Are You the Best Or PETE Best? by Mark Matteson
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George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Infomail Nr. 789: Bücher - Die Ersten 10 Mittwoch, 20
InfoMail Nr. 789: Bücher - die ersten 10 Mittwoch, 20. Februar 2008 (Datum dieser Email) Hallo M.B.M., wir sind uns sicher, dass wir weltweit das groesste Angebot an tatsaechlich vorhandenen BEATLES- und Solo-BEATLES-Buechern haben. Wir haben uns an die Arbeit gemacht, diese zu erfassen - und anzubieten. Mitunter sind rare Buchausgaben darunter. Viele stammen aus Sammlungen. Viele der Buecher sind „ladenneu“. In den Faellen, wo ein Buch Gebrauchsspuren aufweist, haben wir dies vermerkt und natuerlich preislich beruecksichtigt. Nr. 1: Nr. 2: Nr. 3: Nr. 4: Nr. 5: Nr. 6: Nr. 7: Nr. 8: Nr. 9: Nr. 10: Buch Nummer 1: 1994: THE BEATLES BUCH THE LOST BEATLES INTERVIEWS. gebraucht 9,90 Euro Autoren: GEOFFREY GIULIANO & BRANDA GIULIANO. Verlag: Virgin Publishing Ltd., 332 Ladbroke Grove, London W10 5AH, England. Erstauflage, Paperback, Format ca. 23,5 x 15,5 cm, ca. 275 Seiten, Schwarzweiß-Fotos, englischsprachig. KAPITEL: List of Illustrations; Acknowledgements; Introduction; The Lure of Beatlespeak. Act One - Where Giants Walk: The Gospel According to John, Paul, George and Ringo. The Mersey Sound 1963; Los Angeles Airport 17. August 1964; Paris 1963; Paris 14. January 1964; British Group Invades US 1964; Washington DC 11. February 1964; New York 12. Februar 1964; Adelaide 12. June 1964; Melbourne 15. June 1964; San Francisco 19. August 1964; Seattle 21. August 1964; New York 28. August 1964; Sullivan Rinding a Fade; Milwaukee 4. September 1964; Newest Thing - Beatle Wallpaper; Kansas City 17. September 1964; Dallas 18. September 1964; Beatles Select Gifts in Private; John Passes L-Test 15. February 1965; Beatles in Birthday Honours List 11. -
PK 2 Hamburg Beatles History.Pdf (253.4
MEDIA INFORMATION NO HAMBURG, NO BEATLES: THE HISTORY OF THE FAB FOUR IN HAMBURG From the evolution of the Hamburg Sound to today’s club scene On 17 August 1960, John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe and Pete Best played their first gig at the Indra Club in the legendary St Pauli district of Hamburg. Mark Lewisohn, the acclaimed Beatles author, aptly commented “No Hamburg, no Beatles”. The Beatles, some of whom were still minors in the beginning, spent two years in Hamburg, with only a few breaks in between. Here, they laid the foundations for their global career. Following their debut in 1960, the Beatles played in Hamburg more often than anywhere else in the world – with 300 concerts, five contracts with four different music clubs, and about 1,200 hours spent on Hamburg stages. John Lennon once said “I grew up in Liverpool but I came of age in Hamburg”, and this is arguably the story of the Beatles in Hamburg in a nutshell. It all began with a shock. When The Beatles got their first engagement in Hamburg on the 17th of August 1960, they where full of anticipation. The Hanseatic City was considered to be the perfect place to make good money by giging. And the Reeperbahn was the incarnation of adventure for those naive from Liverpool. Where nowadays countless cutting-edge music clubs line the neon bright streets, back in the day, the audience craved for all night entertainment – especially for exciting music, such as Rock‘n‘Roll and it‘s British exports. -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
Los Beatles De Liverpool a Hamburgo
CATHARUM Revista de Ciencias Sociales y Humanidades del Instituto de Estudios Hispánicos de Canarias · nº14, 2015 Los Beatles De Liverpool a Hamburgo Adrian McGrath Esta presentación es la historia del nacimiento de los Beatles dentro del contexto de un viaje de Liverpool a Hamburgo: desde sus comienzos humildes en el Liverpool de la segunda guerra mundial hasta su visita a Hamburgo en agosto de 1960, la primera de las cinco que hicieron a la ciudad alemana. Cuatro meses después de su última visita a Hamburgo en diciembre de 1962, tres miembros del grupo, Paul McCartney, George Harrison y Ringo Starr, aterrizaron en el aeropuerto de Los Rodeos en Tenerife para pasar, casi desapercibidos, sus últimas vacaciones tranquilas antes de hacerse famosos. Los Beatles en Tenerife. Ringo, George y Paul Quisiera destacar los momentos clave ocurridos durante este viaje además de los per- sonajes que desempeñaron un papel importante durante esta etapa fundamental en las vidas de los Beatles. «Cuatro chicos que sacudieron al mundo». Estas palabras aparecen en una estatua dedi- cada a los Beatles en Mathew Street enfrente del mítico Cavern Club. A la hora de pensar en los Beatles la mayoría de la gente recuerda sólo a estos cuatro chicos: John Lennon, Paul McCartney, George Harrison y Ringo Starr. A menudo los fans preguntan quién fue el quinto Beatle. Se barajan los nombres de George Martin, Brian Epstein, Klaus Voormann, Billy Preston…, pero durante esta etapa de la vida del grupo ya había habido no sólo un quinto, Stuart Sutcliffe (bajista original), sino también un sexto Beatle: Pete Best 13 CATHARUM Revista de Ciencias Sociales y Humanidades del Instituto de Estudios Hispánicos de Canarias · nº14, 2015 Los Beatles, con Pete Best. -
A Visit to Liverpool Brings Beatles Fans Back to Their Roots Travel
6 7 A Where it all began A at the Cavern 292 times, earning just 5 British A visit to Liverpool brings Beatles fans back to their roots pounds (about $8) at the beginning. Crowds gen- By Kathy Rodeghier erated so much heat in the humid basement, Daily Herald Correspondent which had no air conditioning, that condensation ran down the walls, shorting out the equipment. LIVERPOOL, England — They were just another The Cavern Club was torn down and has since boy band, a gaggle of teenagers with too much energy. been rebuilt with the same bricks on part of its They’d meet in the basement of a friend’s suburban original site on Mathew Street, a walkway lined home, horsing around and playing guitar. One mis- with bars and restaurants. The club has two chievously began carving his name on a wood wall stages. A Beatles tribute band plays most Satur- board — J-O-H — before being day nights. smacked in the head by the friend’s Outside, a Wall of Fame has bricks mom. He’d finish later, adding the travel inscribed with more than 1,800 names of final “N.” artists who have performed here, among Graffiti etched by John Lennon is but one of the curi- them Jimi Hendrix, Elton John, The Who, Queen osities you’ll see on tours of the Casbah Coffee Club and Adele. A life-size statue of Lennon stands DAILYHERALD.COM/ENTERTAINMENT where the band that became the Beatles got its start alongside. Figures of all four Beatles perch on the in 1959. -
A History of International Beatleweek (PDF)
The History of International Beatleweek International Beatleweek celebrates the most famous band in the world in the city where it was born – attracting thousands of Fab Four fans and dozens of bands to Liverpool each year. The history of Beatleweek goes back to 1977 when Liverpool’s first Beatles Convention was held at Mr Pickwick’s club in Fraser Street, off London Road. The two-day event, staged in October, was organised by legendary Cavern Club DJ Bob Wooler and Allan Williams, entrepreneur and The Beatles’ early manager, and it included live music, guest speakers and special screenings. In 1981, Liz and Jim Hughes – the pioneering couple behind Liverpool’s pioneering Beatles attraction, Cavern Mecca – took up the baton and arranged the First Annual Mersey Beatle Extravaganza at the Adelphi Hotel. It was a one-day event on Saturday, August 29 and the special guests were Beatles authors Philip Norman, Brian Southall and Tony Tyler. In 1984 the Mersey Beatle event moved to St George’s Hall where guests included former Cavern Club owner Ray McFall, Beatles’ press officer Tony Barrow, John Lennon’s uncle Charles Lennon and ‘Father’ Tom McKenzie. Cavern Mecca closed in 1984, and after the city council stepped in for a year to keep the event running, in 1986 Cavern City Tours was asked to take over the Mersey Beatle Convention. It has organised the annual event ever since. International bands started to make an appearance in the late 1980s, with two of the earliest groups to make the journey to Liverpool being Girl from the USA and the USSR’s Beatle Club. -
The Last Days of John Lennon
Copyright © 2020 by James Patterson Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Little, Brown and Company Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 littlebrown.com twitter.com/littlebrown facebook.com/littlebrownandcompany First ebook edition: December 2020 Little, Brown and Company is a division of Hachette Book Group, Inc. The Little, Brown name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to hachettespeakersbureau.com or call (866) 376-6591. ISBN 978-0-316-42907-8 Library of Congress Control Number: 2020945289 E3-111020-DA-ORI Table of Contents Cover Title Page Copyright Dedication Prologue Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 — Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 — Chapter 19 Chapter 20 Chapter 21 Chapter 22 Chapter 23 Chapter 24 -
Here Information Was Modified Due to One of the Error Types Noted Above
The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum The Beatles Recording Reference Manual Volume 1 My Bonnie through Beatles For Sale (1961-1964) Corrigendum Jerry Hammack Edited by Gillian G. Gaar The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum Copyright © 2021 Jerry Hammack All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the author, except by reviewers, who may quote brief passages in a review. Library of Congress Control Number: 2017909370 CreateSpace Independent Publishing Platform, North Charleston, SC Hammack, Jerry, 1961- The Beatles Recording Reference Manual: Volume 1: My Bonnie through Beatles For Sale (1961-1964) Corrigendum Gearfab Books, Ltd. Toronto, Ontario, Canada The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum iii The Beatles Recording Reference Manual — Volume 1 — My Bonnie through Beatles For Sale (1961-1964) Corrigendum About this Corrigendum ____________________________________________________________________________________________________________ It’s clear, I’m not perfect. In researching, writing, editing and producing The Beatles Recording Reference Manuals, I made some errors. Some of these errors were of omission, some were of misinterpretations of information that I was challenged on and found my conclusions wanting, and others were bothersome copy/paste issues that were not caught in the proofing stage of book production. Regardless of their type or nature, I take responsibility for them all. I know these books are not cheap to own, and I also know that Beatles fans interested in this material are some of the most detail-oriented fans in the world. -
Inside out George Harrison Quiz
Inside Out George Harrison Quiz WORKSHEET A 1. George Harrison was born in a. 1940 6. What did he name his record company? b. 1941 a. Apple c. 1942 b. HandMade d. 1943 c. Dark Horse d. Hari Krishna 2. Which Beatle was not an original member of the band? 7. Which song was not a George Harrison a. John Lennon composition? b. Paul McCartney a. Something c. George Harrison b. My Sweet Lord d. Ringo Starr c. Got My Mind Set On You d. Imagine 3. Which stringed instrument did George 8. Which of these didn’t he do? Harrison help to popularize in the West? a. race cars a. koto b. present a TV programme b. bazouki c. play lead guitar c. sitar d. produce films d. mandolin 9. During the 1980s, Harrison formed a 4. How many times was George Harrison new group called The Traveling Wilburys. married? Which of the following singers was not in a. once the band? b. twice a. Bob Dylan c. three times b. Roy Orbison d. never c. Eric Clapton d. Tom Petty 5. In 1971 George Harrison organised a charity concert for the people of 10. What happened to him in 1999? a. Bangladesh. a. He was kidnapped. b. Ethiopia. b. He was stabbed. c. Vietnam. c. He was shot. d. Biafra. d. He tried to commit suicide. This page has been downloaded from www.insideout.net. It is photocopiable, but all copies must be complete pages. Copyright © Macmillan Publishers Limited 2002. Inside Out The Quiet Beatle WORKSHEET B eorge Harrison, lead guitarist for the Beatles, was known as the quiet Beatle. -
Beatles History – Part One: 1956–1964
BEATLES HISTORY – PART ONE: 1956–1964 January 1956–June 1957: The ‘Skiffle Craze’ In January 1956, Lonnie Donegan’s recording of “Rock Island Line” stormed into the British hit parade and started what would become known as the ‘skiffle craze’ in Great Britain (vgl. McDevitt 1997: 3). Skiffle was originally an amateur jazz style comprising elements of blues, gospel, and work songs. The instrumentation resembled New Or- leans street bands called ‘spasms,’ which relied on home-made instru- ments. Before skiffle was first professionally recorded by American jazz musicians in the 1920s and 1930s, it had been performed at ‘rent parties’ in North American cities like Chicago and Kansas City. Many African- American migrant workers organized rent parties in order to raise money for their monthly payments (vgl. Garry 1997: 87). Skiffle provided the musical entertainment at these parties, as everybody was able to partici- pate in the band, which usually consisted of home-made acoustic guitars or a piano backed by a rhythm section of household instruments, such as a washboard, a washtub bass, and a jug (vgl. McDevitt 1997:16). Jazz trumpeter and guitarist Ken Colyer pioneered the skiffle scene in Great Britain. In 1949, he formed the Crane River Jazz Band in Cran- ford, Middlesex, together with Ben Marshall (guitar), Pat Hawes (wash- board), and Julian Davies (bass). Their repertoire included skiffle songs “to illustrate aspects of the roots of jazz and to add variety to a pro- gramme” (Dewe 1998: 4). After leaving the group in 1951, Colyer mi- grated to the United States to work with jazz musicians in New Orleans. -
The Beatles on Film
Roland Reiter The Beatles on Film Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 11 The Beatles on Film – Part One: 1964-1965 39 Beatles History – Part Two: 1964-1966. A Contextual Interpretation of The Beatles’ Image Change in 1966 87 The Beatles on Film – Part Two: 1965-1970 93 Beatles History – Part Three: 1970-2008 137 Screening the Past: Film and History 145 Movies about The Beatles 151 Documentaries about The Beatles 181 Spoofs 191 Conclusion: Image, Myth, History, and The Beatles 195 Works Cited 203 The Author/Acknowledgments 211 INTRODUCTION A star’s image generally reflects the ideals of his or her average audi- ence. It enables the fans to identify with their idol on an emotional and/or intellectual level. The potential of identification with a star can be an im- portant factor for his or her commercial success.