Journal of Cultural and Social Anthropology Volume 1, Issue 2, 2019, PP 16-18 ISSN 2642-8237 Palmyra: A Matter that Concerns us all Joao Vicente Ganzarolli de Oliveira* Senior Professor and Researcher of the Tercio Pacitti Institute of the Federal University of Rio de Janeiro, Brazil *Corresponding Author: Joao Vicente Ganzarolli de Oliveira, Cidade Universitária, Rio de Janeiro, Brazil, Email:
[email protected] ABSTRACT Based on personal impressions gathered during my stay in the Middle East in 1998 and in 2002, this article focuses on the preservation of art in the Hellenistic city of Palmyra. The destruction of the ancient art produced in such a magnificent place means not only a breach with the past; it is also a bad omen for the very existence of art in the future of mankind. The Author thanks Professor Júlio Tadeu Carvalho da Silveira for his generous cooperation. Keywords: Palmyra, Art, Middle East, Preservation, Humanity. Palmyra has its own fate between the mighty Roman and Parthian empires Pliny, the Elder Beauty will save the world Dostoevsky 1 A FOREST OR MARBLE world. In the Middle East, Palmyra is second only to Petra. First mentioned on documents Palmyra is a forest of marble that contrasts to nd the ochre sameness of the deserts of the Middle during the early 2 millennium BC, Palmyra East. Palmyra is also the main oasis on the belonged to different empires before becoming part of the Roman world. Controversial issues desert fringe that fans out at the edge of concerning to what extend Semitic and Parthian Mesopotamia – the land whose ancient civilization (the oldest of all, hence the formula art are present in Palmyra may well be set aside Mesopotamia = cradle of civilization) lived and here, taking into consideration the scope of this thrived along the banks of two twin rivers, article, which is limited to general information; let us leave such issues to experts such as namely the Euphrates and the Tigris.