Walter Benjamin on Justice, Judaism, and the Possibility of Ethics CHARLES H
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Feminist Theory and the Frankfurt School: Introduction
wendy brown Feminist Theory and the Frankfurt School: Introduction Feminism is a revolt against decaying capitalism. —Marcuse There is a quaintness to Herbert Marcuse’s manifesto on behalf of “feminist socialism,” here reprinted for the first time since its appearance thirty years ago in Women’s Studies. It is not only an open- hearted and hopeful little effort at theoretically codifying the expansive revolutionary promise of the second wave of the Women’s Movement, a promise that would soon be dashed from within and without. Marcuse’s political and philosophical assumptions were also vulnerable to emerg- ing postfoundational critiques of the humanist subject, progressive his- toriography, and their entailments: essentialized identities, totalizing identities, undeconstructed binary oppositions, faith in emancipation, and revolution. Openhearted, hopeful, vulnerable, imaginative, revolution- ary: precisely the qualities Marcuse thought feminism brought to the unyielding and ultimately unemancipatory rationality of a masculinist radical politics, on the one hand, and a dreamless liberal egalitarianism, on the other. This unemancipatory rationality was the terrain that the Frankfurt School worked from every direction, as it upturned the myth of Volume 17, Number 1 doi 10.1215/10407391-2005-001 © 2006 by Brown University and d i f f e r e n c e s : A Journal of Feminist Cultural Studies Downloaded from http://read.dukeupress.edu/differences/article-pdf/17/1/1/405311/diff17-01_02BrownFpp.pdf by guest on 29 September 2021 Feminist Theory and the Frankfurt School Enlightenment reason, integrated psychoanalysis into political philosophy, pressed Nietzsche and Weber into Marx, attacked positivism as an ideology of capitalism, theorized the revolutionary potential of high art, plumbed the authoritarian ethos and structure of the nuclear family, mapped cultural and social effects of capital, thought and rethought dialectical materialism, and took philosophies of aesthetics, reason, and history to places they had never gone before. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
Shalom: Peace, Not Just Peace of Mind Parashat Ki Tetze Rabbi Daniel Cotzin Burg, Beth Am 9.6.14 ~ 11 Elul 5774
Shalom: Peace, Not Just Peace of Mind Parashat Ki Tetze Rabbi Daniel Cotzin Burg, Beth Am 9.6.14 ~ 11 Elul 5774 This week I spent a day in Washington with thought-leaders, rabbis and policy analysts. We were speaking about Israel, America’s relationship with the Jewish state and the current deeply troubling state of affairs in the Middle East. The most surprising and powerful presentation of the day was that of Mosab Hassan Yousef, son of Sheikh Hassan Yousef, a founder and spiritual leader of Hamas. Given the events of this summer, it was particularly poignant to hear the heartfelt and courageous words of this young author and former Israeli asset (as he sat on the dais across from his Shin Bet handler). To even begin to conceive of such heroism, we almost have to transport ourselves into a different time – say Germany of the 1940s, when precious few righteous individuals resisted and acted against the scourge of Nazism. We might visit Rwanda or Cambodia, Darfur or America’s antebellum south. There are far too many examples in human history of pervasive, systematic violence and too few stories of those who made the hardest choices to turn against their fathers, brothers and their communities and attempt to salvage their dignity and humanity. Or perhaps we should roll the Torah back from its current location near the end, to a story near the very beginning whose hero, a simple man named Noah, is tzadik tamim haya b’dorotav, “a righteous man, blameless in his generation” (Gen. 6:9). I would argue it’s virtually impossible for us, most or all of us in this room, to know what it is like to live among the truly malevolent and depraved – a society so bad God sees no recourse but to erase it and start over. -
Historiography and Remembrance: on Walter Benjamin's Concept Of
religions Essay Historiography and Remembrance: On Walter Benjamin’s Concept of Eingedenken Charlotte Odilia Bohn Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna, 1010 Vienna, Austria; [email protected] Received: 15 November 2018; Accepted: 5 January 2019; Published: 10 January 2019 Abstract: Engaging with Walter Benjamin’s concept of Eingedenken (remembrance), this article explores the pivotal role that remembrance plays in his attempt to develop a radically new vision of history, temporality, and human agency. Building on his essay “On Some Motifs in Baudelaire” and on his last written text, “Theses on the Philosophy of History”, it will trace how memory and historiography are brought together in a curious fusion of materialist and messianic thinking. Emerging from a critique of modernity and its ideology of progress that is cast as crisis—the practice of remembrance promises a ‘way out’. Many of Benjamin’s secular Marxist critics such as Max Horkheimer and Rolf Tiedemann, however, denied the political significance of Eingedenken—dismissing it as theological or banishing it to the realm of aesthetics. Rejecting this critique, I suggest that the radical ethical aspects of Eingedenken can be grasped only once the theological dimension is embraced in its own right and that it is in precisely this blend of materialist and messianic thought that revolutionary hope may be found. Keywords: Benjamin; Baudelaire; modernity; progress and catastrophe; materialism and mysticism; remembrance and historiography Only our momentary and accidental knowledge makes something rounded and changeless of the past. The smallest modification of that knowledge, such as any accident may occasion, sheds new light upon the “unchangeable” past, and suddenly, in that new light, everything acquires a different meaning and actually becomes different. -
Tanya Sources.Pdf
The Way to the Tree of Life Jewish practice entails fulfilling many laws. Our diet is limited, our days to work are defined, and every aspect of life has governing directives. Is observance of all the laws easy? Is a perfectly righteous life close to our heart and near to our limbs? A righteous life seems to be an impossible goal! However, in the Torah, our great teacher Moshe, Moses, declared that perfect fulfillment of all religious law is very near and easy for each of us. Every word of the Torah rings true in every generation. Lesson one explores how the Tanya resolved these questions. It will shine a light on the infinite strength that is latent in each Jewish soul. When that unending holy desire emerges, observance becomes easy. Lesson One: The Infinite Strength of the Jewish Soul The title page of the Tanya states: A Collection of Teachings ספר PART ONE לקוטי אמרים חלק ראשון Titled הנקרא בשם The Book of the Beinonim ספר של בינונים Compiled from sacred books and Heavenly מלוקט מפי ספרים ומפי סופרים קדושי עליון נ״ע teachers, whose souls are in paradise; based מיוסד על פסוק כי קרוב אליך הדבר מאד בפיך ובלבבך לעשותו upon the verse, “For this matter is very near to לבאר היטב איך הוא קרוב מאד בדרך ארוכה וקצרה ”;you, it is in your mouth and heart to fulfill it בעזה״י and explaining clearly how, in both a long and short way, it is exceedingly near, with the aid of the Holy One, blessed be He. "1 of "393 The Way to the Tree of Life From the outset of his work therefore Rav Shneur Zalman made plain that the Tanya is a guide for those he called “beinonim.” Beinonim, derived from the Hebrew bein, which means “between,” are individuals who are in the middle, neither paragons of virtue, tzadikim, nor sinners, rishoim. -
The Uses of Afro-Pessimism
Part One The Uses ofAfro-Pessimism To begin, it is necessary that the reader confront the sort), the kind novelist V. S. Naipaul gave us in noxious "idea" of Africa as a substance. But to do so requires us writings like "The Crocodiles of Yamoussoukro." The to struggle with a central paradox of this substance, by British press has recently regaled its readers with the virtue of the fact that Africa is always perched on a cruel stories of Zimbabwean misanthrope Robert Mu precipice, on the threshold between something and gabe, and, with no sense of irony, even brought Ian nothingness, between survival and the negativity of life Smith, former racist leader of the now expired Southern cycles. At the core of our consideration is the unrelent Rhodesia, as expert witness against him. ingly grim view of the world Africans occupy. This is It is in the nature of the ;truggle to understand what the terrain of Afro-pessimism, that impossibility of Africa is and her place among other cultural spaces in fathoming another kind of understanding of w~at history that it excites a lot of passion and sometimes re Africa stands for in the larger imagination. It could be gret. We choose which Africa suits our intentions, or, as said without exaggeration that Afro-pessimism is as it were, inventions.4 Each of these choices surely will old as the invention of Africa as the darkest of all places correspond to a "correct" representation. In this way, in human history. Afro-pessimism proceeds by first in Africa ceases to exist as a concrete reality. -
Interpreting Diagrams from the Sefer Yetsirah and Its Commentaries 1
NOTES 1 Word and Image in Medieval Kabbalah: Interpreting Diagrams from the Sefer Yetsirah and Its Commentaries 1. The most notorious example of these practices is the popularizing work of Aryeh Kaplan. His critical editions of the SY and the Sefer ha Bahir are some of the most widely read in the field because they provide the texts in Hebrew and English with comprehensive and useful appendices. However, these works are deeply problematic because they dehistoricize the tradi- tion by adding later diagrams to earlier works. For example, in his edition of the SY he appends eighteenth-century diagrams to later versions of this tenth-century text. Popularizers of kabbalah such as Michael Berg of the Kabbalah Centre treat the Zohar as a second-century rabbinic tract without acknowledging textual evidence to the contrary. See his introduction to the Centre’s translation of the Zohar: P. S. Berg. The Essential Zohar. New York: Random House, 2002. 2. For a variety of reasons, kabbalistic works were transmitted in manuscript form long after other works, such as the Hebrew Bible, the Talmud, and their commentaries were widely available in print. This is true in large part because kabbalistic treatises were “private” works, transmitted from teacher to student. Kabbalistic manuscripts were also traditionally transmitted in manuscript form because of their provenance. The Maghreb and other parts of North Africa were important centers of later mystical activity, and print technology came quite late to these regions, with manuscript culture persisting well into the nineteenth, and even into the mid- twentieth century in some regions. -
The Archetype of the Tzaddiq in Hasidic Tradition
THE ARCHETYPE OF THE TZADDIQ IN HASIDIC TRADITION A THESIS SUBMITTED TO THE DEPARTMENT OF RELIGION AT THE UNIVERSITY OF MANITOBA IN CONJUNCTION wlTH THE DEPARTMENT OF RELIGIOUS STUDIES AT THE UNIVERSITY OF WINNIPEG IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS BY YA'QUB IBN YUSUF August4, 1992 National Library B¡bliothèque nat¡onale E*E du Canada Acquisitions and D¡rection des acquisilions et B¡bliographic Services Branch des services bibliograPhiques 395 Wellinolon Slreêl 395, rue Wellington Oflawa. Oñlario Ottawa (Ontario) KlA ON4 K1A ON4 foùt t¡te vat¡e ¡élëte^ce Ou l¡te Nate élëtenæ The author has granted an L'auteur a accordé une licence irrevocable non-exclusive licence irrévocable et non exclusive allowing the National Library of permettant à la Bibliothèque Canada to reproduce, loan, nationale du Canada de distribute or sell cop¡es of reproduire, prêter, distribuer ou his/her thesis by any means and vendre des copies de sa thèse in any form or format, making de quelque manière et sous this thesis available to interested quelque forme que ce soit pour persons. mettre des exemplaires de cette thèse à la disposition des personnes intéressées. The author retains ownership of L'auteur conserve la propriété du the copyright in his/her thesis. droit d'auteur qui protège sa Neither the thesis nor substantial thèse. Ni la thèse ni des extraits extracts from it may be printed or substantiels de celle-ci ne otherwise reproduced without doivent être imprimés ou his/her permission. autrement reproduits sans son autorisation, ïsBN ø-315-7796Ø-S -
Benjamin and Adorno on Art and Art Criticism
ON ART AND ART CRITICISM CRITIQUE OF ART BENjAMIN AND ADORNO THIJS LIJSTER FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Benjamin and Adorno on Art and Art Criticism FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Benjamin and Adorno on Art and Art Criticism Critique of Art Thijs Lijster Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Cover design: Gijs Mathijs Ontwerpers, Amsterdam Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 140 9 e-isbn 978 90 4853 105 9 (pdf) doi 10.5117/9789462981409 nur 640 | 654 © T. Lijster / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Table of Contents Acknowledgements 7 Abbreviations 9 Introduction: Critique of Art 11 1. Autonomy and Critique 19 1.1 Introduction 19 1.2 The birth of autonomy 24 1.3 The artist in the marketplace 31 1.4 Art versus society 50 1.5 Conclusion 65 2. Ends of Art 71 2.1 Introduction 71 2.2 Annihilation of semblance: Baroque allegory 72 2.3 Allegory and commodity 81 2.4 Proliferation of the aesthetic: technological reproducibility 87 2.5 Adorno’s dialectic of semblance 96 2.6 Culture industry: the social liquidation of art 98 2.7 Modernism: self-critique of semblance 107 2.8 Conclusion 119 Excursus I – The (N)everending Story 123 Hegel and the beginning of the end 124 Danto’s post-historical pluralism 129 Vattimo’s weak reality 136 Conclusion 142 3. -
An Intervention in Contemporary Critical Thought and Practice
Counter-Critical Theory: An Intervention in Contemporary Critical Thought and Practice Bernard E. Harcourt Columbia University A new journal is at issue, and indeed the only one to have overcome my firmly rooted conviction that I could never again get involved in anything like it […] I cleared the way for the plan’s acceptance by the publisher Rowohlt by appointing myself the representative responsible for the journal’s organizational and practical aspects, which I have worked out in long conversations with [Bertolt] Brecht. Its formal stance will be scholarly, even academic, rather than journalistic, and it will be called Krise und Kritik. — Walter Benjamin, letter to Gershom Scholem, October 1930.1 Crisis and Critique. Kritische Blätter, then. Critical Times, now. And how appropriate that is. We indeed live in critical times—at a troubling conjuncture of world-historical developments that are challenging our understanding of both our past and our possible futures. Around the world, we are witnessing a grab for the global commons—or whatever was left of it—with the dismantling of the Soviet Union and the precipitous privatization of industry, utilities, and finance in the former Eastern Bloc, the capitalization of the Chinese economy, the deregulation of the British and American economies, gradually seeping across Western Europe, the devastating impact of the IMF’s fiscal policies across Africa and Latin America. Mainstream economists document the plummeting percentage of property held in public trust in China, Japan, Europe, and the -
In a Letter to Gershom Scholem Dated 12 June 1938, Walter Benjamin Refines His Position on Franz Kafka in Anticipation of Writi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Directory of Open Access Journals An art history of means: Arendt-Benjamin Jae Emerling I. Notre heritage n’est précédé d’aucun testament. —René Char Is it possible to conceive anew the relation between art history and philosophy, disciplines with indelibly German birthrights, without abandoning the ruins of its aftermath? After philosophy, after art history: this is more than a temporality, it is an orientation, a movement towards and after that which has been forfeited. And yet, only in the aftermath of each, between art history and philosophy, are we granted our inheritance. What has been given is a tradition that, while irreparable, induces a recollection of what remains. What remains, what returns, is neither art history nor philosophy. To read and study this relation between generations and disciplines we must confront two unfinished projects that sought to step beyond the demarcations of philosophy and art history, two projects by forebears who rejected the names ‘philosopher’ and ‘art historian’: Hannah Arendt and Walter Benjamin.1 What comes next is unimaginable if we do not return to this pair of German-Jewish émigrés, who succeeded and failed in crossing borders both physical and conceptual. These proper names have long been bound to one another, and each offers art history and philosophy a lesson that has been difficult to receive. The difficulty arises not only from the incompleteness of their respective projects, but also from a certain reluctance to read Benjamin alongside Arendt, Arendt alongside Benjamin.2 This alongside or neben is at once a preposition of location (beside, next to) and one of exception (against, aside from). -
Founder of Hasidism: a Quest for the Historical Baal Shem Tov PDF Book
FOUNDER OF HASIDISM: A QUEST FOR THE HISTORICAL BAAL SHEM TOV PDF, EPUB, EBOOK Author Moshe Rosman | 352 pages | 20 Jun 2013 | The Littman Library of Jewish Civilization | 9781906764449 | English | Oxford, United Kingdom Founder of Hasidism: A Quest for the Historical Baal Shem Tov PDF Book All Rights Reserved. Areas of Sabbatian, Frankist, and Beshtian activity, eighteenth century. But the Satan the angel representing the innermost source of darkness became very angry because such a spiritual uplifting was interfering with his work. His teachings imbued the esoteric usage of practical Kabbalah of Baalei Shem into a spiritual movement, Hasidic Judaism. And love every Jew dearly. Some began to run away, and some were frozen in terror. From Wikipedia, the free encyclopedia. Other editions. Download as PDF Printable version. It is reported that, after the conclusion of his studies at the local cheder Jewish elementary school , he would often wander into the fields and forests that surrounded the village. A Country in Decline? And so it was! For the next several years he lived with different families, moving from one home to another. The Besht: Magician, Mystic, and Leader. Light from the Archives. Suzan Sunderland marked it as to-read Oct 21, The werewolf appeared to grow larger and larger and then started snorting and pawing the ground. He based this belief on the assumption that the letters of the Torah evolved and descended from a heavenly source, and therefore by contemplating the letters, one can restore them to their spiritual, and divine source. In the bet midrash, the Besht led his circle in kabbalistic rituals, such as adding special prayers kavanot to the normal prayer ritual.