Award the Jimmy and Rosemary Breslin

Total Page：16

File Type：pdf, Size：1020Kb

The Jimmy and Rosemary Breslin Award Jimmy Breslin met Rosemary Dattolico verishly scribbled what he saw and heard. while he was a copy boy at the Long Island “Journalism should be truthful and enter- Press in Jamaica, Queens. Jimmy knew taining. You know, with news and important right out of the gate that he was going to facts you can entertain people too, have a write a column for a newspaper in this city. little humor. Life isn’t all that deadly all the “Rage is the only quality which has time, but while you’re having fun, tell the kept me or anybody I have ever stud- truth. If every word of a column is deadly seri- ied, writing columns for newspapers.” JB ous, I can’t read it. It makes me throw up. “ JB Jimmy and Rosemary started out in Rich- Rosemary was his superhuman partner. Rosemary and Jimmy believed mond Hill Queens. They knew the key to get- Before computers, faxes, and texts she stood some young person will be the next ting a column was “legwork.” Going out day right next to him as he pounded the keys of his great writer with a voice in this city. and night, all over the city they loved, look- Hermes Standard Typewriter. Rosemary would “Look out...some kid is going to ing to the other side of the street for a story. come out of nowhere and be big.” JB “If you gather a lot of stuff, then you write grab the copy and quickly dial the city desk, it, write in scenes with dialogue. Somewhere meticulously enunciating,” new paragraph, capital, period, close quote.” The editors were The Jimmy and Rosemary Breslin in the middle, rising from all this research “American Writer Award” is to honor a bundle of nerves holding the paper’s print- like strong metal towers, is your opinions.”JB future writers and all their tomorrows. Their lives centered around constant ing to the very last second. Literary mag- deadlines. Rosemary drove as Jimmy fe- nifi cence was made from a Queen’s kitchen. “Anything that isn’t writing is easy.” JB “You get a little picture COLUMN CONTEST CRITERIA: • 800 Words or Less that refl ects the whole, • A New York Story- Any Borough. • Reality- No Fiction. You can get the readers • Moving Prose • Have a good Ear & Listen for Quotes. Write the way people talk. interested in the life of one • Be Inspirational-Humorous • Keep Sentences Short guy and he can refl ect the • Original in the Angle of the Story. Jimmy always looked to the other side of the Street. • Legwork whole life around him. And Go out and fi nd your story in this city • Rage • Your Heart and Soul into the Story it’s a better picture than • Sharp writing. The use of Verbs. • Who, What, When, Why and Where the politicians can give.” Essential in your story • Submissions Due: April 16, 2018 JIMMY BRESLIN.

Copy Link

Recommended publications

“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one.
[Show full text]
Eleanor Roosevelt
○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ○○○○○○○○ Matters A Newsletter for The City University of New York • Fall 1998 FROM A HENRY ROTH MEMOIR Call It Writing: “Streetwise” in the City: A City College Epiphany Language and Culture on the Beat en years before publishing his By Leslee Oppenheim tal theme of this initiative, developed by classic novel Call It Sleep in 1934 Director of Curriculum and Instruction, CUNY for the NYPD, from Police Commis- T to mixed reviews, Henry Roth (pic- Adult and Continuing Education, Office of sioner Howard Safir’s opening remarks: tured right at about that time) began his Academic Affairs police officers who know about the lan- freshman year at the City College of New guage and culture of the communities they York. In one of several volumes of mem- leven hundred new NYPD officers, serve, equip themselves with powerful oirs Roth wrote late in life under the um- day-old graduates of the Police tools for ensuring the safety and well-being brella title Mercy of a Rude Stream, he EAcademy, file into darkened audito- of themselves, their colleagues, and the devoted more than 150 pages to his colle- riums at four CUNY campuses on July 2. public at large. giate days. This volume, A Diving Rock on The crackle of a police radio can be heard. the Hudson, was published by St. Martin’s As the lights dim, the volume rises. In total he newly-assigned officers in the audi- in 1995 (Picador paperback, 1996), which darkness now, the graduates hear a Tence that day are about to plunge into was also the year he died at the age of 89.
[Show full text]
Smith on Wry: Jack Smith, Columnist for Our Times,” Opens Feb
FOR IMMEDIATE RELEASE Jan. 29, 2008 CONTACT: Matt Stevens [email protected] 6264052167 New Exhibition, “Smith on Wry: Jack Smith, Columnist for Our Times,” Opens Feb. 15, 2008 Huntington Library installation will examine the late journalist’s life and his impact on readers across Southern California SAN MARINO, Calif.—Los Angeles Times columnist Jack Smith wrote daily for most of his 42year career with the paper, producing some 6,000 columns about life in the city. Along the way he became one of the most popular newspaper columnists in Southern California history; reading him was considered a daily “must.” He died in January 1996, just a few weeks after the appearance of his last column, on Christmas Day 1995. A new exhibition running at The Huntington Library, Art Collections, and Botanical Gardens from Feb. 15 to May 12, 2008, takes a look at Smith the journalist, family man, and social commentator. The Huntington acquired Smith’s papers in 2005. “Jack Smith had a way of looking at mundane and everyday things and ruminating on them in ways that were accessible on the one hand and provocative on the other,” says Sara S. “Sue” Hodson, curator of literary manuscripts at The Huntington and the show’s curator. “His beat was L.A., but he wrote larger stories of the human condition, wry and pithy observations on the foibles of people in changing times.” Hodson takes a page from Smith’s own columns, dividing her exhibition into the very same themes Smith explored in his columns: his Mt. Washington neighborhood; his family and household, including a passion for birds and disdain for cats; and his vacation house in Baja, with its incomparable landlord, Mr.
[Show full text]
2010 Berger List of Past Winners
2010 List of Berger Past Winners Years Awarded Awardees Company Name Description 1961 McCandlish Philips The New York Times Special Recognition 1961 David C. Miller The New York Herald Tribune 1961 Helen Dudar The New York Post 1962 Lewis Lapham Harper’s Magazine 1963 Pete Kihss The New York Times 1964 Charles Grutzner The New York Times 1964 Jimmy Breslin The New York Herald Tribune 1965 Homer Bigart The New York Times 1966 Robert M. Lipstye The New York Times 1966 William E. Blundell The Wall Street Journal 1967 Leonard Victor The Long Island Press 1967 Murray Schumach The New York Times 1968 J. Anthony Lukas The New York Times 1968 Felix Kressler The Walll Street Journal 1969 Archie Waters The Long Island Press 1969 Sy Safransky The Long Island Press 1969 Robert Mayer Newsday 1970 Richard Severo The New York Times Special Recognition 1970 Art Sears Jr. The Wall Street Journal 1970 Donald Moffitt The Wall Street Journal 1971 Jack Newfield The Village Voice 1971 Robert Mayer Newsday Special Recognition 1972 Diane Zimmerman The New York Daily News 1972 Paul Meskil The New York Daily News 1972 Joseph Martin The New York Daily News 1972 Ray Kestenbaum Special Recognition 1972 Frank Faso The New York Daily News 1973 John Hess The New York Times 1973 Barry Cunningham The New York Post 1974 Penelope McMillan The Sunday News 1974 Sonny Kleinfield The Wall Street Journal 1975 Peter Coutros The New York Daily News 1975 Diedre Carmody The New York Times 1976 Israel Shenker The New York Times 1976 Howard Blum The Village Voice 1977 Richard Severo The New York Times 1977 Denis Hamill The Village Voice 1978 Carey Winfrey Reader’s Digest Association 1978 Ricki Fulman The New York Daily News 1979 Kenneth Gross Newsday 1979 Francis X.
[Show full text]
Jimmy Breslin Was Right: There Is No More Beautiful Sight Than a Heaving Street Full of People
Viveros-Faune, Christian. “Los Carpinteros Moonwalk through the Crack-Up,” The Village Voice, May 22, 2013. Jimmy Breslin was right: There is no more beautiful sight than a heaving street full of people. In Havana, on a sun-baked afternoon, that sensuous humanist observation goes double. Picture a Times Square flash mob mugged by the hurly-burly of New Orleans' scrappy Treme. For those who haven't visited Fidel's island, a current show at Chelsea's Sean Kelly gallery opens a window onto some of its special genius, while also offering what scholarly types might term a critical history. Courtesy of two of Cuba's greatest living artists, the duo Los Carpinteros, this exhibition—besides holding up a convex mirror to carnival culture—takes a local view of a spiny global phenomenon: the epochal disillusionment that replaced the Left's hopes and dreams for billions of Cold War losers around the world. Courtesy Sean Kelly, New York A jolt felt intensely from Cambridge to Putting a fine point on political art Chongqing, utopianism's sudden ebb hit many intellectuals, writers, and artists in the United States and Europe like heroin withdrawal. But if cold turkey for the likes of Sean Penn and Naomi Wolf meant a short stint at Western liberalism's Hazelden clinic, their Cuban counterparts, along with the island's doctors, barkeeps, and street sweepers, continue to inhabit a nightmare scenario straight out of the film Juan of the Dead. Condemned to inhabit a country where escape from history is simply not possible, Cubans now—like many Russians, Chinese, Venezuelans, Iranians, and others—pass their days like zombies, not fully inhabiting this century's ambitions and never resurrecting the glories of the century that passed.
[Show full text]
Issues in Vendor/Library Relations -- Column People Bob Nardini Coutts Nfi Ormation Services, [email protected]
Against the Grain Volume 19 | Issue 3 Article 33 June 2007 Issues in Vendor/Library Relations -- Column People Bob Nardini Coutts nfI ormation Services, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Nardini, Bob (2007) "Issues in Vendor/Library Relations -- Column People," Against the Grain: Vol. 19: Iss. 3, Article 33. DOI: https://doi.org/10.7771/2380-176X.5390 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Issues in Vendor/Library Relations — Column People Column Editor: Bob Nardini (Group Director, Client Integration and Head Bibliographer, Coutts Information Services) <[email protected]> Of course there’s no such thing as “Column took down in odd moments on a pad of yellow write from a distant place. Blogs, we all know, People,” which was the point in naming this paper. They went on for page after page. Now have the immediacy that columns, or any column. Everyone understood right away, on that I think about it, the whole thing resembled writing in print, can’t have. But, what blogs the other hand, when in 2005 former ALA a blog. I might have posted somewhere, and principally have over columns, is this sense president Michael Gorman coined the phrase skipped this writing part. of belonging. “Blog People.” Gorman was referring to Which is another thing about bloggers. It starts with the names, with the way the people who write blogs, who follow blogs, who They have it so easy.
[Show full text]
Congressional Record—Senate S4287
May 9, 1997 CONGRESSIONAL RECORD Ð SENATE S4287 from Maryland [Ms. MIKULSKI] were this past year and who is unable to sell The Age of Kempton is over. Budding added as cosponsors of S. 713, a bill to her home to make ends meet because writers would do well to re-read and amend the Federal Food, Drug, and she would be required to give the Gov- emulate his work; public figures con- Cosmetic Act to allow for additional ernment 40 percent of the proceeds of tinue to thank and rue the day deferred effective dates for approval of the sale in capital gains tax. Ms. Linda Kempton chose them to be subject of applications under the new drugs provi- Blasengame has this message for all of his column; and for we who knew him, sions, and for other purposes. us here in Congress: only sorrow bursts through the cracks f I have lost so much and have always in our hearts today. fought back but I can't imagine the pain of I ask that the following articles TAX FREEDOM DAY having to lose my dignity too. Please, look about Murray Kempton be printed in · Mr. GORTON. Mr. President, today is inside your heart and help me and so many the RECORD at the conclusion of my re- National Tax Freedom DayÐthe day others that are in my shoes. I don't need marks. when families around the country fi- a handout, I need your help. [From the New York Post, May 9, 1997] nally start working for themselves and Congress must heed the cries for help KEMPTON'S FUNERAL ISA LESSON IN not for the Government.
[Show full text]
The Witness a Film by James Solomon
Five More Minutes Productions presents The Witness A Film by James Solomon World Premiered at the 53rd New York Film Festival (October 2015) 2015 / 89 minutes / USA www.kittygenovesefilm.com Press Contact: Sales Contact: Melissa Jacobson Submarine Five More Minutes Productions Josh Braun / Dan Braun [email protected] [email protected] 212-965-0020 [email protected] 212-625-1410 Five More Minutes Productions jj5-.5gn."5.,.65n."5&)),5R515),%655gffgg5R5.&955hgh8olk8ffhf5R5 295hgh8olk8ffhg Synopsis Fifty years ago, the name “Kitty Genovese” became synonymous with urban apathy after news that she was stabbed to death on a Queens street while 38 witnesses in nearby apartments did nothing. “For more than half an hour,” The New York Times report began, “38 respectable, law-abiding citizens... watched a killer stalk and stab a woman in three separate attacks... Not one person called the police.” Forty years later, her brother Bill, who was 16 at the time of his sister’s death, decides to find the truth buried beneath the story. In the process, he uncovers a lie that transformed his life, condemned a city, and defined an era. Both a probing investigation into an iconic crime and a devastating look at the effect Kitty’s murder had on those who loved her, The Witness illuminates how much stories shape the way we see ourselves and the world around us, and how important it is that those stories are built not only on facts, but on truths. It is a film that brings healing to the family who lost so much that cold March day in Kew Gardens, and asks us &&951".5)515)15"5).",>5 Director’s Statement Like many New Yorkers, I grew up familiar with the name, “Kitty Genovese”, and the infamous story of her ."95in5(#!"),-51."553)/(!51)'(5#(!5,*.&35-.5.)5."65-5# 5#(5(5'*"#.".,65 while none called the police.
[Show full text]
Violence, Political Attacks, Layoffs … and Still Doing Vital Work
NIEMAN REPORTS Violence, political attacks, layoffs … and still doing vital work Contributors The Nieman Foundation for Journalism at Harvard University Julia Keller (page 24), a 1998 Nieman www.niemanreports.org Fellow and former cultural critic at the Chicago Tribune, won the 2005 Pulitzer Prize for Feature Writing. “The Cold Way Home” (Minotaur Books), the eighth novel in her series set in her home state of West Virginia, will be published in August. She has taught writing at Princeton University, Notre Dame, and the University of Chicago. publisher Ann Marie Lipinski Lenka Kabrhelova (page 32), a 2018 editor Nieman Fellow, most recently was a James Geary creative producer and presenter at Czech senior editor Radio, the public radio broadcasting Jan Gardner network in the Czech Republic. Prior to editorial assistant that she was a U.S. correspondent for Eryn M. Carlson Czech Radio and a correspondent in Russia. Kabrhelova has reported from staff assistant nearly 20 diﬀ erent countries. She Shantel Blakely additionally worked for the BBC World design Service in Prague and in London. Pentagram Days after a mass shooting at The Capital newspaper, staff members march in the 4th of July parade in Annapolis, Maryland in 2018 editorial offices Michael Blanding (page 6) is a journalist One Francis Avenue, Cambridge, with more than 25 years of experience, MA 02138-2098, 617-496-6308, covering media, crime, culture, and the Contents Winter 2019 / Vol. 73 / No. 1 [email protected] environment. His work has appeared in The New York Times, Wired, Slate, and Copyright 2019 by the President and Features Departments Fellows of Harvard College.
[Show full text]
Doc Nyc Announces Full Lineup for Ninth Edition November 8-15, 2018
DOC NYC ANNOUNCES FULL LINEUP FOR NINTH EDITION NOVEMBER 8-15, 2018 Expanded Program Includes 42 World Premieres, 17 U.S. Premieres Among Over 300 Films and Events John Chester’s The Biggest Little Farm Opens Festival; World Premiere of Breslin and Hamill: Deadline Artists Closes Event World Premiere of New Documentary Now! Episode Screens as Centerpiece plus Conversation with Seth Meyers, Renee Elise Goldsberry, John Mulaney & more New Films by Barbara Kopple, Clay Tweel, Havana Marking, Roger Ross Williams, Kristi Jacobson, Orlando von Einsiedel, Tracy Droz Tragos, Judith A. Helfand, Marco Williams Special Guests include Rashida Jones, Wim Wenders, Michael Moore, Jakob Dylan, Jeffrey Wright, Sandra Lee, J. Cole, Darrell Hammond, Christo, Alex Sharp, Jay Maisel, Bakari Sellers, Lizz Winstead, The 5 Browns NEW YORK, Oct. 11, 2018 – DOC NYC, America’s largest documentary festival, announced the full lineup for its ninth edition, running November 8-15 at the IFC Center in Greenwich Village and Chelsea’s SVA Theatre and Cinepolis Chelsea. The 2018 festival includes 135 feature-length documentaries among over 300 films and events overall. Included are 42 world premieres and 17 U.S. or North American premieres, with more than 500 doc makers and special guests expected in person to present their films or participate on panels. Special Events announced today include Closing Night Film, the world premiere of HBO’s Breslin and Hamill: Deadline Artists, about the beloved New York City journalists Jimmy Breslin and Pete Hamill, directed by Jonathan Alter, John Block and Steve McCarthy; and the festival’s Centerpiece presentation, the world premiere of Original Cast Album: Co-op, an episode in the upcoming season of IFC’s Documentary Now! series inspired by D.A.
[Show full text]
The New York News Media and the Central Park Rape
THE NEW YORK NEWS MEDIA AND THE CENTRAL PARK RAPE Linda S. Lichter S. Robert Lichter Daniel Amundson 13 • V 1^1 THE AMERICAN JEWISH COMMITTEE, Institute of Human Relations, 165 East 56 Street, New York, NY 10022 2746 CENTER FOR MEDIA AND PUBLIC AFFAIRS «ft / ^\ A^L 2101 L Street. N.W. • Suite 505 • Washington, D.C. 20037 V. \i• / C (7 ^7 Linda S. Lichter, Ph.D., is a sociologist specializing in public opinion and political sociology. S. Robert Lichter, Ph.D., is a political scientist specializing in mass media and research methods. They are co-directors of the Center for Media and Public Affairs in Washington, D.C. Daniel Amundson, a graduate student in sociology at George Washington University, is research director at the Center. Copyright © 1989 The American Jewish Committee All rights reserved Executive Summary The rape of a jogger in New York's Central Park this spring touched off a controversy over the media's reporting of interracial crimes. Charges of sensationalism and racism were raised and debated. We have analyzed the topics, themes, and language of local media coverage for two weeks after the attack (April 20 to May 4). Using the method of content analysis, we examined 406 news items in New York's four daily newspapers, the weekly Amsterdam News, and evening newscasts of the city's six television stations. Although the racial element was conspicuous in this story, the content analysis found no evidence that media coverage played on racial fears or hatreds. On the contrary, the question of race was repeatedly raised in order to deny its relevance to the crime, to warn against reviving racial tension, and to call for a healing process to defuse racial animosity.
[Show full text]
International Association for Literary Journalism Studies Vol
Literary Journalism Studies The Journal of the International Association for Literary Journalism Studies Vol. 8, No. 1, Spring 2016 –––––––––––––––– Information for Contributors 4 Note from the Editor 5 ––––––––––––––––– Echoes of an African Drum: The Lost Literary Journalism of 1950s South Africa by Lesley Cowling 7 Re-reading Code: Representation, Verification, and a Case of Epistemic (Ir)responsibility by Lindsay Morton 34 Beyond the Program Era: Tracy Kidder, John D’Agata, and the Rise of Literary Journalism at the Iowa Writers’ Workshop by David Dowling 52 Playful Imitation at Work: The Formation of a Danish “Gonzo Thingummy” by Christine Isager 78 Overreacting with Style: Danish Football According to Morten Sabroe, with an Introduction by Christine Isager by Morten Sabroe 97 A Narratological Approach to Literary Journalism: How an Interplay between Voice and Point of View May Create Empathy with The Other by Cecilia Aare 106 Research Review: Recent Trends and Topics in Literary Journalism Scholarship by Miles Maguire 140 Scholar-Practitioner Q+A Bill Reynolds Interviews John Vaillant on Shifting from Nonfiction to Fiction 152 Book Reviews Richard Lance Keeble on The Aesthetics of Experience, James Silas Rogers on Man in Profile, Amber Roessner on The Routledge Handbook of Magazine Research, Kate McQueen on One of Us, Ashlee Nelson on Gonzo Text, and Rosemary Armao on The Rainy Season 167 ––––––––––––––––– Mission Statement 186 International Association for Literary Journalism Studies 187 2 Literary Journalism Studies, Vol. 8, No. 1, Spring 2016 Copyright © 2016 International Association for Literary Journalism Studies All rights reserved Website: www.literaryjournalismstudies.org Literary Journalism Studies is the journal of the International Association for Literary Journalism Studies and is published twice yearly.
[Show full text]