Sean Penn and Naomi Wolf meant a short stint at Western liberalism's Hazelden clinic, their Cuban counterparts, along with the island's doctors, barkeeps, and street sweepers, continue to inhabit a nightmare scenario straight out of the film Juan of the Dead. Condemned to inhabit a country where escape from history is simply not possible, Cubans now—like many Russians, Chinese, Venezuelans, Iranians, and others—pass their days like zombies, not fully inhabiting this century's ambitions and never resurrecting the glories of the century that passed. -
A Film by James Solomon
Five More Minutes Productions presents The Witness A Film by James Solomon World Premiere - New York Film Festival 2015 2015 / 89 minutes / USA www.kittygenovesefilm.com Press Contact: Sales Contact: Susan Norget Film Promotion Submarine Susan Norget / Keaton Kail Josh Braun / Dan Braun [email protected] [email protected] [email protected] [email protected] 212-431-0090 212-625-1410 Five More Minutes Productions 44 West 18th Street, 8th Floor • New York, NY 10011 • tel: 212.965.0020 • fax: 212.965.0021 Synopsis Fifty years ago, the name “Kitty Genovese” became synonymous with urban apathy after news that she was stabbed to death on a Queens street while 38 witnesses in nearby apartments did nothing. “For more than half an hour,” The New York Times report began, “38 respectable, law-abiding citizens... watched a killer stalk and stab a woman in three separate attacks... Not one person called the police.” Forty years later, her brother Bill, who was 16 at the time of his sister’s death, decides to find the truth buried beneath the story. In the process, he uncovers a lie that transformed his life, condemned a city, and defined an era. Both a probing investigation into an iconic crime and a devastating look at the effect Kitty’s murder had on those who loved her, The Witness illuminates how much stories shape the way we see ourselves and the world around us, and how important it is that those stories are built not only on facts, but on truths. It is a film that brings healing to the family who lost so much that cold March day in Kew Gardens, and asks us all: what do we owe each other? Director’s Statement Like many New Yorkers, I grew up familiar with the name, “Kitty Genovese”, and the infamous story of her death: 38 neighbors watched a young woman being repeatedly stabbed to death, as if in an amphitheater, while none called the police. -
AP Psychology Summer Assignment 2016-17
AP Psychology Summer Assignment 2016-17 Read the articles below, beginning with kitty.doc. You may want to outline them, particularly the Darley and Latane article. Answer the following questions: 1. Besides inspiring the experiments you have just read about, Kitty Genovese also is brought up frequently in popular culture, such as the film Boondock Saints and the graphic novel (and later film) The Watchmen, from which the panels illustrating the document were taken. Why do people continue to discuss this case? 2. For Darley and Latane, what is the important question raised by this case? How do they answer it? Do you accept their answer? Why or why not? 3. For Takooshian, what is the important question raised by this case? How does he answer it? Do you accept his answer? Why or why not? Note: There are also some question included at the end of the Takoosian article. You may answer these or not, as you choose. Click to open Darley_and_Latane.pdf Takooshian_Lost_Child.pdf kitty.doc Read this first AP PSYCHOLOGY NILAND Who Wouldn't Help A Lost Child? You, Maybe. by Harold Takooshian, Sandra Haber, and David Lucido Psychology Today, 1977 A lost child is one of the world’s saddest sights. There he stands on the street, looking around hopefully, his lips trembling, and his eyes startling to fill with tears. It's enough to break your heart. But is it enough to make you stop and help? Suppose the child asks you to make a phone call for him. Would you do it? Conventional wisdom has it that city dwellers don't help other the way folks do in small towns. -
Issues in Vendor/Library Relations -- Column People Bob Nardini Coutts Nfi Ormation Services, [email protected]
Against the Grain Volume 19 | Issue 3 Article 33 June 2007 Issues in Vendor/Library Relations -- Column People Bob Nardini Coutts nfI ormation Services, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Nardini, Bob (2007) "Issues in Vendor/Library Relations -- Column People," Against the Grain: Vol. 19: Iss. 3, Article 33. DOI: https://doi.org/10.7771/2380-176X.5390 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Issues in Vendor/Library Relations — Column People Column Editor: Bob Nardini (Group Director, Client Integration and Head Bibliographer, Coutts Information Services) <[email protected]> Of course there’s no such thing as “Column took down in odd moments on a pad of yellow write from a distant place. Blogs, we all know, People,” which was the point in naming this paper. They went on for page after page. Now have the immediacy that columns, or any column. Everyone understood right away, on that I think about it, the whole thing resembled writing in print, can’t have. But, what blogs the other hand, when in 2005 former ALA a blog. I might have posted somewhere, and principally have over columns, is this sense president Michael Gorman coined the phrase skipped this writing part. of belonging. “Blog People.” Gorman was referring to Which is another thing about bloggers. It starts with the names, with the way the people who write blogs, who follow blogs, who They have it so easy. -
North's Losses Stall Vietnam Drive
~-----~-----------~--~---- ---~------- On The Inside Democratic primaries ... p.5 Viewpoint -- the dome ... p.S. Vol. VI, No. 107 serving the notre dame -st. mary's community Tuesday, April 11, 1972 North's losses stall Vietnam drive by Fox Butterfield 1971 New York Times (C) "I was just masses of bodies everywhere," one Saigon, Tuesday, April--Allied military com American officer in Quangiri said, "The N.V.A. manders said Monday that the North Vietnamese <North Vietnamese Army) really got a bloody nose appeared to have suffered a serious setback in their out there." drive into Quangiri Province in the northern part of The battles took place at Dongha, Hailang, five South Vietnam. miles soutliwest of Quangiri City, and at Firebase A count on the battlefield revealed, according the Pedro, 10 miles southwest of Quangiri. reports from the scene by American officers and The South Vietnamese Commander of Northern newsmen, that the communists lost more than 1,000 Military Region 1, Lt. Gen. Hoang Xuan Lam, said ·soldiersand30 tanks in their attacks Sunday west of at his headquarters in Danang today that "'this was the city of Quangiri. the big battle, we have defeated them." Lam In the wake of those assaults, the only battle asserted that the North Vietnamese invasion of reported in the area was a brief enemy attack on a Quangiri "has now been stopped." bridge on the northern outskirts of Quangiri. It was reported repulsed by South Vietnamese rangers and United States Naval gunfire. Intensive artillery fire U.S. officers confident by both sides, however, was said to be continuing.