Feminist Theory and the Frankfurt School: Introduction
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Thejudaic Element in the Teachings of the Frankfurt School
The Judaic Element in the Teachings of the Frankfurt School BY JUDITH MARCUS AND ZOLTAN TAR INTRODUCTION j In dealing with the question of the Judaic element in the teachings of the Frankfurt School, one does well to proceed as the Hebrew script does, that is, from right to left.* First, there should be a highly compressed account ofwhat on or publication of the Frankfurt School was about, and, second, an explanation ofwhat is meant by the teachings of the Frankfurt School, that is, the theoretical content of the School. Finally, we take up the main business at hand, that is, the examination of the Judaic element in the work of three Frankfurt School theorists: Max Horkheimer, Theodor Wiesengrund Adorno and Erich Fromm. Even in the case ofsuch a relatively modest and at times descriptive task as personal use only. Citati this has to be, a social scientist and historian of ideas is bound to refer to the rums. Nutzung nur für persönliche Zwecke. methodology applied. The approach will follow several lines of investigation, tten permission of the copyright holder. most notably that of the sociology of knowledge, i.e., the "existential determination of ideas" approach. If Hegel is right in saying that "to comprehend what is, is the task of philosophy [and] whatever happens, every individual is a child of his time; and philosophy is [but] its own time comprehended in thought",' then this is particularly true of the thinkers of the Frankfurt School. We might add to Hegel's dictum that each social philosophy is and remains limited and/or influenced by the historical conditions, and, subjectively, by the physical and mental constitution of its originator. -
NATURE, SOCIOLOGY, and the FRANKFURT SCHOOL by Ryan
NATURE, SOCIOLOGY, AND THE FRANKFURT SCHOOL By Ryan Gunderson A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Sociology – Doctor of Philosophy 2014 ABSTRACT NATURE, SOCIOLOGY, AND THE FRANKFURT SCHOOL By Ryan Gunderson Through a systematic analysis of the works of Max Horkheimer, Theodor W. Adorno, Herbert Marcuse, and Erich Fromm using historical methods, I document how early critical theory can conceptually and theoretically inform sociological examinations of human-nature relations. Currently, the first-generation Frankfurt School’s work is largely absent from and criticized in environmental sociology. I address this gap in the literature through a series of articles. One line of analysis establishes how the theories of Horkheimer, Adorno, and Marcuse are applicable to central topics and debates in environmental sociology. A second line of analysis examines how the Frankfurt School’s explanatory and normative theories of human- animal relations can inform sociological animal studies. The third line examines the place of nature in Fromm’s social psychology and sociology, focusing on his personality theory’s notion of “biophilia.” Dedicated to 바다. See you soon. iii ACKNOWLEDGEMENTS I owe my dissertation committee immense gratitude for offering persistent intellectual and emotional support. Linda Kalof overflows with kindness and her gentle presence continually put my mind at ease. It was an honor to be the mentee of a distinguished scholar foundational to the formation of animal studies. Tom Dietz is the most cheerful person I have ever met and, as the first environmental sociologist to integrate ideas from critical theory with a bottomless knowledge of the environmental social sciences, his insights have been invaluable. -
The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 8-2012 The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno Joseph Weiss DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Weiss, Joseph, "The idea of mimesis: Semblance, play, and critique in the works of Walter Benjamin and Theodor W. Adorno" (2012). College of Liberal Arts & Social Sciences Theses and Dissertations. 125. https://via.library.depaul.edu/etd/125 This Dissertation is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. The Idea of Mimesis: Semblance, Play, and Critique in the Works of Walter Benjamin and Theodor W. Adorno A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy October, 2011 By Joseph Weiss Department of Philosophy College of Liberal Arts and Sciences DePaul University Chicago, Illinois 2 ABSTRACT Joseph Weiss Title: The Idea of Mimesis: Semblance, Play and Critique in the Works of Walter Benjamin and Theodor W. Adorno Critical Theory demands that its forms of critique express resistance to the socially necessary illusions of a given historical period. Yet theorists have seldom discussed just how much it is the case that, for Walter Benjamin and Theodor W. -
Cultural Marxism and Cultural Studies Douglas Kellner
Cultural Marxism and Cultural Studies Douglas Kellner (http://www.gseis.ucla.edu/faculty/kellner/) Many different versions of cultural studies have emerged in the past decades. While during its dramatic period of global expansion in the 1980s and 1990s, cultural studies was often identified with the approach to culture and society developed by the Centre for Contemporary Cultural Studies in Birmingham, England, their sociological, materialist, and political approaches to culture had predecessors in a number of currents of cultural Marxism. Many 20th century Marxian theorists ranging from Georg Lukacs, Antonio Gramsci, Ernst Bloch, Walter Benjamin, and T.W. Adorno to Fredric Jameson and Terry Eagleton employed the Marxian theory to analyze cultural forms in relation to their production, their imbrications with society and history, and their impact and influences on audiences and social life. Traditions of cultural Marxism are thus important to the trajectory of cultural studies and to understanding its various types and forms in the present age. The Rise of Cultural Marxism Marx and Engels rarely wrote in much detail on the cultural phenomena that they tended to mention in passing. Marx’s notebooks have some references to the novels of Eugene Sue and popular media, the English and foreign press, and in his 1857-1858 “outline of political economy,” he refers to Homer’s work as expressing the infancy of the human species, as if cultural texts were importantly related to social and historical development. The economic base of society for Marx and Engels consisted of the forces and relations of production in which culture and ideology are constructed to help secure the dominance of ruling social groups. -
Historiography and Remembrance: on Walter Benjamin's Concept Of
religions Essay Historiography and Remembrance: On Walter Benjamin’s Concept of Eingedenken Charlotte Odilia Bohn Institute for Art Theory and Cultural Studies, Academy of Fine Arts Vienna, 1010 Vienna, Austria; [email protected] Received: 15 November 2018; Accepted: 5 January 2019; Published: 10 January 2019 Abstract: Engaging with Walter Benjamin’s concept of Eingedenken (remembrance), this article explores the pivotal role that remembrance plays in his attempt to develop a radically new vision of history, temporality, and human agency. Building on his essay “On Some Motifs in Baudelaire” and on his last written text, “Theses on the Philosophy of History”, it will trace how memory and historiography are brought together in a curious fusion of materialist and messianic thinking. Emerging from a critique of modernity and its ideology of progress that is cast as crisis—the practice of remembrance promises a ‘way out’. Many of Benjamin’s secular Marxist critics such as Max Horkheimer and Rolf Tiedemann, however, denied the political significance of Eingedenken—dismissing it as theological or banishing it to the realm of aesthetics. Rejecting this critique, I suggest that the radical ethical aspects of Eingedenken can be grasped only once the theological dimension is embraced in its own right and that it is in precisely this blend of materialist and messianic thought that revolutionary hope may be found. Keywords: Benjamin; Baudelaire; modernity; progress and catastrophe; materialism and mysticism; remembrance and historiography Only our momentary and accidental knowledge makes something rounded and changeless of the past. The smallest modification of that knowledge, such as any accident may occasion, sheds new light upon the “unchangeable” past, and suddenly, in that new light, everything acquires a different meaning and actually becomes different. -
Theory, Totality, Critique: the Limits of the Frankfurt School Critical Theory, Marxism and Modernity
Studies in 20th Century Literature Volume 16 Issue 1 Special Issue on Contemporary Spanish Article 11 Poetry: 1939-1990 1-1-1992 Theory, Totality, Critique: The Limits of the Frankfurt School Critical Theory, Marxism and Modernity Philip Goldstein University of Delaware Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Goldstein, Philip (1992) "Theory, Totality, Critique: The Limits of the Frankfurt School Critical Theory, Marxism and Modernity," Studies in 20th Century Literature: Vol. 16: Iss. 1, Article 11. https://doi.org/ 10.4148/2334-4415.1297 This Review Essay is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Theory, Totality, Critique: The Limits of the Frankfurt School Critical Theory, Marxism and Modernity Abstract Theory, Totality, Critique: The Limits of the Frankfurt School Critical Theory, Marxism and Modernity by Douglas Kellner. Keywords Frankfurt School, WWII, Critical Theory Marxism and Modernity, Post-modernism, society, theory, socio- historical perspective, Marxism, Marxist rhetoric, communism, communistic parties, totalization, totalizing approach This review essay is available in Studies in 20th Century Literature: https://newprairiepress.org/sttcl/vol16/iss1/11 Goldstein: Theory, Totality, Critique: The Limits of the Frankfurt School Cr Review Essay Theory, Totality, Critique: The Limits of the Frankfurt School Philip Goldstein University of Delaware Douglas Kellner, Critical Theory, Marxism and Modernity. -
The Uses of Afro-Pessimism
Part One The Uses ofAfro-Pessimism To begin, it is necessary that the reader confront the sort), the kind novelist V. S. Naipaul gave us in noxious "idea" of Africa as a substance. But to do so requires us writings like "The Crocodiles of Yamoussoukro." The to struggle with a central paradox of this substance, by British press has recently regaled its readers with the virtue of the fact that Africa is always perched on a cruel stories of Zimbabwean misanthrope Robert Mu precipice, on the threshold between something and gabe, and, with no sense of irony, even brought Ian nothingness, between survival and the negativity of life Smith, former racist leader of the now expired Southern cycles. At the core of our consideration is the unrelent Rhodesia, as expert witness against him. ingly grim view of the world Africans occupy. This is It is in the nature of the ;truggle to understand what the terrain of Afro-pessimism, that impossibility of Africa is and her place among other cultural spaces in fathoming another kind of understanding of w~at history that it excites a lot of passion and sometimes re Africa stands for in the larger imagination. It could be gret. We choose which Africa suits our intentions, or, as said without exaggeration that Afro-pessimism is as it were, inventions.4 Each of these choices surely will old as the invention of Africa as the darkest of all places correspond to a "correct" representation. In this way, in human history. Afro-pessimism proceeds by first in Africa ceases to exist as a concrete reality. -
Benjamin and Adorno on Art and Art Criticism
ON ART AND ART CRITICISM CRITIQUE OF ART BENjAMIN AND ADORNO THIJS LIJSTER FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Benjamin and Adorno on Art and Art Criticism FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Benjamin and Adorno on Art and Art Criticism Critique of Art Thijs Lijster Amsterdam University Press FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Cover design: Gijs Mathijs Ontwerpers, Amsterdam Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 140 9 e-isbn 978 90 4853 105 9 (pdf) doi 10.5117/9789462981409 nur 640 | 654 © T. Lijster / Amsterdam University Press B.V., Amsterdam 2017 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. FOR PRIVATE AND NON-COMMERCIAL USE AMSTERDAM UNIVERSITY PRESS Table of Contents Acknowledgements 7 Abbreviations 9 Introduction: Critique of Art 11 1. Autonomy and Critique 19 1.1 Introduction 19 1.2 The birth of autonomy 24 1.3 The artist in the marketplace 31 1.4 Art versus society 50 1.5 Conclusion 65 2. Ends of Art 71 2.1 Introduction 71 2.2 Annihilation of semblance: Baroque allegory 72 2.3 Allegory and commodity 81 2.4 Proliferation of the aesthetic: technological reproducibility 87 2.5 Adorno’s dialectic of semblance 96 2.6 Culture industry: the social liquidation of art 98 2.7 Modernism: self-critique of semblance 107 2.8 Conclusion 119 Excursus I – The (N)everending Story 123 Hegel and the beginning of the end 124 Danto’s post-historical pluralism 129 Vattimo’s weak reality 136 Conclusion 142 3. -
An Intervention in Contemporary Critical Thought and Practice
Counter-Critical Theory: An Intervention in Contemporary Critical Thought and Practice Bernard E. Harcourt Columbia University A new journal is at issue, and indeed the only one to have overcome my firmly rooted conviction that I could never again get involved in anything like it […] I cleared the way for the plan’s acceptance by the publisher Rowohlt by appointing myself the representative responsible for the journal’s organizational and practical aspects, which I have worked out in long conversations with [Bertolt] Brecht. Its formal stance will be scholarly, even academic, rather than journalistic, and it will be called Krise und Kritik. — Walter Benjamin, letter to Gershom Scholem, October 1930.1 Crisis and Critique. Kritische Blätter, then. Critical Times, now. And how appropriate that is. We indeed live in critical times—at a troubling conjuncture of world-historical developments that are challenging our understanding of both our past and our possible futures. Around the world, we are witnessing a grab for the global commons—or whatever was left of it—with the dismantling of the Soviet Union and the precipitous privatization of industry, utilities, and finance in the former Eastern Bloc, the capitalization of the Chinese economy, the deregulation of the British and American economies, gradually seeping across Western Europe, the devastating impact of the IMF’s fiscal policies across Africa and Latin America. Mainstream economists document the plummeting percentage of property held in public trust in China, Japan, Europe, and the -
In a Letter to Gershom Scholem Dated 12 June 1938, Walter Benjamin Refines His Position on Franz Kafka in Anticipation of Writi
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Directory of Open Access Journals An art history of means: Arendt-Benjamin Jae Emerling I. Notre heritage n’est précédé d’aucun testament. —René Char Is it possible to conceive anew the relation between art history and philosophy, disciplines with indelibly German birthrights, without abandoning the ruins of its aftermath? After philosophy, after art history: this is more than a temporality, it is an orientation, a movement towards and after that which has been forfeited. And yet, only in the aftermath of each, between art history and philosophy, are we granted our inheritance. What has been given is a tradition that, while irreparable, induces a recollection of what remains. What remains, what returns, is neither art history nor philosophy. To read and study this relation between generations and disciplines we must confront two unfinished projects that sought to step beyond the demarcations of philosophy and art history, two projects by forebears who rejected the names ‘philosopher’ and ‘art historian’: Hannah Arendt and Walter Benjamin.1 What comes next is unimaginable if we do not return to this pair of German-Jewish émigrés, who succeeded and failed in crossing borders both physical and conceptual. These proper names have long been bound to one another, and each offers art history and philosophy a lesson that has been difficult to receive. The difficulty arises not only from the incompleteness of their respective projects, but also from a certain reluctance to read Benjamin alongside Arendt, Arendt alongside Benjamin.2 This alongside or neben is at once a preposition of location (beside, next to) and one of exception (against, aside from). -
Walter Benjamin on Justice, Judaism, and the Possibility of Ethics CHARLES H
American Political Science Review Vol. 108, No. 1 February 2014 doi:10.1017/S0003055413000579 c American Political Science Association 2014 Against Politics: Walter Benjamin on Justice, Judaism, and the Possibility of Ethics CHARLES H. T. LESCH Harvard University s politics compatible with the moral life? Recent attempts to revivify democracy have stressed the lived experience of political activity, the democratic character of the spontaneous moment and the I popular movement. This article raises some concerns about such agonistic enthusiasm via an original reading of Walter Benjamin’s political thought. For Benjamin, politics corrodes our everyday lives and moral conduct. His response is to envision a space for ethics wholly apart from the violence (Gewalt) that sustains propertied political order, a purified version of the Kantian kingdom of ends that he calls the “state of justice.” Yet deprived of the coercive instrumentality of politics, there is no action that could lead humanity directly to such a state. To surmount this paradox, Benjamin culls from sources in Jewish political theology, and in particular, Jewish ideas about justice and the community of the righteous. In so doing, he offers a new and radical ethical critique of politics that may hold special relevance in our politics-saturated age. “Human actions form a whole. A space can be saved Such theorizing attends to the impact of ideological with great effort for ethically relevant actions. Saved and instrumental forms of thinking on our everyday from what? From violence, which can be termed moral judgment (Halbertal 2012, 63–78), what Weber ‘myth.’ Almost all realms of human action are sub- calls the “significance of political action within our ject to mythical categories, from which fate alone conduct of life as a whole” ([1919] 2002, 309). -
University of California Santa Cruz from Mass Culture To
UNIVERSITY OF CALIFORNIA SANTA CRUZ FROM MASS CULTURE TO PERSONALIZATION A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in HISTORY OF CONSCIOUSNESS by Lindsay A. Weinberg June 2018 The Dissertation of Lindsay A. Weinberg is approved: ___________________________________ Professor Robert Meister, co-chair ___________________________________ Professor Carla Freccero, co-chair ___________________________________ Professor Warren Sack ___________________________________ Professor Mark Andrejevic _____________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies TABLE OF CONTENTS Introduction, p. 1 Chapter One, p. 36 Rethinking the Frankfurt School Chapter Two, p. 118 On the Question of Labor Chapter Three, p. 180 Attention and Design Chapter Four, p. 231 Surveillance and Privacy Conclusion, p. 274 References, p. 283 ! iii LIST OF FIGURES Figure Page 1. Kelvinator “Automatic Cook” advertisement................................................195 2. Hotpoint All-Electric Kitchen advertisement…............................................196 3. Original advertisement for the Honeywell Kitchen Computer......................199 4. Apple’s “1984” advertisement………………………………………….......202 ! iv Abstract From Mass Culture to Personalization Lindsay Weinberg This dissertation argues that personalization—the web of technologies and cultural practices that generate information about consumers to market goods and services to target audiences—is part of a larger cultural and economic