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Short Note: Mistress Rutherford and Ulster in the Summer of 1634
Scottish Reformation Society Historical Journal, 1 (2011), 267-271 ISSN 2045-4570 ______ Short Note: Mistress Rutherford and Ulster in the Summer of 1634 D OUGLAS W. B. SOMERSET he spiritual experiences of “Mistress Rutherford” were first published in the Miscellany XIII of the Scottish History Society in 2004.T 1 The exact identity of “Mistress Rutherford” is not known, but she was a niece by marriage to John Muir, laird of Anniston. She was born at the beginning of the seventeenth century, lost her mother at the age of four and her father at the age of nine, and was then brought up by relatives. At the age of fourteen she was sent to Bethia Aird’s school for girls in Edinburgh. Bethia Aird was the daughter of William Aird, who had been minister of St Cuthbert’s in Edinburgh. Her brother John Aird was minister of Newbattle and she was one of Samuel Rutherford’s correspondents. The young “Mistress Rutherford” was thus brought into the heart of Presbyterian religious society in Edinburgh at a critical time when James VI was bent on conforming the Scottish Church to the practices of the Church of England. She was present, for instance, at the communion in the West Kirk, Edinburgh, on Sabbath 7th March 1619 when the minister Richard Dickson administered the Lord’s Supper to sitting communicants, after the Presbyterian manner; for which he was deprived and imprisoned in Dumbarton Castle.2 Mistress Rutherford’s account of her life was written at an unspecified time after the events. She begins at the age of ten and goes through her schooling in Edinburgh, her marriage, her settling in Ulster 1 D. -
The Grave (Illuminated Manuscript with the Original Illustrations of William Blake to Robert Blair's the Grave) Online
EQTfi [Download pdf ebook] The Grave (Illuminated Manuscript with the Original Illustrations of William Blake to Robert Blair's The Grave) Online [EQTfi.ebook] The Grave (Illuminated Manuscript with the Original Illustrations of William Blake to Robert Blair's The Grave) Pdf Free William Blake audiobook | *ebooks | Download PDF | ePub | DOC Download Now Free Download Here Download eBook #2095897 in eBooks 2013-07-10 2013-07-10File Name: B00FMWE2Z0 | File size: 64.Mb William Blake : The Grave (Illuminated Manuscript with the Original Illustrations of William Blake to Robert Blair's The Grave) before purchasing it in order to gage whether or not it would be worth my time, and all praised The Grave (Illuminated Manuscript with the Original Illustrations of William Blake to Robert Blair's The Grave): 0 of 0 people found the following review helpful. AmaseBy Katherine lawLooking forward to see my LordHope to tell everyone how great God is to me. If you could feel the respect for life.0 of 0 people found the following review helpful. No contentBy Will ToledoDoes not contain the actual poem by Blair, only poorly-resized images of Blake's drawings. What's the point? This carefully crafted ebook: "The Grave (Illuminated Manuscript with the Original Illustrations of William Blake to Robert Blair's The Grave)" is formatted for your eReader with a functional and detailed table of contents. Robert Blair (1699 – 1746) was a Scottish poet. Blair published only three poems. One was a commemoration of his father-in-law and another was a translation. His reputation rests entirely on his third work, The Grave (published in 1743), which is a poem written in blank verse on the subject of death and the graveyard. -
Scotland's Greatest
SCOTLAND’S GREATEST Revival The Second Reformation in Scotland was not only There were strong bonds of fellowship between the dean who was reading Laud’s liturgy. “Villain!”, a national movement of reform in the Church and those who opposed unbiblical practice. They often she said, “Do you say mass in my lug [ear]?” Nation. It was also a period of intense and sus- met for united prayer. John Livingstone tells us that tained religious revival. It was the greatest period there were “great meltings of heart” among the This led to the signing of the National Covenant by of revival in Scotland’s history for the following people of God at that time. The presence of the the leading figures of Church and Nation at Grey- reasons. Holy Spirit was greatly evident. James Wood was friars Kirkyard in 1638. The movement began with a resolute episcopalian who was converted after “but few, and these not honourable”. Alexander 01 It arose out of prayer attending one such meeting. Henderson believed this showed that it was God’s The Stuart kings imposed unbiblical practices on work. the worship and government of the Church of Scot- There were also notable revivals in Ulster, Kirk of land. This intensified particularly in the years follow- Shotts and Ayrshire. In 1628 there was a solemn fast ing 1618. Those who resisted these changes faced across the land in response to the many reasons “Oh, let the King come! increasing persecution. Church members suffered for humbling themselves before God as a nation. for refusing to receive communion in an idolatrous The Holy Spirit was manifest in great power at that Oh, let His kingdom come!” posture. -
MARK HADDON Is the Author of Three Novels, Including the Curious
MARK HADDON is the author of three novels, including The Curious Incident of the Dog in the Night-Time and The Red House , and a volume of poetry, The Talking Horse and the Sad Girl and the Village Under the Sea . He has written drama for stage, TV and radio. His latest book, a collection of short stories, is The Pier Falls , published by Jonathan Cape. STATES OF MIND: Tracing the Edges of Consciousness is an exhibition developed by Wellcome Collection to interrogate our understanding of the conscious experience. Exploring phenomena such as somnambu- lism, synaesthesia and disorders of memory, the exhibition examines ideas around the nature of consciousness, and in particular what can happen when our typical conscious experience is interrupted, damaged or undermined. WELLCOME COLLECTION is the free visitor destination for the incurably curious. It explores the connections between medicine, life and art in the past, present and future. Wellcome Collection is part of the Wellcome Trust, a global charitable foundation dedicated to improving health by supporting bright minds in science, the human- ities and social sciences, and public engagement. A collection of literature, science, philosophy and art Introduction by Mark Haddon Edited by Anna Faherty First published in the United Kingdom in 2016 by Wellcome Collection, part of The Wellcome Trust 215 Euston Road London NW1 2BE. Published for the Wellcome Collection exhibition States of Mind: Tracing the Edges of Consciousness, curated by Emily Sargent. www.wellcomecollection.org Wellcome Collection is part of the Wellcome Trust, a global charitable foundation dedicated to achieving extraordinary improvements in human and animal health. -
Ulster-Scots
Ulster-Scots Biographies 2 Contents 1 Introduction The ‘founding fathers’ of the Ulster-Scots Sir Hugh Montgomery (1560-1636) 2 Sir James Hamilton (1559-1644) Major landowning families The Colvilles 3 The Stewarts The Blackwoods The Montgomerys Lady Elizabeth Montgomery 4 Hugh Montgomery, 2nd Viscount Sir James Montgomery of Rosemount Lady Jean Alexander/Montgomery William Montgomery of Rosemount Notable individuals and families Patrick Montgomery 5 The Shaws The Coopers James Traill David Boyd The Ross family Bishops and ministers Robert Blair 6 Robert Cunningham Robert Echlin James Hamilton Henry Leslie John Livingstone David McGill John MacLellan 7 Researching your Ulster-Scots roots www.northdowntourism.com www.visitstrangfordlough.co.uk This publication sets out biographies of some of the part. Anyone interested in researching their roots in 3 most prominent individuals in the early Ulster-Scots the region may refer to the short guide included at story of the Ards and north Down. It is not intended to section 7. The guide is also available to download at be a comprehensive record of all those who played a northdowntourism.com and visitstrangfordlough.co.uk Contents Montgomery A2 Estate boundaries McLellan Anderson approximate. Austin Dunlop Kyle Blackwood McDowell Kyle Kennedy Hamilton Wilson McMillin Hamilton Stevenson Murray Aicken A2 Belfast Road Adams Ross Pollock Hamilton Cunningham Nesbit Reynolds Stevenson Stennors Allen Harper Bayly Kennedy HAMILTON Hamilton WatsonBangor to A21 Boyd Montgomery Frazer Gibson Moore Cunningham -
Robert N. Essick and Morton D. Paley, Robert Blair's the Grave
REVIEW Robert N. Essick and Morton D. Paley, Robert Blair’s The irave, Illustrated by William Blake Andrew Wilton Blake/An Illustrated Quarterly, Volume 18, Issue 1, Summer 1984, pp. 54-56 PAGE 54 BLAKE AN ILLUSTRATED QUARTERLY SUMMER 1984 ly the black cloth boards of the binding which seem a tri- fle coarse when one thinks of the early nineteenth-cen- tury leather and marbled boards so vividly evoked by the contents. The facsimile is preceded by a series of essays: on the tradition of graveyard poetry to which Blair's poem be- longs; on the circumstances in which Blake collaborated with Robert Hartley Cromek in the publication; and on the designs that Blake made for it. There are detailed notes on the plates, and on the numerous drawings asso- ciated with The Grave but not published. By way of ap- pendices Essick and Paley add full catalogues of all these designs, referring systematically to every watercolor and sketch in Blake's oeuvre that can by any possibility be considered relevant. All these images are reproduced in adequate (though sometimes rather grey) monochrome. There is a compendium of "early references to Blake's Grave designs," largely drawn from advertisements and correspondence, taking the survey of contemporary docu- mentation up to 1813, but not including reviews, which are discussed at length in the main text. A facsimile of Cromek's advertisement for the Canterbury Pilgrims plate that Schiavonetti engraved after Stothard is also supplied, reminding us concretely of the work that caused Blake's bitter rupture with both publisher and painter. -
Founding Fellows
Founding Members of the Royal Society of Edinburgh Alexander Abercromby, Lord Abercromby William Alexander John Amyatt James Anderson John Anderson Thomas Anderson Archibald Arthur William Macleod Bannatyne, formerly Macleod, Lord Bannatyne William Barron (or Baron) James Beattie Giovanni Battista Beccaria Benjamin Bell of Hunthill Joseph Black Hugh Blair James Hunter Blair (until 1777, Hunter), Robert Blair, Lord Avontoun Gilbert Blane of Blanefield Auguste Denis Fougeroux de Bondaroy Ebenezer Brownrigg John Bruce of Grangehill and Falkland Robert Bruce of Kennet, Lord Kennet Patrick Brydone James Byres of Tonley George Campbell John Fletcher- Campbell (until 1779 Fletcher) John Campbell of Stonefield, Lord Stonefield Ilay Campbell, Lord Succoth Petrus Camper Giovanni Battista Carburi Alexander Carlyle John Chalmers William Chalmers John Clerk of Eldin John Clerk of Pennycuik John Cook of Newburn Patrick Copland William Craig, Lord Craig Lorentz Florenz Frederick Von Crell Andrew Crosbie of Holm Henry Cullen William Cullen Robert Cullen, Lord Cullen Alexander Cumming Patrick Cumming (Cumin) John Dalrymple of Cousland and Cranstoun, or Dalrymple Hamilton MacGill Andrew Dalzel (Dalziel) John Davidson of Stewartfield and Haltree Alexander Dick of Prestonfield Alexander Donaldson James Dunbar Andrew Duncan Robert Dundas of Arniston Robert Dundas, Lord Arniston Henry Dundas, Viscount Melville James Edgar James Edmonstone of Newton David Erskine Adam Ferguson James Ferguson of Pitfour Adam Fergusson of Kilkerran George Fergusson, Lord Hermand -
The Way to Otranto: Gothic Elements
THE WAY TO OTRANTO: GOTHIC ELEMENTS IN EIGHTEENTH-CENTURY ENGLISH POETRY, 1717-1762 Vahe Saraoorian A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 1970 ii ABSTRACT Although full-length studies have been written about the Gothic novel, no one has undertaken a similar study of poetry, which, if it may not be called "Gothic," surely contains Gothic elements. By examining Gothic elements in eighteenth-century poetry, we can trace through it the background to Horace Walpole's The Castle of Otranto, the first Gothic novel. The evolutionary aspect of the term "Gothic" itself in eighteenth-century criticism was pronounced, yet its various meanings were often related. To the early graveyard poets it was generally associated with the barbarous and uncouth, but to Walpole, writing in the second half of the century, the Gothic was also a source of inspiration and enlightenment. Nevertheless, the Gothic was most frequently associated with the supernatural. Gothic elements were used in the work of the leading eighteenth-century poets. Though an age not often thought remark able for its poetic expression, it was an age which clearly exploited the taste for Gothicism, Alexander Pope, Thomas Parnell, Edward Young, Robert Blair, Thomas and Joseph Warton, William Collins, Thomas Gray, and James Macpherson, the nine poets studied, all expressed notes of Gothicism in their poetry. Each poet con tributed to the rising taste for Gothicism. Alexander Pope, whose influence on Walpole was considerable, was the first poet of significance in the eighteenth century to write a "Gothic" poem. -
Blake, the Grave, and Edinburgh Literary Society
MINUTE PARTICULAR Blake, The Grave, and Edinburgh Literary Society David Groves Blake/An Illustrated Quarterly, Volume 24, Issue 1, Summer 1990, pp. 251- 252 Summer 1990 BLAKE/AN ILLUSTRATED QUARTERLY 251 Blake, The Grave, And ing, and at least does Blake the favor ly too bold; nor is there any thing in of taking his designs seriously. How- the manner which can atone for the defect in the original conception. We Edinburgh Literary ever, the critic raises one objection could conceive that by representing Society (which probably derives from his only those parts of the body in religious beliefs) concerning "the rep- which the soul speaks, as it were, resentation of the soul in a bodily and by giving to these a certain de- David Groves form." This anonymous review is now gree of faintness and exility, some- thing might be produced, approaching reprinted in full for the first time: to our idea of an incorporeal sub- stance. But nothing can be more hen R. H. Cromek's edition of remote from such an idea, than the II. The Grave, a Poem; by Robert Blair: round, entire, and thriving figures, The Grave with Blake's illustra- W Illustrated by Twelve Engravings, from by which it is here represented. It tions was published in London in Original Designs, by William Blake; would even have been tolerable had August 1808, its printed title page iden- engraved by Schiavonetti. 4to. 21. 12s. the soul been introduced by itself, tified the firm of Archibald Constable boards. without its bodily companion, for as the distributor for the book in Edin- this the mind might have conceived ALTHO' this work, strictly speaking, by a single effort; instead of which burgh. -
Some Scot's Worthies
SSOOMMEE SSCCOOTTSS WWOORRTTHHIIEESS FROM WIISHART TO RENWIICK J.R.BroomeJ.R.Broome Scots Worthies from George Wishart to James Renwick J.R. Broome 2009 Gospel Standard Trust Publications 12(b) Roundwood Lane Harpenden Hertfordshire AL5 3BZ © J.R. Broome 2010 ISBN: 978-1-89-783797-9 Cover picture: Edinburgh Castle Printed by Blissett Group Roslin Road London W3 8DH Contents Preface ..................................................................... 4 George Wishart (died 1546)................................... 11 John Knox (1505-1572)......................................... 18 Robert Bruce (1554-1631) ..................................... 53 Alexander Henderson (1583-1646)........................ 59 Robert Blair (1593-1666)....................................... 64 Samuel Rutherford (1660-1661)............................ 71 John Livingstone (1603-1672)............................... 79 William Guthrie (1620-1665) ................................ 86 Captain John Paton (Executed May 9th 1684)....... 92 Alexander Peden (1626-1686) ............................... 99 John Nisbet (1627-1685)...................................... 106 Richard Cameron (1648-1680) ............................ 113 James Renwick (1662-1688)................................ 119 Preface In Scotland, the years from the death of George Wishart at the stake in 1546 until the Glorious Revolution in 1688 were an era of political turmoil and religious persecution. Yet, in the midst of it, the gospel prospered under a divine hand. The Lord raised up a body of able Reformers -
The Westminster Confession of Faith
John 5:39 "...search the Scriptures..." search search Home Newsletter Puritan Theology Puritan History Puritan Study Puritan Shop Email Us The Westminster Confession of Faith A List of the Members of the Assembly Attendees of the Westminster Assembly and their writings online and off. The Promise and Vow taken by every member admitted to sit in the Assembly: I [NAME] do seriously promise and vow, in the presence of Almighty God, that in this Assembly, whereof I am a member, I will maintain nothing in point of doctrine, but what I believe to be most agreeable to the word of God; nor in point of discipline, but what may make most for God’s glory, and the peace and good of this Church. Admitted to sit and hear in October 1644, the Prince Elector Palatine, and on one occasion permitted to speak. Peers: Algernon, Earl of Northumberland. William, Earl of Bedford. Philip, Earl of Pembroke and Montgomery. William, Earl of Salisbury. Henry, Earl of Holland. Edward, Earl of Manchester. William, Lord Viscount Say and Seale. Edward, Lord Viscount Conway. Philip, Lord Wharton. Edward, Lord Howard of Escrick. Basil, Earl of Denbigh. Oliver, Earl of Bolingbroke. William, Lord Grey of Warkey vice Bedford, Holland, and Conway. Robert, Earl of Essex, Lord General. Robert, Earl of Warwick, Lord High Admiral. Members of the House of Commons: John Selden, Esq. Francis Rous, Esq. Edmund Prideaux, Esq. Sir Henry Vane, Knt., senior. John Glynn, Esq., Recorder of London. John White, Esq. Bouldstrode Whitlocke, Esq. Humphrey Salloway, Esq. Mr. Serjeant Wild. Oliver St. John, Esq., His Majesty’s Solicitor. -
Bulletin Autumn 2013
THE UNIVERSITY of EDINBURGH AUTUMN 2013 bulletinTHE UNIVERSITY OF EDINBURGH STAFF MAGAZINE Building on the legacy Nobel Prize delight for Peter Higgs, and a boost for physics at Edinburgh – page 3 One to A vision Labelled Competition watch shared for life? & giveaway We meet the University’s Dr Sue Rigby on how staff Groundbreaking research Your chance to win a new Writer-in-Residence, and students can work from School of Law pampering spa treatment Jenni Fagan – page 8 together – page 12 experts – page 16 or a meal for two – page 27 editorial... bulletin editorial This edition of bulletin is another reminder of the diverse fields of work in which PUBLICation detaiLS University staff continue to make their mark – and perhaps none more so recently Published by: Communications and than Peter Higgs, Emeritus Professor of Theoretical Physics. Being named the Marketing, The University of Edinburgh joint winner of the Nobel Prize in Physics has brought him the highest accolade ContaCT US in science and helped focus global attention on physics and the University’s bulletin achievements in the subject. Read more about his success opposite and overleaf. Communications and Marketing The University supports new voices as well as established talent. On pages 8–9 The University of Edinburgh C Floor, Forrest Hill Building we hear from novelist and poet Jenni Fagan, who has taken over from Alan Warner 5 Forrest Hill as the University’s Writer-in-Residence. Ms Fagan describes the response to her Edinburgh, EH1 2QL critically lauded debut The Panopticon, and her hopes for nurturing creative talent E: [email protected] around the campus.