An Intervention in Contemporary Critical Thought and Practice
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CRITICAL THEORY and AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism
CDSMS EDITED BY JEREMIAH MORELOCK CRITICAL THEORY AND AUTHORITARIAN POPULISM Critical Theory and Authoritarian Populism edited by Jeremiah Morelock Critical, Digital and Social Media Studies Series Editor: Christian Fuchs The peer-reviewed book series edited by Christian Fuchs publishes books that critically study the role of the internet and digital and social media in society. Titles analyse how power structures, digital capitalism, ideology and social struggles shape and are shaped by digital and social media. They use and develop critical theory discussing the political relevance and implications of studied topics. The series is a theoretical forum for in- ternet and social media research for books using methods and theories that challenge digital positivism; it also seeks to explore digital media ethics grounded in critical social theories and philosophy. Editorial Board Thomas Allmer, Mark Andrejevic, Miriyam Aouragh, Charles Brown, Eran Fisher, Peter Goodwin, Jonathan Hardy, Kylie Jarrett, Anastasia Kavada, Maria Michalis, Stefania Milan, Vincent Mosco, Jack Qiu, Jernej Amon Prodnik, Marisol Sandoval, Se- bastian Sevignani, Pieter Verdegem Published Critical Theory of Communication: New Readings of Lukács, Adorno, Marcuse, Honneth and Habermas in the Age of the Internet Christian Fuchs https://doi.org/10.16997/book1 Knowledge in the Age of Digital Capitalism: An Introduction to Cognitive Materialism Mariano Zukerfeld https://doi.org/10.16997/book3 Politicizing Digital Space: Theory, the Internet, and Renewing Democracy Trevor Garrison Smith https://doi.org/10.16997/book5 Capital, State, Empire: The New American Way of Digital Warfare Scott Timcke https://doi.org/10.16997/book6 The Spectacle 2.0: Reading Debord in the Context of Digital Capitalism Edited by Marco Briziarelli and Emiliana Armano https://doi.org/10.16997/book11 The Big Data Agenda: Data Ethics and Critical Data Studies Annika Richterich https://doi.org/10.16997/book14 Social Capital Online: Alienation and Accumulation Kane X. -
Key Texts and Contributions to a Critical Theory of Society
1 Introduction: Key Texts and Contributions to a Critical Theory of Society Beverley Best, Werner Bonefeld and Chris O’Kane The designation of the Frankfurt School as a known by sympathisers as ‘Café Marx’. It ‘critical theory’ originated in the United was the first Marxist research institute States. It goes back to two articles, one writ- attached to a German University. ten by Max Horkheimer and the other by Since the 1950s, ‘Frankfurt School’ criti- Herbert Marcuse, that were both published in cal theory has become an established, inter- Zeitschrift für Sozialforschung (later Studies nationally recognised ‘brand name’ in the in Philosophy and Social Science) in 1937.1 social and human sciences, which derives The Zeitschrift, published from 1932 to from its institutional association in the 1920s 1941, was the publishing organ of the and again since 1951 with the Institute Institute for Social Research. It gave coher- for Social Research in Frankfurt, (West) ence to what in fact was an internally diverse Germany. From this institutional perspec- and often disagreeing group of heterodox tive, it is the association with the Institute Marxists that hailed from a wide disciplinary that provides the basis for what is considered spectrum, including social psychology critical theory and who is considered to be a (Fromm, Marcuse, Horkheimer), political critical theorist. This Handbook works with economy and state formation (Pollock and and against its branded identification, concre- Neumann), law and constitutional theory tising as well as refuting it. (Kirchheimer, Neumann), political science We retain the moniker ‘Frankfurt School’ (Gurland, Neumann), philosophy and sociol- in the title to distinguish the character of its ogy (Adorno, Horkheimer, Marcuse), culture critical theory from other seemingly non- (Löwenthal, Adorno), musicology (Adorno), traditional approaches to society, including aesthetics (Adorno, Löwenthal, Marcuse) the positivist traditions of Marxist thought, and social technology (Gurland, Marcuse). -
Feminist Theory and the Frankfurt School: Introduction
wendy brown Feminist Theory and the Frankfurt School: Introduction Feminism is a revolt against decaying capitalism. —Marcuse There is a quaintness to Herbert Marcuse’s manifesto on behalf of “feminist socialism,” here reprinted for the first time since its appearance thirty years ago in Women’s Studies. It is not only an open- hearted and hopeful little effort at theoretically codifying the expansive revolutionary promise of the second wave of the Women’s Movement, a promise that would soon be dashed from within and without. Marcuse’s political and philosophical assumptions were also vulnerable to emerg- ing postfoundational critiques of the humanist subject, progressive his- toriography, and their entailments: essentialized identities, totalizing identities, undeconstructed binary oppositions, faith in emancipation, and revolution. Openhearted, hopeful, vulnerable, imaginative, revolution- ary: precisely the qualities Marcuse thought feminism brought to the unyielding and ultimately unemancipatory rationality of a masculinist radical politics, on the one hand, and a dreamless liberal egalitarianism, on the other. This unemancipatory rationality was the terrain that the Frankfurt School worked from every direction, as it upturned the myth of Volume 17, Number 1 doi 10.1215/10407391-2005-001 © 2006 by Brown University and d i f f e r e n c e s : A Journal of Feminist Cultural Studies Downloaded from http://read.dukeupress.edu/differences/article-pdf/17/1/1/405311/diff17-01_02BrownFpp.pdf by guest on 29 September 2021 Feminist Theory and the Frankfurt School Enlightenment reason, integrated psychoanalysis into political philosophy, pressed Nietzsche and Weber into Marx, attacked positivism as an ideology of capitalism, theorized the revolutionary potential of high art, plumbed the authoritarian ethos and structure of the nuclear family, mapped cultural and social effects of capital, thought and rethought dialectical materialism, and took philosophies of aesthetics, reason, and history to places they had never gone before. -
8. Erich Fromm's Social-Psychological
RUDOLF SIEBERT 8. ERICH FROMM’S SOCIAL-PSYCHOLOGICAL THEORY OF RELIGION Toward the X-Experience and the City of Being INTRODUCTION1 This essay explores Erich Fromm’s social-psychological theory of religion, as X- experience and longing for the City of Being, as being informed by the Hebrew Bible, the New Testament, Meister Eckhart as well as Georg W.F Hegel, Karl Marx, and Sigmund Freud. Its religious attitude constituted the very dynamic of Fromm’s writings, as well as of those of the other critical theorists of society, e.g. Max Horkheimer, Theodor W. Adorno, Walter Benjamin, Leo Loewenthal, Herbert Marcuse, etc., It united them. It could only be expressed in poetical symbols: the X-experience; or the longing for the imageless, nameless, notionless utterly Other than the horror and terror of nature and history; or the yearning for perfect justice and unconditional love: that the murderer may not triumph over the innocent victim, at least not ultimately. Man begins to become man only with the awakening of this longing for the entirely Other, or the X-experience. This religious attitude aims as idology at the destruction of all idolatry. In the Near East –––––––––––––– 1 Editors’ note-The author’s use of Fromm’s concept of “x-experience” comes from this passage in his work: What we call the religious attitude is an x that is expressible only in poetic and visual symbols. This x experience has been articulated in various concepts which have varied in accordance with the social organization of a particular cultural period. In the Near East, x was expressed in the concept of a supreme tribal chief, or king, and thus „God” became the supreme concept of Judaism, Christianity, and Islam, which were rooted in the social structures of that area. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
Otto Kirchheimer and Carl Schmitt After 1945.” Redescriptions: Political Thought, Conceptual History and Feminist Theory 24(1): 4–26
REDESCRIPTIONS Buchstein, Hubertus. 2021. “The Godfather of Left-Schmittianism? Political Thought, Conceptual History and Feminist Theory Otto Kirchheimer and Carl Schmitt after 1945.” Redescriptions: Political Thought, Conceptual History and Feminist Theory 24(1): 4–26. DOI: https://doi.org/10.33134/rds.320 RESEARCH The Godfather of Left-Schmittianism? Otto Kirchheimer and Carl Schmitt after 1945 Hubertus Buchstein Greifswald University, DE [email protected] In the vast secondary literature on Carl Schmitt as well as on the Frankfurt School, the political and legal thinker Otto Kirchheimer is described as a forerunner of contemporary Left-Schmittianism. This view is sometimes expanded in the litera- ture to the personal relationship between Schmitt and Kirchheimer after 1945 as well. A closer look at Kirchheimer’s late work, at his unpublished correspondence with Schmitt, and at additional unpublished sources contradicts such an interpre- tation. In fact, Kirchheimer strongly attacked Schmittianism in German debates on constitutional theory after 1945. This article finally uncovers the extent to which Schmitt tried to instrumentalize his former doctoral student to pursue his political rehabilitation in the Federal Republic via the United States. Kirchheimer, however, took a firm stand against this attempt. In his defense of modern parliamentary democracy, Kirchheimer definitely sided with the political left of his times; but he did so without any flirtation with Schmittianism. Keywords: Otto Kirchheimer; Carl Schmitt; Left-Schmittianism; antisemitism; West German political and legal thought I. Introduction: Against Some Legends The work of Carl Schmitt (1888–1985) has become a point of reference for a growing number of contemporary political theorists on the left. -
Historiography and Remembrance: on Walter Benjamin's Concept Of
religions Essay Historiography and Remembrance: On Walter Benjamin’s Concept of Eingedenken Charlotte Odilia Bohn Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna, 1010 Vienna, Austria; [email protected] Received: 15 November 2018; Accepted: 5 January 2019; Published: 10 January 2019 Abstract: Engaging with Walter Benjamin’s concept of Eingedenken (remembrance), this article explores the pivotal role that remembrance plays in his attempt to develop a radically new vision of history, temporality, and human agency. Building on his essay “On Some Motifs in Baudelaire” and on his last written text, “Theses on the Philosophy of History”, it will trace how memory and historiography are brought together in a curious fusion of materialist and messianic thinking. Emerging from a critique of modernity and its ideology of progress that is cast as crisis—the practice of remembrance promises a ‘way out’. Many of Benjamin’s secular Marxist critics such as Max Horkheimer and Rolf Tiedemann, however, denied the political significance of Eingedenken—dismissing it as theological or banishing it to the realm of aesthetics. Rejecting this critique, I suggest that the radical ethical aspects of Eingedenken can be grasped only once the theological dimension is embraced in its own right and that it is in precisely this blend of materialist and messianic thought that revolutionary hope may be found. Keywords: Benjamin; Baudelaire; modernity; progress and catastrophe; materialism and mysticism; remembrance and historiography Only our momentary and accidental knowledge makes something rounded and changeless of the past. The smallest modification of that knowledge, such as any accident may occasion, sheds new light upon the “unchangeable” past, and suddenly, in that new light, everything acquires a different meaning and actually becomes different. -
Erich Fromm, "The Method and Function of Analytic Social
THE ESSENTIAL FRANKFURT SCHOOL READER Edited by Andrew Arato & Eike Gebhardt Introduction by Paul Piccone continuum NEW YORK.."LONDON I Contents 2005 The Continuum International Publishing Group Inc 15 East 26 Street, New York, NY 10010 The Continuum International Publishing Group Ltd The Tower Building, 11 York Road, London SEI 7NX Preface vii Copyright © 1982 by The Continuum Publishing Company General Introduction Paul Piccone ix All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means; electronic, mechanical, photocopying, recording, Part I Political Sociology and or otherwise, without the written permission of Critique of Politics The Continuum Publishing Company. Printed in the United States of America Introducticn by Andrew Arato 3 Library of Congress Cataloging in Publication Data The End of Reason Max Horkheimer 26 Main entry under title: Changes in the Structure of The Essential Frankfurt school reader. Political Compromise Otto Kirchheimer 49 Originally published. New York: Urizen Books, State Capitalism: Its Possibilities cl978. Bibliography: p. and Limitations Friedrich Pollock 71 Includes index. The Authoritarian State Max Horkheimer 95 1. Mass society-Addresses, essays, lectures. Freudian Theory and the Pattern 2. Political science-Addresses, essays, lectures. 3. Economics-Addresses, 'essays, lectures. 'of Fascist Propaganda TheDdor W. Adorno 118 4. Social sciences-Methodology-Addresses, essays, Some Social Implications of lectures. I. Arata, Andrew. II. Gebhardt, Eike, Herbert Marcuse 138 III. Title: Frankfurt school reader. Modem Technology HMlOl.E745 1982 300 82-8063 Notes 163 ISBN 0-8264-0194-5 AACR2 476 A Critique of Methodology recognizes the.historical subject in its sinngebendeLeistung;but then, by suspending, bracketing it, the phenomenological analysis creates its own a priori, its own ideation, and its own ideological veil. -
The Controversy Over Friedrich Pollock's State Capitalism
Article History of the Human Sciences 2016, Vol. 29(2) 23–41 The controversy over ª The Author(s) 2016 Reprints and permission: sagepub.co.uk/journalsPermissions.nav Friedrich Pollock’s state DOI: 10.1177/0952695116637296 capitalism hhs.sagepub.com Manfred Gangl University of Applied Studies, Germany Abstract The critique of capitalism is the bedrock on which rests the reputation of Frankfurt School critical theory. Though critical theory has often been heralded – or criticized and rejected – as a reformulation of Marxian theory for our times, its relation with the critique of political economy, and in particular the economic treatises, has barely been studied. Friedrich Pollock, who was Max Horkheimer’s lifelong friend and close associate at the Institute for Social Research, was responsible for all administrative and financial questions, but he wrote few theoretical essays and Wiggershaus calls him ‘the last unknown member of the Frankfurt School’. Nevertheless this article asks whether not only has his influence on early critical theory been sorely underestimated, but also his impact on the late philosophies of Horkheimer, Adorno and Marcuse. Keywords critical theory, critique of political economy, dialectic of enlightenment, Friedrich Pollock, state capitalism The reputation of Frankfurt School critical theory rests upon its critique of capitalism. It has often been heralded – or criticized and rejected – as a reformulation of Marxian theory for our times. Yet the relation between critical theory and the critique of political economy has barely been studied, least of all its economic treatises. Friedrich Pollock, Max Horkheimer’s lifelong friend and close associate at the Insti- tute for Social Research,1 where he was responsible for all administrative and financial Corresponding author: Manfred Gangl, Hochschule Fulda – University of Applied Studies, Leipziger Str. -
Towards a Critical Theory of Society Collected Papers of Herbert Marcuse Edited by Douglas Kellner
TOWARDS A CRITICAL THEORY OF SOCIETY COLLECTED PAPERS OF HERBERT MARCUSE EDITED BY DOUGLAS KELLNER Volume One TECHNOLOGY, WAR AND FASCISM Volume Two TOWARDS A CRITICAL THEORY OF SOCIETY Volume Three FOUNDATIONS OF THE NEW LEFT Volume Four ART AND LIBERATION Volume Five PHILOSOPHY, PSYCHOANALYSIS AND EMANCIPATION Volume Six MARXISM, REVOLUTION AND UTOPIA TOWARDS A CRITICAL THEORY OF SOCIETY HERBERT MARCUSE COLLECTED PAPERS OF HERBERT MARCUSE Volume Two Edited by Douglas Kellner London and New York First published 2001 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2003. © 2001 Peter Marcuse Selection and Editorial Matter © 2001 Douglas Kellner Afterword © Jürgen Habermas All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Library of Congress Cataloging in Publication Data Marcuse, Herbert, 1898– Towards a critical theory of society / Herbert Marcuse; edited by Douglas Kellner. p. cm. – (Collected papers of Herbert Marcuse; v. 2) Includes bibliographical -
The Uses of Afro-Pessimism
Part One The Uses ofAfro-Pessimism To begin, it is necessary that the reader confront the sort), the kind novelist V. S. Naipaul gave us in noxious "idea" of Africa as a substance. But to do so requires us writings like "The Crocodiles of Yamoussoukro." The to struggle with a central paradox of this substance, by British press has recently regaled its readers with the virtue of the fact that Africa is always perched on a cruel stories of Zimbabwean misanthrope Robert Mu precipice, on the threshold between something and gabe, and, with no sense of irony, even brought Ian nothingness, between survival and the negativity of life Smith, former racist leader of the now expired Southern cycles. At the core of our consideration is the unrelent Rhodesia, as expert witness against him. ingly grim view of the world Africans occupy. This is It is in the nature of the ;truggle to understand what the terrain of Afro-pessimism, that impossibility of Africa is and her place among other cultural spaces in fathoming another kind of understanding of w~at history that it excites a lot of passion and sometimes re Africa stands for in the larger imagination. It could be gret. We choose which Africa suits our intentions, or, as said without exaggeration that Afro-pessimism is as it were, inventions.4 Each of these choices surely will old as the invention of Africa as the darkest of all places correspond to a "correct" representation. In this way, in human history. Afro-pessimism proceeds by first in Africa ceases to exist as a concrete reality. -
Benjamin and Adorno on Art and Art Criticism
ON ART AND ART CRITICISM CRITIQUE OF ART BENjAMIN AND ADORNO THIJS LIJSTER FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Benjamin and Adorno on Art and Art Criticism FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Benjamin and Adorno on Art and Art Criticism Critique of Art Thijs Lijster Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Cover design: Gijs Mathijs Ontwerpers, Amsterdam Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 140 9 e-isbn 978 90 4853 105 9 (pdf) doi 10.5117/9789462981409 nur 640 | 654 © T. Lijster / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Table of Contents Acknowledgements 7 Abbreviations 9 Introduction: Critique of Art 11 1. Autonomy and Critique 19 1.1 Introduction 19 1.2 The birth of autonomy 24 1.3 The artist in the marketplace 31 1.4 Art versus society 50 1.5 Conclusion 65 2. Ends of Art 71 2.1 Introduction 71 2.2 Annihilation of semblance: Baroque allegory 72 2.3 Allegory and commodity 81 2.4 Proliferation of the aesthetic: technological reproducibility 87 2.5 Adorno’s dialectic of semblance 96 2.6 Culture industry: the social liquidation of art 98 2.7 Modernism: self-critique of semblance 107 2.8 Conclusion 119 Excursus I – The (N)everending Story 123 Hegel and the beginning of the end 124 Danto’s post-historical pluralism 129 Vattimo’s weak reality 136 Conclusion 142 3.