Gossip Girl Season One Episode 7
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Gossip Girl Viral Promotion Problem Statement
Group 4 - Round Table Media Case 14-1: Gossip Girl Viral Promotion Problem Statement: The CW’s show Gossip Girl has lost live viewers, which decreases the value of the advertising spots available during the show. The network seeks to increase live viewership by incentivizing viewers via a creative, viral campaign to watch Gossip Girl live instead of recording the show and watching it later. Critical Factors: A. The primary target market for this campaign is women, 18-24 years of age. The CW is the only network capturing women in this target. The secondary target market is college males. B. Increased use of digital video recorders, websites streaming television shows, and services like DirecTV and Tivo means that viewers are choosing to record shows and watch them later, and can fast forward through commercials.1 C. The CW has requested this campaign be a non-traditional and outside-the-box publicity and promotional campaign. The CW network executives highly admired Jack in the Box’s “Hang in There Jack” campaign and its use of non-traditional media. D. The CW Network has fourteen weeks to launch a viral Gossip Girl media campaign before the next season premiere, then the campaign will continue while Gossip Girl airs. E. Gossip Girl emphasizes fashion and technology, and is influential in these industries. F. The success of the promotional campaign will be measured by changes in ratings during the time of the campaign, and hopefully will result in a significant increase in ratings. G. Gossip Girl is one of The CW’s most popular series, so it is understood that we are working with a large budget. -
Le Harcèlement Sexuel : Clarification
Université de Montréal L’évolution des représentations des crimes sexuels et du harcèlement sexuel dans les téléséries américaines de fiction post #Metoo. Par Françoise Goulet-Pelletier Département d’histoire de l’art et d’études cinématographiques Faculté des arts et des sciences Mémoire présenté à la Faculté des études supérieures et postdoctorales en vue de l’obtention du grade de M.A. en études cinématographiques, option recherche. Décembre 2019 © Françoise Goulet-Pelletier, 2019 ii Université de Montréal Unité académique : Département d’histoire de l’art et d’études cinématographiques Ce mémoire intitulé L’évolution des représentations des crimes sexuels et du harcèlement sexuel dans les téléséries américaines post #Metoo. Présenté par Françoise Goulet-Pelletier A été évalué par un jury composé des personnes suivantes Isabelle Raynauld Directrice de recherche Marta Boni Membre du jury Stéfany Boisvert Membre du jury iii Résumé Le mouvement social #Metoo a bouleversé les mœurs et les façons de penser quant aux enjeux liés au harcèlement sexuel et aux abus sexuels. En effet, en automne 2017, une vague de dénonciations déferle sur la place publique et peu à peu, les frontières de ce qui est acceptable ou pas semblent se redéfinir au sein de plusieurs sociétés. En partant de cette constatation sociétale, nous avons cru remarquer une reprise des enjeux entourant le mouvement social #Metoo dans les séries télévisées américaines de fiction. Ce mémoire souhaite illustrer et analyser l’évolution des représentations des crimes sexuels et du harcèlement sexuel inspirée par le mouvement #Metoo. En reprenant les grandes lignes de ce mouvement, cette étude s’attarde sur son impact sur la société nord-américaine. -
Gossip Girl-Season1 Episode3 (The Letter)
www.SSEcoach.com Gossip Girl-Season1 Episode3 – Blair reads her letter to Serena Title: Gossip Girl – The letter Time – 2:31 Part 1 - Script 1. Blair: Whenever something’s bothering you, I can always find you here. 2. Serena: You here for another catfight? 3. Serena: What’s that? 4. Blair: A letter; I wrote it to you when you were away at boarding school. 5. Blair: I never sent it. 6. Blair: Dear Serena, my world is falling apart and you’re the only one who would understand. My father left my mother for a 31 year old model; a male model. I feel like screaming because I don’t have anyone to talk to. 7. Blair: You’re gone. My dad’s gone. Nate’s acting weird. Where are you? Why don’t you call? Why did you leave without saying goodbye? 8. Blair: You’re supposed to be my best friend. I miss you so much. Love Blair. 9. Serena: Why didn’t you send it? I would’ve- 10. Blair: You would’ve what! 11. Blair: You knew Serena and you didn’t even call. 12. Serena: I didn’t know what to say to you. I didn’t know how to be your friend after what I did. I’m so sorry. 13. Blair: Erik told me what happened; I guess your family’s been going through a hard time too. 14. Gossip Girl: Spotted in Central Park: Two white flags waving. Could an Upper East Side peace accord be far off? 15. Gossip Girl: So what will it be? Truce or consequences? We all know one nation can’t have two queens. -
The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019
Masthead Logo Scholar Works Honors Theses Honors 2019 Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker University of Maine at Farmington Follow this and additional works at: https://scholarworks.umf.maine.edu/honors_theses Part of the Comparative Literature Commons Recommended Citation Decker, Nichole, "Bricolage on the Upper East Side: The nI tertwining of Multimedia in Emma, Clueless, and Gossip Girl" (2019). Honors Theses. 5. https://scholarworks.umf.maine.edu/honors_theses/5 This Research Project is brought to you for free and open access by the Honors at Scholar Works. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholar Works. For more information, please contact [email protected]. 2 Bricolage on the Upper East Side: The Intertwining of Multimedia in Emma, Clueless, and Gossip Girl Nichole Decker Honors Scholar Project May 6, 2019 “Okay, so you’re probably going, is this like a Noxzema commercial or what?” - Cher In this paper I will analyze the classic novel Emma, and the 1995 film Clueless, as an adaptive pair, but I will also be analyzing the TV series, Gossip Girl, as a derivative text. I bring this series into the discussion because of the ways in which it echos, parallels, and alludes to both Emma and Clueless individually, and the two as a source pair. I do not argue that the series is an actual adaptation, but rather, a sort of collage, recombining motifs from both source texts to create something new, exciting, and completely absurd. -
Thrill of the Chace
REVIEW Ed and Thrill of Jessica are dating in real life KELLY RUTHERFORD CE (Lily van der Woodsen) It’s a case of life imitating THELUCKY SHANNON O’M EARACHA KEEPS A DATE Ed and art as 40-year-old WITH GOSSIP GIRL NICE GUY NATE Chace are Kelly, who plays a great mates multi-divorced mum, off-screen battles for custody of her WAKE-UP call at 6am is not real-life son, Hermès. much fun, although if Chace ED WESTWICK Crawford – Gossip Girl’s Nate (Chuck A Bass), CHACE CRAWFORD Archibald – is at the end of the line, (Nate Archibald) and JESSICA could there be a better reason to get SZOHR (Vanessa Abrams) up in the morning? Nate and Vanessa briefly dated on So Grazia happily (and breathlessly) the show, but party-boy Ed is now takes the call from the Texan romancing Jessica in the real world – heart-throb, who has a rare day off despite the gay rumours that plague former flatmates Ed and Chace. from !lming the hit drama series. The 23-year-old is eager to tell us about his crush on Australia and his penchant for Aussie stars. “I want to get to Australia so bad,” Chace says. “Ed [Westwick, aka Chuck Bass] has of the been down there and he had a blast. Real-life drama s Australia is de!nitely next on my list. The accent, the girls!” CAST Despite having hordes of female GOSSIP GI RL fans, the actor remains surprisingly THE ON-SCREEN SOAP OPERA HAS grounded, mostly thanks to some NOTHING ON THEIR OFF-SCREEN PLOTS good ole southern values. -
GOSSIP GIRL by Cecily Von Ziegesar
Executive Producer Josh Schwartz Executive Producer Stephanie Savage Executive Producer Bob Levy Executive Producer Les Morgenstein Executive Producer John Stephens Co-Executive Producer Joshua Safran Producer Amy Kaufman Producer Joe Lazarov Episode 206 “New Haven Can Wait” Written by Alexandra McNally & Joshua Safran Directed by Norman Buckley Based on GOSSIP GIRL by Cecily von Ziegesar Double White Revisions 8/20/08, pg. 41 Goldenrod Revisions 8/14/08, pgs. 2, 3, 3A Green Revisions 8/12/08, pg. 16 Yellow Revisions 8/12/08, pgs. 5, 20, 20A-21, 22, 23, 31, 31A, 31B-32, 32A, 33, 36, 37, 38, 38A-39, 49A, 50, 51 Full Pink Revisions 8/11/08 Full Blue Revisions 8/8/08 Production #: 3T7606 Production Draft 8/5/08 © 2008 Warner Bros. Entertainment Inc. This script is the property of Warner Bros. Entertainment, Inc. No portion of this script may be performed, reproduced or used by any means, or disclosed to, quoted or published in any medium without the prior written consent of Warner Bros. Entertainment Inc. “New Haven Can Wait” Character List CAST Serena van der Woodsen Blair Waldorf Dan Humphrey Jenny Humphrey Nate Archibald Chuck Bass Rufus Humphrey Lily Bass Eleanor Waldorf Dorota Vanessa Abrams Headmaster Prescott Headmistress Queller Assistant GUEST CAST * Dean Berube (pronounced Barraby) Jordan Steele Skull and Bones Leader Skull Bones Shirley History Professor Girl (Miss Steinberg) Yale Guy EXTRAS Constance and St. Jude’s Seniors Yale Students Serena’s Driver Yale Guys and Two Super-Hot Yale Girls Skull and Bones Members Three Masked -
We Are All Gossip Girl”: Gossip Girl and the Promise of Interactive Television
PREVIOUSLY ON “We are all Gossip Girl”: Gossip Girl and the Promise of Interactive Television Elisa Lange In November 2010, Current TV, a cable network founded by former Vice President Al Gore, has started airing a 30 minute TV series called Bar Karma, which is created in online collaboration with fans and is thus a new step to truly participatory and interactive TV. On a website users can pitch storylines, comment on submitted entries, talk to the producers, and contribute marketing ideas. The show is co-produced by SimCity creator Will Wright and features well-known actors like William Sanderson (http://current.com/studios/about/). Of course, there is no guarantee that the fans’ story idea will find its way into the actual show since the producers and writers still hold the power to decide how and if a pitch is worked into the final product. Still, this project allows viewer to have more than an imaginary control over the televised narrative even if the project’s success still remains to be seen. Still, interactivity rarely plays out on the primary level of the TV program itself, but more commonly on the secondary level and tertiary level of the televisual text, that is network created websites that allow some contributions from fans and unregulated communications between fans (Fiske, 1983: 85). Interactivity within the TV landscape is often associated with the viewers’ ability to turn from passive consumers into active producers of content that “adds” to the televised narrative but does not change it (Hassapopoulou, 2010: 48). This distinction usually does not to take into account that even when viewers are passively sitting on their couch watching soap operas, their minds are still actively engaged in making sense of the narratives and relationships. -
Do You Fit the Alloy Mold?
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2013 Do You Fit the Alloy Mold? The Homogenization of Structure and Audience in the Television Adaptations of 'Gossip Girl,' 'Pretty Little Liars,' and 'The Vampire Diaries' Caitlin Murray Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/3064 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Caitlin Murray 2013 All Rights Reserved Do You Fit the Alloy Mold? The Homogenization of Structure and Audience in the Television Adaptations of Gossip Girl, Pretty Little Liars, and The Vampire Diaries A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in English at Virginia Commonwealth University. by Caitlin Murray Bachelor of Arts, Virginia Tech, Blacksburg, VA, 2010 Director: Dr. Richard Fine, Professor of English Virginia Commonwealth University Richmond, Virginia April 25, 2013 Acknowledgment The author wishes to thank several people. I would like to thank my parents and my sister for their unending love and support. I would also like to thank Zachary for his support and patience in the year it took me to write this thesis. I would like to thank my committee members, Dr. Christenbury and Dr. Brinegar for all of the help they have given me throughout this process. -
Extended Essay Code: Hmb426 Research Question: in What Ways
Extended Essay Code: hmb426 Research question: In what ways does the show Gossip Girl portray traditions in New York’s elite class? November 2019 Word count: 3918 Table of Contents Introduction: Chapter 1: New York’s elite class and the relevance of traditions. Chapter 2: How traditions play a role in the American family and with this how is it pursued with wealth. Conclusion: Bibliography: Introduction: In this extended essay, I will analyze how the behavior of people that are part of an elite class, especially in a city like New York, known for having every kind of social class possible, from homeless people to extremely rich and wealthy people. In this case, I will explain how the elite class carries family traditions and furthermore, how their social and economic state influences their family development and their kid's emotional growth when it comes to talking about specific things such as in traditions. The artifact that I will be using is the worldwide famous series Gossip Girl, that at first, it was a series of books published in April 2002 and stopped in the month of May 2007, and after all the success it had, the author, Cecily Von Ziegesar sold the legal right to the books to Josh Schwartz and Stephanie Savage to take the series to a young adult show in The CW network for six seasons from September 19, 2007, to December 17, 2012. Gossip Girl was a big hit between those years and to this day teenagers are still watching the series. To summarize the story plot, Gossip Girl is about the scandalous life’s of a group of teenagers and their families living their best life in the Upper East Side of Manhattan, but when it comes to it, it shows the struggles of being part of the elite class and the social pressure that comes with it. -
Sticker Fashionista: Vintage Style Free
FREE STICKER FASHIONISTA: VINTAGE STYLE PDF Kelly Smith | 44 pages | 22 Oct 2013 | Laurence King Publishing | 9781780673035 | English | London, United Kingdom Sticker Fashionista: Vintage Style by Kelly Smith (Paperback, ) for sale online | eBay The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Beautiful cover drawing. Pretty fashion Sticker Fashionista: Vintage Style in pencil shading. Verified purchase: Yes Condition: New. Skip to main content. About this product. Make an offer:. Stock photo. Brand new: Lowest price The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Kelly Smith is Sticker Fashionista: Vintage Style Australian illustrator, working predominantly in fashion and portraiture. See details - Sticker Fashionista by Kelly Smith. See all 5 brand new listings. Qty: 1 2 3. Buy It Now. Add to cart. About this product Product Information The third book in the Sticker Fashionista series looks at fashion through the decades from to the present day. With gorgeous illustrations of amazing clothes, from 's flappers to 's grunge via 's disco. This is the first series of sticker fashion books that uses the contemporary style Sticker Fashionista: Vintage Style fashion illustration. Show more Show less. Any condition Any condition. See all 7 - All listings for this product. Ratings and reviews Write a review. -
OMG! the Gossip Behind One Program's Effects on Interpersonal Relationship Expectations
OMG! The Gossip Behind One Program's Effects on Interpersonal Relationship Expectations BY Cailin Rocco ADVISOR • Stanley Baran _________________________________________________________________________________________ Submitted in partial fulfillment of the requirements for graduation with honors in the Bryant University Honors Program APRIL 2010 Table of Contents Abstract ..................................................................................................................................... 1 Introduction ............................................................................................................................... 2 Purpose of This Study ........................................................................................................... 3 Literature Review ...................................................................................................................... 4 Social Cognitive Theory ....................................................................................................... 4 Elaboration Likelihood Model .............................................................................................. 6 The Early Window ................................................................................................................ 8 Cultivation Theory ................................................................................................................ 9 Method ................................................................................................................................... -
Gossip Girl Relevant Background Information Actors Artifacts
Assignment One Lauren Ferrell Gossip Girl Relevant Background Information The show is set in New York City on the Upper East Side in the year 2007-2008. Some important locations in this series is: Grand Central train station where Serena van der Woodsen arrives at, Brooklyn where Dan Humphrey lives, Constance which is the school that they all attend, and a party venue in the Upper East Side where Blair Waldorf has the Kiss on the Lips party. The series is based off of the book series by Cecily von Ziegesar. The first observation that I did is on the first show in the series titled ‘Pilot’. The second observation that I did was on the second show in the series titled ‘The Wild Brunch’. Finally, the third observation I did was on the third show in the series titled ‘Poison Ivy’. Actors ❖ Serena van der Woodsen is the main character of the show. The ‘it’ girl of the Upper East Side. Serena left town the year before and when she shows back up everyone is trying to figure out why she ever left in the first place. Mistakes from her past are haunting her and she is now back and trying to make amends with everyone and forget about everything she did in her past. She is worried about her brother and the relationship she has with Blair Waldorf, her best friend. ❖ Dan Humphrey is considered the outsider character because he is not rich or considered important like everyone else. Serena van der Woodsen is his main focus, whom he has had a crush on for years.