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Mise En Page 1 BIBLIOTHÈQUE R. ET B. L. EDITIONSORIGINALES AUTOGRAPHESET MANUSCRITSDU XX E SIÈCLE MARDI 7 OCTOBRE 2014 - SOTHEBY’S PARIS BIBLIOTHÈQUE R. ET B. L. MARDI 7 OCTOBRE 2014 Experts de la vente DOMINIQUE COURVOISIER Expert de la Bibliothèque nationale de France Membre du Syndicat Français des Experts Professionnels en œuvres d’art 5, rue de Miromesnil 75008 Paris Tél./Fax. + 33 (0)1 42 68 11 29 [email protected] ANNE HEILBRONN SOTHEBY’S 76, rue du Faubourg Saint-Honoré 75008 Paris Tél. +33 (0)1 53 05 53 18 Fax. +33 (0)1 53 05 52 23 [email protected] Tous nos remerciements à Monsieur Jean-Paul Goujon pour l’aide précieuse apportée à la rédaction des notices des manuscrits et des autographes MARDI 7 OCTOBRE 2014 À 14H30 VENTE À PARIS BIBLIOTHÈQUE R. ET B. L. ÉDITIONS ORIGINALES AUTOGRAPHES ET MANUSCRITS DU XXE SIÈCLE Vente dirigée par Cyrille Cohen et Alexandre Giquello Agréments du Conseil des Ventes Volontaires de Meubles aux Enchères Publiques n° 2001-002 et n° 2002-389 EXPOSITION Vendredi 3 et samedi 4 octobre de 10h à 18h Lundi 6 octobre de 10h à 20h sothebys.com/bidnow 76, rue du Faubourg Saint-Honoré - 75008 Paris tél. 33 (0)1 53 05 53 05 www.sothebys.com SPÉCIALISTES RESPONSABLES DE LA VENTE Pour toute information complémentaire concernant les lots de cette vente, veuillez contacter les experts listés ci-dessous. RÉFÉRENCE DE LA VENTE ENCHÈRES TÉLÉPHONIQUES PF1453 “Médaillon” & ORDRES D’ACHAT +33 (0)1 53 05 53 48 Fax +33 (0)1 53 05 52 93/94 EXPERTS DE LA VENTE [email protected] Dominique Courvoisier Les demandes d’enchères +33 (0)1 42 68 11 29 téléphoniques doivent nous [email protected] parvenir 24 heures avant la vente. Anne Heilbronn +33 (0)1 53 05 53 18 ENCHÈRES DANS LA SALLE [email protected] +33 (0)1 53 05 53 90 Fax +33 (0)1 53 05 521 2 SPÉCIALISTES SOTHEBY’S PAIEMENTS, LIVRAISONS Anne Heilbronn ET ENLÈVEMENT Directeur du Département, Paris POST SALE SERVICES +33 (0)1 53 05 53 18 Axel Sordoillet [email protected] Post Sale Manager +33 (0)1 53 05 53 46 Frédérique Parent Fax +33 (0)1 53 05 52 11 Spécialiste [email protected] +33 (0)1 53 05 52 91 [email protected] SERVICE DE PRESSE Benoît Puttemans Sophie Dufresne Spécialiste [email protected] +33 (0)1 53 05 52 66 +33 (0)1 53 05 53 66 [email protected] Fax +33 (0)1 53 05 52 08 ADMINISTRATEUR DE LA VENTE PRIX DU CATALOGUE 30 € Sylvie Delaume Garcia [email protected] +33 (0)1 53 05 53 19 ABONNEMENT AUX CATALOGUES Fax +33 (0)1 53 05 52 23 +44 (0)20 7293 5000 +1 212 894 7000 [email protected] CONTACT BINOCHE ET GIQUELLO sothebys.com/subscriptions Odile Caule +33 (0)1 47 70 48 90 [email protected] Binoche et Giquello 5, rue La Boétie - 75008 Paris + 33 (0)1 47 42 78 01 Fax +33 (0)1 47 42 87 55 www.binocheetgiquello.com 4 BIBLIOTHÈQUE R. ET B. L. ÉDITIONS ORIGINALES AUTOGRAPHES ET MANUSCRITS DU XXE SIÈCLE ÉDITIONS ORIGINALES ALAIN-FOURNIER - APOLLINAIRE - CAMUS - CÉLINE - CENDRARS - COCTEAU - COHEN - DAUMAL - DRIEU LA ROCHELLE DE GAULLE - GENET - GILBERT-LECOMTE - GRACQ - JACOB - JARRY - JOYCE - LARBAUD - LEIRIS - MALRAUX - PRÉVERT PROUST - RADIGUET - REVERDY - SACHS - SAINT-EXUPÉRY - SAINT-JOHN PERSE - SEGALEN PICASSO SALMON. Po èmes. (1905) Premier livre comportant une eau-forte originale de Pablo Picasso « Les deux saltimbanques » - JACOB. Le Phanérogame. (1918) Eau-forte originale signée de Pablo Picasso, tirée à 20 exemplaires « Pierrot » REVUES PERHINDERION (1896) - LE FESTIN D’ÉSOPE (1903-1904) - LE CANARD SAUVAGE (1903) LES SOIRÉES DE PARIS (1912-1914) - L’ÉLAN (1915-1916) SIC (1916-1919) - NORD-SUD (1917-1918) - L’ESP RIT NOUVEAU (1920-1925) LE GRAND JEU (1928-1930) AUTOGRAPHES ET MANUSCRITS APOLLINAIRE - CÉLINE - COCTEAU - DE GAULLE - GENET - JARRY - LARBAUD - MALRAUX - PRÉVERT - PROUST REVERDY - SAINT EXUPÉRY - SAINT-JOHN PERSE - SEGALEN RELIURES ALIX - BONET - DESMULES - DEVAUCHELLE - HUSER - LEGRAIN - LEROUX - MARTIN - MERCHER - MIGUET SEMET ET PLUMELLE - SCHROEDER - TCHÉKÉROUL 5 Following the sales of Antiquarian books, Illustrated Modern Books and Art Nouveau/Art Deco Books, the fourth instalment of the Library of R. & B. L. will be devoted to the 20th Century and focus purely on literature, and on the works themselves. Illustrations, bindings – however brilliant – are of secondary importance, if not superfluous: the authors stand centre stage. Their private lives and their work are vividly called to mind with letters, manuscripts and first editions, whether in deluxe format, dedication copies, or with corrections and revisions, all of which reveal the work’s never ending evolution. The sale takes us on a 20th century journey marked by writers of genius, from Apollinaire and Jarry to Céline via Joyce, Proust, Gracq, Malraux and Cohen, ending with Les Mots of Sartre. The others , the dreamers, the poets reveal as arabesques their multifarious talents. Cocteau, Max Jacob, Larbaud, Prévert, Radiguet, Reverdy and Saint-John Perse stand under the incomparable brightness of Cendrars and his Transsibérien. A new, exuberant spirit springs to life in short-lived literary reviews-cum-manifestos in which blaze the words of tomorrow from some Jarry, Apollinaire, Cocteau, Reverdy or Gilbert-Lecomte. A whole world of words and drawings, those of Apollinaire – watercolours and calligrammes –, Cocteau, Malraux, Proust, Saint-Exupéry. Or still search conjunctions: Jarry with Gustave Kahn; Apollinaire with Marie Laurencin and Lou; Proust with Fernand Gregh, Anna de Noailles and Paul Morand; Saint-Exupéry with Consuelo; Cocteau with Stravinsky, Eluard, Hugnet and Soupault; inter-connected destinies which draw the slow waltz of the inscriptions and the secret of manuscripts. From the Alcools of Apollinaire to the opium hinted at by Segalen in his manuscript, ‘artificial paradises’ still spangle the lives of several generations of rebels ; whereas the destiny of others seems promised by Sartre to his Nausée, to the Sabbat of Maurice Sachs, or to the amours terribles of Jean Genet. The impeccable bindings of Paul Bonet, Martin or Miguet are by no means neglected, but do not overshadow their rare, luxuriously printed contents or the inscriptions which enhance them. Listing all the artists would be an exercise in vanity. However, when a Picasso etching captures the spirit of the age, it is because he is illustrating poems of a friend; and, when we encounter woodcuts by Derain, it is because they were conceived for Apollinaire’s first book, those of Fernand Léger’s illustrations for the first work of the young André Malraux. Thus these characters, and many others, whom we know and love, and who reveal to us their own soul, are engaged in a never ceasing ballet: therein lies the magic of a literary collection. Dominique Courvoisier 6 Quatrième partie de la bibliothèque R. et B. L., après les livres anciens, les livres illustrés modernes et les livres Art nouveau et Art déco, cette vente, consacrée au XXe siècle, se présente comme un recentrage magnétique sur le fait littéraire pur, l’œuvre, centrale, débarrassée de ses oripeaux aussi séduisants soient-ils : illustration, fut-elle de génie, reliure, ornement ou prologue ici considérés secondaires et presque superfétatoires. Laissant place à l’auteur dans sa vérité, dans son milieu amical ou sentimental, et à l’œuvre évoquée dans son processus de création même, à travers lettres, manuscrits et premières éditions, exemplaires en grand papier ou enrichis d’envois pertinents, ou portant des corrections dans lesquelles se révèle l’œuvre qui s’élabore sans fin. Se dessine ainsi un itinéraire tout au long du siècle, marqué par quelques génies et riche d’auteurs, d’Apollinaire, et même un peu plus tôt, de Jarry à Céline, avec station devant Joyce, Proust, et Gracq ou Malraux ou Cohen… pour s’achever aux Mots de Sartre. Les autres, les rêveurs, les poètes, nous laissent les traces de leurs arabesques multiformes : Cocteau, Max Jacob, Larbaud, Prévert, Radiguet, Reverdy, Saint-John Perse, sous l’éclat sans pareil de Cendrars et de son Transsibérien. C’est l’esprit nouveau qui se répand, foisonnant, dans des revues-manifestes à l’avenir incertain, dans lesquelles flamboient les œuvres de demain des Jarry, Apollinaire, Cocteau, Reverdy, ou Gilbert-Lecomte. Tout un monde en mots ou dessins, ceux d’Apollinaire, aquarelles ou calligrammes, de Cocteau, largement, Malraux, et Proust, et Saint-Exupéry … Ou encore telles conjonctions, Jarry et Gustave Kahn, Apollinaire et Lou et Marie Laurencin, Proust et Fernand Gregh et Anna de Noailles et Paul Morand, Saint-Exupéry et Consuelo, Cocteau et Stravinsky, Éluard, Hugnet, Soupault, destins croisés que dessinent la valse lente des envois et le secret des manuscrits. Des Alcools d’Apollinaire à l’opium évoqué dans un manuscrit par Ségalen, ce sont encore les paradis artificiels qui scandent la vie de quelques générations de trublions, tandis que d’autres semblent promis par Sartre à La Nausée, au Sabbat de Maurice Sachs, ou aux amours terribles de Jean Genet. Loin cependant de négliger Paul Bonet, Leroux, Martin ou Miguet, qui sont bien présents dans la collection, leurs habits impeccables n’effacent pas la prééminence des grands papiers, précieux et rares, qu’ils recouvrent, et des envois qui les magnifient plus encore. De même, une énumération des artistes serait flatteuse, mais lorsque l’esprit du temps saisi à l’eau-forte par Picasso illumine un livre, c’est que la gravure est faite pour les poèmes d’un ami. Et si l’on rencontre des bois de Derain, c’est qu’ils sont créés pour le premier livre d’Apollinaire, ceux de Fernand Léger pour celui du jeune Malraux. C’est à ce ballet incessant que se livrent les personnages évoqués, et bien d’autres, que nous connaissons, que nous aimons, et qui nous dévoilent leur âme : et c’est toute la magie d’une collection littéraire.
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