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Painful Past, Fragile Future the Delicate Balance in the Western Balkans Jergović, Goldsworthy, Vučković, Reka, Sadiku Kolozova, Szczerek and Others
No 2(VII)/2013 Price 19 PLN (w tym 5% VAT) 10 EUR 12 USD 7 GBP ISSN: 2083-7372 quarterly April-June www.neweasterneurope.eu Painful Past, Fragile Future The delicate balance in the Western Balkans Jergović, Goldsworthy, Vučković, Reka, Sadiku Kolozova, Szczerek and others. Strange Bedfellows: A Question Ukraine’s oligarchs and the EU of Solidarity Paweï Kowal Zygmunt Bauman Books & Reviews: Tadeusz Mazowiecki, Mykola Riabchuk, Robert D. Kaplan and Jan Švankmajer Seversk: A New Direction A Siberian for Transnistria? Oasis Kamil Caïus Marcin Kalita Piotr Oleksy Azerbaijan ISSN 2083-7372 A Cause to Live For www.neweasterneurope.eu / 13 2(VII) Emin Milli Arzu Geybullayeva Nominated for the 2012 European Press Prize Dear Reader, In 1995, upon the declaration of the Dayton Peace Accords, which put an end to one of the bloodiest conflicts in the former Yugoslavia, the Bosnian War, US President, Bill Clinton, announced that leaders of the region had chosen “to give their children and their grandchildren the chance to lead a normal life”. Today, after nearly 20 years, the wars are over, in most areas peace has set in, and stability has been achieved. And yet, in our interview with Blerim Reka, he echoes Clinton’s words saying: “It is the duty of our generation to tell our grandchildren the successful story of the Balkans, different from the bloody Balkans one which we were told about.” This and many more observations made by the authors of this issue of New Eastern Europe piece together a complex picture of a region marred by a painful past and facing a hopeful, yet fragile future. -
LITUANUS Cumulative Index 1954-2004 (PDF)
LITUANUS Cumulative Index 1954-2004 Art and Artists [Aleksa, Petras]. See Jautokas. 23:3 (1977) 59-65. [Algminas, Arvydas]. See Matranga. 31:2 (1985) 27-32. Anderson, Donald J. “Lithuanian Bookplates Ex Libris.” 26:4 (1980) 42-49. ——. “The Art of Algimantas Kezys.” 27:1 (1981) 49-62. ——. “Lithuanian Art: Exhibition 90 ‘My Religious Beliefs’.” 36:4 (1990) 16-26. ——. “Lithuanian Artists in North America.” 40:2 (1994) 43-57. Andriußyt∂, Rasa. “Rimvydas Jankauskas (Kampas).” 45:3 (1999) 48-56. Artists in Lithuania. “The Younger Generation of Graphic Artists in Lithuania: Eleven Reproductions.” 19:2 (1973) 55-66. [Augius, Paulius]. See Jurkus. 5:4 (1959) 118-120. See Kuraus- kas. 14:1 (1968) 40-64. Außrien∂, Nora. “Außrin∂ Marcinkeviçi∆t∂-Kerr.” 50:3 (2004) 33-34. Bagdonas, Juozas. “Profile of an Artist.” 29:4 (1983) 50-62. Bakßys Richardson, Milda. ”Juozas Jakßtas: A Lithuanian Carv- er Confronts the Venerable Oak.” 47:2 (2001) 4, 19-53. Baltrußaitis, Jurgis. “Arts and Crafts in the Lithuanian Home- stead.” 7:1 (1961) 18-21. ——. “Distinguishing Inner Marks of Roerich’s Painting.” Translated by W. Edward Brown. 20:1 (1974) 38-48. [Balukas, Vanda 1923–2004]. “The Canvas is the Message.” 28:3 (1982) 33-36. [Banys, Nijol∂]. See Kezys. 43:4 (1997) 55-61. [Barysait∂, DΩoja]. See Kuç∂nas-Foti. 44:4 (1998) 11-22. 13 ART AND ARTISTS [Bookplates and small art works]. Augusts, Gvido. 46:3 (2000) 20. Daukßait∂-Katinien∂, Irena. 26:4 (1980) 47. Eidrigeviçius, Stasys 26:4 (1980) 48. Indraßius, Algirdas. 44:1 (1998) 44. Ivanauskait∂, Jurga. 48:4 (2002) 39. -
Universities (17) Colleges (17) the National and Special Libraries
LITHUANIAN RESEARCH LIBRARY CONSORTIUM (LMBA) Universities (17) ................................................................................................................ 1 Colleges (17) ..................................................................................................................... 1 The National and special libraries (3) ............................................................................... 1 Research Institutes (6) ....................................................................................................... 2 County public libraries (5) ................................................................................................ 2 Universities (17) No. Institution 1. European Humanities University 2. General Jonas Žemaitis Military Academy of Lithuania 3. ISM University of Management and Economics 4. Kaunas University of Technology 5. Kazimieras Simonavičius University 6. Klaipėda University 7. LCC International University 8. Lithuanian Sports University 9. Lithuanian Music and Theatre Academy 10. Lithuanian University of Health Sciences 11. Mykolas Romeris University 12. Šiauliai University 13. Vilnius Academy of Arts 14. Vilnius Gediminas Technical University 15. Vilnius St. Joseph’s Seminary 16. Vilnius University 17. Vytautas Magnus University Colleges (17) No. Institution 18. Alytus College 19. Kaunas College 20. Kaunas University of Applied Engineering Sciences 21. Klaipėda State College 22. Kolping University of Applied Science 23. Lithuanian Maritime Academy 24. Marijampole College -
Vilniaus Dailės Akademija Vilnius Academy of Arts
VILNIAUS DAILĖS AKADEMIJA VILNIUS ACADEMY OF ARTS Agnė Kuzmickaitė-Prūsaitienė Meno projektas KASDIENYBĖ KAIP KŪRYBOS INSPIRACIJA. DIZAINERIO SAVIREFLEKSIJA Art Project THE EVERYDAY AS A CREATIVE INSPIRATION : DESIGNER’S SELF- REFLECTION Meno doktorantūra, Meno sritis, Dizaino kryptis W200 (P02) Art Doctorate, Design W200 (P02) Vilnius, 2017 Meno projektas rengtas Vilniaus dailės akademijoje 2010–2017 metais KŪRYBINĖS DALIES VADOVĖ: Prof. Jolanta Talaikytė Vilnius dailės akademija, dizainas P02, kostiumo dizainas TIRIAMOSIOS DALIES VADOVAS: Doc. dr. Nerijus Milerius Vilniaus universitetas, humanitariniai mokslai, filosofija 01H Meno projektas ginamas Vilniaus dailės akademijoje Meno doktorantūros dizaino krypties gynimo taryboje: PIRMININKĖ: Doc. dr. Deima Katinaitė Vilniaus dailės akademija, dizainas P02 NARIAI: Prof. Audrius Klimas Vilniaus dailės akademija, dizainas P02, grafinis dizainas Gintaras Sodeika Lietuvos muzikos ir teatro akademija, muzika P03, kompozicija Doc. dr. Agnė Narušytė Vilniaus dailės akademija, humanitariniai mokslai, menotyra 03H Dr. Agnès Rocamora London College of Fashion, University of the Arts London, socialiniai mokslai, sociologija 05S Meno projektas ginamas viešame Meno doktorantūros dizaino krypties gynimo tarybos posėdyje 2017 m. spalio 27 d. 14 val. VDA parodų erdvėje „Titanikas“, Ia. (Maironio g. 3, Vilnius). Meno projektas ir jo santrauka išsiųsta 2017 m. rugsėjo 27 d. Su disertacija galima susipažinti Lietuvos nacionalinėje Martyno Mažvydo, Vilniaus dailės akademijos bibliotekose. © Agnė Kuzmickaitė 2017 ISBN 978-609-447-242-8 2 The Artistic Research Project was carried out at Vilnius Academy of Arts during the period of 2010–2017 ART PROJECT SUPERVISION: Prof. Jolanta Talaikytė Vilnius Academy of Arts, Design P02, Costume Design THESIS SUPERVISION: Doc. dr. Nerijus Milerius Vilnius University, Humanities, Philosophy 01H The Artistic Research Project will be defended in an oral examination before the Academic Board of Design at Vilnius Academy of Arts composed of the following members: CHAIRPERSON: Assoc. -
Dark Times: Art and Artists of Vilnius in 1939–1941
326 Dark Times: Art and Artists of Vilnius in 1939–1941 Giedrė Jankevičiūtė Vilnius Academy of Arts Maironio St. 6, LT-01124 Vilnius e-mail: [email protected] The aim of this paper is to discuss and reconstruct in general fe- atures the reality of the Vilnius artistic community from late autumn 1939 to June 1941. This period of less than two years significantly changed the configuration of the artistic community of the city, the system of institutions shaping the art scene as well as the artistic goals. It also brought forth new names and inspired new images. These changes were above all determined by political circumstances: the war that broke out in Poland on 1 September 1939; the ceding of Vilnius and the Vilnius region to Lithuania; two Soviet occupations: in the autumn of 1939 and June 1940, and the subsequent Nazi occupation a year later. The influence of politics on the art scene and the life of artists has been explored in institutional and other aspects by both Lithuanian and Polish art historians, but the big picture is not yet complete, and the general narrative is still under construction. A further aim of this paper is to highlight some elements that have not received sufficient atten- tion in historiography and that are necessary for the reconstruction of the whole. Some facts of cooperation or its absence among artists of various ethnicities are presented, and the question is raised on the extent to which these different groups were affected by Sovietisation, and what impact this fragmentation had on the city’s art scene. -
The Development of Creative Industries: the Case of Lithuanian Fashion Design Companies
ISSN 2029–2236 (print) ISSN 2029–2244 (online) SOCIALINIŲ MOKSLŲ STUDIJOS SOCIETAL STUDIES 2014, 6(1), p. 34–66. THE DEVELOPMENT OF CREATIVE INDUSTRIES: THE CASE OF LITHUANIAN FASHION DESIGN COMPANIES Mindaugas Laužikas International Business School at Vilnius University Saulėtekio av. 22, LT-10225 Vilnius, Lithuania E-mail: [email protected] Rasa Mokšeckienė International Business School at Vilnius University Saulėtekio av. 22, LT-10225 Vilnius, Lithuania E-mail: [email protected] Pateikta 2013 m. liepos 25 d.; parengta spausdinti 2014 m. gegužės 25 d. doi:10.13165/SMS-14-6-1-03 Abstract. The analysis of creative industries and, in particular, the specificity of managing creative companies require not only understanding of concepts, such as the creativity, arts and business, but also understanding of creative industries in a broader sense, which varies from one country to another; thus, to get a comprehensive image of creative industries, various classifications, activities and further development possibilities should be examined. There should be the international trade in creative goods and services and its added-value scrutinized. A proportionally large part of this publication is oriented to the analysis of data regarding the demand for arts in global markets and the international trade, as well as the evaluation of contributions of arts to economy, its profitability, regional growth trends, employment and increasing competition among local companies. The research question of the present article is as follows: are development and management of companies that belong to creative industries efficient, and what Socialinių mokslų studijos / Societal Studies ISSN 2029–2236 (print), ISSN 2029–2244 (online) Mykolo Romerio universitetas, 2014 http://www.mruni.eu/lt/mokslo_darbai/SMS/ Mykolas Romeris University, 2014 http://www.mruni.eu/en/mokslo_darbai/SMS/ Societal Studies. -
Compact Discs and Dvds - Popular, Jazz, Ethno Recent Releases - Spring 2016
Compact Discs and DVDs - Popular, Jazz, Ethno Recent Releases - Spring 2016 Compact Discs 300 Entertainment Highly Suspect. Mister Asylum. 1 sound disc $13.98 300 Entertainment ©2015 TZZE 549128 2 857561005599 Contents: Mister Asylum -- Lost -- Lydia -- Bath Salts -- 23 / Sasha Dobson -- Mom -- Bloodfeather -- F*** Me Up -- Vanity -- Claudeland. Parental Advisory: Explicit Content. Grammy Nominee 2016: Best Rock Album. http://www.tfront.com/p-390736-mister-asylum.aspx Wap, Fetty. Fetty Wap. 1 sound disc $18.98 300 Entertainment ©2015 TZZE 552469 2 814908020226 Contents: Trap Queen -- How We Do Things -- 679 -- Jugg -- Trap Luv -- I Wonder -- Again -- My Way -- Time -- Boomin -- RGF Island -- D.A.M -- No Days Off -- I'm Straight -- Couple Bands -- Rock My Chain -- Rewind. http://www.tfront.com/p-393642-fetty-wap.aspx 429 Records Kidjo, Angelique. Sings. 1 sound disc $15.98 429 Records ©2015 FOTN 16042 2 795041604224 Contents: Malaika -- Ominira -- Kelele -- Fifa -- Otishe -- Bahia -- Petitie Fleur -- Samba Pa Ti -- Mamae -- Naima -- Loloye. Grammy Nominee 2016: Best World Music Album http://www.tfront.com/p-395928-sings.aspx Skaggs, Boz. Fool To Care. 1 sound disc $15.98 429 Records ©2015 FOTN 16032 2 795041603227 Contents: Rich Woman -- I M a Fool to Care -- Hell to Pay -- Small Town Talk -- Last Tango on 16th Street -- There S a Storm a Comin -- I M So Proud -- I Want to See You -- High Blood Pressure -- Full of Fire -- Love Don't Love Nobody -- Whispering Pines. http://www.tfront.com/p-387144-fool-to-care.aspx 4ad Records Beirut. No No No. 1 sound disc $14.98 4ad Records ©2015 FOUR 73525 2 652637352528 Contents: Gibralter -- No No No -- At Once -- August Holland -- As Needed -- Perth -- Pacheco -- Fener -- So Allowed. -
Africa and the 'Other' Europe During the Cold
CALL FOR PAPERS Vilnius Academy of Arts Lithuania, May 56, 2022 CFP deadline: June 20, 2021 Art beyond the Politics: Africa and the ‘Other’ Europe during the Cold War An international conference exploring transcontinental cultural relations, representations, and imaginations that occurred and developed between the countries of Africa and Eastern and Central Europe during the Cold War era. The countries of Central and Eastern Europe inary cultural links between Central-Eastern (CEE) engaged substantively with many newly Europe and the African continent during the independent African states for economic, po- Cold War era. It proposes a reconsideration of litical, ideological and cultural purposes dur- whether and to what extent artistic exchang- ing the Cold War. They were well regarded by es between these non-Western contexts African countries because of their non-impe- might escape historically developed power rial history and therefore alternative partner- relations between Europe and Africa and its ship approach. CEE countries provided sup- role in postcolonial and decolonial debates. port to liberation struggles, as well as o ered Since neither Africa nor Central and East- large amounts of technical assistance and ern Europe are homogenous, and consist of loans to partners in Africa. They developed countries with di erent historical and cultural new forms of global knowledge and institu- backgrounds and contemporary realities, we tions to support a wide-ranging program of especially invite the discussion of possible socialist ‘export’: theatre and lm, economic theoretical frameworks and research method- and scienti c expertise, humanitarian aid and ologies that overcome the objecti cation of political ideals - all were essential to the grand Africa and/or Central Eastern Europe. -
To Research Or Not to Research? (Vilnius, 14-17 Oct 21)
To Research or Not To Research? (Vilnius, 14-17 Oct 21) Vilnius Academy of Arts, Vilnius, Lithuania, Oct 14–17, 2021 Deadline: Jun 20, 2021 www.vda.lt/en/doctoral-studies/congress-2021 Vytautas Michelkevicius X-disciplinary Congress: To Research or Not To Research in the Post-disciplinary Academy? Artists and researchers of any kind are welcome to apply with contributions that discuss urgent matters on the question of artistic research, the nature of its relationship with academia, and to artistic practice, the culture sector, and the art worlds. You can choose yourself what to insert instead of “X” in the x-disciplinary: non-, trans-, post-, un-, inter-, etc. As a springboard for this conference, we follow the proposal by Charles Esche in ‘Include Me Out: Helping Artists to Undo the Art World’ where he writes of ‘certain educational fundamentals’ including ‘anti-specialization, anti-isolation/anti-autonomy, and anti-hierarchy’[1]. In light of this, we wish to ask: - Is artistic research like and aligned to the contemporary academy, and if so, how? - Is artistic research a post-disciplinary, un-disciplinary, meta-disciplinary and/or indisciplinary field of inquiry that because of this has the capacity to transform the institution? - How does and should artistic research collaborate with fields (and research paradigms) outside of academia, and on what terms? This first regional congress on artistic research marks the 10th Anniversary of the Doctoral Pro- grammes in Arts in Lithuania (Vilnius Academy of Arts and Lithuanian Academy of Music and The- atre). Ten years is a good point in a field or phenomenon’s maturation: it is getting closer to adoles- cence, has considerable learning to draw from, and the experience that enables it to imagine pos- sible scenarios for the future. -
Hate Speech in the Media Landscape of Crimea
HATE SPEECH IN THE MEDIA LANDSCAPE OF CRIMEA AN INFORMATION AND ANALYTICAL REPORT ON THE SPREAD OF HATE SPEECH ON THE TERRITORY OF THE CRIMEAN PENINSULA (MARCH 2014 — JULY 2017) Kyiv — 2018 UDC 32.019.5:323.266:327(477.75+47 0) Authors: Oleksandr Burmahyn Tetiana Pechonchyk Iryna Sevoda Olha Skrypnyk Review: Viacheslav Lykhachev Translation: Anastasiia Morenets Proofreading: Steve Doyle Hate Speech in the Media Landscape of Crimea: An Information and Analytical Report on the Spread of Hate Speech on the Territory of the Crimean Peninsula (March 2014 – July 2017) / under the general editorship of I. Sedova and T. Pechonchyk. – Kyiv, 2018. — 40 p. ISBN 978-966-8977-81-7 This publication presents the outcome of documenting and classifying facts on the use of hate speech on the territory of the occupied Autonomous Republic of Crimea and city of Sevastopol from April 2014 to July 2017. This publication uses material from mass media that have been disseminated in the territory of Crimea since the occupation of the peninsula by the Russian Federation, as well as information from open sources, including information resources from the authorities of Ukraine, Russian Federation and Crimean de-facto authorities, Crimean Human Rights Group and Human Rights Information Centre. This publication is intended for the representatives of state authorities, educational and research institutions, diplomatic missions, international, non-governmental and human rights organizations Crimean Human Rights Group (CHRG) — is an organization of Crimean human rights defenders and journalists aimed at promoting the observance and protection of human rights in Crimea by documenting the violations of human rights and international humanitarian law on the territory of the Crimean peninsula as well as attracting wide attention to these issues and searching for methods and elaborating instruments to defend human rights in Crimea. -
Rethinking Education on Arts & Cultural Management
Rethinking Education on Arts & Cultural Management 21st ENCATC Annual Conference Antwerp, Belgium // 5-7 November 2013 Goerdieb1 CC BY NC ND 2.0 In partnership with and hosted by Supported by TABLE OF CONTENTS Foreword 2 Words of Welcome 5 Scientific Committee 7 Programme 8 Keynote Speakers 12 Research Session 13 Seminars & Study Visits 15 Speakers 20 Participants 38 About ENCATC 45 About the University of Antwerp 46 Practical Information 47 Campus Map 48 FOREWORD A word from ENCATC Dear Members, The recent communication from the Commission “Rethinking education: investing in skills for Dear Colleagues, better socio-economic outcomes” published in It is with great pleasure that we welcome you to November 2012 calls for creating new Antwerp for the 21st ENCATC Annual Conference capabilities for this new scenario: “The broad “Rethinking Education on Arts and Cultural mission of education and training encompasses Management”. Over the next three days from 5-7 objectives such as active citizenship, personal November, hundreds of academics, researchers, development and well-being. While these go hand- professionals from the cultural and educational in-hand with the need to upgrade skills for sector, arts-culture organisations, students, policy employability, against the backdrop of sluggish makers, artists and media from more than 51 economic growth and a shrinking workforce due to countries will come together to share expertise demographic ageing, the most pressing challenge and experiences, to gain new knowledge, and for Members States is to address the needs of the enlarge their professional networks. This economy and focus on solutions to tackle fast- conference is also organised under UNESCO’s rising youth unemployment”. -
The Role of Popular Music Forms in the Construction of Cultural Identities in Post-Soviet Belarus: Discourses and Practices of Young Belarusians
The Role of Popular Music Forms in the Construction of Cultural Identities in Post-Soviet Belarus: Discourses and Practices of Young Belarusians Approved dissertation submitted in fulfillment of the requirements for the degree of Doctor of Philosophy (Dr. phil.) at the Carl von Ossietzky University of Oldenburg, School of Linguistics and Cultural Studies, Institute of Music by Anastasia Wakengut, M.A. born on 15 November 1981 in Jezkazgan Primary supervisor: Prof. Dr. Susanne Binas-Preisendörfer Carl von Ossietzky University of Oldenburg Co-supervisor: Prof. Dr. Michael Huber University of Music and Performing Arts Vienna Date of disputation: 25 January 2019 Acknowledgements The process which resulted in this thesis involved a lot of people, who contributed to it in various ways. First of all, I would like to thank all my interviewees as well as the focus group respondents who shared their experiences and their stories, and who thus became the protagonists of this work. I would like to express my gratitude to my academic advisor Prof. Dr. Susanne Binas- Preisendörfer, who always emphasized the relevance of this study and was very encouraging from inception to completion of the thesis. Also, I would like to thank Prof. Dr. Michael Huber for his expert advice in the statistical part of the dissertation. The opportunity to conduct this study was provided by the post-graduate studies programme “The Construction of Identities of Young Adults in a Post-Socialist Society in Transformation: The Case of Belarus” (Helene-Lange-Kolleg). I would like to thank all its members for the constructive co-work, and especially the programme coordinator, Prof.