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New Luxury Design Sistema Design Nelle Imprese Di Roma E Del Lazio Del E Roma Di Imprese Nelle Design Sistema DESIGN for for DESIGN ITALY in MADE
02 O2_new luxury design sistema design nelle imprese di Roma e del Lazio del e Roma di imprese nelle design sistema DESIGN FOR FOR DESIGN ITALY IN MADE New Luxury Design GrimaldiGiardina Claudio Franchi Nac Sound Bruno Piattelli Bulgari diid Roberto Capucci in copertina: Abiti scultura di Roberto Capucci Bulgari, orecchini collezione Astrale | earrings Astrale collection. 02 sistema design nelle imprese di Roma e del Lazio del e Roma di imprese nelle design sistema DESIGN FOR FOR DESIGN ITALY IN MADE New Luxury Design Direttore responsabile | Managing Director Tonino Paris Direttore | Director Carlo Martino Coordinamento scientifico | Scientific Coordination Committe Osservatorio scientifico sul Design del Dipartimanto ITACA, Industrial Design Tecnologia dell’Architettura, Cultura dell’Ambiente, Sapienza Università di Roma Redazione | Editorial Staff Luca Bradini Nicoletta Cardano Ivo Caruso Paolo Ciacci Emanuele Cucuzza Stefano Lacu Antonio Las Casas Sara Palumbo Filippo Pernisco Felice Ragazzo Silvia Segoloni Clara Tosi Pamphili Segreteria di redazione | Editorial Headquarter Via Flaminia 70-72, 00196 Roma tel/fax +39 06 49919016/15 [email protected] Traduzione | Translations Claudia Vettore Progetto grafico | Graphic design Roberta Sacco Impaginazione | Production Sara Palumbo Editore | Publisher Rdesignpress Via Angelo Brunetti 42, 00186 Roma DESIGN FOR tel/fax +39 06 3225362 MADE IN ITALY e-mail: [email protected] sistema design nelle imprese di Roma e del Lazio n°2_aprile 2009 Distribuzione librerie | Distribution -
Alta Moda, Fashion Design 2 About Us 3 Good Reasons 3
LEVEL MASTER'S - 60 ECTS 60 - MASTER'S LEVEL ST 1 Rome November ALTA MODA, FASHION DESIGN 2 ABOUT US 3 GOOD REASONS 3 ACCREDITATION In 53 years of activity Accademia Costume & Moda has developed 1 The 1st Level Master's programme is a strong relationship with the fashion and entertainment industry accredited by the Italian Ministry of in order to design academic programmes aimed at providing an Education, University and Research all-round educational experience with the final objective of career (MIUR) and is worth 60 ECTS. placement and development. Today some of the most important professionals in the world, Creative Directors, Illustrators, Head Designers, Academy Award and David di Donatello winners, are alumni of our academy and continue to collaborate with us in order to keep CAREERS & PLACEMENT a contemporary approach while defending and maximising our “cultural experience”, DNA of Accademia Costume & Moda, and of The two-way flow of information any job linked to creativity. between our Careers & Placement office and Accademia's fashion and entertainment industry contacts, allows a virtuous feedback mechanism that feeds into the planning process of our 2 academic programmes. This allows Accademia and its students to maintain a contemporary and updated positioning both academically as well as from an MASTER'S DEGREE PROGRAMMES industry need perspective. 1 YEAR DEGREES, FULL TIME - 60 ECTS - Alta Moda, Fashion Design - Accessories Design: Leather goods, shoes, eyewear - Creative Knitwear Design - The Art and Craft of the Costume Designer for Opera and Ballet ROME - Fashion Jewellery The experience of studying in Rome can be truly unique and very personal. -
Interview with Samantha Thompson # IST-A-L-2014-012 Interview Date: April 4, 2014 Interviewer: Mike Czaplicki
Interview with Samantha Thompson # IST-A-L-2014-012 Interview date: April 4, 2014 Interviewer: Mike Czaplicki COPYRIGHT The following material can be used for educational and other non-commercial purposes without the written permission of the Abraham Lincoln Presidential Library. “Fair use” criteria of Section 107 of the Copyright Act of 1976 must be followed. These materials are not to be deposited in other repositories, nor used for resale or commercial purposes without the authorization from the Audio-Visual Curator at the Abraham Lincoln Presidential Library, 112 N. 6th Street, Springfield, Illinois 62701. Telephone (217) 785-7955 Note to the Reader: Readers of the oral history memoir should bear in mind that this is a transcript of the spoken word, and that the interviewer, interviewee and editor sought to preserve the informal, conversational style that is inherent in such historical sources. The Abraham Lincoln Presidential Library is not responsible for the factual accuracy of the memoir, nor for the views expressed therein. We leave these for the reader to judge. Czaplicki: Today is April 4, 2014. My name is Mike Czaplicki; I’m a staffer with the Abraham Lincoln Presidential Library in Springfield, Illinois. But I’m here today in Chicago for the Governor Jim Thompson Oral History Project , and I’m with his daughter, Samantha Thompson. How are you today, Sam? Thompson: Very well, thank you. Czaplicki: Thanks for having me over here. We’re in your parents’ apartment, overlooking the lake. As I said, we start this off by beginning at the beginning, even though most of us know when you began. -
The Art and Craft of the Costume Designer 2 About Us 3 Good Reasons 3
LEVEL MASTER'S - 60 ECTS 60 - MASTER'S LEVEL ST 1 Rome November THE ART AND CRAFT OF THE COSTUME DESIGNER 2 ABOUT US 3 GOOD REASONS 3 ACCREDITATION In 53 years of activity Accademia Costume & Moda has developed 1 The 1st Level Master's programme is a strong relationship with the fashion and entertainment industry accredited by the Italian Ministry of in order to design academic programmes aimed at providing an Education, University and Research all-round educational experience with the final objective of career (MIUR) and is worth 60 ECTS. placement and development. Today some of the most important professionals in the world, Creative Directors, Illustrators, Head Designers, Academy Award and David di Donatello winners, are alumni of our academy and continue to collaborate with us in order to keep CAREERS & PLACEMENT a contemporary approach while defending and maximising our “cultural experience”, DNA of Accademia Costume & Moda, and of The two-way flow of information any job linked to creativity. between our Careers & Placement office and Accademia's fashion and entertainment industry contacts, allows a virtuous feedback mechanism that feeds into the planning process of our 2 academic programmes. This allows Accademia and its students to maintain a contemporary and updated positioning both academically as well as from an MASTER'S DEGREE PROGRAMMES industry need perspective. 1 YEAR DEGREES, FULL TIME - 60 ECTS - Alta Moda, Fashion Design - Accessories Design: Leather goods, shoes, eyewear - Creative Knitwear Design - The Art and Craft of the Costume Designer MASTER'S - COSTUME DESIGN COSTUME - MASTER'S - Fashion Jewellery ROME The experience of studying in Rome can be truly unique and very personal. -
Capitoli 38-61 In
Lo chiamavano Trinità Bud Spencer Bud Spencer (il cui vero nome è Carlo Pedersoli), nasce a Napoli il 31 ottobre 1929 da famiglia benestante: il padre era un uomo d’affari che, malgrado i numerosi tentativi, non riuscì ad acquisire una vera ricchezza a causa soprattutto delle due guerre mondiali che influirono non poco sull’andamento dei suoi affari. Bud Spencer ha anche una sorella, Vera, anch’essa nata a Napoli. Nel 1935 il piccolo Carlo frequenta le scuole elementari della sua città, con buoni risultati. Appassionato di sport, pochi anni dopo diventa membro di un club locale di nuoto, vincendo subito alcuni premi. Nel 1940 la famiglia Pedersoli lascia Napoli per affari e si sposta a Roma. Il padre ricomincia da zero. Carlo inizia le scuole superiori ed entra contemporaneamente in un club di nuoto romano. Completa gli studi con il massimo dei voti. Non ancora diciassettenne, passa un difficile esame all’Università di Roma e comincia a studiare Chimica. Nel 1947, però, i Pedersoli per ragioni di lavoro, si spostano in Sud America e Carlo è costretto a lasciare l’Università. A Rio lavora ad una catena di montaggio, a Buenos Aires come bibliotecario, ed infine come segretario all’ambasciata italiana in Uruguay. Un club di nuoto italiano lo reclama a gran voce e Carlo torna in Italia, diventando campione italiano di nuoto a rana. In quegli anni (tra la fine degli anni ‘40 e l’inizio dei ‘50) vince il campionato nei cento metri stile libero ed è il primo italiano ad abbattere la soglia del minuto. -
Fashion Capitals Firstly, Fashion Capital
FASHION CAPITALS Fashion is every where but the trends just not gather every where. The fashion trends are mostly acquired in major fashion cities worldwide. What is “In” depends on the newest and hottest trends that brought by its fashion cities globally. Beyond those fashion trends that brought to us by the major fashion cities, it confides the culture and origin of its trends that firmly introduce to us by well known fashion designers or designer clothing brands. The scope of this Submission by us, Delwin Arikatt and Neha Modi, is to introduce to you the tribute of every fashion city on the blooming network of fashion industry worldwide. It is the network of fashion that invades the real fashion lifestyle of every fashionista in their fashion statements. This is to overwhelm the differences of every trends that introduced to us by every fashion designers in the said fashion industry. The 4 major fashion cities in the world –London, New York, Paris, Milan, covers the scope of fashion world in its network, workers, and products. The trends that specifically innovates in rebirth of these major fashion cities who grant an extra sensational aspect of our fashion lifestyle. Fashion culture in every cities are the greater aspect of fashion trends worldwide. Its the glorious contribution ever made by these major fashion cities which implicates their tribute into the transitions of every fashion generation worldwide. Like in designer clothing industry, these major fashion cities conclave its brands of designer clothes. The network of designer clothing brands in these fashion cities reflects as booming networks because of the fashion houses through out the vicinity of the cities. -
BELLISSIMA Italy and High Fashion 1945-1968 Curated by Maria Luisa Frisa, Anna Mattirolo, Stefano Tonchi
BELLISSIMA Italy and High Fashion 1945-1968 curated by Maria Luisa Frisa, Anna Mattirolo, Stefano Tonchi December 2, 2014 – May 3, 2015 www.fondazionemaxxi.it Rome, November2014. Through the visionary lens of fashion, Bellissima. Italy and High Fashion 1945-1968 (December 2, 2014 – May 3, 2015), curated by Maria Luisa Frisa, Anna Mattirolo, Stefano Tonchi, portrays Italian culture at a time of extraordinary creativity in cinema, art, architecture, theater, and photography. The exhibition will recreate the alluring atmosphere of Italian high fashion at a time when designers like Emilio Schuberth, Sorelle Fontana, Germana Marucelli, Mila Schön, Valentino, Simonetta, Roberto Capucci, Fernanda Gattinoni, Fendi, Renato Balestra, Biki, Irene Galitzine, Emilio Pucci, Fausto Sarli and many more were making important contributions to the image of Italy around the world. The main partner of this event is Bulgari, the most famous Italian jewelry house in the world and a symbol of style and creativity for the past 130 years. A richly illustrated book, in collaboration with Altaroma, pays tribute to the cities and personalities that helped write one of the most beautiful chapters in the history of Italian life and culture. The book is published by Electa. A display installation by the architect Maria Giuseppina Grasso Cannizzo will highlight the relationship between the worlds of art and cinema. Clothing, accessories, and jewelry will be shown alongside important works of art. The backdrop for this visual extravaganza is Rome - the star of the Jubilee in 1950 and of the Olympics in 1960, the city of cinema and Hollywood divas, of the Via Veneto and the Dolce Vita - as well as cityscapes of Turin, Milan, Florence, Venice and Naples. -
Lorusso Conservation 15 CS5.Indd
HE FASHION AND SARTORIAL DOCUMENTATION SEC- TTION OF THE DAVIA BARGELLINI MUSEUM OF BOLOGNA History, conservation and exhibition Silvia Battistini, Giancarlo Benevolo* Musei Civici d’Arte Antica di Bologna, Italy Keywords: archives, fashion, museum, conservation, Bologna, Davia Bargellini Museum 1. Introduction In the last five years, a series of generous donations from private citizens and tailors of Bologna has enabled the Davia Bargellini Museum collection to finally take shape. The characteristics and consistency of the collection will be described in the following sections. The decision to accept this sort of material arose from the need to document various aspects of a traditional craft (mostly local) which was falling into disuse. The Davia Bargellini Museum brings together collections of handcrafted objects ranging from the Middle Ages to the nineteenth century and boasts an extensive selection of embroidered vestments, but a fashion collection was missing from the historical collec- tions. The wish is to keep alive the memory of these highly specialized crafts, which for centuries employed a considerable amount of labor, through the various artifacts, work instruments and documentary materials of this new section. Paragraphs 1, 2, 3, 4 are by Silvia Battistini and paragraphs 5, 6, 7 are by Giancarlo Benevolo. 2. A Twentieth Century museum: The Museum of Industrial Art and the Davia Bargellini Gallery (Museo Civico d’Arte Industriale e Galleria Davia Bargellini) On November 20, 1924, the city of Bologna inaugurated an “old” museum with a modern purpose: the Davia Bargellini Museum. It consists of eight rooms with a vast number of handcrafted artistic objects, furniture and sculptures (all municipal prop- erty), in addition to paintings from the Davia Bargellini family, who constructed the building which houses the museum 1. -
Luxury Lifestile Agosto 2011 • Anno IX Freetime È L’Unico Magazine Con Due Copertine E Tre Lingue: Italiano, Inglese E Arabo
Periodico di Informazione, spettacolo, turismo, moda e cinema Luxury Lifestile Agosto 2011 • Anno IX FreeTime è l’unico Magazine con due copertine e tre lingue: Italiano, Inglese e Arabo. Il Magazine dedicato al turismo, al benessere, alla moda, al lusso, per scoprire tutto quello che fa tendenza in Italia e nel mondo. Per un dialogo internazionale www.freetimemagazine.net info: [email protected] Antonella Ferrari Editore/Direttore Responsabile l presente numero - connotandosi per la sua assoluta unicità - all’ottavo anno della sua edizione, vede coronata l’originaria aspi- razione, l’edizione trilingue. L’italiano che definisce la sua provenienza e il desiderio di promuovere nel mondo la nostra lingua con tutta la ricchezza letteraria, artistica e culturale che essa comporta. L’inglese, considerata la sua diffusione nel mondo è senz’altro un passaggio imprescindi- bile. L’arabo costituisce un ritorno di dialogo, che riconosce il grande contributo culturale apportato, attraverso la storia, alla nostra Iciviltà mediterranea. L’obiettivo primario di Freetime è quello di divulgare e consolidare l’imprenditorialità italiana, promuovendola attraverso la reciproca cono- scenza tra le aziende nazionali e mediorientali, al fine di sviluppare gli scambi commerciali. Freetime collaborando con la Camera di Commercio Italiana negli Emirati Arabi Uniti offre l’opportunità alle aziende italiane di promuoversi al di là dei propri confini dando un ulteriore stimolo a rinnovarsi al passo con i tempi. In occasione della Festa della Repubblica Italiana e per i 150 anni dell’Unione d’Italia, è stata pubblicata e distribuita, in modo ridotto, la prima edizione di Freetime dedicato al Principato di Monaco e a partire dalla presente edizione verrà distribuito anche a Montecarlo in collab- orazione con l’ambasciata d’Italia nel Principato e l’Unione degli Imprenditori Italiani residenti a Monaco. -
DE L'après-GUERRE À NOS JOURS Parmi Les Hommes Et
DE L’APRÈS-GUERRE À NOS JOURS Parmi les hommes et femmes s’étant distingués dans différents domaines. Umberto Nobile (1885 – 1978) ingénieur aéronautique et Maria Teresa De Filippis 11 novembre explorateur. Il fut un des (1926 – 2016) est la première des cinq Renato Caccioppoli (1904 pionniers et une des femmes à participer à un Grand Prix 1959) mathématicien. personnalités les plus Formule 1. Elle prend son premier Grâce à ses idées remarquables de l'histoire de départ au Grand Prix de Belgique. innovatrices, on réussit à l'aéronautique italienne. Il résoudre le dix-neuvième devint célèbre pour avoir problème de Hilbert. piloté le Norge, premier dirigeable qui survola le Pôle Nord puis commandé le dirigeable Italia lors d'une deuxième expédition polaire. Luigi D’Amato (1874 – 1951), chercheur infatigable, il contribua Marina Faiella 1985. Chimiste de Vincenzo Abate 1931-2017 à contraster différentes théories talent, elle mène des recherches Grand spécialiste de la anciennes sur un grand nombre assez concluantes sur l’énergie fécondation assistée, il fait de maladies. Il devint célèbre pour propre. En 2013 elle a été la première naître le premier enfant ses recherches concernant la en Italie à obtenir le prix « For éprouvette en 1983. réaction hémoclasique, qui porte Women in Science » (Fondation aujourd’hui son nom, et qui est Oréal- Unesco), qui s’est révélé par utilisée dans le traitement de deux fois une antichambre au prix maladies infectieuses, telles que la Nobel. tuberculose, la syphilis, la fièvre typhoïde, la brucellose, etc. PARMI LES MUSICIENS Aldo Ciccolini (1925- Sergio Fiorentino 2015) fait ses débuts au (1927-1998) débute en Théâtre San Carlo en 1953 au Carnegie Hall 1941. -
Creative Knitwear Design 2 About Us About Us 3
LEVEL MASTER'S - 60 ECTS 60 - MASTER'S LEVEL ST 1 San Martino in Rio (Reggio Emilia) November CREATIVE KNITWEAR DESIGN 2 ABOUT US ABOUT US 3 In 53 years of activity Accademia Costume & Moda has developed a strong relationship with the fashion and entertainment industry in order to design academic programmes aimed at providing an all-round educational experience with the final objective of career placement and development. Today some of the most important professionals in the world, Creative Directors, Illustrators, Head Designers, Academy Award and David di Donatello winners, are alumni of our academy and continue to collaborate with us in order to keep a contemporary approach while defending and maximising our “cultural experience”, DNA of Accademia Costume & Moda, and of any job linked to creativity. Modateca Deanna, International Centre for Fashion Documentation, gathers and promotes the identity of Knitwear Factory Miss Deanna, founded by Deanna Ferretti back in 1950, merging passion, technology and innovation. Miss Deanna has collaborated with some of the most important fashion designers in the world, producing and distributing at an international level creative knitwear collections. The skills in craftsmanship and the continuous research, has allowed the Modateca to become a true “worship” space for the development of contemporary knitwear collections. MASTER'S DEGREE PROGRAMMES 1 YEAR DEGREES, FULL TIME - 60 ECTS - Alta Moda, Fashion Design - Accessories Design: Leather goods, shoes, eyewear - Creative Knitwear Design - The Art -
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Almatourism Special Issue N. 09, 2018: Cirillo O., Fashion and Tourism in Campania in the Middle of the Twentieth Century: a Story with Many Protagonists Almatourism Journal of Tourism, Culture and Territorial Development ___________________________________________________________ Fashion and Tourism in Campania in the Middle of the Twentieth Century: a Story with Many Protagonists Cirillo O.* University of Campania "Luigi Vanvitelli" (Italy) ABSTRACT In the last decades a large number of Italian tourist destinations have become increasingly popular thanks to the growth of purchase as a consolidated habit of collective tourism, and to the identification of many sites as upscale shopping centers. For such resorts, this trend has turned into a tool for promotion comparable to art, landscape and food. This phenomenon developed in particular in Capri, Ischia and Positano, where between the Fifties and Sixties, thanks to the initiative of local artisans or shrewd foreigner visitors, tailor’s shops, boutiques and workshops were created in response to the customers’ requests for clothes and accessories tuned to the native ‘style’. The authenticity of this process was originally guaranteed by the strong consolidated artisan tradition of the sites and found a favorable conjuncture in the fact that in the middle of the century fashion was combined with tourism and cinema to help Italy out of the post-war crisis. Thanks to its folklore and natural landscape heritage connected to the beauty of its coast, Naples acted as a main trigger for this project: it boasted suitable productive, cultural and economic conditions to aspire to become the "capital of fashion in southern Italy" and Capri, Ischia and Positano were the ideal stages through which the new facet of Italian creativity could be conveyed.