Medical Emergency Numbers and Hospitals FAO Rome
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Byzantine Art
Byzantine Art 1 Chapter 3.2 Art of the Middle Ages PART 3 HISTORY AND CONTEXT Byzantine Art . Emperor Justinian great patron of the arts Funded Hagia Sophia, Constantinople . Mosaic made from glass tesserae In Byzantine churches to reflect light . Icons-venerated, believed to possess powers of healing https://www.youtube.com/watch?v=B6c9adXfvSM Intro to Medieval Art Gateways to Art: Understanding the Visual Arts, Debra J. DeWitte, Ralph M. Larmann, M. Kathryn Shields Byzantine Terms Art and Architecture • Good Shepherd imagery: blended depictions of a Christ- like figure that merged pagan figural styles with Early Christian meaning. • Iconoclasm: literally translates as “image breaking”; a period of the destruction of religious imagery for fear of idolatry. • Mandorla: an almond-shaped enclosure encircling depictions of Christ. • Mosaic: patterns or pictures made by embedding small pieces (tesserae) of stone or glass in cement on surfaces such as walls and floors. • Orants: figural depictions of worshippers, denoted by their raised, outstretched arms. 3 Samuel anoints David, detail of the mural paintings in the syna-gogue, Syria, ca. 245–256. Tempera on plaster, 47 high. Early Jewish murals often told a narrative 4 Catacomb of Commodilla, Via Ostiense, Rome, Italy, ca. 370–385 http://www.youtube.com/watch?v=zXRAU23X9Zs Catacomb tour 5 Christ seated, from, Italy, ca. 350–375. Marble, 2’ 41/2” high. Museo Nazionale Romano–Palazzo Massimo alle Terme, Rome. A blending of Greco-Roman style and what will be Early Christian style artwork. The result is a strange amalgam: realistic and ideal, but somehow “wrong”. The legs seem too short and the fabric looks less skillfully handled. -
716A774f4a2b6625fc8ec763e06
The International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XLII-5/W1, 2017 GEOMATICS & RESTORATION – Conservation of Cultural Heritage in the Digital Era, 22–24 May 2017, Florence, Italy USE OF 3D TECHNOLOGIES WITHIN THE CONSERVATION OF THE ANCIENT WINDOWS OF THE BASILICA OF S. SABINA IN ROME. CONSTRUCTION OF EXHIBITION STANDS IN CARBON COMPOSITE ON A MILLED STRUCTURE. A. Iaccarino Idelsona,*, S. Pannuzib, A. Brunettoc, G. Galantid, C. Giovannoneb, V. Massab, C. Serinoa, F. Vischettib a Equilibrarte srl, 00179 Rome, Via Centuripe 34, Italy - [email protected] b Istituto Superiore per la Conservazione e il Restauro, 00153 Rome, via di San Michele 25, Italy – (simona.pannuzi, carla.giovannone, valeria.massa, flavia.vischetti)@beniculturali.it c Restauri Brunetto, 36100 Vicenza, Italy - [email protected] d Fabrica Conservazione e Restauro scpl, 00138 Roma, Via Ludovico da Casoria 11, Italy - [email protected] KEY WORDS: 3-D milling, 3-D modeling, exhibition stands, carbon fiber composite, laser cleaning, fragmented artifact, counterforms, restoration. Abstract Rare and precious window elements from the Paleochristian Basilica of Saint Sabina in Rome, made of plaster gypsum with translucent selenite used as glass for light transmission, were discovered by Antonio Muñoz during the restoration of the building at the beginning of the 20th c. Originally standing within the stone window frame, were then mounted on wood planks with screws for holding together the scattered fragments. The surfaces were covered with grime and the selenite elements were blinded by the wooden supports. During the recent conservation treatment at ISCR, traces of Egyptian blue on the internal surfaces were detected. -
Ferrovia Roma – Lido Di Ostia Andamento 1° Quadrimestre 2016 Interventi E Programmi Di Azione
Ferrovia Roma – Lido di Ostia Andamento 1° quadrimestre 2016 Interventi e programmi di azione maggio 2016 Roma Porta San Paolo – Lido di Ostia Porta San Paolo Basilica San Paolo Tor di Valle: progetto avviato nuovo fabbricato viaggiatori EUR Magliana Deposito officina Magliana Acilia Sud: costruenda stazione Vitinia Casal Bernocchi Acilia Ostia Antica Lido di Ostia Nord Lido di Ostia Centro Stella Polare Castel Fusano Cristoforo Colombo 1 Roma-Lido di Ostia: Dotazioni Stazioni/Fermate Scale Accessibilità Biglietterie Stazioni Ascensori WC MEB Parcheggio mobili bici Atac C.Colombo 2 2 Castel Fusano 2 2 Stella Polare 2 P10 posti 1 Lido Centro 2 P10 posti 2 Lido Nord 2 P10 posti 1 Ostia Antica in costruzione 2 2 Acilia 2 P10 posti 1 Casal Bernocchi - Centro 3 1 Giano Vitinia 3 P10 posti 1 PS Tor di Valle 2 Magliana 2 4 PS Basilica S. Paolo 2 P10 posti 4 5 (Lato Porta S. Paolo P20 posti Piramide) 2 Ferrovia Roma – Lido di Ostia: fatti e risultati 1) Il servizio nel 1° quadrimestre 2016 2) Mancata produzione per soppressione corse 3) Gli interventi sul personale viaggiante 4) Gli interventi sulla flotta di treni 5) La produzione di maggio 2016 6) Eventi critici (evacuazione treno fermo in linea) 7) Incremento standard servizio: pulizie ed informazioni all’utenza 8) Affidabilità servizio: interventi in corso su infrastrutture ed impianti 9) Criticità e aree d’intervento 10) Investimenti: quadro esigenziale 11) Trasformazione in metropolitana: stima degli interventi 3 Servizio erogato (1° quadrimestre 2016) Corse 5.187 Programmate 4.935 4.989 -
Ah Timeline Images ARCHITECTURE
8. STONEHENGE 12. WHITE TEMPLE & ZIGGURAT, URUK c. 2,500 - c. 3,500 - 1,600 BCE 3,000 BCE monolithic Sumerian sandstone Temple henge present day present day Wiltshire, UK Warka, Iraq SET 1: GLOBAL PREHISTORY 30,000 - 500 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 17. GREAT PYRAMIDS OF GIZA 20. TEMPLE OF AMUN-RE & HYPOSTYLE HALL c. 2,550 - c. 1,250 BCE 2,490 BCE cut sandstone cut limestone / and brick Khufu Egyptian Khafre / Sphinx Menkaure temple present day Karnak, near Cairo, Egypt Luxor, Egypt SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 21. MORTUARY TEMPLE OF HATSHEPSUT 26. ATHENIAN AGORA c. 1,490 - 600 BCE - 1,460 BCE 150 CE slate eye civic center, makeup ancient Athens palette present day Egyptian Athens, Museum, Cairo Greece SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 30. AUDIENCE HALL OF DARIUS & XERXES 31. TEMPLE OF MINERVA / SCULPTURE OF APOLLO c. 520 - 465 c. 510 - 500 BCE BCE Limestone Wood, mud Persian brick, tufa Apadana temple / terra SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE cotta sculpture Persepolis, Iran Veii, near Rome SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 35. ACROPOLIS ATHENS, GREECE 38. GREAT ALTAR OF ZEUS & ATHENA AT PERGAMON c. 447 - 424 c. 175 BCE BCE Hellenistic Iktinos & Greek Kallikrates, marble altar & Marble temple complex sculpture Present day Antiquities Athens, Greece Museum , Berlin SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE SET 2: ANCIENT MEDITERRANEAN 3,500 - 300 BCE 39. -
The Roman Funerary Commemoration of Children
A LIFE UNLIVED: THE ROMAN FUNERARY COMMEMORATION OF CHILDREN A LIFE UNLIVED: THE ROMAN FUNERARY COMMEMORATION OF CHILDREN FROM THE FIRST CENTURY BC TO THE MID-SECOND CENTURY AD By BARBARA NANCY SCARFO, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University © Copyright by Barbara Nancy Scarfo, September 2012 M. A. Thesis – B. N. Scarfo; McMaster University – Classics. McMaster University MASTER OF ARTS (2012) Hamilton, Ontario (Classics) TITLE: A Life Unlived: The Roman Funerary Commemoration of Children From the First Century BC to the Mid-Second Century AD AUTHOR: Barbara Nancy Scarfo, B.A. (McMaster University) SUPERVISOR: Dr. Michele George NUMBER OF PAGES: (vii) (128) ii M. A. Thesis – B. N. Scarfo; McMaster University – Classics. ABSTRACT This thesis is concerned with the representation of children on sculptural funerary commemoration, with a focus on freedmen panel reliefs and funerary altars. Although there is evidence found from all regions of the Empire, the majority of the material discussed here is from the city of Rome itself. Representations of young children first appear on freedmen panel reliefs, which date to the end of the Republic and were produced into the first century of the Empire. When this genre declined in popularity at the end of the first century AD, funerary altars emerged as the new, preferred form of commemoration. The goal of this thesis is to show that these two types of funerary monuments reveal much about the children themselves, but also provide insight into the social and cultural identity of their parents. -
Transportation in Rome
INFORMATION NOTE FOR YOUR VISIT TO ROME AND FAO HEADQUARTERS TABLE OF CONTENTS ROME AIRPORTS AND TRANSPORTATION TO THE CENTRE.................................................. 2 AIRPORTS (See www.adr.it for airport details) ..................................................................... 2 From Fiumicino Airport ..................................................................................................... 2 From Ciampino Airport ...................................................................................................... 3 LOCAL TRANSPORTATION IN ROME ....................................................................................... 4 PUBLIC TRANSPORTATION .................................................................................................. 4 TAXI ........................................................................................................................................ 4 USEFUL WEB SITES FOR TRANSPORTATION .......................................................................... 5 ACCOMMODATION IN ROME ................................................................................................... 5 HOTELS LOCATED CLOSE TO FAO ........................................................................................ 6 USEFUL WEB SITES FOR VISITING ROME ................................................................................ 7 OTHER IMPORTANT INFORMATION………………………………………………….............8 Emergency Telephone Numbers in Rome……………………………………………...... 8 Personal security ............................................................................................................... -
Ovid at Falerii
University of Pennsylvania ScholarlyCommons Departmental Papers (Classical Studies) Classical Studies at Penn 2014 The Poet in an Artificial Landscape: Ovid at Falerii Joseph Farrell University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/classics_papers Part of the Classics Commons Recommended Citation (OVERRIDE) Farrell, Joseph. (2014). “The Poet in an Artificial Landscape: Ovid at alerii.F ” In D. P. Nelis and Manuel Royo (Eds.), Lire la Ville: fragments d’une archéologie littéraire de Rome antique (pp. 215–236). Bordeaux: Éditions Ausonius. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/classics_papers/128 For more information, please contact [email protected]. The Poet in an Artificial Landscape: Ovid at Falerii Abstract For Ovid, erotic elegy is a quintessentially urban genre. In the Amores, excursions outside the city are infrequent. Distance from the city generally equals distance from the beloved, and so from the life of the lover. This is peculiarly true of Amores, 3.13, a poem that seems to signal the end of Ovid’s career as a literary lover and to predict his future as a poet of rituals and antiquities. For a student of poetry, it is tempting to read the landscape of such a poem as purely symbolic; and I will begin by sketching such a reading. But, as we will see, testing this reading against what can be known about the actual landscape in which the poem is set forces a revision of the results. And this revision is twofold. In the first instance, taking into account certain specific eaturf es of the landscape makes possible the correction of the particular, somewhat limited interpretive hypothesis that a purely literary reading would most probably recommend, and this is valuable in itself. -
Giovanni Battista Contini
Giovanni Battista Contini Italian architect of the Late Baroque period (1641-1723) Son of Francesco and Agata Baronio was born in Rome on May 7, 1642. He had the first training of an architect by his father who "nobility educated him and sent to all the schools to which the nobles were subjected", but he also perfected under Gian Lorenzo Bernini. He was so attached to the great master that he would assist him to death and to have a portrait of him "printed on canvas with black frame". The first important commission of CONTINI to be known seems to be the erection of the catafalco for Alexander VII (1667). arrived through Bernini. In Rome, in addition to carrying out practical duties such as those of measuring and architect of the Apostolic Chamber and Architect of the Virgin Water, in which he succeeded Bernini (1681-1723), he dedicated himself particularly to the erection of family chapels and altars; but his main activity soon moved to different places and often far from Rome, and yet in the papal state. Three years after the death of Bemini, in 1683, CONTINI became principal of the Accademia di S. Luca, succeeding Luigi Garzi in a prestigious duty function as indicative of the professional stature he had reached at that time. In the Academy, however, he was disappointed, demonstrating in a way too obvious that his interest focused on practicing the profession. In 1696 he was judged in the banned competition on the occasion of the first centenary of the Academy, but no other activities for this institution were known until 1702, when he worked as an instructor Along with Francesco Fontana, Sebastiano Cipriani, Carlo Buratti and Carlo Francesco Bizzaccheri. -
English Speaking Doctors and Medical Facilities in the Rome Consular District
English Speaking Doctors and Medical Facilities in the Rome Consular District (The Rome district contains the regions of Lazio, Abruzzo, Marche, Umbria and Sardinia) Disclaimer: The U.S. Embassy in Rome assumes no responsibility for the professional ability or reputation of the persons or medical facilities whose names appear on the lists. Inclusion on these lists is in no way an endorsement by the Department of State or the U.S. Embassy. Names are listed alphabetically and the order in which they appear has no other significance. The information on the lists regarding professional credentials and areas of expertise is provided directly by the medical professional, medical facility or ambulance service. The U.S. Embassy is not in a position to vouch for such information. You may receive additional information about the individuals by contacting the local medical boards and associations or the local licensing authorities. • Public Hospitals in Rome • Private Hospitals in Rome • List of Doctors in Rome • Other Public Hospitals within the Consular District of Rome • Ambulance services in Rome • Laboratories in Rome • Pharmacies & Opticians in Rome PUBLIC HOSPITALS IN ROME PLEASE NOTE: The following color code has been created to facilitate locating public hospitals in the city of Rome. COLOR CODE: Black = Center (for example, Vatican, U.S. Embassy, Piazza del Popolo, Colosseum, Pantheon, Termini Train Station), Blue = West (for example, Fiumicino Airport, Via Aurelia, San Giovanni Cathedral, Villa Pamphili), Red = North (for example, Viale -
Socio-Spatial Inequalities and Urban Transformation. the Case of Rome
Socio-Economic Planning Sciences xxx (xxxx) xxx–xxx Contents lists available at ScienceDirect Socio-Economic Planning Sciences journal homepage: www.elsevier.com/locate/seps Socio-spatial inequalities and urban transformation. The case of Rome districts ∗ Keti Leloa, Salvatore Monnib, , Federico Tomassic a Department of Business Studies, Roma Tre University, Via Silvio D'amico 77, Rome, 00145, Italy b Department of Economics, Roma Tre University; Via Silvio D'amico 77, Rome, 00145, Italy c Italian Agency for Territorial Cohesion, Rome, Via Sicilia 162, Rome, 00187, Italy ARTICLE INFO ABSTRACT Keywords: Over the past thirty years, public policy in Rome has failed to effectively address a rising level of socio-economic Socio-spatial inequalities inequality. Indicators such as level of education or number of household members appear to be geographically Mapping concentrated and sensitive to the distance from the city centre. The hypothesis that socio-spatial inequalities Periphery strongly influence economic performance and foster political instability has been subject to numerous empirical Rome investigations. Nevertheless, studies of specific urban contexts are not common. The absence of empirical ap- plications at this scale is probably due to the fact that variables used for analysing the economic and social performance of regions are difficult to quantify or inapplicable at the micro level. The purpose of this paperisto examine the spatial distribution of socioeconomic inequalities in the municipal territory of Rome and to explore the conditions that account for them. We will analyse the spatial distribution of urban quality indicators and socio-economic profiles with data from different sources, aggregated at the neighbourhood level. 1. -
Henderson Street Names A
Henderson Street Names STREET NAMEP* FIRE SAM NUMBERING ADDRESS LOCATION MAP MAP STARTS/ENDS A Abbeystone Circle 3728-94 86 Mystical / 360’ CDS 2484-2495 Sunridge Lot 21 Abbington Street 3328-43 77 Courtland / Muirfield 300-381 Pardee GV South Abby Avenue 3231-64 120 Dunbar / Sheffield 1604-1622 Camarlo Park Aberdeen Lane 3229-23 102 Albermarle / Kilmaron 2513-2525 Highland Park Abetone Avenue 4226-16 422 CDS/Cingoli Inspirada Pod 3-1 Phase 2 Abilene Street (Private 3637-94, 260 Waterloo / Mission / San 901-910 Desert Highlands; Blk Mt Ranch within Blk Mtn Ranch) 3737-14 Bruno Ability Point Court 3533-48 169 Integrity Point / 231-234 Blk Mt Vistas Parcel C Unit 3 Abracadabra Avenue 3637-39 259 Hocus Pocus / Houdini 1168-1196 Magic View Ests Phs 2 Abundance Ridge Street 3533-46/56 169 Solitude Point / Value 210-299 Blk Mt Vistas Parcel C Unit 2, 3 Ridge Acadia Parkway 3332-92 143 Bear Brook/American Acadia Phase I Pacific Acadia Place 3329-63 99 Silver Springs / Big Bend No #’s Parkside Village Acapulco Street 3638-42 270 DeAnza / Encanto 2005-2077 Villa Hermosa Accelerando Way 3236-85 233 Barcarolle/Fortissimo Cadence Village Phase 1-G4 Ackerman Lane 3329-16 100 Magnolia / CDS 400-435 The Vineyards Acorn Way 3427-52 54 Wigwam / Pine Nut No #’s Oak Forest Acoustic Street 3537-29 257 Canlite / Decidedly 1148-1176 The Downs Unit 3 Adagietto Drive 3828- 87, 88 Moresca / Reunion 1361-1399 Coventry Homes @ Anthem 3, 4 66/56/46 Adagio Street 3728-11 85 Anchorgate / Day Canyon 801-813 Sunridge Lot 18 Adams Run Court 3735-63 218 155' CDS -
Constantine Triumphal Arch 313 AD Basilica of St. Peter Ca. 324
Constantine Triumphal Arch 313 AD Basilica of St. Peter ca. 324 ff. Old St. Peter’s: reconstruction of nave, plus shrine, transept and apse. Tetrarchs from Constantinople, now in Venice Constantine defeated the rival Augustus, Maxentius, at the Pons Mulvius or Milvian Bridge north of Rome, at a place called Saxa Rubra (“Red rocks”), after seeing a vision (“In hoc signo vinces”) before the battle that he eventually associated with the protection of the Christian God. Maxentius’s Special Forces (Equites Singulares) were defeated, many drowned; the corps was abolished and their barracks given to the Bishop of Rome for the Lateran basilica. To the Emperor Flavius Constantinus Maximus Father of the Fatherland the Senate and the Roman People Because with inspiration from the divine and the might of his intelligence Together with his army he took revenge by just arms on the tyrant And his following at one and the same time, Have dedicated this arch made proud by triumphs INSTINCTV DIVINITATIS TYRANNO Reconstruction of view of colossal Sol statue (Nero, Hadrian) seen through the Arch of Constantine (from E. Marlow in Art Bulletin) Lorsch, Germany: abbey gatehouse in the form of a triumphal arch, 9th c. St. Peter’s Basilicas: vaulted vs. columns with wooden roofs Central Hall of the Markets of Trajan Basilica of Maxentius, 3018-312, completed by Constantine after 313 Basilica of Maxentius: Vaulting in concrete Basilica of Maxentius, 3018-312, completed by Constantine after 313 Monolithic Corinthian column from the Basilica of Maxentius, removed in early 1600s by Pope Paul V and brought to the piazza in front of Santa Maria Maggiore Monolithic Corinthian column from the Basilica of Maxentius, removed in early 1600s by Pope Paul V and brought to the piazza in front of Santa Maria Maggiore BATHS OF DIOCLETIAN 298-306 AD Penn Station NY (McKim, Mead, and White) St.